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      • Trusted Partner
        Red Line
        Children's & YA
        February 2014

        Red Line

        by Samar Mahfouz BarrajIllustrated By: Mona Yakzan and Mira El-Myr

        Mazen, a young boy, is one day surprised by their neighbor Bassam shouting with anger in the street “My parking spot is a red line!” Does this mean he plans to paint the street red, asks Mazen to his mother? The mother explains to Mazen that what Bassam means is simply that no one is to park in his place. The notion is still vague to Mazen: Why red? Does it have anything to do with red traffic lights? The mother tries again “When something is a red line, it means that it is off limits to others”. In this illustrated album, Samar Barraj boldly addresses the delicate issue of child sexual abuse. Acknowledging the complexity of the boundary it tackles, the book determines it through examples the mother and child raise in their conversation. Mazen’s spontaneous remarks and comments point out the difficulty of defining this red line, and make of the book a realistic example of such a conversation. The illustrations develop the notion further, by representing situations in which the red line might be crossed – one may be on his bicycle, at his computer, or approached by a respectable-looking old man in the street. The body parts are not named, but are represented in a naïve drawing Mazen made, though the text insists on the importance of preserving the body as a whole. The colorful images and constant presence of the mother and parents make of the book a reassuring experience despite the gravity of the topic.

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        Remorse Test
        Fiction
        2017

        Remorse Test

        by Khalil Sweileh

        Remorse Test is Sweileh’s follow up to his novel Writing Love, which was the 2009 winner of The Mahfouz Medal for Literature. This semi-autobiographical novel, takes readers through the streets of Damascus and offers a first-hand look at life and loss during the Syrian civil war. The protagonist is a brilliant writer who is navigating a new, war-torn reality. While reminiscing about his past, he shows us what everyday life is like in Damascus—at once brutal and boring—and laments the missed opportunities and destruction the conflict has caused in his country. Drawing on his experience as a journalist, poet and novelist, author Khalil Sweileh writes about the psychological conflicts amid the shattered reality of place and society using language that is full of imagery. Remorse Test is an important addition to Syrian literature, both for its subject matter and unique use of narrative tools and vocabulary. (An extended English-language report on this book will be available soon.)

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        Jerusalem review (Jerusalem review, issue no 7)

        Jerusalem review (Jerusalem review, issue no 7)

