Founded Egyptian Office For Publishing & Distribution in 1992 and until now . our goal is to provide culture for all segments of society and raise the level of public awareness and knowledge and the development of intellectual and creative possibilities for each . Over the past years we have published more than 1,000 cultural educational titles for the whole family through enlist the best authors in Egypt and the Arab world.
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The book opens a unique door to the history of Cairo and its journey from a social and cultural perspective and aims to build a new and different narrative for this history—one that shows Cairo as a cosmopolitan, multicultural city. Cairo’s Cafe Riche has a deep cultural history and a broad creative and social heritage. Saqer describes it as “the site where endless friendships are established between the café and history.” Saqer’s narrative is not just about the small café, but rather constitutes observance and analysis of the presence of this café in the history of Egypt and how we can view many events surrounding it. Here there is no separation between the political and the cultural, between the historical, the social, and the artistic. The book combines history and narrative, which makes it a documented historical biography on the one hand and a creative work on the other. It also documents an important era in Egypt’s cultural history by examining the cultural and social transformations in modern Egyptian history and highlighting prominent intellectuals and creators associated with the cafe and the history of intellectual life in Egypt.
Golden Mummies of Egypt presents new insights and a rich perspective on beliefs about the afterlife during an era when Egypt was part of the Greek and Roman worlds (c. 300 BCE-200 CE). This beautifully illustrated book, featuring photography by Julia Thorne, accompanies Manchester Museum's first-ever international touring exhibition. Golden Mummies of Egypt is a visually spectacular exhibition that offers visitors unparalleled access to the museum's outstanding collection of Egyptian and Sudanese objects - one of the largest in the UK.
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‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives. The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy. The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.
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Egypt and the rise of fluid authoritarianism focuses on the struggle of the post-2013 political authorities for internal political legitimacy after the crisis following the 2013 coup d'état. It explores the microstructural and macro-systemic dynamics of leadership, power, protests and the authority-making process in political systems. These cannot simply be defined as structural, political, social and economic projections of the authoritarianism of the past, but rather as a rupture with that past. The book offers a complex, ground-breaking socio-political and economic analysis into how the forging of an internal political legitimacy claim has eventually modified the regime in Egypt along the authoritarian spectrum, turning into a fluid autocracy closer to a non-exclusivist personalist regime. This shift had implications that resonated both politically and economically.
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The Ibn Tulun Trilogy is a stunning literary work that offers readers a fascinating glimpse into a significant period in the history of Egypt. ///This novel interweaves historical facts with a continuous narrative about Egypt, exploring how it was before and after the arrival of Ahmad Ibn Tulun. His independence and the construction of the city of Al-Qata’i, along with the establishment of a powerful army, are vividly portrayed. As the story progresses, readers learn of Ahmad Ibn Tulun’s death and his son’s reign, as well as the attempts to destroy his legacy and the fate of Al-Qata’i. ///Al-Qata’i is a story that explores the conflict between construction and destruction, the fickleness of fate, and the highs and lows of human existence. It tells of the meeting and parting of loved ones, the struggle between love and hate, oppression and justice, power and helplessness, and the ultimate triumph of victory and the agony of defeat.
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The novel brings together residents of a multi-story building. In a world besieged by COVID-19, Ezzat El-Kamhawi’s new novel places its main characters in a fictional world dominated by isolation and obsessions, where people are forced to surrender to a crushing flood of memories. FROM THE SCIENTIFIC COMMITTEE: “The novel explores the pandemic and its impacts on social life in Egypt, by presenting examples of the people who suffered from the disease. Structurally, it interacts with other literary genres and combines realism and fantasy.”
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China-Africa Economics and Trade Cooperation: Case Studies and Plans comes in 3 languages: Chinese(2 volumes), English(2 volumes), and French(2 volumes). This book series include 101 excellent case studies , which related to 21 Chinese provinces and cities and 31 countries in Africa, containing agriculture, manufacturing, commerce and trade, infrastructure, industrial parks, energy and mining, financing and other fields in China-Africa economic and trade cooperation. This set of books is practical and useful for all readers. In addition, the book gives the vivid interpretation on the concept of common prosperity, win-win cooperation, mutual negotiation and construction, shared innovation and progression of Belt and Road Initiative.
