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Live It Publishing is an innovative independent publishing house discovering new titles through its Live It Publishing and Britain's Next Bestseller (BNBS) imprints.
View Rights PortalLive It Publishing is an innovative independent publishing house discovering new titles through its Live It Publishing and Britain's Next Bestseller (BNBS) imprints.
View Rights PortalFounded in 2008, Grua publishes high quality fiction and nonfiction, both Brazilian and foreign.
View Rights PortalMusic hall reflected the lifestyles and preoccupations of working people in a way that only television in the modern era has done since. While London dominated the wider British music hall, Glasgow was the centre of a vigorous Scottish performing culture developed in a Presbyterian society with a very different experience of industrial urbanisation. This book explores all aspects of the Scottish music hall industry, from the lives and professional culture of performers and impresarios to the place of music hall in Scottish life. It explores issues of national identity in terms of Scottish audiences' responses to the promotion of imperial themes in songs and performing material, and in the version of Scottish identity projected by Lauder and other kilted acts at home and abroad. ;
Crafting identities explores artisanal identity and culture in early modern London. It demonstrates that the social, intellectual and political status of London's crafts and craftsmen were embedded in particular material and spatial contexts. Through examination of a wide range of manuscript, visual and material culture sources, the book investigates for the first time how London's artisans physically shaped the built environment of the city and how the experience of negotiating urban spaces impacted directly on their distinctive individual and collective identities. Applying an innovative and interdisciplinary methodology to the examination of artisanal cultures, the book engages with the fields of social and cultural history and the histories of art, design and architecture. It will appeal to scholars of early modern social, cultural and urban history, as well as those interested in design and architectural history.
This book presents a wide range of previously unpublished works by Radclyffe Hall. These new materials significantly broaden and complicate critical views of Hall's writings. They demonstrate the stylistic and thematic range of her work and cover diverse topics, including 'outsiderism', gender, sexuality, race, class, religion, the supernatural and the First World War. Together, these texts shed a new light on unrecognised or misunderstood aspects of Hall's intellectual world. The volume also contains a substantial introduction, which situates Hall's unpublished writings in the broader context of her life and work. Overall, the book invites a critical reassessment of Hall's place in early twentieth-century literature and culture and offers rich possibilities for teaching and future research. It will be of interest to scholars and undergraduate and postgraduate students in the fields of English literature, modernism, women's writing, and gender and sexuality studies, and to general readers. ;
Mei Lanfang's surviving literature amounts to more than 6 million words. Forty Years of Stage Life is the core of his works. It is a self-description of Mr. Mei Lanfang's life. It is the most convenient and reliable way to approach the master and understand his artistic life. The previous editions of the book were arranged according to the published versions under certain historical conditions. This is the first time for Mei Lanfang Memorial Hall to arrange the book according to the original manuscript, which is an original publication returning to the master's original intention based on the accumulation of long-term academic research and the revision of new materials. A large number of pictures of Mei Lanfang's stage performances, artistic creations and reports will be added to the book, as well as some hand-drawn illustrations restoring historical situations, in an effort to show and reproduce the radiance and splendor of the master artist and his unparalleled artistic life in a more comprehensive, full, real and beautiful way.
Imperialist discourse interacted with regional and class discourses. Imperialism's incorporation of Welsh, Scots and Irish identities, was both necessary to its own success and one of its most powerful functions in terms of the control of British society. Most cultures have a place for the concept of heroism, and for the heroic figure in narrative fiction; stage heroes are part of the drama's definition of self, the exploration and understanding of personal identity. Theatrical and quasi-theatrical presentations, whether in music hall, clubroom, Shakespeare Memorial Theatre or the streets and ceremonial spaces of the capital, contributed to that much-discussed national mood. This book examines the theatre as the locus for nineteenth century discourses of power and the use of stereotype in productions of the Shakespearean history canon. It discusses the development of the working class and naval hero myth of Jack Tar, the portrayal of Ireland and the Irish, and the portrayal of British India on the spectacular exhibition stage. The racial implications of the ubiquitous black-face minstrelsy are focused upon. The ideology cluster which made up the imperial mindset had the capacity to re-arrange and re-interpret history and to influence the portrayal of the tragic or comic potential of personal dilemmas. Though the British may have prided themselves on having preceded America in the abolition of slavery and thus outpacing Brother Jonathan in humanitarian philanthropy, abnegation of hierarchisation and the acceptance of equality of status between black and white ethnic groups was not part of that achievement.
