Patriots Publishing is the printed and electronic reading material publishing division of the renowned digital content writing group, The Patriots Asia. This publication is wholly owned by Patriots Holding Sdn Bhd. Starting with the TP Press brand in 2015, the publication then underwent a brand change with the new name Patriots Publication in 2017. Until 2019 after thriving, the publication is now known as Patriots Publishing Sdn Bhd.
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Iman Publication publishes relaxing reading material in addition to building and shaping the generation of Ahsanu Taqwim through the civilization of knowledge. Among the lineup of great writers and books we have successfully published are Street Architects, Street Painters, Hiatus, Esc., The Life I Chose and many more!
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Whales love singing. They sing at different frequencies. There was this whale that sings at an unusually higher frequency, and cannot be heard by other whales. She has been described as the “world’s loneliest whale”. She is known as the 52-hertz whale. She is Alice. “Why can’t any other whales hear me sing?” This was Alice’s biggest challenge. Until the day she met Grandpa Ted and Arien, that told her they can help tune her to sing like other whales. Should she trust them and do it? She wasn’t sure. No harm trying, she thought. Only then will she be more certain of what matters most. Is it okay to be different? Or should we try our best to be like everyone else? Let's see, as we journey together with Alice.
Erika is an introverted kid who enjoys reading at home. Her favourites are the investigation series. Erika was invited to Sofea's birthday party one day. A piece of cake went missing during the party. How did the cake vanish? Who stole it? Erika began investigating the incident.
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The book selects 300 works (groups) of painting, sculpture, grottoes, architecture, craft and other art works from the "13th Five-Year Plan" national key publications publishing planning project and the National Publishing Fund funded project "World Buddhist Art Atlas", closely related to auspicious themes in different periods and traditional Chinese cultural elements. Highlighting the development history of Chinese civilization and the radiation spread to neighboring countries and regions. Through appreciating the works of art, the manuscript analyzes their cultural connotation, expresses the auspicious vision of the ancient working people in health, reunion, peace, harvest, wealth and other aspects, reveals the far-reaching influence of Chinese culture, and has the function of art appreciation and cultural popularization.
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DEKEL PUBLISHING GROUP: A BRIEF PROFILE Dekel Publishing House was established in 1975, initially as an academic publisher for university students, but it quickly expanded to include more popular genres under its imprint Tamar Books. Within a few years, Dekel became one of Israel’s leading publishing houses with both fiction, such as novels and thrillers, and nonfiction titles, mainly related to hobbies, cooking, and various sports and leisure activities. In the nineties, Dekel first entered the international publishing scene, taking part in most of the Frankfurt Book Fairs and the London Book Fairs, as well as many Book Expo America, the Salon du Livre in Paris, and also the Beijing Book Fair. Dekel maintains friendly collaboration with many overseas publishers in various languages to whom it licenses their own language rights or co-publishing agreements. It also publishes both digital and print titles via its American imprint in Monterey, California, and its German imprint in Frankfurt. Dekel’s bestselling Krav Maga series, which focuses on the original Israeli renowned self-defense system, has been translated and published in many languages, most with successive reprints, including Japanese, Korean, and Chinese. Recently, Dekel has developed titles in the high-tech and start-up domain, including fiction & nonfiction. Despite its dynamic activity, Dekel is a family-owned company managed by father and son Zvi and Dory Morik. Their company often proves itself to be a pioneer in the international publishing industry in promoting new and intriguing themes. CONTACT: Imprints: Samuel Wachtman’s Sons, Lindenfels von Pressel Verlag Post: P.O. Box 16109, Tel Aviv 6116002, Israel Tel/Fax: 972-3-6044627 E-mail: zvimor@dekelpublishing.com Managing Director: Mr. Zvi Morik Export Manager: Mr. Dory Morik
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What is public opinion? What does public opinion do with you? Does public opinion have a temper? The author joined hands with "public opinion" for more than two decades, and integrated many years of observation experience into the hotspots of public opinion, and wrote "How much is a catty for" false public opinion "," Who sacrificed for public opinion "," You liar "," Wu Hezhong ", etc. Twenty notes, using smooth texts to tell people: Public opinion is everywhere, no one can hide. These twenty notes are both academic and readable, and strive to be targeted and systematic. They will comment on public opinion events, popular science phenomena, analyze public opinion strategies, and discuss public opinion safety in as easy-to-understand manner as possible. These 20 notes, from shallow to deep, from the surface to the inside, can be ordinary readers to understand the phenomenon of public opinion, can also be used by public opinion workers to take stock of public opinion work, or experts and scholars to discuss the safety of public information.