        by Herausgeber:Gabriel Moked

        Jerusalem review (Jerusalem review, issue no 7) Herausgeber:Gabriel Moked „Gedichte von Yehuda Amichai, Rachel, Maya Bejerano und Moshe Dor; Geschichte von Yoram Kaniuk und Arye Stav; Essays von A.B.Yehoshua und Gabriel Moked, sowie ein Interview mit Naguib Mahfouz, sämtlich übersetzt ins Englische, stehen im Mittelpunkt dieser neuen Ausgabe des wichtigsten Journals jüdischer und hebräischer Literatur und Kultur, der soeben erschienenen „Jerusalem Review“. Die aktuelle Ausgabe umfasst 240 Seiten, durchgehend in englischer Sprache, einige davon als Übersetzung aus dem Hebräischen.Das Journal hat Leser in Israel und in zahlreichen anderen Ländern, ist in Judaica-Bibliotheken weltweit zu finden und wird von jüdischen sowie nichtjüdischen Autoren und literarischen Magazinen abonniert. Zur Redaktion der 7. Ausgabe der Jerusalem Review zählen einige der bekanntesten Schriftsteller und Akademiemitglieder Israels und anderer Länder. Die Jerusalem Review hat sich zur Aufgabe gestellt, post-biblische Texte aus Vergangenheit und Gegenwart in englischer Sprache zu veröffentlichen.Das Journal enthält daher auch Werke moderner israelischer Dichter wie Abraham Ibn Ezra und Berl Pomerantz (jüdischer Dichter aus der Vor-Holocaust-Ära). In der Abteilung Prosa sind eine lange Novelle von Yoram Kaniuk sowie Holocaust-Memoiren von Arye Stav zu finden.Des weiteren enthält das Journal Arbeiten jüdischer Autoren aus den USA und Großbritannien, darunter Paul Oppenheimer, Alicia Ostriker, Mark Strand, Elaine Feinstein und Charles Bernstein. In jeder Ausgabe der Jerusalem Review wird außerdem ein nichtjüdischer Dichter oder Autor vorgestellt, der sich in einem besonderen Dialog mit der jüdisch-israelischen Geschichte und Kultur sowie der hebräischen Literatur befindet. In dieser Ausgabe wurden die Gedichte des polnischen Autors Krzysztof Karasek ausgewählt und ins Englische übersetzt. In der Abteilung Essays finden Sie ein längeres Essay von Amos Funkenstein über theologische Tendenzen im Widerstand gegen den Holocaust und Essays von Yehoshua und Gabriel Moked über jüdische und israelische Identität.Ein weiterer Schwerpunkt ist die kulturelle Lage des mittleren Ostens, die in einem Interview mit dem ägyptischen Nobelpreisträger Naguib Mahfouz vor einigen Jahren geführt wurde, doch angesichts der aktuellen Beziehung zwischen Israel und Ägypten sowie den anderen arabischen Nationen von aktueller Bedeutung ist.In diesem Abschnitt befinden sich auch Gedichte von zwei israelisch-drusischen Dichtern, Naim Araidi und Nazi H'ir, sowie eine Übersetzung des großen persischen Sufi-Dichters und -Mystikers Jalal el-Din Rumi. Die Bedeutung der Jerusalem Review besteht unter anderem darin, dass das Journal als Forum prominenter Vertreter der jüdischen Kultur im Allgemeinen und der israelischen Kultur im Besonderen den Vorurteilen entgegenwirkt, denen die jüdische Weltkultur noch immer ausgesetzt ist.

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      • Trusted Partner
        Jerusalem review (Jerusalem review, issue no 7)

        Jerusalem review (Jerusalem review, issue no 7)

        by Herausgeber: Gabriel Moked

        Jerusalem review (Jerusalem review, issue no 7) Herausgeber:Gabriel Moked „Gedichte von Yehuda Amichai, Rachel, Maya Bejerano und Moshe Dor; Geschichte von Yoram Kaniuk und Arye Stav; Essays von A.B.Yehoshua und Gabriel Moked, sowie ein Interview mit Naguib Mahfouz, sämtlich übersetzt ins Englische, stehen im Mittelpunkt dieser neuen Ausgabe des wichtigsten Journals jüdischer und hebräischer Literatur und Kultur, der soeben erschienenen „Jerusalem Review“. Die aktuelle Ausgabe umfasst 240 Seiten, durchgehend in englischer Sprache, einige davon als Übersetzung aus dem Hebräischen.Das Journal hat Leser in Israel und in zahlreichen anderen Ländern, ist in Judaica-Bibliotheken weltweit zu finden und wird von jüdischen sowie nichtjüdischen Autoren und literarischen Magazinen abonniert. Zur Redaktion der 7. Ausgabe der Jerusalem Review zählen einige der bekanntesten Schriftsteller und Akademiemitglieder Israels und anderer Länder. Die Jerusalem Review hat sich zur Aufgabe gestellt, post-biblische Texte aus Vergangenheit und Gegenwart in englischer Sprache zu veröffentlichen.Das Journal enthält daher auch Werke moderner israelischer Dichter wie Abraham Ibn Ezra und Berl Pomerantz (jüdischer Dichter aus der Vor-Holocaust-Ära). In der Abteilung Prosa sind eine lange Novelle von Yoram Kaniuk sowie Holocaust-Memoiren von Arye Stav zu finden.Des weiteren enthält das Journal Arbeiten jüdischer Autoren aus den USA und Großbritannien, darunter Paul Oppenheimer, Alicia Ostriker, Mark Strand, Elaine Feinstein und Charles Bernstein. In jeder Ausgabe der Jerusalem Review wird außerdem ein nichtjüdischer Dichter oder Autor vorgestellt, der sich in einem besonderen Dialog mit der jüdisch-israelischen Geschichte und Kultur sowie der hebräischen Literatur befindet. In dieser Ausgabe wurden die Gedichte des polnischen Autors Krzysztof Karasek ausgewählt und ins Englische übersetzt. In der Abteilung Essays finden Sie ein längeres Essay von Amos Funkenstein über theologische Tendenzen im Widerstand gegen den Holocaust und Essays von Yehoshua und Gabriel Moked über jüdische und israelische Identität.Ein weiterer Schwerpunkt ist die kulturelle Lage des mittleren Ostens, die in einem Interview mit dem ägyptischen Nobelpreisträger Naguib Mahfouz vor einigen Jahren geführt wurde, doch angesichts der aktuellen Beziehung zwischen Israel und Ägypten sowie den anderen arabischen Nationen von aktueller Bedeutung ist.In diesem Abschnitt befinden sich auch Gedichte von zwei israelisch-drusischen Dichtern, Naim Araidi und Nazi H'ir, sowie eine Übersetzung des großen persischen Sufi-Dichters und -Mystikers Jalal el-Din Rumi. Die Bedeutung der Jerusalem Review besteht unter anderem darin, dass das Journal als Forum prominenter Vertreter der jüdischen Kultur im Allgemeinen und der israelischen Kultur im Besonderen den Vorurteilen entgegenwirkt, denen die jüdische Weltkultur noch immer ausgesetzt ist.

