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View Rights PortalWas Isaak Babel für den der Oktoberrevolution von 1917 folgenden Bürgerkrieg, das leistete der Schriftsteller und Journalist Saadat Hassan Manto (geboren 1912, gestorben 1955 in Lahore/Pakistan, nahe der indischen Grenze) mit seinen Geschichten von der blutigen Teilung des indischen Subkontinents 1947: die bleibende Verdichtung des Gehörten, Gesehenen und Erlebten zu Szenen schmerzhaft gesteigerter Gegenwart, eines angesichts des Todes auf die Spitze getriebenen Lebens.
Hassan, who had lost his twin brother, best friend and partner-in-crime — Hussin — during teenagers due to cancer. Hassan then further studies medicine and makes friends with Amy and Nieza; and become best friends. Hassan — loves to joke around, tease his friends and coworkers a lot, a gentleman to the point people called him Dr Charmer, and very protective towards his friends especially Amy and Nieza. If a man wants to approach Amy and Nieza, he has to go through Hassan first! Beneath those witty personalities, Hassan was actually struggling in handling his inner turmoil when it comes to grieving and sadness. When his friend and his teenage patient passed away, Hassan was again at a loss. He always thought that he needed to be strong for his parents after Hussin passed away — he stopped crying, he stopped expressing his grief, he just ignored the pain. But then he learn, being strong does not mean one should suppress and dismiss his feelings.
Destination branding and marketing form the backbone of tourism industry growth, but it is increasingly important that the strategies employed consider and promote sustainable solutions. This book provides a comprehensive set of tools and techniques for branding and marketing for sustainable tourism development. It blends tourism and marketing strategies with practical, innovative information technology solutions and a psychological perspective, providing illustrative case studies and examples to aid understanding. Addressing opportunities and challenges across the field, it also reviews how different types of tourism such as community based, accessible, film, agricultural and cultural-heritage tourism entail unique issues for development. Competition between destinations has led to a real need for different strategies in order to differentiate the tourism product. This book: - Uniquely covers both marketing and branding of a destination from a sustainability perspective; - Considers the role of emotions and experiences when advertising a destination; - Brings together a set of global authors to provide a varied and universally applicable approach to the subject. A thought-provoking read for anyone interested in questions of sustainability in destinations, this book provides an invaluable resource for researchers of tourism, marketing and international development studies as well as destination managers.
»Ich bin ein Sohn der Straße, meine Heimat ist die Karawane, und mein Leben ist eine Reise voller Überraschungen.« Hassan al-Wazzan, ein gebildeter junger Mann und gläubiger Muslim, bereist als Kaufmann den Maghreb und hat den großen Wunsch, nach Mekka zu pilgern. Doch es sind unruhige Zeiten in einer unruhigen Gegend, es herrschen Überfälle und Kriege. Wie aus dem Nichts taucht eines Tages eine Bande sizilianischer Piraten auf, die Hassan nach Rom verschleppen und versklaven. Er ist ein Glücksgriff für die Piraten, denn Hassans wacher Verstand und seine außergewöhnliche Klugheit machen ihn zu einem besonderen Geschenk für den mächtigsten Mann der christlichen Welt: Papst Leo X. Dieser ernennt ihn zu seinem Geographen – doch wird er dem Vatikan jemals wieder entkommen können, seine Freiheit zurückerlangen und in seine Heimat, den Maghreb, zurückkehren? »Der Geograph des Papstes« ist ein ungemein packender historischer Roman, der die ereignisreiche und hochspannende Epoche der Renaissance lebendig werden läßt.
