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Literature: history & criticismSeptember 2001The Great Exhibition of 1851
by Susan Williams
The Great Exhibition of 1851 has become a touchstone for the nineteenth century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings. This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed. The Great Exhibition of 1851 presents new interpretations of one of the most significant exhibitions in the nineteenth century and will be essential reading for anyone studying cultural history, design history, art history and literature.
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The ArtsJuly 2024Showing resistance
Propaganda and Modernist exhibitions in Britain, 1933–53
by Harriet Atkinson
This is the first book-length analysis of exhibitions used for propaganda and political interventions in Britain during the two decades from 1933. It analyses how exhibitions were mounted in public places - from station concourses to workers' canteens, empty shops and bombsites - becoming a key tool for public communication. Richly illustrated, the book extends our existing knowledge of the work of a range of prominent artists, architects and designers active in Britain, including Edith Tudor-Hart, Edward McKnight-Kauffer, Paul Nash, F. H. K. Henrion, Misha Black, John Heartfield, Oskar Kokoschka and Erno Goldfinger.
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Humanities & Social SciencesJuly 2024Exhibiting Irishness
Empire, race and nation, c. 1850-1970
by Shahmima Akhtar
Exhibiting Irishness analyses how exhibitions enabled Irish individuals and groups to work out (privately and publicly) their politicised existences across two centuries. As a cultural history of Irish identity, the book considers exhibitions as a formative platform for imagining a host of Irish pasts, presents and futures. Fair organisers responded to the contexts of famine and poverty, migration and diasporic settlement, independence movements and partition, as well as post-colonial nation building. My research demonstrates how Irish businesses and labourers, the elite organisers of the fairs and successive Irish governments curated Irishness. The central malleability of Irish identity on display emerged in tandem with the unfolding of Ireland's political transformation from a colony of the British Empire, a migrant community in the United States, to a divided Ireland in the form of the Republic and Northern Ireland.
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May 2015Grace: Cultural Relics Exhibition of Women in Ancient China
by The Nanjing Musuem
This is a catalogue about an exhibition on cultural relics related to women in ancient China, enhanced by abundant information and high-quality images, covering all aspects of women’s daily lives in the past. Relying on the collections in Nanjing Museum, the book is designed with the theme of “femininity” and “art”. It makes a breakthrough in its idea and form of the exhibition.
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April 2017The Song of the Long March
The Spirit of Long March to Victory
by Hongxi LI
This book describes the whole process of the Red Army’s long march in an all-round and multi-perspective way,and it reflects the long march spirit by using typical examples,plain text,and appropriate pictures.It’s a book with correct direction,full and accurate historical data,and proper analysis.It’s of great enlightenment to modern peple,especially teenagers.
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The ArtsJanuary 2018The Flower of Evil: Illustration Art of Aubrey Beardsley
by by Aubrey Beardsley Edited by Wei Junlin
This title collects illustrations, posters, and design works of Aubrey Beardsley, the characteristic illustrator in the 19th century. It is the most complete collection of his works in China, edited by Mr. Wei Junlin, painter and researcher of Beardsley.