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      • Trusted Partner
        Jerusalem Review (Jerusalem Review, número 7)

        Jerusalem Review (Jerusalem Review, número 7)

        by _Gabriel Moked

        Jerusalem Review (Jerusalem Review, número 7) Redactor: Gabriel Moked «Poemas de Yehuda Amijai, Rajel, Maya Bejerano y Moshé Dor, relatos de Yoram Kaniuk y Arié Stav, ensayos de A.B. Yehoshua y Gabriel Moked y una entrevista a Naguib Mahfouz, todo ello traducido al inglés, son los puntos destacados del nuevo número de la revista de literatura y cultura hebrea, «The Jerusalem Review» que acaba de publicarse. Este número contiene 240 páginas, algunas con textos en inglés y el resto con traducciones. Esta publicación se distribuye a abonados en Israel y en el extranjero, a bibliotecas de judaica de todo el mundo y a revistas literarias y escritores judíos y no judíos de destaque. El comité de redacción del número 7 de «The Jerusalem Review» incluye algunos de los mejores escritores y miembros del mundo académico en Israel y en el extranjero. En concordancia con el marco ideológico básico de la revista, publicamos en ella traducciones al inglés de textos en hebreo postbíblico de todas las épocas. Así, se puede encontrar en ella poemas de poetas israelíes modernos, junto con Abraham Ibn Ezra y Berl Pomerantz (un poeta judío de la época anterior al Holocausto). La sección de prosa incluye una larga novela de Yoram Kaniuk y memorias del Holocausto de Arié Stav. Otra sección incluye obras de escritores judíos de Estados Unidos y de Gran Bretaña, como Paul Oppenheimer, Alicia Ostriker, Mark Strand, Elaine Feinstein y Charles Bernstein. Debido a la decisión del redactor de dar el podio, en cada uno de los números de la «Review», a un poeta o escritor no judío que desea mantener un diálogo con la historia y la cultura judeo-israelí y con la literatura hebrea, optamos por incluir en este número poemas traducidos del polaco al inglés, de uno de los poetas y escritores polacos más famosos en la actualidad, Krzysztof Karasek. La sección de ensayos incluye un ensayo en gran escala de Amos Funkenstein sobre La teología frente al Holocausto, así como ensayos de A. B. Yehoshua y Gabriel Moked sobre la identidad judía e israelí. Junto a estas secciones, la Review también incluye una sección de Oriente Medio con una entrevista realizada hace algunos años al Premio Nobel egipcio Naguib Mahfouz, sumamente pertinente para las relaciones actuales entre Israel y Egipto y los demás países árabes. Esta sección también incluye poemas de dos poetas israelíes drusos, Naim Araidi y Nazi H'ir y una traducción de poemas del gran poeta y místico sufí persa, Yalal el-Din Rumi. La importancia de The Jerusalem Review radica, entre otras cosas, en que es un representante destacado del mundo cultural y literario de la cultura judía en general y de Israel en particular y que contraataca los interminables esfuerzos por socavar la legitimidad cultural del pueblo judío y de Israel.

