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Established in 1972, The Ateneo de Manila University Press is the publishing arm of the Ateneo de Manila University. We publish scholarly titles in the social sciences and humanities that reflect on the Philippines in Asia and in the world. These works are highly regarded contributions to scholarship, research, and education, and serve as an avenue for new directions in creative work. The Ateneo Press was awarded Publisher of the Year by the Manila Critics Circle in the last three consecutive years: 2017, 2018, and 2019. Our books have won over 200 awards for their high-quality content, design, and production from the National Book Awards and Gintong Aklat Awards, while several of our literary titles have received recognition from the Carlos Palanca Memorial Awards, the most prestigious literary award in the Philippines.
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The publication is an anthology of rear and previously unpublished texts written by thirty-four representatives of the Ukrainian avant-garde: artists who act as critics and scientists; art critics acting as analysts and conceptualists; poets and writers who act as creators and analysts of contemporary artistic forms. The reader receives a thematic, personal, and philosophical variety of views on the creative "systematisation" of the artistic form in Ukrainian visual art of the 1910s-1930s. The reader is put amidst the creative disputes, the struggle of ambitions and the agreements on methodologies, a kaleidoscope of multidirectional search for artistic truth and seclusion in the social inevitability of historical events The genre of the texts vary. From a didactic nature of journalistic essays to the sharpness of manifestos and sometimes angry desperation of discussions — forms a stereoscopic sketch of trends and groups of that time in all the complexity, inconsistency, and therefore poignancy of the proclaimed positions.
It is not only a manifesto of the author's political thought, but also an outline of governance for politicians. Plato firmly believed that a philosopher could be a statesman and could indeed govern the world. The book deals with all aspects of justice, the state, property, philosophers, truth, understanding, and ideas, and has been recommended reading in Western intellectual circles for more than two thousand years. This book is a proof-texted edition, which strives to make it more accurate on the basis of Mr. Gu Shouguan's rigorous translation, and to provide a credible reference for the study of Plato in the Chinese-speaking world.
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Bajautopia is a book that aims to reflect on both the struggles and hopes of the Bajau Laut community. Bajautopia is both a manifesto and a provocation. This edited volume contains a collection of inspiring essays to reveal the life and culture of the Bajau Laut. The book brings together a wide range of essay contributors, led by the foremost writers and scholars from the fields of architecture, history, film studies, anthropology, tourism, political science, and urban planning in Malaysia. Considered as a dialogue between scholars/writers from different cultural backgrounds and epistemological contexts, this book explores a diverse range of topics integral to the livelihood of the Bajau Laut.
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This study examines the profound changes that twentieth-century performance has wrought on Shakespeare's complex drama of war and politics. What was accepted at the turn of the century as a patriotic celebration of a national hero has emerged in the modern theatre as a dark and troubling analysis of the causes and costs of war. The book details the theatrical innovations and political insights that have turned one of Shakespeare's most traditional-bound plays into one of his most popular and provocative. Henry V gives details analyses of several important modern productions. Beginning with a consideration of the play's political significance in Elizabethan London, the book goes on the reveal its subsequent reinvention, both as patriotic pageant and anti-war manifesto. Individual chapters consider important productions by the Royal Shakespeare Company, and other British and North American companies, as well as the landmark film versions. A compelling account of the theatrical revolution that has transformed one of Shakespeare's most challenging plays. ;
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Written for everyone interested in women's and gender history, History matters reaffirms the importance to feminist theory and activism of long-term historical perspectives. Judith M. Bennett takes as her central problem the growing chasm between feminism and history which, although closely allied in the 1970s, have now moved away from one another. Seeking to narrow this gap, Bennett proposes that feminist historians turn their attention to the intellectual challenges posed by the persistence of patriarchy. She posits a 'patriarchal equilibrium' whereby, despite many changes in women's experiences over past centuries, women's status vis-à-vis men has remained remarkably unchanged. Bennett argues that the theoretical challenge posed by this 'patriarchal equilibrium' will be best met by long-term historical perspectives that reach back well before the modern era. A new manifesto, History matters engages forthrightly with the challenges faced by feminist historians today. It argues for the radical potential of a history that is focused on feminist issues, aware of the distant past, attentive to continuities over time, and alert to the workings of patriarchal power. ;
