Thomas Nashe and literary performance
by Chloe Kathleen Preedy, Rachel Willie
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Albania, Algeria, Angola, Argentina, Armenia, Australia, Austria, Bahrain, Belgium, Belize, Benin, Bolivia, Bosnia and Herzegovina, Botswana, Brazil, Bulgaria, Burkina Faso, Burundi, Cameroon, Canada, Cape Verde, Central African Republic, Chad, Chile, China, Colombia, Comoros, Congo [DRC], Congo, Republic of the, Costa Rica, Ivory Coast, Croatia, Czech Republic, Denmark, Djibouti, Ecuador, Egypt, El Salvador, Equatorial Guinea, Eritrea, Estonia, Ethiopia, Faroe Islands, Finland, France, French Guiana, Gabon, Gambia, Georgia, Germany, Ghana, Greece, Guatemala, Guinea, Guinea-Bissau, Guyana, Honduras, Hongkong, Hungary, Iceland, India, Indonesia, Iran, Iraq, Ireland, Israel, Italy, Japan, Jordan, Kazakhstan, Kenya, Kuwait, Latvia, Lebanon, Lesotho, Liberia, Libya, Lithuania, Luxembourg, Macau, China, Macedonia [FYROM], Madagascar, Malawi, Malaysia, Mali, Malta, Mauritania, Mauritius, Mayotte, Mexico, Mongolia, Montenegro, Morocco, Mozambique, Namibia, Netherlands, New Zealand, Nicaragua, Niger, Nigeria, Norway, Oman, Pakistan, Panama, Paraguay, Peru, Philippines, Poland, Portugal, Puerto Rico, Qatar, Reunion, Romania, Russia, Rwanda, Saint Helena, Sao Tome and Principe, Saudi Arabia, Senegal, Serbia, Seychelles, Sierra Leone, Singapore, Slovakia, Slovenia, Somalia, South Africa, South Korea, Spain, Sri Lanka, Sudan, Suriname, Swaziland, Sweden, Switzerland, Syria, Taiwan, Tanzania, Thailand, Timor-Leste, Togo, Tokelau, Tunisia, Turkey, Uganda, Ukraine, United Arab Emirates, United Kingdom, United States, Uruguay, Venezuela, Vietnam, Western Sahara, Yemen, Zambia, Zimbabwe, South Sudan, Cyprus, Palestine, Bangladesh, Cambodia, Liechtenstein, Azerbaijan, Jamaica, Kyrgyzstan, Dominican Republic, Myanmar, Monaco
Endorsements
Thomas Nashe is typically regarded as an urban author and a University wit, but his writings are inflected and shaped by regional travel, 'non-literary', non-elite works, and oral culture. The essays in this collection address Nashe's use of the past, his engagement with the Elizabethan present, and his textual legacy. As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Nashe elicit and continue to provoke a range of contradictory reactions. Nashe's often incongruous authorial characteristics suggest that, as a 'King of Pages', he not only courted controversy but also deliberately cultivated a variety of public personae, acquiring a reputation more slippery than the herrings he celebrated in print. This book questions early modern conceptions of authorship and textual transmission through assessing Nashe's self-representation, authorial legacy, and literary celebrity: it traverses the mercurial way in which Nashe characterized himself as a messenger in print; addresses news and Nashe's denunciations of uncritical news-reading; examines Nashe's engagement in the Marprelate controversy and its resonances into the seventeenth century; assesses his ghostly influence on later writers and discusses the conscious materiality of Nashe's writing and its consumption. Collectively, the essays in this book illustrate how Nashe not only excelled at textual performance, but that his personae also became a contested site as readers actively participated and engaged in the reception of Nashe's image.
Reviews
Thomas Nashe is typically regarded as an urban author and a University wit, but his writings are inflected and shaped by regional travel, 'non-literary', non-elite works, and oral culture. The essays in this collection address Nashe's use of the past, his engagement with the Elizabethan present, and his textual legacy. As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Nashe elicit and continue to provoke a range of contradictory reactions. Nashe's often incongruous authorial characteristics suggest that, as a 'King of Pages', he not only courted controversy but also deliberately cultivated a variety of public personae, acquiring a reputation more slippery than the herrings he celebrated in print. This book questions early modern conceptions of authorship and textual transmission through assessing Nashe's self-representation, authorial legacy, and literary celebrity: it traverses the mercurial way in which Nashe characterized himself as a messenger in print; addresses news and Nashe's denunciations of uncritical news-reading; examines Nashe's engagement in the Marprelate controversy and its resonances into the seventeenth century; assesses his ghostly influence on later writers and discusses the conscious materiality of Nashe's writing and its consumption. Collectively, the essays in this book illustrate how Nashe not only excelled at textual performance, but that his personae also became a contested site as readers actively participated and engaged in the reception of Nashe's image.
Author Biography
Rachel Willie is Lecturer in English Literature at Bangor University
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date July 2024
- Orginal LanguageEnglish
- ISBN/Identifier 9781526149466 / 152614946X
- Publication Country or regionUnited Kingdom
- FormatPrint PDF
- Pages264
- ReadershipGeneral/trade
- Publish StatusPublished
- Dimensions216 X 138 mm
- Biblio NotesDerived from Proprietary 5158
- SeriesRevels Plays Companion Library
- Reference Code12900
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