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      • Walker Books Ltd.

        The Walker Books Group is one of the world’s leading creatively-led, independent publishers of books and content for children. This vibrant international group includes Walker Books UK, London; Candlewick Press, Somerville, Massachusetts; and Walker Books Australia, based in Sydney and Auckland. Renowned for its truly original publishing and outstanding quality, the Walker Books Group is home to books for readers of all ages.Award-winning authors and illustrators for the group include National Ambassador for Young People’s Literature emerita, Kate DiCamillo, M. T. Anderson, Patrick Ness, and Jon Klassen, and major brands for the group are Maisy, Guess How Much I Love You, Tilly and Friends, the widely acclaimed Judy Moody and the bestselling Where’s Wally/Waldo?

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      • University of Wales Press

        University of Wales Pressbelieves in supporting and disseminating scholarship from and about Wales to a worldwide audience. They mainly publish books in the humanities, arts and sciences.

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      • Trusted Partner
        Children's & YA
        January 2015

        Hatless

        by Lateefa Buti / Illustrated by Doha Al Khteeb

        Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity.   The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless.   Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them.   So Hatless removes her hat.    As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats.   Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air.   By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens.     Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.

      • Trusted Partner
        January 2013

        The Madmen of Bethlehem

        by Osama Alaysa

        Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people.   This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations.   Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written).   The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places.   The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form.   The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes.   The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.

      • Trusted Partner
        Children's & YA
        January 2011

        The Boy Who Saw the Color of Air

        by Abdo Wazen

        In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group.   Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited.   So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write.   Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind.   At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large.   The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut.   Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.

      • Trusted Partner
        Picture books

        The Lilac Girl

        by Ibtisam Barakat (author), Sinan Hallak (illustrator)

        Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat.   The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac.   As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.

      • Trusted Partner
        Children's & YA

        The Dinoraf

        by Hessa Al Muhairi

        An egg has hatched, and what comes out of it? A chicken? No. A turtle? No. It’s a dinosaur. But where is his family?  The little dinosaur searches the animal kingdom for someone who looks like him and settles on the giraffe. In this picture book by educator and author Hessa Al Muhairi, with illustrations by Sura Ghazwan, a dinosaur sets out in search of animals like him. He finds plenty of animals, but none that look the same...until he meets the giraffe. This story explores identity and belonging and teaches children about accepting differences in carefully crafted language.

      • Trusted Partner

        In the Footsteps of Enayat Al-Zayyat

        by Iman Mersal

        ‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives.   The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy.   The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.

      • Trusted Partner
        Fiction
        2022

        The End of the Desert

        by Said Khatibi

        On a nice fall day of 1988, Zakiya Zaghwani was found lying dead at the edge of the desert, giving way to a quest to discover the circumstances surrounding her death. While looking for whoever was involved in the death of the young singer, nearby residents discover bit by bit their involvement in many things other than the crime itself. ///The story takes place in a town near the desert. And as with Khatibi’s previous novels, this one is also marked by a tight plot, revolving around the murder of a singer who works in a hotel. This sets off a series of complex investigations that defy easy conclusions and invite doubt about the involvement of more than one character. /// Through the narrators of the novel, who also happen to be its protagonists, the author delves into the history of colonialism and the Algerian War of Independence and its successors, describing the circumstances of the story whose events unfold throughout the month. As such, the characters suspected of killing the singer are not only accused of a criminal offense, but are also concerned, as it appears, with the great legacy that the War of Independence left, from different aspects.///The novel looks back at a critical period in the modern history of Algeria that witnessed the largest socio-political crisis following its independence in 1988. While the story avoids the immediate circumstances of the war, it rather invokes the events leading up to it and tracks its impact on the social life, while capturing the daily life of vulnerable and marginalized groups. /// Nonetheless, those residents’ vulnerability does not necessarily mean they are innocent. As it appears, they are all involved in a crime that is laden with symbolism and hints at the status of women in a society shackled by a heavy legacy of a violent, wounded masculinity. This approach to addressing social issues reflects a longing to break loose from the stereotypical discourse that sets heroism in a pre-defined mold and reduces the truth to only one of its dimensions.

      • Trusted Partner
      • May 2021

        Life in The Heart of Tormentor

        by walid ouda

        “Life in the heart of the Tormentor” , By Dr. Walid Ouda The author, Dr. Walid Ouda writes usually about human relations from a psychological angle. The starting point is that “All humans have psychological Issues with different intensity”. This story of a couple, who had both very difficult and different childhood. This background soon resulted in pain and problems in their marriage. Here come the psychologist role that tried to help the wife and erase the idea that developed in her mind that “All men are evil “. The writer tackles this sensitive and tense subject in an Interesting Way. The psychologist turns next to help the husband with his personal problems too. Can the marriage survive after the couple real problems are exposed to each other?... or will they reconcile and accept that they are both victims of past circumstances and they need to live and let live.