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This book tells the story of how the moderate right in the Labour Party, trumped by the left for a decade and weakened by defections to the SDP in 1981, fought back organisationally to regain control of the party by 1985, producing an NEC supportive of Neil Kinnock and ready to expel Militant, introduce One-Member-One-Vote and return the party to electability. It describes the Manifesto Group of Labour MPs, Labour Solidarity, Forward Labour and the all-important but secret St Ermins Group of senior trade unionists, each of which strove to ensure that the party represented Labour voters and trade union members. Written by an insider, it draws on extensive interviews with all the key players and unique access to private papers and closed archives to explain how the moderates triumphed over the hard left. ;
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A moving exploration of the life and work of the celebrated American writer, blending biography and memoir with literary criticism. Since James Baldwin's death in 1987, his writing - including The Fire Next Time, one of the manifestoes of the Civil Rights Movement, and Giovanni's Room, a pioneering work of gay fiction - has only grown in relevance. Douglas Field was introduced to Baldwin's essays and novels by his father, who witnessed the writer's debate with William F. Buckley at Cambridge University in 1965. In Walking in the dark, he embarks on a journey to unravel his life-long fascination and to understand why Baldwin continues to enthral us decades after his death. Tracing Baldwin's footsteps in France, the US and Switzerland, and digging into archives, Field paints an intimate portrait of the writer's life and influence. At the same time, he offers a poignant account of coming to terms with his father's Alzheimer's disease. Interweaving Baldwin's writings on family, illness, memory and place, Walking in the dark is an eloquent testament to the enduring power of great literature to illuminate our paths.
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Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat. The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac. As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.
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An egg has hatched, and what comes out of it? A chicken? No. A turtle? No. It’s a dinosaur. But where is his family? The little dinosaur searches the animal kingdom for someone who looks like him and settles on the giraffe. In this picture book by educator and author Hessa Al Muhairi, with illustrations by Sura Ghazwan, a dinosaur sets out in search of animals like him. He finds plenty of animals, but none that look the same...until he meets the giraffe. This story explores identity and belonging and teaches children about accepting differences in carefully crafted language.
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Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity. The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless. Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them. So Hatless removes her hat. As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats. Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air. By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens. Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.
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‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives. The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy. The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.
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In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
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Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people. This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations. Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written). The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places. The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form. The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes. The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.
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On a nice fall day of 1988, Zakiya Zaghwani was found lying dead at the edge of the desert, giving way to a quest to discover the circumstances surrounding her death. While looking for whoever was involved in the death of the young singer, nearby residents discover bit by bit their involvement in many things other than the crime itself. ///The story takes place in a town near the desert. And as with Khatibi’s previous novels, this one is also marked by a tight plot, revolving around the murder of a singer who works in a hotel. This sets off a series of complex investigations that defy easy conclusions and invite doubt about the involvement of more than one character. /// Through the narrators of the novel, who also happen to be its protagonists, the author delves into the history of colonialism and the Algerian War of Independence and its successors, describing the circumstances of the story whose events unfold throughout the month. As such, the characters suspected of killing the singer are not only accused of a criminal offense, but are also concerned, as it appears, with the great legacy that the War of Independence left, from different aspects.///The novel looks back at a critical period in the modern history of Algeria that witnessed the largest socio-political crisis following its independence in 1988. While the story avoids the immediate circumstances of the war, it rather invokes the events leading up to it and tracks its impact on the social life, while capturing the daily life of vulnerable and marginalized groups. /// Nonetheless, those residents’ vulnerability does not necessarily mean they are innocent. As it appears, they are all involved in a crime that is laden with symbolism and hints at the status of women in a society shackled by a heavy legacy of a violent, wounded masculinity. This approach to addressing social issues reflects a longing to break loose from the stereotypical discourse that sets heroism in a pre-defined mold and reduces the truth to only one of its dimensions.
