Bis der Wind sich dreht - Wege raus aus dem Konflikt Konfliktmanagement einmal anders - Ein Roman und Ratgeber in einemTeil 1: Geschichten aus der Arbeitswelt, die jeder kennt. Konflikte mit den Kollegen, Vorgesetzten oder im Team. Ein geheimer Briefeschreiber der Sichtweisen verändert und Konflikte löst. Teil 2: Ein Workbook, ein Ratgeber mit Hilfsmitteln und Lösungsmöglichkeiten in Konfliktsituationen
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Als Kind bereits wünschte ich mir, das Leiden durch Krankheiten mit natürlichen Produkten lindern oder sogar heilen zu können.Nach extremer jahrelanger weltweiter Recherche über verschiedene Heilmethoden bemerkte ich ein Detail: eine stark heilende Wirkung hat das Sonnenhormon Vitamin D dicht gefolgt von anderen Nährstoffen.Mein Wissen habe ich in der Folge eingesetzt für Freunde und Verwandte: mit einem unglaublichen Erfolg. Durch eine konstante und gezielte Behandlung mit Vitaminen und Mineralstoffen wurden alle Behandelten gesund ohne extra Medikamente zu benötigen.
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Of course, the fate of the artist was formed in a certain way because he realized his vocation - to be a poet. On the other hand, he lived his life as a professional artist. After graduating from the St. Petersburg Academy of Arts, T. Shevchenko worked as an artist in the Temporary Commission for the consideration of ancient acts (Kyiv Archaeographic Commission), applied for the position of drawing teacher at the University of St. Volodymyr in Kyiv. And when his plans were broken by arrest, then in exile, despite the strict imperial ban on writing and drawing, the artist was able to work in his specialty, although not officially. Shevchenko devoted the last years of his life to the development of etching, having received the title of academician in engraving. The publication consists of two parts. The first is devoted to the works of the artist, made in graphic techniques, as well as sepia and watercolor. Given the fact that there are few oil paintings in the artist's works, we singled them out in the second part, trying to break stereotypes about their perception. Each section of the first part is devoted to a separate genre, which was addressed by T. Shevchenko. The largest of the sections are divided into thematic headings, which allows you to see the works of the artist from a new, perhaps unexpected, angle. In turn, the commentary to each work contains a brief history of creation (places, circumstances, relationships, etc.) and artistic characteristics that reveal the performing skills of the author. In addition, an important addition is the part of the commentary "Interesting" and quotes from the novels, Diary, correspondence of the artist, memoirs of his contemporaries. You can start your acquaintance with the publication from any section or even heading. Traveling through Shevchenko's paintings on separate routes you will have a complete rich journey through the original world of the artist.
Children love poems. So before Christmas, the Old Lion and a group of modern Ukrainian poets and illustrators created this elegant book to read in the family circle. Snow Poems for Kids are full of fun snow games, magical gifts from St. Nicholas and magical moments of Christmas and New Year. Also, the Old Lion reminds young readers to take care of birds and animals in winter. The collection includes poems by Mariana Savka, Halyna Malyk, Halyna Kirpa, Kateryna Mikhalitsyna, Oleksandr Dermanskyi, Ihor Kalynets, Oksana Lushchevska, Oksana Krotiuk, Hryhorii Falkovich, Tetiana Vynnyk, Yulia Smal, Natalia Poklad, Olesia Mamchych, Ivan Andrusiak , Oleksandr Orlov. Compiler - Natalka Maletych. Illustrated by: Dasha Rakova, Oksana-Olexandra Drachkovska, Yuliia Pylypchatina, Nataliia Oliynyk, Bohdana Bondar, Oksana Bula, Marta Koshulynska, Kateryna Sad.
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Each chapter is a careful and unhurried reading of one of Shevchenko's famous works with a profound and witty commentary by Volodymyr Dibrova. The author is a translator, literary critic, and lecturer at Harvard University and teaches Ukrainian language and literature to students from all over the world. In this collection of essays, avoiding simplification and total idealization, he "translates" some realities, contexts and reflects on the sources of the writer's poetic influence. This book is aimed at allowing you to look at the famous texts "with a fresh eye", and after rereading them, to find your own Shevchenko and to better understand yourself as Ukrainians. Interesting, fascinating, and dynamic essays about literary texts and their influence on culture and society.
