November 2007
Your Search Results
-
Promoted Content
-
Promoted Content
-
Trusted Partner
-
Trusted Partner
Humanities & Social SciencesMay 2016The relic state
by Pamila Gupta, Andrew Thompson, John M. MacKenzie
-
Trusted Partner
-
Trusted Partner
June 2019Which Melon do You Like?
by Xiao Aozi
Which Melon do You Like? describes a variety of melons and the "top melon melon", which was a pleasing token at the end of the harvest season. Plenty of fruits and happy emotions -- all these are the rewards that the earth offers us for our industriousness!
-
Trusted Partner
The ArtsMay 2017Dream of Hometown
by Wang Zengqi
This a souvenir edition of Wang Zengqi’s works. He wrote about beauty of human and emotion with kindness; he explored beauty of nature and the world through description of ordinary work and customs; he wrote about luck in difficulties, optimism in depression, and fun of bitterness, showing the beauty and power of life.
-
Trusted Partner
January 2019Great game power: ancient poetry amusement park
by Duomapeiwa
This is a set of books that can make ancient poetry study and play. It contains three ancient poetry game sets, and selects 78 ancient poems that must be mastered by primary school students. Each ancient poem is designed with a game that is helpful for reading and memory, so that preschool and lower primary school children can learn ancient poems in the game. In addition, the game chess of ancient poetry and the token of flying flowers of ancient poetry are designed for the children who have spare efforts.
-
Trusted Partner
Children's & young adult fiction & true stories2019The Secret of the Cossack Sabre
by Zirka Menzatyuk
This action-packed story by the famous Ukrainian writer Zirka Menzatyuk is included in the school curriculum for the 5th grade. It all started with the fact that Mashka appeared in the Rusnak family - an old, battered, and still not so bad vehicle. And then one freaky ghost reported that an ancient Cossack relic could fall into bad hands... Crazy races, death traps, new acquaintances with cool and not very cool guys, dangerous, travels, full of mysticism and delight, through the ancient castles of Ukraine in search of a Cossack sabre... You won't put the book down until you read it.
-
Trusted Partner
Product designOctober 2018Creative Souvenirs Design
by Zhu Yue, Yang Meng
It is quite significant for the souvenirs for travellers to mould fine figures of tourism and make brands for tourism and promote the development of tourism. The souvenirs for travellers which adopt the people's ideas in particular regions, give expressions to the history of the regions, prolong the folk contradition and make the regional culture be rich and bring forth new ideas. No matter who they are, Whatever they are, famous specialized working men or new hands, they have the same wish to activate the regionous culture, then, improve people's income and raise their consumption. The author of the book collects many concrete examples showing the design of the unique keepsakes by outstanding designers from all over the world into the book. Following the publishment of this book, more and more readers will suely become better and better designers of tourist souvenirs.
-
Trusted Partner
History of Art / Art & Design StylesFebruary 2017After 1851
The material and visual cultures of the Crystal Palace at Sydenham
by Edited by Kate Nichols, Sarah Victoria Turner
Echoing Joseph Paxton's question at the close of the Great Exhibition, 'What is to become of the Crystal Palace?', this interdisciplinary essay collection argues that there is considerable potential in studying this unique architectural and art-historical document after 1851, when it was rebuilt in the South London suburb of Sydenham. It brings together research on objects, materials and subjects as diverse as those represented under the glass roof of the Sydenham Palace itself; from the Venus de Milo to Sheffield steel, souvenir 'peep eggs' to war memorials, portrait busts to imperial pageants, tropical plants to cartoons made by artists on the spot, copies of paintings from ancient caves in India to 1950s film. Essays do not simply catalogue and collect this eclectic congregation, but provide new ways for assessing the significance of the Sydenham Crystal Palace for both nineteenth- and twentieth-century studies. The volume will be of particular interest to researchers and students of British cultural history, museum studies, and art history.