      • May 2021

        The Black Box

        by Walid Oudi

        Walid Ouda a Palestinian Novelist and engineer born in Kuwait, work and live in Dubai. Ouda wrote 8 novels that mixes Science and literature. His last two novels have psychological twists, written in an exciting way that can grab readers interests and emotions   “The black box”     by    Dr. Walid Ouda The author writes as usual about human relations with a focus on psychological issues. In this story “The black box “the unconscious plays a major role. It opens with a man that feels that he is kept in wooden dark box. Sometimes the box surface above the ground, and sometimes the man feels that this soul is separated from his body under a strong light The writer moves on to explain the situation in various intense Scenarios with dreams and incidents. The new approach in the story is the exposure of the “out- of – body experience “. When the soul is said to exit the physical body. All is written in a very interesting and tempting way that grab the emotions and attention of the reader.

      • January 2018

        The Andalusian Philosophers (Cairo )

        by Abdelrashid Mahmoudi

        Written by an Egyptian poet, novelist and essayist, The Andalusian Philosophers is an innovative essay that deals for the first time with three major philosophers in Muslim Spain, namely Ibn Baja (Avimpace), Ibn Tufayl () and Ibn Rushd (Averroes) from one particular angle, namely the alienation of philosophy and philosophers in (Muslim) society. Condemned in the Muslim East for heresy, philosophy is now vindicated, in what was in fact a last ditch stand, by the three Andalusian philosophers. Their endeavour was all the more remarkable in that each one of them engaged in that fight in his own original way. Ibn Baja who was inspired by Plato, devoted to the subject a treatise on what he called the management of solitude, describing how a philosopher could best manage his affairs and accomplish his mission in a hostile environment by either immigrating or isolating himself his own society. Ibn Tufayl on the other hand wrote a symbolic fable, in which he portrayed what amounted to be an extreme case of philosophers’ alienation. This is the story of a human baby found somehow in an uninhabited island, where he was adopted by a deer and brought up among wild animals, and yet managing through his observation of natural phenomena in the light of reason to reach the highest level of knowledge, piety and wisdom. When he finally came in contact with human beings, who happened to be a community of believers, presumably adepts of Islam, he was rejected and forced to beat retreat to his original island. Finally, there came Averroes, whose arrival on the scene inaugurated a new chapter of exceptional importance in the history of ideas. He refused his predecessors’ pessimistic and escapist views on the fate of philosophy. He decided instead to wage an open and all out war against the enemies of reason, with a view to consolidating philosophy’s leading status in the City. This heroic stance lead unfortunately to what was called Averroes’ ordeal. He was condemned as a heretic, exiled and had his works burnt down. Luckily, however, the bulk of his oeuvre was transmitted to Medieval Europe in a Latin translation. In this second exile, Averroes was glorified for a while by some as the Grand Commentator (of Aristotle), but was finally reviled and diabolised by the church authorities: and it was this bad reputation which came to dominate the European intellectual scene for centuries. At this point in the story of the Andalusian philosophers, there arise some inescapable  questions: why was Averroes condemned for what he had put forward as an account of Aristotle’s views? Why was he held responsible for these views, assumed to be reprehensible? How was it that the grand commentator came to be viewed as the devil incarnate and pushed back into a dark corner of the European collective memory? Why was he never completely rehabilitated even in the modern age of reason?By studying these questions in depth, The Andalusian Philosophers purports to show that in spite of European hostility to Averroes his influence runs deep in modern Western philosophy. He was, so the argument goes, the first to raise, in an acute form, two fundamental issues, namely the existence of individuals and the independence of science. Apart from being a story about the persecution of philosophers and their different ways of coping, the book demonstrates, by means of a thorough and well-documented investigation of Averroes’ fate in Europe, how intercultural antagonisms do not necessarily preclude mutual enrichment.

      • Children's & YA

        Wardani, The loner

        by Walid Taher

        Wardani the nice crow is the local florist. He runs his shop with love. He plants flowers andtakes care of them daily. But over the days, he feels alone and wonders: why does no one enterhis shop? Why don't customers buy her flowers? It saddened him so much that he called himself"Wardani the loner". One day he decides to talk to his friends about what torments him. Onereplied that poor people do not think about buying flowers, but rather food to eat; another tellshim that people are overworked and don't have time to think about flowers; and a third thinkthat people have become indifferent, they no longer write poems and no longer sing, that's whythey no longer buy flowers ...After careful consideration, the florist buys a trumpet, a bicycle with his basket and a piano. Hegets to work ... What will he do with it?"