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This book analyses the international phenomenon of private peace entrepreneurs. These are private citizens with no official authority who initiate channels of communication with official representatives from the other side of a conflict in order to promote a conflict resolution process. It combines theoretical discussion with historical analysis, examining four cases from different conflicts: Norman Cousins and Suzanne Massie in the Cold War, Brendan Duddy in the Northern Ireland conflict and Uri Avnery in the Israeli-Palestinian conflict. The book defines the phenomenon, examines the resources and activities of private peace entrepreneurs and their impact on the official diplomacy, and examines the conditions under which they can play an effective role in peace-making processes. This book is relevant to United Nations Sustainable Development Goal 16, Peace, justice and strong institutions.
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Drawing in lessons from 400 years of Great-Power politics, this volume challenges both the "declinist" arguments and the overstretched hypothesis of Paul Kennedy to develop an alternative approach to the debate on the rise and fall of the Great Powers. The first half of the book compares the Spanish, Dutch and the First and Second British world orders. It identifies their common features in order to find the most salient causes for their rise as world powers, and the most probable reasons for their decline. The second half of the book addresses the American world order in the 20th century, from Pax Americana to the End of US Hegemony. The author sees the dissolution of the Soviet Union and the resurgence of the US as evidence of the role played by normative dimensions, commonly underestimated in International Relations analysis. Theoretically challenging, Knutsen's volume provides a fresh approach to debates in international relations aimed at both students and scholars.
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This book examines the links between major contemporary public sector reforms and neoliberal thinking. The key contribution of the book is to enhance our understanding of contemporary neoliberalism as it plays out in the public administration and to provide a critical analysis of generally overlooked aspects of administrative power. The book examines the quest for accountability, credibility and evidence in the public sector. It asks whether this quest may be understood in terms of neoliberal thinking and, if so, how? The book makes the argument that while current administrative reforms are informed by several distinct political rationalities, they evolve above all around a particular form of neoliberalism: constructivist neoliberalism. The book analyses the dangers of the kinds of administrative power seeking to invoke the self-steering capacities of society and administration itself.
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This collection, dealing with case studies drawn from South Africa, Zimbabwe, Mozambique and Mauritius, examines the relationship between scientific claims and practices, and the exercise of colonial power. It challenges conventional views that portray science as a detached mode of reasoning with the capacity to confer benefits in a more or less even-handed manner. That science has the potential to further the collective good is not fundamentally at issue, but science can also be seen as complicit in processes of colonial domination. Not only did science assist in bolstering aspects of colonial power and exploitation, it also possessed a significant ideological component: it offered a means of legitimating colonial authority by counter-poising Western rationality to native superstition and it served to enhance the self-image of colonial or settler elites in important respects. This innovative volume ranges broadly through topics such as statistics, medicine, eugenics, agriculture, entomology and botany.
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Zhijiang, in Hunan province, is the place where China and Japan negotiated for the affairs about Japan surrendered in the World War Ⅱ. It plays an important role in the history of world peace. Zhijiang focuses on peace culture and has held "China Zhijiang · International Peace Festival" for five times since 2003, which makes peace culture a calling card for Zhijiang to go global. Due to the influence of this festival and further research of peace culture in Zhijiang, more and more attention both at home and abroad has been paid to Zhijiang so that people hope to know more about Zhijiang in a more comprehensive and thorough way. This book collects lots of scholar articles on the study od peace culture in Zhijiang, and gives a detailed introduction to "China Zhijiang · International Peace Festival", which reflects Chinese people attach importance to history and peace.
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As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Thomas Nashe have elicited, and continue to provoke, a range of contradictory reactions. Nashe's often incongruous authorial characteristics suggest that, as a 'King of Pages', he not only courted controversy but also deliberately cultivated a variety of public personae, acquiring a reputation more slippery than the herrings he celebrated in print. Collectively, the essays in this book illustrate how Nashe excelled at textual performance but his personae became a contested site as readers actively participated and engaged in the reception of Nashe's public image and his works.