-
Trusted Partner
Children's & YAJanuary 2011The Mitten
by Ivan Franko (Author), Art Studio Agrafka (Illustrators)
A modern warm red mitten is a home for the main characters of the book: Mousey Scratcher, Froggie Croaker, Running Rabbit, Little Sister Fox and others who got new knitted images. This lovely book is actually a handmade creation; it includes a toy souvenir shaped like a mitten. The Mitten is a joint project of The Navchalna Knyha - Bohdan Publishing House and Art Studio Agrafka (Romana Romanyshyn & Andriy Lesiv, Lviv, Ukraine). The Mitten won the award at The Biennial of Illustration, Bratislava, 2011. In 2012 The Mitten was also added to the White Ravens Catalogue of children literature. From the 3 to 5 years, 179 words Rightsholders: Diana Semak, bohdanbooksco@gmail.com
-
Trusted Partner
May 2023Funny Chinese Script
by Zhang Yihan
The author enables the reader to understand the advancement of Chinese history through the reorganization and introduction of the development of Chinese scripts over the past 5,000 years. Starting from the ancient times with tying knots to the legendary of Cang Jie Creates Writing, the look of Chinese script has been evolving and evolving. Through oracle bone script, large seal script, small seal script, official script, regular script, running script, and cursive script, Chinese characters are the only writing system in the world that has not been lost. The author finds the interesting stories behind the Chinese scripts by combining historical facts to uncover representative fonts. It also includes the introduction of historical minority scripts, so that readers can better understand that not only Chinese characters were glorious in Chinese history, but also minority scripts which also witnessed the process of ethnic integration and development. This book also includes the only gender script that exists in the world today, the Jiangyong Women's Script from Hunan, which is a unique and rare cultural relic, and it also a valuable resource for our national culture. Chinese characters have also been widely spread throughout history, and this book also introduce how the Chinese characters spread to other countries.
-
Trusted Partner
Beyond the Sultan's Table: Turkish gastronomy, history, culture and travel
by Hugo N. Gerstl
IT’S A COOKBOOK … OR IS IT A GUIDEBOOK? … MAYBE IT’S A TRAVEL GUIDE … OR A POCKET HISTORY … AN INTRODUCTION TO A SERIES OF NOVELS ABOUT TURKEY? … A DELICIOUS KEEPSAKE WORK OF ART PRODUCED BY THE INIMITABLE DESIGN PEAKS PRODUCTION? OR … ACTUALLY, BEYOND THE SULTAN’S TABLE IS SO MUCH MORE THAN THE SUM OF ITS PARTS. IT’S THE PERFECT HYBRID … AND IT IS THE PERFECT GIFT FOR “SOMEONE WHO HAS EVERYTHING” BUT WANTS A “DIFFERENT” ADVENTURE WITH WHICH TO THRILL THEIR FRIENDS! Hugo N. Gerstl, international bestselling novelist, nationally known trial lawyer, musician, world traveler, actor, journalist, Bon Vivant Wannabe,” and former president and CEO of a mid-sized cookbook company, who has enjoyed his “many lives” immensely, now shares his joys and experiences with you. Unquestionably, this most “unusual” guidebook to many things will leave you wondering: Is he a polymath-genius or simply an oddball with a penchant for bringing a smile to your face and taste sensations to your palate? And of course, he and his beloved wife, Lorraine, an educator and author in her own right – and their five adult children – have shared the greatest happiness any two people have ever had. Enjoy something totally different, enriching, and unique! Expand your own horizon. An English-language edition was published in Spring 2024. 282 pages, 15x 22.5 cm.
-
Trusted Partner
Le Camp De Frau Gruber
by Ted Barr
Le Camp De Frau Gruber Le manifeste des cendres du coq par Ted Barr Quelles sont les frontières du mal ? Que signifie la vie life on the verge au seuil d’une mort arbitraire soudaine ? Cela vaut-il la peine de vivre derrière une clôture électrifiée ? Le camp de Frau Gruber est une allégorie exaltante à propos de garder la foi en l’humanité dans ses périodes les plus noires ; elle rappelle fortement le chef d’œuvre de George Orwell La Ferme des animaux. Un monde dans lequel il existe des personnes telles que Frau Gruber, Herr Schickl, et leurs associés morbides n’est pas le même que celui dans lequel nous vivons. Bien que sous d nombreux aspects leur monde paraît lui ressembler, il constitue en fait davantage un univers parallèle, retiré de la réalité que nous connaissons. Et pourtant, par moments, le lecteur peut passer outre les différences et s’y laisser plonger. Dans ce roman surprenant et énigmatique, le lecteur se trouve doucement et lentement submergé dans un microcosme imaginaire – un monde fantastique, à la foi poétique et terrible, qui parfois brise le cœur et qui, à d’autres moments, horrifie, dans lequel la vie n’est guère plus qu’un accessoire transparent. Les coqs, en tant qu’êtres humains, sont seulement des visiteurs momentanés dans un scenario bien plus étendu, dont la signification est trop élevée pour eux pour la saisir (mis à part le vieux coq Ba Ba Loop qui, à l’instar des prophètes d’antan, a des yeux pour voir, mais ne possède pas le pouvoir de changer quoi que ce soit). La seule manière d’apporter une signification à des temps d’une horreur telle est de tout investir pour la mémoire, ce qui constitue le cadre dans lequel ce roman est fondé : la foi en l’homme, oublier, se souvenir et l’essence de la vie au sein d’une époque impossible. Bien que se démarquant d'une description, principalement évoquée, de la petite enfance d'Adolf Hitler, Le camp de Frau Gruber ne se contente pas de raconter une histoire qui est, en de nombreux points, parallèle à l'histoire du judaïsme européen. Ce livre se transforme, au contraire, en une fable sur l'expérience vécue par l’humanité entière au XXème siècle, écrite à travers les yeux du XXIème siècle comme une bravade contemporaine. L'auteur, Ted Barr, 54 ans, a une maîtrise en économie et des diplômes dans des zones d'intérêt variées, y compris l'histoire allemande, le symbolisme, les tactiques de bataillon et de division, ainsi qu’en astronomie. Barr est un artiste de renom, spécialisé dans les galaxies et autres éléments du ciel. L'auteur a développé une technique de peinture unique, qu’il enseigne dans des ateliers dans le monde entier. Barr est le fondateur du groupe Current Art, et l’on peut avoir un aperçu de son activité artistique sur son site d'art, www.tedpaintings.com. Une édition du Camp de Frau Gruber est parue pour la première fois en Israël, en hébreu, en 2006, suivant le premier livre de Barr, Krombee, un livre pour enfants paru en 1990.