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Children's & YAJanuary 2011The Mitten
by Ivan Franko (Author), Art Studio Agrafka (Illustrators)
A modern warm red mitten is a home for the main characters of the book: Mousey Scratcher, Froggie Croaker, Running Rabbit, Little Sister Fox and others who got new knitted images. This lovely book is actually a handmade creation; it includes a toy souvenir shaped like a mitten. The Mitten is a joint project of The Navchalna Knyha - Bohdan Publishing House and Art Studio Agrafka (Romana Romanyshyn & Andriy Lesiv, Lviv, Ukraine). The Mitten won the award at The Biennial of Illustration, Bratislava, 2011. In 2012 The Mitten was also added to the White Ravens Catalogue of children literature. From the 3 to 5 years, 179 words Rightsholders: Diana Semak, bohdanbooksco@gmail.com
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Children's & YAJanuary 2019At the Ocean
by Yuriy Nikitinskiy (Author), Marichka Ruban (Illustrator)
This story is full of a cheeky sense of humor that little readers will adore. In this book they can find funny poems and beautiful watercolor illustrations to give them the feeling of diving in the ocean. This unique and amazing book was created by the famous Ukrainian writer Yuriy Nikitinskiy and by the fabulous illustrator Marichka Ruban. From 3 to 8 years, 422 words Rightsholders: kovalenko@artbooks-publishing.com
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Media studiesJune 2014Show me the money
The image of finance, 1700 to the present
by Edited by Paul Crosthwaite, Peter Knight and Nicky Marsh
What does money really stand for? How can the abstractions of high finance be made visible? Show me the money documents how the financial world has been imagined in art, illustration, photography and other visual media over the last three centuries in Britain and the United States. It tells the story of how artists have grappled with the increasingly intangible and self-referential nature of money, from the South Sea Bubble to our current crisis. Show me the money sets out the history and politics of representations of finance through five essays by academic experts and curators, and is interspersed with provocative think pieces by notable public commentators on finance and art. The book, and the exhibition on which it is based, explore a wide range of images, from satirical eighteenth-century prints by William Hogarth and James Gillray to works by celebrated contemporary artists such as Andreas Gursky and Molly Crabapple. It also charts the development of an array of financial visualisations, including stock tickers and charts, newspaper illustrations, bank adverts and electronic trading systems.
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Children's & YA2014How Many?
by Halyna Kyrpa (Author), Olha Havrylova (Illustrator)
When children first explore the world, they usually ask many questions. You can try finding answers together with them by reading and looking through the picturebook Скільки?/ How many? The book's interesting questions and beautiful illustrations facilitate a friendly and joyful dialogue between adults and little readers. Скільки?/How many? was originally published as a bilingual picturebook with English and Ukrainian parallel text, which was also helpful for children learning languages. From 3 to 6 years, 199 words (Ukrainian and English) Rightsholders: Oksana Lushcevska, olushchevska@gmail.com
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Children's & YA2016The Swing under the Maple Tree
by Halyna Tkachuk (Author), Oksana Bula (Illustrator)
Nina is playing on a swing and looking forward to the summer. However, it turns out that there will be neither flowers in the flowerbeds nor any blue dolphins in the sea this summer. And all because of Nina’s carelessness! There’s no reason to despair, though. With a little bit of effort, and the help of other characters in this picture book, Nina will not only save the summer, but also achieve something very special. This book and charming illustrations, originally published in bilingual edition (Ukrainian-English) will appeal to both children and their parents. From 3 to 6 years, 785 words (Ukrainian and English). Rightsholders: olushchevska@gmail.com
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Children's & YA2019Hoverla
by Kateryna Mikhalitsyna (Author), Svitlana Balukh (Illustrator)
Hoverla is the tallest mountain in Ukraine. Many people climb it every year. But what do we know about it? Where does its name come from? Where does the Prut waterfall flow? Why is it so important not to trample down the moutain slopes? The story is told by the mountain itself, and many interesting facts and beautiful illustrations will introduce the readers to the diverse world of Hoverla and its inhabitants. Hoverla shows that everything has its unique voice, even the stones if you know how to listen. From 5 to 10 years, 820 words Rightsholders: Nargis Gafurova and Anna Tiurina; crocus.publishers@gmail.com
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Children's & YA2019He and I. A Story Without Secrets About Boys
by Yulia Smal (Author), Anna Oliynyk (Illustrator)
A time comes when every child starts wondering about their body, asking their parents “awkward” questions. In this book, children and their parents, together with a curious boy named Max, will learn about the boys’ private parts and about the right way to treat one’s privacy and intimacy, about hygiene and safety, about illnesses and self-care, and, most importantly, about good behavior and respect. The book approaches the subject in an interesting and fun way, and is beautifully illustrated by Anna Oliynyk. From 3 to 12 years, 7681 words Rightsholders: mybookshelf.publishing@gmail.com
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Children's & YA2017Mermaids