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When reading this book, Taras Shevchenko's admirers will sincerely empathise with the poet, make unexpected biographical discoveries and enjoy his art and his quirky sense of humour. Non-fans, whose dislike for the Ukrainian genius stems from the Soviet rendering which still dominates the school curricula, have a chance to see a different Shevchenko. The book shows the great poet in situations that destroy his stereotypical image that was cultivated over the years. Last but not least, a thoughtful reader will be able to see that Russia in the times of Nikolas I is not too different from today's Russia and that the challenges Ukrainians faced in the mid-19th century repeat in the 21st century.
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The book by Prof. Ihor Shevchenko, a noble intellectual, one of the most prominent specialists in the fields of Byzantine and Slavic history and culture, presents the medieval and early modern history of Ukraine in a broad cultural perspective in the context of the country’s relations with the East (Byzantium, Muscovite/Russian state, the Ottoman Empire) and the West (Poland and Austria-Hungary). The twelve essays that make up the book cover the period from the introduction of Christianity in Kievan Rus to the early 18th Century.
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Kateryna Kalytko's new book is a long story written in one breath. It is a book about personal boundaries that one will recognize and defend as well as the boundaries will always protect him. This story is about the ability to live with one's scars, being an orphan, remembering the metallic smell of weapons at night, and the air in which time is dissolved. This is the story about the taste of your own words that burn your mouth when you taste their true meaning.
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This is the third picture book from the informative series about trees by Ukrainian writer Kateryna Mikhalitsyna and illustrator Oksana Bula. This is a story about how a grumpy badger and naughty squirrels saved the forest from the fire. Readers will also learn how spruce and larch prepare for the winter, and whether oak moss is actually a moss and why one should not burn deadwood because its not really dead. The book is also interactive: you can try and find all the firebugs hidden in the pictures, learn to distinguish different trees and make a garland in ecostyle.
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When the holidays draw near, schoolchildren begin to think about rest and travel. Sadly, this time, Vira's (Faith) holidays will be different due to the war. She, along with her parents and younger brother, has to move to the basement floor of their apartment building to hide from the bombardments. The family members do all they can to adapt to this new reality: they melt snow when they run out of water, try to warm themselves up by singing when they run out of heating, and reassure themselves that all the people close to them are safe when they cannot hear from them. The usual way of life seems like a distant memory, surviving perhaps only in our imagination or in computer games. Yet, even in these activities, and in supporting our loved ones, we can learn how to find a light inside that no missile will ever be able to reach. The Holiday I Had to Take is not only the moving story of Vira; readers of Kateryna Yehorushkina's book will also find advice and soothing practices from psychologist Svitlana Royz to support everyone finding themselves in difficult times From 3 to 8 years, 2138 words. Rightsholders: Natalie Miroshnyk, n.miroshnik@vivat.factor.ua
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In this collection of essays, twenty Ukrainian intellectuals reflect on the phenomenon of social bridges and walls. Why do they both exist? Do bridges always bring understanding? Or do they perhaps sometimes allow crossing boundaries? Do walls necessarily separate? Or do they occasionally protect? With whom and how should we build bridges, and from whom shall we isolate by walls? The result of the media project of the Ukrainian branch of the International PEN Club, published in the New Time publication, is now under one cover. On the pages of the book, you will find essays by the following authors: Kateryna Kalytko, Kateryna Botanova, Vakhtang Kebuladze, Zoya Kazanzhy, Ostap Slyvinskyi, Olena Stiazhkina, Larysa Denysenko, Myroslava Barchuk, Viktoriya Amelina, Vitaliy Ponomariov, Vasyl Makhno, Volodymyr Rafeenko, Mykola Riabchuk, Volodymyr Yermolenko, Svitlana Pyrkalo, Borys Gudziak, Ihor Isichenko, Halyna Vdovychenko, Pavlo Kazarin, Vitaliy Portnykov. Compiled by Tetiana Teren. Foreword by Andriy Kurkov.
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The first and the most diverse edition of the selected works of the famous poet, laureate of the Shevchenko National Literary Prize of Ukraine collected under the title “The Window that Flies”. It includes all the best that was written by the author on the eve of his sixtieth birthday. The ancient world of native mythology and fairy tales comes to life in the work of the most prominent post-sixties poet Vasyl Holoborodko. Probably, this search for something nationally specific, which stretched on for years continues to this day.
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A schoolboy from Kyiv, fascinated by biology, accidentally raises... a dragon and that abruptly changes his usual life... This enchanting tale is, to some extent, both a detective story and a parody of a detective story. The mix of light fantasy and children's "Bondiana" has many informative moments. This is the debut story by the famous Ukrainian illustrator Kateryna Shtanko.