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        Biocontrol Agents of Phytonematodes
        Pest control
        June 2015

        Biocontrol Agents of Phytonematodes

        by Mahfouz Abd-Elgawad, Christian Cumagun, M K Dasgupta, Pedro Luiz Martins Soares, K Devrajan, Masanori Koike, Ioannis Giannakou, E A Tzortzakakis, Fernando da Silva Rocha, Fábio Alves, Ioannis Vagelas, Moussa Lobna, Uri Gerson, A H Wani, C Sankaranarayanan, Anwar L Bilgrami, Mohammad Reza Moosavi, Kamal Kishore Chaudhary.

        Highlighting the use of biocontrol agents as an alternative to chemical pesticides in the management of plant parasitic nematodes, this book reviews the current progress and developments in the field. Tactful and successful exploitation of each biocontrol agent, i.e. nematophagous fungi, parasitic bacteria, predaceous mites, rhizobacteria, mycorrhiza and predaceous nematodes, has been described separately. The contributors are 23 eminent nematologists and their information has been compiled in 19 chapters.

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        Hatless
        Children's & YA
        January 2015

        Hatless

        by Lateefa Buti / Illustrated by Doha Al Khteeb

        Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity.   The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless.   Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them.   So Hatless removes her hat.    As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats.   Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air.   By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens.     Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.

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        The Madmen of Bethlehem
        January 2013

        The Madmen of Bethlehem

        by Osama Alaysa

        Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people.   This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations.   Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written).   The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places.   The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form.   The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes.   The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.

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        The Boy Who Saw the Color of Air
        Children's & YA
        January 2011

        The Boy Who Saw the Color of Air

        by Abdo Wazen

        In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group.   Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited.   So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write.   Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind.   At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large.   The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut.   Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.

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        The Lilac Girl
        Picture books

        The Lilac Girl

        by Ibtisam Barakat (author), Sinan Hallak (illustrator)

        Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat.   The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac.   As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.

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        The Dinoraf
        Children's & YA

        The Dinoraf

        by Hessa Al Muhairi

        An egg has hatched, and what comes out of it? A chicken? No. A turtle? No. It’s a dinosaur. But where is his family?  The little dinosaur searches the animal kingdom for someone who looks like him and settles on the giraffe. In this picture book by educator and author Hessa Al Muhairi, with illustrations by Sura Ghazwan, a dinosaur sets out in search of animals like him. He finds plenty of animals, but none that look the same...until he meets the giraffe. This story explores identity and belonging and teaches children about accepting differences in carefully crafted language.

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        In the Footsteps of Enayat Al-Zayyat

        In the Footsteps of Enayat Al-Zayyat

        by Iman Mersal

        ‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives.   The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy.   The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.

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        The End of the Desert
        Fiction
        2022