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This series contains about 1,800 modern prints collected by Lu Xun at that time, which authored by nearly 200 domestic printmakers and currently in the Lu Xun Memorial Hall in Shanghai and the Lu Xun Museum in Beijing. It is showcasing the glorious history of modern Chinese woodcut art: In the 1920s and 1930s, in order to guide the artistic direction of Chinese literary youth, smashed the KMT’s counter-revolutionary cultural " encirclement and suppression", Mr. Lu Xun held a "woodcut workshop" in Shanghai, and cultivated a group of emerging woodcut backbone. These backbones led young artists in various regions of the country to create a large number of realistic works reflecting the suffering and tragic fate of the people at the bottom of the society at that time. They cruelly lashed the dark reality of society and called for national salvation and survival. These young woodcutters sent their woodcut works to Lu Xun, who not only guided their creation personally, but also spared no effort to collect, publicize and promote them to the public. With the active advocacy and support of Mr. Lu Xun, the emerging woodcut movement in China has developed vigorously, driving the modernization of Chinese art and leaving an indelible glorious footprint in the history of Chinese modern culture and art. This complete collection is a companion to the The Complete Collection of Foreign Prints by Lu Xun published in 2014.
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“In the old days, passing on an inheritance was rarely an issue. Oh, there were always old men to complain about the folly of the new generations and cheeky brats ready to mock their elders, but, on the whole, the world of sons resembled that of fathers, and the lessons of the latter were passed on without much difficulty. Today, each era seems to create its own world, bringing its own new life into it. The challenge is not to lose sight of the aspects of continuity that reign from one era to the next.” Mohamed Abdallah Egypt, its neighbors. Cairo, a city that has created an arena for itself between the jaws of the desert. Its river emerges from elsewhere, the Nile, always there, meandering amiably between Cairo's buildings, sometimes disappearing behind a mosque or cinema, before reappearing for good, an ancient comrade in a procession backwards through the decades. Its nourishing trickles are laden with secrets, the destinies of men and women and the mysteries of millennia. One era? No, several. At the beginning, or rather at the end, two novelists, two cousins who don't know each other but remember the same universe. In their books, they recount its beauty, greatness and pettiness, successes and failings. The root of this painful poetics? A revived horizon, refracted from one era to the next. Revolutions wished for, sung about, mourned. A world, several continents believing themselves to be in the hollow of a valley where faces emerge, voices rise, psalms are declaimed, music dances, scents run through the streets... Oumm Koulthoum, Youcef Cha-hine, Tawfiq al-Hakim, Ahmad Shawqi, Cheikh Imam, Fouad Nagm, Soad Hosny and... take their place at Café Isfet in the El Gamaliyya district. Broken, twisted, surviving, magnificent friendships. Unspoken loves, over-thought, under-experienced. Good-natured, jovial, albeit frazzled, witnesses. And, in the midst of this field of superb ruins, life, its aspirations, the arts and their.
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Generations of pastry makers experience a turbulent era in Egyptian history The novel “Al-Halawani” is a historical narrative that delves into a significant period in the life of the Arab history, when the region faced the challenges of the Crusader attacks, the emergence of heroes, and the endurance of severe hardships. The novel is divided into three stories. The first story recounts the arrival of the Fatimids in Egypt from Tunisia and the life history of the leader Jawhar Al-Siqilli, who built the city of Cairo. The second story is about the Al-Mustansiriya Famine or the famines that occurred in Egypt during the time of the Fatimid Caliph Al-Mustansir and how they ravaged the Egyptian population until the leader Badr Al-Jamali came to save Egypt from the famine, re-dividing its provinces, and building the current walls of Cairo. In the third story, the novel touches on the rise to power of Salah Al-Din Al-Ayyubi, the escalating threat of the Crusaders, and the end of the Fatimid state in Egypt. The novel depicts also the role of Arab women in confronting the Crusaders and enduring famines and dangers.
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In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
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‘‘The means of dominating a people and assimilating it is to take possession of childhood and youth: this cannot be done by coercion, but the moral means are numerous and effective... The object of our efforts must be the extension of Arabic-French teaching: it is through this that we will take possession of the new generations almost from the cradle.’’ (Leroy-Beaulieu, 1887). (Leroy-Beaulieu, 1887). What is the record of French education in Algeria during the period of colonisation? After 132 years of French presence in Algeria (annexed to France in 1838), how many Algerians (French Muslims, indigenous French subjects) had a sufficient knowledge of the French language, and how many of them had learned to read and write in French? Was compulsory schooling for children aged 6 to 13, in accordance with the J. Ferry law of 1882, applied in Algeria? How many Algerian children attended state schools? How many went to lycée and university? What was the number of students at the time of the country's independence? How many doctors, engineers, primary and secondary school teachers did Algeria have at the time of its independence? What was the status of local languages (Arabic, dialectal Arabic, Berber) in the Algerian education system? As well as answering the questions listed above, this book attempts to analyse the objectives assigned to French schools in Algeria and to study the attitudes of the various populations to the objectives pursued. What role did education play in the various forms of colonial ‘confrontation’? What was the role of the elites produced by the colonial education system? And what role and place did they occupy in the struggle for Algerian independence? Were they the driving force behind the independence movement, as the Europeans in Algeria feared? Or did they mediate between colonisation and the mass of the colonised, as the enlightened ideologists of the colonial system hoped?