This story is full of a cheeky sense of humor that little readers will adore. In this book they can find funny poems and beautiful watercolor illustrations to give them the feeling of diving in the ocean. This unique and amazing book was created by the famous Ukrainian writer Yuriy Nikitinskiy and by the fabulous illustrator Marichka Ruban. From 3 to 8 years, 422 words Rightsholders: kovalenko@artbooks-publishing.com
When children first explore the world, they usually ask many questions. You can try finding answers together with them by reading and looking through the picturebook Скільки?/ How many? The book's interesting questions and beautiful illustrations facilitate a friendly and joyful dialogue between adults and little readers. Скільки?/How many? was originally published as a bilingual picturebook with English and Ukrainian parallel text, which was also helpful for children learning languages. From 3 to 6 years, 199 words (Ukrainian and English) Rightsholders: Oksana Lushcevska, olushchevska@gmail.com
Nina is playing on a swing and looking forward to the summer. However, it turns out that there will be neither flowers in the flowerbeds nor any blue dolphins in the sea this summer. And all because of Nina’s carelessness! There’s no reason to despair, though. With a little bit of effort, and the help of other characters in this picture book, Nina will not only save the summer, but also achieve something very special. This book and charming illustrations, originally published in bilingual edition (Ukrainian-English) will appeal to both children and their parents. From 3 to 6 years, 785 words (Ukrainian and English). Rightsholders: olushchevska@gmail.com
Hoverla is the tallest mountain in Ukraine. Many people climb it every year. But what do we know about it? Where does its name come from? Where does the Prut waterfall flow? Why is it so important not to trample down the moutain slopes? The story is told by the mountain itself, and many interesting facts and beautiful illustrations will introduce the readers to the diverse world of Hoverla and its inhabitants. Hoverla shows that everything has its unique voice, even the stones if you know how to listen. From 5 to 10 years, 820 words Rightsholders: Nargis Gafurova and Anna Tiurina; crocus.publishers@gmail.com
A time comes when every child starts wondering about their body, asking their parents “awkward” questions. In this book, children and their parents, together with a curious boy named Max, will learn about the boys’ private parts and about the right way to treat one’s privacy and intimacy, about hygiene and safety, about illnesses and self-care, and, most importantly, about good behavior and respect. The book approaches the subject in an interesting and fun way, and is beautifully illustrated by Anna Oliynyk. From 3 to 12 years, 7681 words Rightsholders: mybookshelf.publishing@gmail.com
A sweeping historical saga about a city that defies the eroding power of time In one of the first Arabic novels about the COVID-19 pandemic, relationships begin and end much like the pandemic itself. From his balcony in Beirut, Ezzat notices a solitary light on a lone balcony in the building opposite. From that moment, a connection begins to form across the empty space between the buildings, communicated through the air and signals. The events unfold after the owner of the shadow steps out onto her balcony, confronting the voyeur. They share time, confusion... and desire. Ezzat and Tamer successively both fall in love with the same woman, and a cautious friendship develops between the two men. It soon evolves into more dangerous forms. The story also portrays the experiences of other building residents during the pandemic, who imposed strict isolation on themselves. The protagonists, particularly the two elderly lovers, live on the edge of catastrophic expectations, as when they imagine that a woman pressing the intercom downstairs to ask for food could be a sign of an impending widespread famine. The story does not conclude in a stalemate but rather with losers.
Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat. The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac. As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.
This title collects illustrations, posters, and design works of Aubrey Beardsley, the characteristic illustrator in the 19th century. It is the most complete collection of his works in China, edited by Mr. Wei Junlin, painter and researcher of Beardsley.
Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity. The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless. Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them. So Hatless removes her hat. As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats. Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air. By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens. Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.
This book explains that the study of the relationship between (architecture and astronomy) or the influence of astronomical phenomena on the buildings of relatively modern civilizations has become an important branch of astronomy, known as (architectural astronomy) or (archaeoastronomy). The roots of this field began modestly at the end of the 19th century and the beginning of the 20th century. Given the lack of awareness or limited knowledge of many about the topics and objectives of this science, even among specialists in the fields of architecture and archaeology, it was necessary to shed light on this science through studies conducted on many buildings of ancient civilizations around the world, both old and new, which we have presented in different chapters of the book.
Sonia and Nika are best friends. Yet, they live far away from each other: Nika lives on the left bank of the Dripro River and Sonia lives on the right one. To see each other more often the girls come up with a secret game. But sometimes, one of them feels sad. What would Nika do this time to make Sonia laugh? In this bilingual picturebook the readers will dive into a world of endless imagination, present in each child and grown-up as well. From 6 to 9 years, 1250 words (Ukrainian and English). Rightsholders: Oksana Luchchevska, olushchevska@gmail.com
Mira dreams about the sea, but it is so far away! One day an unusual guest visits her, and suddenly Mira begins an unexpected journey. Will it be adventurous? What will happen to Mira on the way? Will she manage to reach the sea? This bilingual Ukrainian-English picturebook tells a story of friendship, imagination, and what happens when one faces life's exciting and sometimes uneasy dilemmas. from 3 to 6 years, 1160 words (Ukrainian and English). Rightsholders: Oksana Luchchevska, olushchevska@gmail.com
Little Romko lost his coin but he was not upset for long, since he acquired something much more valuable. This Ukrainian-English bilingual board book tells the story of the extraordinary in everyday life and shows how a bit of humour and imagination can turn a perfectly ordinary day into something unusual. From 3 to 6 years, 1686 words (English and Ukrainian bilingual edition) Rightsholders: Oksana Lushcevska, olushchevska@gmail.com