      • December 2022

        Architect of Joy

        Fouad el-Mohandes and Subconscious Cinema

        by Walid el-Khachab

        This book deals with Fouad el-Mohandes’ work in theatre, radio, and television, and celebrates his productions which always distinguished themselves and his ever-elegant performances, in all media and artistic genres. It focuses its study on Fouad el-Mohandes’ cinematic works, particularly during the period of his on-screen stardom in the sixties and seventies, and especially within the framework of the Fouad el-Mohandes/Shwikar duo. The book examines the interplay of el-Mohandes’ work with history and society through three issues: First; el-Mohandes’ film adaptations and the paradox between his attempt to crate a patriotic Egyptian comedy using mostly English plays and films. Second; the predominance of the theme of duplicates and pairs in the films, where el-Mohandes appears in dual roles of good and evil, or the authentic Egyptian and the criminal foreigner. Finally; how comedy opened a spaced for the suppressed subconscious to breathe during the Nasserite period. A space where comedy allowed society’s subconscious to reveal what it did not dare to consciously say; about the domination of the regime, the rule of symbolic violence and the tightening grip of the security forces, all while contradicting the Nasserist discourse about freedom.

      • Mulla Sadra & Transcendent philosophy

        by Tuba Kermani

        The Islamic philosophy has come to an end with Ibn Rushd (Averroes) and as a matter of fact Islamic philosophy is no more alive for the west, sometimes heard from western scholars 'side, had occupied the author's mind for long. For not only Islamic philosophy, which is worth to be considered as Islamic, has come into being and developed after Averroes's death, and been called Transcendent philosophy( or in prof. Corbin's words, theosophy) Dr. Tuba Kermani, has intended to condense in it a series of breathtaking lectures given at the university of Tehran on Mulla Sadra's philosophy.

      • Business, Economics & Law
        October 2020

        Corporate Fraud Exposed

        A Comprehensive and Holistic Approach

        by H. Kent Baker, Lynnette Purda, Samir Saadi

        After each major corporate scandal, new suggestions for combatting fraud emerge from regulators and industry professionals. Despite changes to guidelines for firms’ corporate governance, augmented protection for whistle blowers, and enhanced cybersecurity measures, evidence documents an alarming increase in the prevalence and severity of corporate fraud. The rapidly changing laws aimed at curbing corporate fraud sometimes lag behind the changing sophistication of fraud schemes.    Corporate Fraud Exposed discusses the motivations and drivers of fraud including agency theory, executive compensation, and organizational culture. It examines fraud’s consequences for various firm stakeholders and its spillover effects to other corporations, the political environment, and financial market participants, including those who participate via crowdfunding platforms.     This book provides a fresh look at this intriguing but often complex subject. It skillfully blends the contributions of a global array of scholars and practitioners into a single review of some of the most important topics in this area. Given its broad scope, this practical and comprehensive title should be of interest to anyone curious about corporate fraud.

      • August 2020

        Leila Means Night

        by Aleksandra Lipczak

        For eight centuries, southern Spain has been home to a multicultural political entity founded by the Arabs and co-created by Muslims, Jews and Christians. Medieval Cordoba, Seville and Toledo are bustling metropolises to which merchants, scientists and artists are drawn from all over the world. Here the first tracheotomy procedure is performed and astronomy is developed, here magnificent libraries are created, Greek philosophers are translated, multilingual poetry is written, and foreign policy at the Muslim court is directed by a Jewish diplomat.In a book stretched between history and modernity and between essay and reportage, the author deconstructs popular symbols of Spain (flamenco, mosaics, palm trees), revealing their Muslim-Arab roots. She shows how Andalusia today handles its heritage. Coexistence, the meeting of the so-called West with so-called Islam, the fluidity of borders, but also fundamentalisms, expulsions, exorcising others.... Al-Andalus is a palimpsest that is useful in thinking about the world today. Prizes: Nike Literary Prize 2021 - shortlist Witold Gombrowicz Prize 2021 - winner

      • June 2010

        The Wesleyan Tradition

        Four Decades of American Poetry

        by Michael Collier

        A compelling anthology of the best poetry of a unique press.

      • Art & design styles: Conceptual art
        August 2021

        Sting in the Tale

        Art, Hoax, and Provocation

        by Antoinette LaFarge

        An illustrated survey of artist hoaxes, including impersonations, fabula, cryptoscience, and forgeries, researched and written by an expert “fictive-art” practitioner.   The shift from the early information age to our 'infocalypse' era of rampant misinformation has given rise to an art form that probes this confusion, foregrounding wild creativity as a way to reframe assumptions about both fiction and art in contemporary culture. At its center, this “fictive art” (LaFarge’s term) is secured as fact by employing the language and display methods of history and science. Using typically evidentiary objects such as documentary photographs and videos, presumptively historical artifacts and relics, didactics, lectures, events, and expert opinions in technical language, artists create a constellation of manufactured evidence attesting to the artwork’s central narrative. This dissimulation is temporary, with a clear “tell” often surprisingly revealed in a self-outing moment. With all its attendant consequences of mistrust, outrage, and rejection, this genre of art with a sting in its tale is a radical form whose time has come.

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