This novel is one of Anthony Burgess's most accessible and entertaining works. By turns bawdy, raucous, tender and bittersweet, and full of music and songs, this is a warm and affectionate portrait of the working-class Lancashire of the 1920s and 1930s that he knew from his own early life. The Pianoplayers is a funny, moving, autobiographical novel that brings to life the world of silent cinemas and music-halls of 1920s Manchester and Blackpool. Fully annotated and with a new introduction, this is an authoritative text for a new generation of readers. Part of the forthcoming Irwell Edition of the Works of Anthony Burgess, this book offers an opportunity to reappraise an unjustly neglected novel important to our understanding of Burgess's wider oeuvre. The 2017 Burgess centenary makes this a key moment for reflection on the life and work of a major figure in twentieth century letters.
This collection includes the best short prose by the most successful Ukrainian female author. The reader will find here both recognized masterpieces that have been translated into many languages and sperformed on numerous European stages ("Alien", "Girls", "The Tale of the Guelder Rose Flute"), and little-known youthful attempts in various prose genres. The book concludes with a recently written story, which sums up the history of an entire generation, the "deferred war generation", through the drama of the misunderstanding between a mother and her daughter.
With 29 contributors from across Europe and beyond, this work represents a unique and important resource that examines the many relationships between tourism and geopolitics, with a focus on experiences drawn from Central and Eastern Europe. It begins by assessing the changing nature of 'geopolitics', from pejorative associations with Nazism to the more recent critical and feminist geopolitics of social science's 'cultural turn'. The book then addresses the important historical role of Central and Eastern Europe (CEE) in geopolitical thinking, before exemplifying a range of contemporary interactions between tourism and geopolitics within this critical region. Edited by a renowned authority on tourism geopolitics, this book: · Provides the most comprehensive overview of tourism and geopolitics available · Applies a range of geopolitical concepts and approaches to empirical experiences of tourism and mobility in Central and Eastern Europe · Embraces contributions from both established and new academic voices. Pursuing innovative analytical paths, the book demonstrates the interrelated nature of tourism and geopolitics and emphasizes the freshness of this research area. Addressing key principles and ideas which are applicable globally, it is an essential source for researchers, teachers and students of tourism, geography, political science and European studies, as well as for diplomatic, business and consultant practitioners. ; This book is a unique and important resource that discusses the relationship between tourism and geopolitics, with a focus on experience from Central and Eastern Europe ; Part I: Introduction and Overviews1: Bringing geopolitics to tourism2: Tourism and geopolitics: the political imaginary of territory, tourism and space3: Tourism in the geopolitical construction of Central and Eastern Europe (CEE)Part II: Reconfiguring Conceptions and Reality4: The Adriatic as a (re-)emerging cultural space5: Crimea: geopolitics and tourism6: The geopolitical trial of tourism in modern Ukraine7: Under pressure: the impact of Russian tourism investment in MontenegroPart III: Tourism and Transnationalism8: Large-scale tourism development in a Czech rural area: contestation over the meaning of modernity9: The expansion of international hotel groups into Central and Eastern Europe after 1989 – strategic couplings and local responses10: Conceptualising trans-national hotel chain penetration in Bulgaria11: New consumption spaces and cross-border mobilitiesPart IV: Borderlands12: From divided to shared spaces: transborder tourism in the Polish-Czech borderlands13: Finnish-Russian border mobility and tourism: localism overruled by geopolitics14: Kaliningrad as a tourism enclave/exclave?15: An evaluation of tourism development in KaliningradPart V: Identity and Image16: Mutli-ethnic food in the mono-ethnic city: tourism, gastronomy and identity in central Warsaw17: Rural tourism as a meeting ground in Bosnia and Herzegovina?18: Interrogating tourism’s relevance: mediating between polarities in Kosovo19: European Night of Museums and the geopolitics of events in Romania20: The power of the Web: blogging destination image in Bucharest and SofiaPart VI: Mobilities21: The role of pioneering tour companies22: The geopolitics of low-cost carriers in Central and Eastern Europe23: Tourism and a geopolitics of connectivity: the Albanian nexus24: Heroes or ‘Others’? A geopolitics of international footballer mobility25: Tourism, mobilities and the geopolitics of erasurePart VII: Conclusions26: In conclusion
Collects together the best articles by key historians, literary critics, and anthropologists on the cultures of colonialism in the British Empire in the nineteenth and twentieth centuries.. A substantial introduction by the distinguished historian, Professor Catherine Hall, discusses new approaches to the history of empire and establishes a narrative frame through which to read the essays which follow.. The volume is clearly divided into three sections: theoretical, emphasising concepts and approaches; the colonisers 'at home', focusing on how empire was lived in Britain; and 'away' - the attempt to construct new cultures through which the colonisers defined themselves and others in varied colonial sites. A useful guide to recent scholarship on the culture of imperialism. ;
Samuel Hall Young, a Presbyterian clergyman, met John Muir when the great naturalist's steamboat docked at Fort Wrangell, in southeastern Alaska, where Young was a missionary to the Stickeen Indians. In "Alaska Days With John Muir" he describes this 1879 meeting: "A hearty grip of the hand and we seemed to coalesce in a friendship which, to me at least, has been one of the very best things in a life full of blessings." This book, first published in 1915, describes two journeys of discovery taken in company with Muir in 1879 and 1880. Despite the pleas of his missionary colleagues that he not risk life and limb with "that wild Muir," Young accompanied Muir in the exploration of Glacier Bay. Upon Muir's return to Alaska in 1880, they traveled together and mapped the inside route to Sitka. Young describes Muir's ability to "slide" up glaciers, the broad Scotch he used when he was enjoying himself, and his natural affinity for Indian wisdom and theistic religion. From the gripping account of their near-disastrous ascent of Glenora Peak to Young's perspective on Muir's famous dog story "Stickeen," Alaska Days is an engaging record of a friendship grounded in the shared wonders of Alaska's wild landscapes.