-
Trusted Partner
C’est le Plombier !
by Aviva Lipstein
C’est le Plombier ! Un livre pour enfants fascinant ayant pour but de faciliter aux tout‑petits la transition de la maternelle à l’école primaire par Aviva Lipstein Ce livre pour enfants, très original - publié originellement en hébreu, a été accueilli avec enthousiasme en Israël, tant par le public que par les médias. Bien qu’il se présente a priori sous la forme d’une histoire amusante illustrée, il s’agit en fait de bien plus que cela - c’est une œuvre éducative sur la transition de l’enfant, de l’école maternelle à l’école élémentaire, transition souvent accompagnée de peurs et d’angoisses chez les parents autant que chez le jeune enfant. Dans son introduction, le psychologue clinique et spécialiste du développement, Dr. Carl I. Rubinroit, écrit : Le passage de la maternelle à l’école élémentaire est souvent source d’inquiétude et d’anxiété tant chez les enfants que chez leurs parents. Dans ce livre sympathique, Aviva Lipstein décrit les expériences d’un petit garçon sur le point d’entrer à la grande école pour la première fois. A travers son héros, Danny, l’auteur nous présente une série « d’instruments magiques », qui l’aideront à surmonter ses peurs et à affronter les défis qui apparaissent dans son nouvel environnement. Ce livre est particulièrement recommandé aux élèves en fin de maternelle, aux élèves du CP et à leurs parents, ainsi qu’aux autres enfants qui voudraient « se souvenir. » Aviva Lipstein, élevée en France - à Paris et à Nice - nous a quitté en 1994. Au cours de la Seconde Guerre Mondiale, elle fut protégée et éduquée par des sœurs dominicaines, et était venue s’installer dans le jeune Etat d’Israël après la guerre. Diplômée de l’Ecole d’Assistantes Sociales de l’Université Hébraïque de Jérusalem, elle a travaillé avec de jeunes enfants jusqu’à sa retraite. Elle a vécu à Tel-Aviv ; mariée, elle fut mère de deux garçons et d’une fille. Son petit-fils a grandi avec ses histoires. C’est le Plombier ! a été traduit en anglais par Ora Cummings, originaire de Grande-Bretagne. Sa traduction a été adaptée aux réalités de l’Angleterre actuelle dans le cadre universel du passage de l’enfant de l’environnement protecteur de la maternelle à l’atmosphère plus exigeante de la grande école. Il en sera de même pour une éventuelle traduction en français. Le livre comporte 40 pages dans sa forme définitive, la couverture est en polychrome et les illustrations bichromes. Il a été publié en Israël par Duvdevan, la branche jeunesse de la Maison d’Edition Dekel. Si vous souhaitez étudier la possibilité de publier une édition en français de cet ouvrage ou d’un projet de coédition, veuillez nous contacter. C'est avec plaisir que nous vous ferons parvenir, par voie aérienne, une documentation supplémentaire.
-
Trusted Partner
Art forms2023Famine Tales
A Graphic Anthology
by Ayesha Mukherjee, Shrutakirti Dutta, Abhijit Gupta, Sujit Kumar Mandal
A graphic anthology of five famines in India and Britain, interpreted by traditional scroll painters and comics book artists
-
Trusted Partner
Children's & YAJanuary 2015Hatless
by Lateefa Buti / Illustrated by Doha Al Khteeb
Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity. The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless. Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them. So Hatless removes her hat. As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats. Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air. By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens. Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.
-
Trusted Partner
January 2013The Madmen of Bethlehem
by Osama Alaysa
Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people. This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations. Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written). The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places. The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form. The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes. The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.
-
Trusted Partner
Children's & YAJanuary 2011The Boy Who Saw the Color of Air
by Abdo Wazen
In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