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A portrait of a Ukrainian woman more often shows her being silent than speaking. However, without this silence there would be no voice that sounds in this collection. The voice that defends the right to speak sincerely about acute grief, generational traumas, the courage of love, and disappointment with emptiness behind masks. Since speaking out is the only way to remain oneself and to be the voice of hundreds speechless sisters.
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"Happy Naked People" is a thematically united cycle of stories about happiness or rather about what precedes happiness. These are stories about the generation of Ukrainians who had a chance to see the last days of the Soviet Union and the recession that followed it, about those who grew up and became the strogest versions of themselves, in spite of everything that happened to them. It is about how these people live now and interact with the world, in which there is war, and love, and emigration, and Hanoi, and New York, and the dead, and the living, and the blind, and the unwise; and, most importantly, how to be happy with this all.
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The role of the intellectual in Ukraine and the world, the sense of irony, the Nazi and communist totalitarian regimes depicted by Tadeusz Borowski and Gustaw Herling-Grudzinski. Taras Shevchenko depicted through the eyes of Hryhoriy Hrabovych. Ivan Franko depicted through the eyes of Yaroslav Hrytsak. Lesya Ukrainka depicted through the eyes of Oksana Zabuzhko. Yuri Andruhovych depicted through the eyes of Karl-Josef Zumbrunnen. The Maidan and post-revolutionary confusion, reconciliation with Poland and the war with Russia, Crimea and Donbas. This is an incomplete list of topics covered more or less in this collection of essays.
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Text und Kommentar in einem Band. In der Suhrkamp BasisBibliothek erscheinen literarische Hauptwerke aller Epochen und Gattungen als Arbeitstexte für Schule und Studium. Der vollständige Text wird ergänzt durch anschaulich geschriebene Kommentare.
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Many wonders happen in the world. For instance, your tub may wish to play hide-and-seek with you, a dragon couple can have a baby princess born as their daughter and a little mouse may imagine itself a cat and then really become one. In the times of incredible change and inventions there can be a device that makes anything tiny, or a newly renovated highway can become a teleport, or the door can only serve as an entrance… This is a very short list of different miraculous situations and weird characters that you’ll meet in the book by Olesia Mamchych. The fun, ironic, sometimes absurd and paradox stories will make you laugh, feel confused or even… But, check it out yoursef.
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›Anna Livia Plurabelle‹ ist das berühmteste, meistzitierte Kapitel des unübersetzbarsten aller Bücher, »Finnegans Wake« von James Joyce. Unser Band bringt den Text des Originals, eine alte und zwei neue Übertragungen (von Wolfgang Hildesheimer und Hans Wollschläger) und eine Einführung von Klaus Reichert. ALP, nach Arno Schmidt die »All-Frau«, die Zusammensetzung »aus der schönen rot-gehaarten Isolde, den Maggies und sonstigen ›Stundentänzerinnen‹«, ist für Joyce das weibliche Prinzip des Universums, Wasser, Erde, Eva, Isis, Isolde und Psyche in einem; sie tritt zu Beginn des Buches mit den Fluten der Liffey auf und wird am Ende im Traum wie ein Fluß dem väterlichen Ozean zugetragen, wo alles sich verliert, sich wiederfindet und von neuem beginnt. »Was soll nun der deutsche Leser mit dem Buch anfangen? Er kann sich ans Nach-Prüfen, Nach-Denken, Nach-Schmecken, Nach-Sprechen von Hildesheimers und Wollschlägers Übertragung machen. Er wird entdecken, daß »Finnegans Wake« doch, wenn man nicht den falschen Ehrgeiz hegt, gleich alles ›verstehen‹ zu wollen, ein ›funeral‹ ist, nämlich eines der Begräbnisse des herkömmlichen Romans, und ein ›fun for all‹, ein Spaß für alle.« »Jörg Drews«
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"Ivan and Phoebe" won Ukraine’s Taras Shevchenko National Prise for Literature in 2021. The novel chronicles the lives of several young people involved in the Revolution on the Granite in 1990. The story is set in Uzhgorod, Kyiv and Lviv. As the characters come to exercise their rights to free speech and protest, something that their upbringing absolutely had not prepared them to do, they must also re-evaluate the norms of marriage, family, and home life. While the former initially appear to be areas of peace and harmony, they are soon revealed to be hot beds of conflict and multigenerational trauma.
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John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