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“The Classic of Mountains and River "is an ancient Chinese pre-Qin books, but also an encyclopedia reflects the ancient Chinese society. Its content involves history, geography, nationality, mythology, religion, animals, plants, minerals, medicine and so on. Its encyclopedic content and strange content make it rare for ancient books. The book is divided into eighteen volumes, from the volume of a "Nanshan Jing" to volume five "Zhongshan Classic" known as the "Five Sangsanjing", from Volume VI "Overseas Nankan" to Volume 18 "Nei Jing" as "the sea through". Together, the two parts, collectively referred to as "Shan Hai Jing." The Great Chinese Library: The Chinese Version of the Shan Hai Jing (Chinese-English) Reference for English Translation is a new and reliable translation of Shan Hai Jing by the Shanghai Ancient Books Publishing House in July 2008. this. English translator Professor Wang Hong is good at translating Chinese books and books. He has translated a large number of Chinese libraries into Chinese including Mozi, Mengxi Bi Tan, Mandarin, Ming and Qing Essays, : Shan Hai Jing (Chinese-English comparison) ".
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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from Broadway musicals to educational theatre, from Somali drama to grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. Science in performance is essential reading for researchers, students and practitioners working between science and the arts within fields such as theatre and performance studies, science communication, interdisciplinary arts and health humanities.
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In Welcome to the club, Manchester legend DJ Paulette shares the highs, lows and lessons of a thirty-year music career, with help from some famous friends. One of the Haçienda's first female DJs, Paulette has scaled the heights of the music industry, playing to crowds of thousands all around the world, and descended to the lows of being unceremoniously benched by COVID-19, with no chance of furlough and little support from the government. Here she tells her story, offering a remarkable view of the music industry from a Black woman's perspective. Behind the core values of peace, love, unity and respect, dance music is a world of exclusion, misogyny, racism and classism. But, as Paulette reveals, it is also a space bursting at the seams with powerful women. Part personal account, part call to arms, Welcome to the club exposes the exclusivity of the music industry while seeking to do justice to the often invisible women who keep the beat going.
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This book provides scholars and students alike with a set of texts that can deepen their understanding of the culture and society of the twelfth-century German kingdom. The sources translated here bring to life the activities of five noblemen and noblewomen from Rome to the Baltic coast and from the Rhine River to the Alpine valleys of Austria. To read these five sources together is to appreciate how interconnected political, military, economic, religious and spiritual interests could be for some of the leading members of medieval German society-and for the authors who wrote about them. Whether fighting for the emperor in Italy, bringing Christianity to pagans in what is today northern Poland, or founding, reforming and governing monastic communities in the heartland of the German kingdom, the subjects of these texts call attention to some of the many ways that noble life shaped the world of central medieval Europe.
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During the first half of the twentieth century, world politics was reshaped in pursuit of a new international order. The ideological foundations of the 'new diplomacy' (and its fate during the interwar period) are well known. This book instead examines the practices of internationalism and diplomacy from the First Hague Conference of 1899 to the aftermath of the Second World War. By focusing on these practices, such as disarmament regimes or public diplomacy, and their use as instruments to build international order(s), it emphasises the constructed, contested, and experimental character of what subsequently became a standard repertoire of international politics. Essays from a range of interdisciplinary scholars address well-established principles such as self-determination, and also less prominent practices such as small arms control or parliamentary inquiry. The book makes a major contribution to the growing historiography on twentieth-century internationalism.
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A Place Beyond the Heart is a collection of short stories exploring issues at the intersection of war and love, terror and (dis)order, as well as identity, gender, and sexuality. The stories capture the lives of people facing personal, societal and transcultural challenges that define, transform, and ultimately create shifts in the way they see and experience the world.
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Offering an overview of the marketplace for comic images between 1820 and 1850, this book makes a case for the interest and importance of a largely neglected area of visual culture. It considers the impact on the development of print culture of the emergent, but soon widespread, use of lithography and wood engraving, both capable of integrating texts and images cheaply and imaginatively on the printed page. Drawing on a wide range of commercially produced print genres, including song books, play-texts, comic annuals and magazines as well as single plate and series of caricatures, this book traces the ways in which Regency and early Victorian visual humour both sustains some of the characteristics of an earlier caricature tradition while also beginning to develop new ways of analyzing and coping with social change through comic forms and genres. ;