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Updated and revised, this fifth edition incorporates recent developments in the environment in which agriculture operates. Issues that have gained prominence since the previous edition (2014) include climate change and agriculture's mitigating role, concern with animal welfare, the social contributions that agriculture makes, risks associated with globalization, and rising concern over sustainability. Important for UK and EU readers are the adjustments needed now that the UK is no longer a member of the European Union and the nature of the national policies developed to replace the EU's Common Agricultural Policy. Containing all the major economic principles with agriculture-specific examples, An Introduction to Economics, 5th Edition provides a rounded and up-to-date introduction to the subject. The inclusion of updated chapter-focused exercises, essay questions and suggestions for further reading make this textbook an invaluable learning tool. This book: Is updated to include new developments, such as Brexit, importance of climate change and animal welfare. Includes exercises and essay questions. Suggests further reading to supplement the text. This book is recommended for students of agriculture, economics and related sectors.
After a life spent answering other people's questions and curiosities, about her origins, her skin, her opinions, Espérance Hakuzwimana Ripanti uses writing as a tool to regain her space and expose herself, reveal herself – in her own way, in her own terms, on her own conditions. "And Then Enough is the story of how I came out of my room making real everything I found in books and over the years. A hero's call to which I responded in my own way, never forgetting my story, which began in Rwanda, and the limits found on the streets of Italy. The story of myself, which I only wanted to read, and of a summer that instead changed my life." But it is also the story of her traveling companions, of the experiences that marked her the most, of the protagonists who shared the front lines with her. An essay, a biography, a ballad, a manifesto: the story of her struggle against prejudice, and finally the search for solutions.
The Manifesto produced for what? Why did The Manifesto have a strong vitality through time and space? What’s on earth the basic idea of The Manifesto? What are the methodological implications of historical materialism? Why is inevitable demise of the bourgeoisie? Why is capitalism not dying so far? Why is the proletarian victory inevitable? How do you view the great setbacks in socialist experience? What kind of society is “the union of free people”? Is communism a castle in the air? What kind of political organization is the Communist Party? How does the Communist Party of China make itself stronger? How to understand the theory of class struggle in The Manifesto? Is Marx’s theory of class analysis obsolete? How does Marx view world history? Why is the world’s historical development trend irreversible? What are the basic principles of scientific socialism? Why does socialism with Chinese characteristics belong to scientific socialism? Why are there seven prefaces in The Manifesto? Why is the preface very precious?
In order for children to have a thorough understanding of Marx and TheCommunist Manifesto , the author of this book, Dr. Li Xiaopeng, has refined theideological essence of the masterpiece with profound academic foundation,and narrate the life of Marx and Engels, the main contents of the and its far-reaching influence on future generations in plain language.
A heart-breaking and hopeful debut novel inspired by the author’s own experiences of the most quotidian of crimes, race hate crimes. Seamlessly integrates elements of creative non-fiction and crime fiction within a page-turning story of love, healing and hope. Exploring queer love, loneliness and the insidious nature of hate, this is a compulsive read, bookended by personal essays from the author. Perfect for fans of Louise Doughty, Bernardine Evaristo, Claudia Rankine, and Sophie Ward. Tesya has reasons to feel hopeful after leaving her last job, where she was subjected to a series of anonymous hate crimes. Now she is back home in London to start a new position, and has begun an exciting love affair with the enigmatic Holly. But this idyllic new start quickly sours. Tesya finds herself victimized again at work by an unknown assailant, who subjects her to an insidious, sustained race hate crime. As her paranoia mounts, Tesya finds herself yearning for the most elemental of desires: love, acceptance, and sanctuary. Her assailant, meanwhile, is recording his manifesto, and plotting his next steps.