        The End of the Desert

        by Said Khatibi

        On a nice fall day of 1988, Zakiya Zaghwani was found lying dead at the edge of the desert, giving way to a quest to discover the circumstances surrounding her death. While looking for whoever was involved in the death of the young singer, nearby residents discover bit by bit their involvement in many things other than the crime itself. ///The story takes place in a town near the desert. And as with Khatibi’s previous novels, this one is also marked by a tight plot, revolving around the murder of a singer who works in a hotel. This sets off a series of complex investigations that defy easy conclusions and invite doubt about the involvement of more than one character. /// Through the narrators of the novel, who also happen to be its protagonists, the author delves into the history of colonialism and the Algerian War of Independence and its successors, describing the circumstances of the story whose events unfold throughout the month. As such, the characters suspected of killing the singer are not only accused of a criminal offense, but are also concerned, as it appears, with the great legacy that the War of Independence left, from different aspects.///The novel looks back at a critical period in the modern history of Algeria that witnessed the largest socio-political crisis following its independence in 1988. While the story avoids the immediate circumstances of the war, it rather invokes the events leading up to it and tracks its impact on the social life, while capturing the daily life of vulnerable and marginalized groups. /// Nonetheless, those residents’ vulnerability does not necessarily mean they are innocent. As it appears, they are all involved in a crime that is laden with symbolism and hints at the status of women in a society shackled by a heavy legacy of a violent, wounded masculinity. This approach to addressing social issues reflects a longing to break loose from the stereotypical discourse that sets heroism in a pre-defined mold and reduces the truth to only one of its dimensions.

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        Biocontrol Agents
        Science & Mathematics
        April 2017

        Biocontrol Agents

        Entomopathogenic and Slug Parasitic Nematodes

        by Mahfouz M M Abd-Elgawad, Tarique Hassan Askary, James Coupland, Sergei E Spiridonov, J Gulsar Banu, I Cannayane, K Sankari Meena, S.S. Hussaini, Francesca De Luca, M.M.E. Saleh, Atef Sayed Abdel-Razek, Salma Javed, Christos I Rumbos, Christos G Athanassiou, Nazir Javed, Muhammad Kamran, Huma Abbas, Glen Stevens, Ed Lewis, Qing Yu, Fengcheng Sun, Achinelly María Fernanda, Camino Nora, Eliceche Daiana, Salas Augusto, Rusconi Matías, Luis Garrigós Leite, Vanessa Andaló, Claudia Dolinski, Alcides Moino Junior, Elder Simões, Edson Tadeu Iede, C Sankaranarayanan, Shahina Fayyaz, Firoza Kazi, Tabassum Ara Khanum, J L Hatting, A P Malan, Eustachio Tarasco, Adriano Ragni, Giovanna Curto, Jolanta Kowalska, Congli Wang, Chunjie Li, Tiffany Baiocchi, Adler R Dillman, S Subramanian, M Muthulakshmi, Jirí Nermut, Vladimír Puža, David M Glen, Irma Tandingan De Ley, Rory J Mc Donnell, Timothy D Paine, Žiga Laznik, Stanislav Trdan, M Nagesh, Balachander Manohar, Shailesha Arakalagud Nanjundaiah, Raghura

