Kampu Mera Edition
A publisher dedicated to promote the works by Cambodian female authors. Phnom Penh, Cambodia.
View Rights PortalA publisher dedicated to promote the works by Cambodian female authors. Phnom Penh, Cambodia.
View Rights PortalManshurat Al Jamal was founded in 1983 by Khalid Al Maaly in Cologne ,in 2008 based in Beirut and a further branch in Bagdad .The program focus on :- Classic ,Modern Arab literature- Fiction short stories poems - Philosophy- Sociology Manshurat Al-Jamal is the publisher of a lot of authors: G.Grass O. Pamuk J. Habermas Robert Musil H.Qureishi G. Sinoue P. Celan W. Gombrowicz J. Derrida M. Horkheimer T. Adorno A. Kristof
View Rights PortalThe novel brings together residents of a multi-story building. In a world besieged by COVID-19, Ezzat El-Kamhawi’s new novel places its main characters in a fictional world dominated by isolation and obsessions, where people are forced to surrender to a crushing flood of memories. FROM THE SCIENTIFIC COMMITTEE: “The novel explores the pandemic and its impacts on social life in Egypt, by presenting examples of the people who suffered from the disease. Structurally, it interacts with other literary genres and combines realism and fantasy.”
A text that transcends literary genres, this book concludes a path that runs through the author’s previous books: Al Ike fe Al Mabahej was Al Ahan (The Ike in the Joys and Sorrows) 2002, Kitab Al Ghewaya (The Book of Seduction) 2007, and Al Aar men Al Difatayn... Abeed Al Azmenah Al Hadethah fee Marakeb Al Tholomat (Shame on the Two Banks: Slaves of Modern Times in the Boats of Darkness) 2011. The theme of the book focuses on travel as a human activity and an example of human life. Hence the novel’s philosophical approach manifests itself as an examination of the different stages of travel as a metaphor for man’s journey from life to death. With this philosophical view the writer's prose fuses with cities and travel experiences, diving deep to describe the souls of the cities, going far beyond what can be captured by a camera. The book contemplates the styles of architecture and the meanings they represent, reflecting on the meaning of beauty and perfection, as well as the nature of aggression that resides in them. It reflects, too, on the meaning of living on an island and the symbolism of water, which makes travel a unique experience that increases the depth of life and compensates us for our short existence. The writer examines his visions by invoking publications that highlight travel, including The Thousand and One Nights, which he considers to be a travel book.
It is the year 2053 and El Alto celebrates its tenth anniversary as the capital of the New Kollasuyo. Metropolis of the Andes, continental scrap metal market, second-hand industrial engine, robotic garbage supply, recipient of Chinese colonies, host of technosophical cyber-religions, world headquarters of the cholet and the highest popular fair on the planet, the city of the future is the mirror of our dreams. Don't let them talk you out of it: the future is now!
Responsible for the death of hundreds of Jews and members of the resistance, including Jean Moulin, SS Klaus Barbie escaped justice and a double death sentence at the end of World War II. He exchanged his native Germany for South America, where he applied the same methods and even organized the coup d'état of the dictator Hugo Banzer. A true mercenary, nicknamed the Butcher of Lyon, he was finally identified and hunted down until 1987, the fateful year of his trial and conviction, unprecedented in France: life imprisonment for crimes against humanity.
Can anyone deceive the loved one in order to protect him or her from the cruel truth of love? Like broken magnets that first repel and then attract each other, the characters of this comical tragedy of entanglements swing between love and lovelessness, between fantasy and reality, between dream and wakefulness. In the confusion of these parallel lives, they stray into a diffuse reality that becomes clear when they all accept that they have deceived and been deceived. In his extensive and brilliant literary career, Ariel Magnus usually approaches from a marginal sector the crucial issues that are being debated in society. As if he had an antenna capable of capturing the sign of the times, but with a certain lag that makes him decode reality from the eccentric -in the sense of being out of the center- and, therefore, paradoxically, in a sharper, more forceful and notably more uncomfortable way. His style is recognizable in the marks of humor, absurdity, polysemy, logical contradictions.
Makes available, for the first time in English translation, four of the principal narrative sources for the history of the Spanish kingdom of León-Castile during the eleventh and twelfth centuries. Three chronicles focus primarily upon the activities of the kings of León-Castile as leaders of the Reconquest of Spain from the forces of Islam, and especially upon Fernando I (1037-65), his son Alfonso VI (1065-1109) and the latter's grandson Alfonso VII (1126-57). The fourth chronicle is a biography of the hero Rodrigo Díaz, better remembered as El Cid, and is the main source of information about his extraordinary career as a mercenary soldier who fought for Christian and Muslim alike. Covers the fascinating interaction of the Muslim and Christian worlds, each at the height of their power. Each text is prefaced by its own introduction and accompanied by explanatory notes.
The book is about different short stories with a social focus about the real life in Argelia and its public servants as main characters, as well as their conflicts.