by Oksana Lushchevska (Author), Violetta Borigard (Illustrator)
Sonia and Nika are best friends. Yet, they live far away from each other: Nika lives on the left bank of the Dripro River and Sonia lives on the right one. To see each other more often the girls come up with a secret game. But sometimes, one of them feels sad. What would Nika do this time to make Sonia laugh? In this bilingual picturebook the readers will dive into a world of endless imagination, present in each child and grown-up as well. From 6 to 9 years, 1250 words (Ukrainian and English). Rightsholders: Oksana Luchchevska, olushchevska@gmail.com
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Insecticide & herbicide technologyAugust 1996Illustrations of Quarantine Pests for Europe
by Edited by I M Smith, Anne S Roy
This book is a companion volume to Quarantine Pests for Europe, published originally in 1992 by the European and Mediterranean Plant Protection Organization (EPPO) and CAB INTERNATIONAL (CABI) for the European Union. The previous book provides information on identity, hosts, geographical distribution, biology, detection and identification, means of movement and dispersal, pest significance, phytosanitary measures and a bibliography for all the quarantine pests listed by EPPO and the European Union, but does not contain any illustrations. A second edition of Quarantine Pests for Europe will be published at the end of 1996. The present book contains approximately 400 colour illustrations, most of them new in relation to the very first illustrations of the EPPO Data Sheets which appeared in Bulletin OEPP/EPPO Bulletin in the 1980s. The book covers most of the quarantine pests listed by EPPO and the European Union, including those which have been added to the quarantine lists since 1992. Thus it will be compatible with the second edition of the volume of text data sheets. The quarantine pests concerned are either not present in the Euro-Mediterranean region, or only present to a limited extent and submitted to official control measures. The sequence of presentation is as for the text volume, i.e. insects, nematodes, fungi, bacteria, viruses, parasitic plants. Within each chapter, the pest illustrations appear in alphabetical order. An index including scientific names and synonyms is included at the end of the book. Accompanying text is presented in both English and French. Although it has not been possible to illustrate every listed quarantine pest, this book provides a unique collection that will help phytosanitary inspectors, plant health officers, and others working in the field of plant quarantine, or plant protection in general, to recognize and identify quarantine pests. The book is published by EPPO in association with CABI, and is available for sale exclusively through CABI.
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Humanities & Social SciencesMarch 2017Ephemeral vistas
by Paul Greenhalgh
The international exhibitions held around the world between 1851 and 1939 were spectacular gestures, which briefly held the attention of the world before disappearing into an abrupt oblivion, of the victims of their planned temporality. Known in Britain as Great Exhibitions, in France as Expositions Universelles and in America as World's Fairs, the genre became a self-perpetuating phenomenon, the extraordinary cultural spawn of industry and empire. Thoroughly in the spirit of the first industrial age, the exhibitions illustrated the relation between money and power, and revelled in the belief that the uncontrolled expression of that power was the quintessence of freedom. Philanthropy found its place on exhibition sites functioning as a conscience to the age although even here morality was inextricably linked to economic efficiency and expansion. Imperial achievement was celebrated to the full at international exhibitions. Nevertheless, most World's Fairs maintained an imperial element and out of this blossomed a vibrant racism. Between 1889 and 1914, the exhibitions became a human showcase, when people from all over the world were brought to sites in order to be seen by others for their gratification and education. In essence, the English national profile fabricated in the closing decades of the nineteenth century was derived from the pre-industrial world. The Fine Arts were an important ingredient in any international exhibition of calibre. This book incorporates comparative work on European and American empire-building, with the chronological focus primarily on the nineteenth and twentieth centuries, when these cultural exchanges were most powerfully at work.
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Children's & YA2017The Boxer
by Hasan Mousavi
He was a professional boxer who loved to box because it made him feel powerful. But the day came when there was nothing left for him to box, no one applauded for him or praised him or came to watch him anymore. One day, he began to think about his loneliness and his worn-out gloves and he wondered why his boxing no longer made people or even himself happy… AWARDS & RECOGNITION: Biennial of Illustration Bratislava GRAND PRIX International Youth Library White Ravens Catalog Sharjah Children’s Illustration Exhibition
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Children's & YA2018Ace
by Payam Ebrahimi
For many generations, everyone in Abtin’s family was a champion of one sports or another. But he has no resemblance to the rest of his family. He was neither an athlete, nor even liked to be one. His family was totally disappointed with him, especially his dad. He tried very hard to turn his son into a champion, but Abtin has his own way to make the family proud! AWARDS & RECOGNITION: Biennial of Illustration Bratislava Bologna Children's Book Fair Sharjah Children’s Illustration Exhibition Image of the Books Winner, Russia 2019