        This book describes entomopathogenic and slug parasitic nematodes as potential biocontrol agents in crop insect and slug pest management. Addressing research on these two nematodes from tropical, subtropical and temperate countries, it covers the new techniques and major developments regarding mass production, formulation, application, commercialization and safety measures. Plans for future strategies to make these beneficial nematodes cost-effective and expand their use by including them in integrated pest management programmes in different agro-ecosystems are also discussed. Biocontrol Agents: Entomopathogenic and Slug Parasitic Nematodes provides a comprehensive review of the topic and is an essential resource for researchers, industry practitioners and advanced students in the fields of biological control and integrated pest management. ; This book gives a comprehensive account of entomopathogenic and slug parasitic nematodes as potential biocontrol agents in crop insect and slug pest management in tropical, subtropical and temerpate countries. It covers new techniques and plans for future strategies to make these nematodes cost-effective. ; PART I: BENEFICIAL NEMATODES AND CROP PROTECTION1: Beneficial Nematodes in Agroecosystem: A global perspective2: Beneficial Nematodes and the Changing Scope of Crop ProtectionPART II: ENTOMOPATHOGENIC NEMATODES - MORPHOLOGY, TAXONOMY, BIOLOGY AND DIVERSITY3: Entomopathogenic Nematodes of the families Steinernematidae and Heterorhabditidae: Morphology and Taxonomy4: Entomopathogenic Nematodes: General Biology and Behaviour5: Entomopathogenic Nematodes: Ecology, Diversity and Geographical Distribution6: Molecular Systematics and Phylogenetic reconstruction of Steinernema and HeterorhabditisPART III: ENTOMOPATHOGENIC NEMATODES AND THEIR SYMBIOTIC BACTERIA AGAINST CROP INSECT PESTS7: Efficacy of Entomopathogenic Nematodes against Lepidoptran Insect Pests8: Efficacy of Entomopathogenic Nematodes against Coleopteran Pests9: Efficacy of Entomopathogenic Nematodes against Dipteran Pests10: Control of Stored Grain Pests by Entomopathogenic Nematodes11: Toxic Secretions of Xenorhabdus and its Efficacy against Crop Insect Pests12: Toxic Secretions of Photorhabdus and its Efficacy against Crop Insect Pests13: Entomopathogenic Nematodes: Mass Production, Formulation and ApplicationPart IV: ROLE OF ENTOMOPATHOGENIC NEMATODES IN INTEGRATED PEST MANAGEMENT14: Status of Entomopathogenic Nematodes in Integrated Pest Management Strategies in the USA15: Status of Entomopathogenic Nematodes in Integrated Pest Management Strategies in Canada16: Status of Entomopathogenic Nematodes in Integrated Pest Management Strategies in Argentina17: Status of Entomopathogenic Nematodes in Integrated Pest Management Strategies in Brazil18: Status of Entomopathogenic Nematodes in Integrated Pest Management Strategies in India19: Status of Entomopathogenic Nematodes in Integrated Pest Management Strategies in Pakistan20: Status of Entomopathogenic Nematodes in Integrated Pest Management Strategies in South Africa21: Status of Entomopathogenic Nematodes in Integrated Pest Management Strategies in Italy22: Status of Entomopathogenic Nematodes in Integrated Pest Management Strategies in Poland23: Status of Entomopathogenic Nematodes in Integrated Pest Management Strategies in China24: Status of Entomopathogenic Nematodes in Integrated Pest Management Strategies in EgyptPart V: GENETICS FOR ENHANCING EFFICACY IN ENTOMOPATHOGENIC NEMATODES25: Genetic Improvement of Entomopathogenic Nematodes for Enhanced Biological Control26: Breeding of Entomopathogenic Nematodes for enhanced Insect Pest suppressionPart VI: SLUG PARASITIC NEMATODES27: Slug Parasitic Nematodes: Biology, Parasitism, Production and Application28: The Discovery and Commercialization of a Slug Parasitic Nematode29: Phasmarhabditis: The Slug and Snail Parasitic Nematodes in North AmericaPart VII: COMMERCIALIZATION AND FUTURE PROSPECTS30: Compatibility between Entomopathogenic Nematodes and Phytopharmaceuticals31: Strategies for making Entomopathogenic Nematodes a Cost-Effective Biocontrol Agent32: Future thrusts in expanding the use of entomopathogenic and slug parasitic nematodes in agriculture

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      • Sadiqi (My Friend)
        Children's & YA

        Sadiqi (My Friend)

        by Samar Mahfouz Barraj

        What really matters when I choose a friend? Is it the way he looks? Is it the color of his skin? What if he wears eyeglasses or uses hearing aids? What if he is slow in running? What if he was different? What do I really care about in my friend? In addition, what are the things that keep us together even if we were different from each other? A book about friendship and accepting others.

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      • Time of white horses زمن الخيول البيضاء
        Literature & Literary Studies