“In any case, when you decide to try harga, it's because you no longer expect anything from life. Or that you expect a lot!” (Akram El Kebir) The summer of 2018 was particularly deadly in Oran, as the discovery of harraga corpses being fished out of the Mediterranean was commonplace. That same summer saw the commissioning of a water cab, the Rossinante II, which made the daily shuttle between Oran and the small seaside town of Aïn El Turk. A cafe owner in a small estaminet in Sidi El Houari, Zaki, at the age of 24, led a dull, boring life, with no prospects for the future other than to cherish the hope of one day attempting the harga. It was only the fear of ending up eaten by fish that dissuaded him. That said, as soon as he heard about the water cab, an absurd idea occurred to him: what if he hijacked the boat and headed for the Iberian coast? He won't be alone in this crazy adventure, as his neighborhood friends Okacha and Anis, and other outcasts, are sure to follow him. But these modern-day Don Quixotes shouldn't claim victory too soon! They'll learn the hard way that hijacking an entire ship is no picnic. They'll have to face up to the Italian crew, as well as the rest of the passengers. Passionate debates ensue, in a sort of impromptu Citizens' Assembly, where all issues affecting society are discussed. On the eve of the February 22nd Revolution, Zaki has eyes only for one of his hostages, the impetuous Nafissa...
Mazen, a young boy, is one day surprised by their neighbor Bassam shouting with anger in the street “My parking spot is a red line!” Does this mean he plans to paint the street red, asks Mazen to his mother? The mother explains to Mazen that what Bassam means is simply that no one is to park in his place. The notion is still vague to Mazen: Why red? Does it have anything to do with red traffic lights? The mother tries again “When something is a red line, it means that it is off limits to others”. In this illustrated album, Samar Barraj boldly addresses the delicate issue of child sexual abuse. Acknowledging the complexity of the boundary it tackles, the book determines it through examples the mother and child raise in their conversation. Mazen’s spontaneous remarks and comments point out the difficulty of defining this red line, and make of the book a realistic example of such a conversation. The illustrations develop the notion further, by representing situations in which the red line might be crossed – one may be on his bicycle, at his computer, or approached by a respectable-looking old man in the street. The body parts are not named, but are represented in a naïve drawing Mazen made, though the text insists on the importance of preserving the body as a whole. The colorful images and constant presence of the mother and parents make of the book a reassuring experience despite the gravity of the topic.
Nachdem der »IS« in Trümmern lag und »Kalif« al-Baghdadi im Oktober 2019 von US-Truppen getötet wurde, schien der »Krieg gegen den Terror« einmal mehr beendet. Aber der Dschihadismus ist längst eine globale Bewegung geworden, der Dutzende von Organisationen angehören – und mit Gewalt allein ist ihr nicht beizukommen.Seit drei Jahrzehnten verfolgt Asiem El Difraoui als Filmemacher, Journalist und Wissenschaftler diese Entwicklung. Er traf Kampfgefährten bin Ladens in Khartum und PR-Strategen, die in Berlin-Charlottenburg Propagandavideos produzierten. In Kriegsgebieten wie Bosnien, dem Irak oder in Afghanistan hat er selbst den Terror gegen die Bevölkerung miterlebt. Und immer wieder kam der Terror auch zu ihm, wie in Gestalt der Anschläge 1995 und 2015 in Paris, die sich in seiner unmittelbaren Nachbarschaft ereigneten. Kenntnisreich und anschaulich schildert Difraoui, wie der Dschihadismus entstanden ist, wie seine Denkmuster und PR-Strategien sich gewandelt haben und woraus die Hydra ihre Kraft bezieht. Was macht die todbringende Ideologie gerade auch für junge Menschen in Europa attraktiv? Welchen Anteil hat der Westen, haben die Medien an ihrem Erfolg? Und wie kann es gelingen, ihre Macht zu brechen? Ein aufrüttelnder Appell, sich einer der größten Gefahren der Gegenwart zu stellen.
“If the world were a lemon and one were to tie a string around its middle, then that string would be what is called the Equator. It divides the world in half, and it is under the path of the sun. The bumps on the two ends of the lemon are the north pole and the south pole, both cold and icy. About where the knot of the string is, where it is warm the year round, is the land of Ecuador.”
If learning to prepare tea takes a lifetime, what is truly learned in the process? That is the question that surrounds El viento entre los pinos, Japanese-style: without offering an answer, through anecdotes, poems, and reflections that bring the tea ceremony—one of the most exquisite disciplines of Japanese culture—closer to everyday life. Tasks such as purifying the utensils, arranging flowers, preparing the charcoal, and heating the water appear, in the author's words, as a genuine meditation in motion, inviting us to pause in the present and appreciate our surroundings with all our senses.