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For decades, Prof. Chen Shaozong has been dedicating to the research on the modern acupuncture and moxibustion system that is different from the traditional paradigm. As early as 1990, he published Theory and Clinical Application of Modern Acupuncture and Moxibustion. The book is the prototype of the modern acupuncture and moxibustion system, though it contains merely 100,000 Chinese characters. 21 years later in 2011, Prof. Chen Shaozong published Modern Acupuncture and Moxibustion that contains nearly 1 million Chinese characters with more informative content and a more comprehensive theoretical system. At the same time, as acupuncture and moxibustion grows into a more international discipline, the European and American community of acupuncture and combustion is going beyond the study of traditional acupuncture and moxibustion to start exploring into the acupuncture and moxibustion system in the context of modern science and technology. In recent years, they have gradually developed "western acupuncture and moxibustion" represented by "dry needling". As a response to the huge challenges brought by the evolution of western acupuncture and moxibustion, we published the six-volume Modern Acupuncture and Moxibustion by Prof. Chen Shaozong in 2018. Containing more than 3 million Chinese characters, this book features richer content and a further improved theoretical system. A few foreign universities have expressed their hope to have a compact edition of Modern Acupuncture and Moxibustion in Chinese and English languages based on the original edition so that they can use it as a textbook in teaching. This is how this Theory and Clinical Practice of Modern Acupuncture and Moxibustion (in Chinese and English) comes into being. It is believed that the publication of this book not only benefits the international exchange and communication on acupuncture and moxibustion, but also produces positive impact on the orientation of the discipline.
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"Never invest beyond theShanhai Pass", as the saying goes.The particular cultural environment and openness make the brain drain in Northeast China extremely serious. However, Miao Qing, a seemingly delicate doctoral student from a famous school, resolutely went northward because she had a personal plan thatwas related to both her father and herself, namely, to design a world-leading large aircraft. Her father once said that just as a poet without imagination must be a lousy poet, a country without advanced aircraft could never escape the fate of a backward country. For this reason, Miao Qing started her career atKunpeng Group, later went to Feiying Company to produce a leading small low-altitude aerial drone, and then sheplayed the leading role in the national G-31 project that designed a stealth supersonic aircraft and made a successful trial flight.
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This is a study of Britain's presence in China both at its peak, and during its inter-war dissolution in the face of assertive Chinese nationalism and declining British diplomatic support. Using archival materials from China and records in Britain and the United States, the author paints a portrait of the traders, missionaries, businessmen, diplomats and settlers who constituted "Britain-in-China", challenging our understanding of British imperialism there. Bickers argues that the British presence in China was dominated by urban settlers whose primary allegiance lay not with any grand imperial design, but with their own communities and precarious livelihoods. This brought them into conflict not only with the Chinese population, but with the British imperial government. The book also analyzes the formation and maintenance of settler identities, and then investigates how the British state and its allies brought an end to the reign of freelance, settler imperialism on the China coast. At the same time, other British sectors, missionary and business, renegotiated their own relationship with their Chinese markets and the Chinese state and distanced themselves from the settler British.
What is the appearance of the famous Liangzhou statue? Why is the image of the newly arrived Bodhisattva in Beiliang so different from that in the mainland? What "The Grotto Corridor of China" does is to focus on presenting this cultural birthmark and artistic treasure left by the Silk Road to Gansu, to revive the millennium grottoes, and to let the audience enter the history and discover a wonderful China in the grottoes.
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This Book focuses on the history of textbooks in modern and contemporary China and divides it into the Volume I and II by textbooks in modern China and contemporary China. This Book not only lists textbooks in modern and contemporary China based on historical periods, but also analyzes the various phenomena in the history of textbooks and their causes in combination with the social and historical conditions at that time. This Book is the precious historical data, and also provides useful insights into the editing and production of our textbooks today.
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