        Time of white horses زمن الخيول البيضاء

        by Ibrahim Nasralla

        “Ibrahim Nasrallah” Born in 1954 in Amman Jordan to Palestinian refugee parents, who were forced to leave Palestine in 1948. This background gave Nasrallah the drive to investigate and research Palestinians life and experience in the occupied lands and around the world. Nasrallah wrote 35 books. He is considered the leading Palestinian writer and one of the few current prominent Arab writers. His work culminated in winning the Booker prestigious Book Prize for Arabic Novel in 2018. Over the Years, Nasrallah won another 9 important Literature prizes in the Middle East. Many of his Titles were translated to English/ Italian / Spanish and Turkish   “Time of white horses” by Ibrahim Nasrallah This novel, by every measure, is an epic, generational one. It descends from a dynasty of deep-rooted Arabic novels which historically speaking, goes back to the days of publishing the trilogy of Nagib Mahfouz, the most famous Egyptian Noble Prize laureate. Tracing the history of Palestinian Village, the life of three generations of one of its families, Ibrahim Nasrallah symbolizes the tragedy of the Palestinian people through three epochs: the rule of the Ottoman Empire, the British mandate and the Nakba of 1948. “I do not fight to achieve victory, rather I Fight in order not to give up my right. It has never been the case that a nation has maintained its victory forever. My only fear is that we lose forever, for he who loses will never rise up again. Tell them to beware not to lose forever”   “Time of white horses” is considered by critics are the most eloquent novel in Palestinian literature as it deals with the history of the Palestinian people from the social, cultural, historical and political aspects

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      • Cairo Now
        January 2014

        Cairo Now

        Short List Sheikh Zayed literature Award 2015

        by Ibrahim Abd AL Mageed

        In his latest novel, we travel with Ibrahim Abdel Meguid back to the seventies which, as he views, marked a major transformational shift in modern Egyptian society. It was in this decade, Meguid argues, that the achievements of the 1952 Revolution and the former Liberal era underwent a slump as the self-called “religious” groups, pushed by the Egyptian government, came to have a front seat just to keep creeping over the years, under both Sadat and Mubarak, until they got Egypt to the current political scene.Despite such a seemingly background, the novel penetrates into night-and-day private lives of the characters in Cairo: their madness, their blooms of youth and their love stories taken from streets to oubliettes. Captivated by its beautiful fantasies and imaginations, the reader will infinitely keep reading this novel, with all its time-crossing astonishing scenes which go far further beyond what is realistic and what is humane. The novel moves through many of the famous Cairo neighbourhoods – Roxy, Hadayek El-Kobba, Deer El-Malak, Downtown and Old Cairo – and also through Giza where greeneries on both sides of Al-Haram street turned to noisy and poorly slums. From inside, and despite, all these scenes, the novel spots the light on that optimistic spirit of the main characters who have fun and seize opportunities for the joy of life. Not only do the main two male protagonists of the novel have their names; i.e., “Saber Said[1]” and “Said Saber”, full of significances, but do also their friends, “Ibrahim Omar” and “Omar Ibrahim,” while the heroines of the novel have all the name “Safaa[2]” and are described as “First Safaa”, “Second Safaa” and so on. Yet, all these heroines are, the same like other women in society, besieged either by backward values or by inhumane acts of others. Not only do laughter and joy have a vast space within the society in this novel, but does also pain. Although it was the decade of the victory of Egypt in the war 1973 against Israel, the seventies was, the decade of the great Exodus/alienation of Egyptians inside their home country. The novel goes on, that the culture of tolerance and humanness was at the last gasp. Furthermore, as this novel depicts the everyday life of that decade, it goes easy at both secret and open night lives of Cairo. Hence, it leaves the door wide open before human soul, with its limitless and timeless desires. Ibraim Abdel Maguid is one of the most famous writers in Egypt and the Arab world were most of his novels were translated into French , English and German. He is winner of the state award for Excellence in Literature and Naguib Mahfouz prize from the American university.

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      • The Disappearance of Mr. Nobody

        The Disappearance of Mr. Nobody

        by Ahmed Taibaoui

        In the novel, the protagonist is caring for an old man who is suffering from Alzheimer’s. The old man dies, and an officer begins investigating the circumstances of his demise only to find that the man cannot be identified—he is a Mr. Nobody. Taibaoui uses the prism of the police novel (a genre well suited, on the face of it, for the casting of light into dark corners) but the further the detective delves into this world of poverty, marginalization, and decomposing bodies, the less sure he becomes of what he knows. From the somber but intense style, vivid characters emerge

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