ROLLENWECHSEL: Der seriöse Arzt wird zum seriösen Patienten Basil Porter Der Autor, ein Kinderarzt, beginnt sein Buch mit einer Beschreibung seiner lebhaften Erinnerungen an einen schlimmen Fall von Blinddarmentzündung als kleines Kind. Er beschreibt weiterhin eine Reihe schwerer Krankheiten und Traumata, die er als Erwachsener hatte: einen unentdeckten Tumor im Kiefer, ein Zugunglück mit schwerwiegenden Schäden an Wirbelsäule und Nervensystem und dann die unerwartete Entdeckung einer Leukämie, die seine Leidensfähigkeit als Patient auf die Probe stellt. Besonders anschaulich stellt Prof. Porter die zusätzliche Herausforderung dar, die auftritt, wenn der Arzt selbst zum Patienten wird. Er schilderr die erstaunlichen Fortschritte in Medizintechnik und Wissenschaft, die ihm mehrfach das Leben gerettet haben, und macht auf die mangelnde Empathie der Fachleute aufmerksam, die er auf seinem Krankheitsweg so häufig verspürte. Als Arzt wurde von ihm häufig erwartet, dass er seine Probleme toleriert und tapferer ist als ein Durchschnittspatient. In Wirklichkeit ist der Arzt in solchen Situationen auch nicht mehr als ein Patient. Der Autor legt nahe, dass ein Großteil der Lösung in jedem von uns liegt und dass eine positive Einstellung zum Leben und eine gute soziale Unterstützung viel dazu beitragen können, dass wir Schwierigkeiten überwinden. Dieses Buch ist kein Lehrbuch für die Ärzteschaft, sondern das erzählerische Geständnis eines Oberarztes, der aus Sicht des Patienten mit mehreren Prüfungen im Leben konfrontiert war. Basil Porter ist ein Kinderarzt mit langjähriger Erfahrung in der akademischen Medizin und im Management von Gesundheitssystemen. Er ist emeritierter Professor an der Fakultät für Gesundheitswissenschaften der Ben-Gurion-Universität des Negev in Israel. Er ist außerdem ein versierter Geiger und Bratschist. Klicken Sie auf den folgenden Link, um den entsprechenden Artikel anzuzeigen: https://www.ima.org.il/FilesUpload/IMAJ/0/271/135527.pd
This is a new edition of a standard reference text, and contains key breed information about cattle, sheep, pigs, goats, horses, asses and buffalo. It contains approximately 9000 entries and cross-references on breeds, sub-breeds, types, varieties, strains and lines of these species. The aim is to include all the livestock names that may be encountered in international literature. Each entry includes the current recommended English name, region or country of origin, notes on usage, followed by a brief physical description of the breed, in terms of colour/markings, horns, and coat type. There is a description of the relationship with other breeds or types, and historical notes about the origin of the breed, plus details of breed societies, and herdbooks where relevant. Finally, foreign names and synonyms are listed, to aid identification. The book has been thoroughly updated since the 4th edition was published in 1996. Revisions have been undertaken by Valerie Porter, a well-respected author of more popular works on animal breeds.