El castigo sin venganza (1631) is Lope de Vega's greatest tragedy. The play dramatises the story of the adulterous relationship between the beautiful Casandra, Duchess of Ferrara, and her step-son, Federico, and the reaction of her husband, the Duke, himself a flawed and ambiguous figure. The dramatist, at the height of his powers, re-works an earlier Italian short story to explore the complexities of human desire and the grim consequences of giving in to temptation. Aimed principally at undergraduates who are new to Spanish Golden Age drama, this edition includes a substantial commentary on the text, explanatory footnotes and a selected vocabulary. The introduction sets the play in its contexts - historical and dramatic - and focuses too on elements of the genre with which new readers might be unfamiliar: performance norms, the poetry of the play and the linguistic differences in Golden Age Spanish. It is informed by up-to-date scholarship on the play from Spain and the Anglophone world. ;
Upon entering the Royal Spanish Academy in 1975, Miguel Delibes delivered an address which reclaimed El camino (1950) for the emerging Green movement. With a blend of hilarity, satire, pathos and tragedy, Delibes artfully explores the process of crossing boundaries in pursuit of maturity and social advancement, whilst also implying that real education is the unfolding of the human heart among friends and sweethearts within a shared social and natural space. This new annotated version of the text comprises an introductory essay discussing green issues, attitudes towards the Spanish peasantry under Franco, and the function of the novel's subtly orchestrated comedy. It also contains explanatory notes on the text, discussion topics and an extensive Spanish-English glossary. This edition is intended primarily for English-speaking students of Spanish literature and culture at school and university. ;
Makes available, for the first time in English translation, four of the principal narrative sources for the history of the Spanish kingdom of León-Castile during the eleventh and twelfth centuries. Three chronicles focus primarily upon the activities of the kings of León-Castile as leaders of the Reconquest of Spain from the forces of Islam, and especially upon Fernando I (1037-65), his son Alfonso VI (1065-1109) and the latter's grandson Alfonso VII (1126-57). The fourth chronicle is a biography of the hero Rodrigo Díaz, better remembered as El Cid, and is the main source of information about his extraordinary career as a mercenary soldier who fought for Christian and Muslim alike. Covers the fasincating interaction of the Muslim and Christian worlds, each at the height of their power. Each text is prefaced by its own introduction and accompanied by explanatory notes. ;
Gabriel García Márquez has been described as the greatest writer in Spanish since Cervantes, and El coronel no tiene quien le escriba is considered to be one of his best works. This reflective and atmospheric novel is set in a small Colombian town where the frustrated and stubborn Colonel, a veteran of the 'War of a Thousand Days', is still, after thirty years, waiting for the letter authorising payment of his war pension. The old soldier and his wife mourn the brutal killing of their only son, and the story of their struggle against poverty and sickness culminates in the Colonel's defiant refusal to part with his cherished fighting cock, however serious the consequences. The moving narrative pays tribute to the resilience of human nature and man's will to survive in the face of heavy odds. The novel also throws light on the turbulent religious and political troubles in Latin America. Now revised to include an updated chronology and bibliography, Giovanni Pontiero's acclaimed critical edition provides English-speaking students with an introduction to, and notes on the text, and a selected vocabulary. ;
El Caballero de Olmedo is a history play, a retelling of a folk talk, a celebrated piece of Golden Age drama, and also an intense mediation upon the power of desire, the deceits of eroticism and literary convention, the injustice of a world obsessed with appearance, and the tragic potential inherent in the courting of beautiful women. The introduction sets this play within the context of Baroque eroticism and sexual mores as well as dramatic practice. The text is presented with glosses to words unfamiliar to undergraduate students; the notes comprise summaries of acts and scenes from a dramatic point of view, and in-depth notes to problematic passages in the text, written with an undergraduate readership in mind. ;
Ignite your little explorers' passion for reading with a thrilling journey through iconic landmarks and adventures! This book invites young adventurers to explore vibrant scenes from the United States, including Times Square, the Grand Canyon, and Yellowstone. Packed with an adventurous story about Radia and Ismael in the Wild West, as well as stickers, games, and coloring pages, it’s the perfect way to fuel their curiosity and imagination. Buckle up for an unforgettable adventure filled with learning and fun!
If one had to identify one central, defining text from modern Mexican culture, it would be Octavio Paz´s famous essay, El laberinto de la soledad. This fully annotated edition includes the complete text in Spanish (with the author's final revisions), and notes and additional material in English. The editor's introduction contextualizes the essay and discusses central features: autobiographical and textual origins, intellectual sources, reception and canonization, generic ambiguity, structure, and governing symbols. The intellectual sources identified range from Marx, Nietzsche and Freud to the more contemporary ones of the French College of Sociology (Caillois), the Surrealist movement, the ideas of D. H. Lawrence, previous essays from writers in Mexico (such as Samuel Ramos) and Latin America. Several lines of interpretation are examined to show how the work can be read as a psycho-historical essay, an autobiographical construct or a modern literary myth. Transdisciplinary by nature, this literary essay is both an imaginative construction of personal and national identity, and also a critical deconstruction of dominant stereotypes. It seeks to redefine the complex relationships that exist between psychology, myth, history and Mexican culture. This edition also includes excerpts of the author's opinions on his essay, a time-line of Mexican history, a selected vocabulary, and themes for discussion and debate. Paz's first full-length prose work remains his most well-known and widely read text, and this edition will appeal to sixth-form and university students, teachers, researchers and general readers with a knowledge of Spanish. ;
Keys, handkerchiefs, coins, three flowers from last spring, a bird. Boys and girls are expert observers and that is why they know that a mother’s purse fits everything. A book in Braille that reminds its readers that when observations are mixed with imagination, the most everyday objects are capable of coming to poetic life.