The author, a pediatrician, begins his book with a description of his vivid memories of suffering from a bad case of appendicitis as a young child, He proceeds to describe a series of serious illnesses and trauma that affected him in his adult life: a missed tumor in his jaw, a train accident resulting in major damage to his spine and nervous system, and then the unexpected discovery of leukemia, all of which test his endurance as a patient. But what Prof. Porter so vividly presents is the additional challenge faced when the doctor becomes the patient. While stressing the amazing advances in medical technology and science that saved his life on a number of occasions, he draws attention to the lack of empathy from the professionals felt so frequently during his medical trials. As a physician, he has been frequently expected to tolerate his problems and to be a braver warrior than the average patient, when in reality, in such situations the doctor is still just a patient. The author suggests that much of the solution lies within each of us, and that a positive approach to life and good social support can do much to help us through adversity. This book is not a textbook for the medical profession, but rather the narrative confession of an senior physician who has had to face multiple testing experiences from the viewpoint of the patient. Basil Porter is a pediatrician with years of experience in both academic medicine settings and health systems management. He is an emeritus professor of the Faculty of Health Sciences of Ben Gurion University of the Negev, Israel. He is also an accomplished violinist and violist. 184 pages, 13.5X20.5 Cm Click the following link to view the related article: https://www.ima.org.il/FilesUpload/IMAJ/0/271/135527.pdf
A text that transcends literary genres, this book concludes a path that runs through the author’s previous books: Al Ike fe Al Mabahej was Al Ahan (The Ike in the Joys and Sorrows) 2002, Kitab Al Ghewaya (The Book of Seduction) 2007, and Al Aar men Al Difatayn... Abeed Al Azmenah Al Hadethah fee Marakeb Al Tholomat (Shame on the Two Banks: Slaves of Modern Times in the Boats of Darkness) 2011. The theme of the book focuses on travel as a human activity and an example of human life. Hence the novel’s philosophical approach manifests itself as an examination of the different stages of travel as a metaphor for man’s journey from life to death. With this philosophical view the writer's prose fuses with cities and travel experiences, diving deep to describe the souls of the cities, going far beyond what can be captured by a camera. The book contemplates the styles of architecture and the meanings they represent, reflecting on the meaning of beauty and perfection, as well as the nature of aggression that resides in them. It reflects, too, on the meaning of living on an island and the symbolism of water, which makes travel a unique experience that increases the depth of life and compensates us for our short existence. The writer examines his visions by invoking publications that highlight travel, including The Thousand and One Nights, which he considers to be a travel book.
From children's book author Emily House comes a wonderful story that re-connects us with our planet. A modern fable inspired by recent events, Earth Takes a Break is a touching picture book jam-packed with fun illustrations and woven together with a message of hope. When Earth feels unwell, she goes to the doctor to ask for help. What the doctor prescribes seems impossible to Earth, until she wakes the next day to find a surprising change!
Ohne dich: Party bei Hörnchen und Bär, die gemeinsam alles schaffen. Neues von Eichhörnchen, genannt Hörnchen, und Bär, den zwei tierischen Freunden, die so perfekt zusammen passen wie Eiskrem mit Schlagsahneschaum. Nach langer Zeit wollen die beiden endlich mal wieder eine richtig große Party feiern und bereiten begeistert alles vor. Bär backt Apfelkuchen und presst Zitronen für die selbstgemachte Limonade aus. Doch dann lädt Hörnchen immer mehr Gäste ein, besorgt Ballons, bereitet einen Band-Auftritt vor. Vor lauter Aufregung bemerkt es nicht, dass Bär ein mulmiges Gefühl beschleicht. Ihm wird das alles zu viel. Und als die Feier startet, ist es Hörnchen, das sich im Haus voller Gäste plötzlich irgendwie allein fühlt. Doch die beiden wären ja nicht beste Freunde, wenn sie die Gefühle des anderen nicht verstehen würden. Und so schaffen es die zwei, doch noch gemeinsam mit allen ein großartiges Fest zu feiern. Eine fabelhafte Geschichte mitten aus dem Hier und Jetzt. Nach „Ohne dich, das geht doch nicht!“ und „Ich und du und Huhn dazu“ das dritte Bilderbuch mit Hörnchen und Bär über freundschaftlichen Zusammenhalt. Erzählt einfühlsam von den gemischten Gefühlen, nach der Pandemie wieder unter vielen Freunden und Freundinnen zu sein. Witzige, empathische Reime von Smriti Halls und hinreißende, ausdrucksstarke Illustrationen von Steve Small für Kinder ab 4 Jahren. Wunderschönes Mitbringsel zur nächsten Party – nicht nur für Kinder, auch für alle Erwachsenen mit „Bauchgefühl“.