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More than 2.000 books in catalogue from the main scholars in the fields of theology, philosophy, and religious studies. Among our series: «Biblioteca di teologia contemporanea»; «Giornale di teologia»; and the International journal Concilium.
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This book first came out in 1954 and it’s considered one of the pioneers in trying to paint a picture of our cuisine. The second volume boasts the other 63, and 49 remaining recipes, prepared by several Venezuelan chefs that are in exile. It wasn’t possible to write down the recipes for all biographies, since some include entries about the tabaco del guácharo, coffee, white rum, and pollo cañero (a type of toad eaten in the Orinoco Delta), among others. The new edition of Geografía gastronómica venezolana also includes a photographic journey with panoramic images from emblematic Venezuelan locations.
New edition of the history classic and culinary book, which was written by Ramón David León in 1954, whose original title is: “Gastronomic Geography of Venezuela”, by adapting it to the twenty-first century. The third volume, which gathers the original work of the 93 biographies with their 79 illustrated recipes, is still under development and is expected to be published in July 2020. This volume will also include five Venezuelan songs on MP3 format, from several Venezuelan musicians, and 60 panoramic 360º photographs.
Through a selection of thrilling and exciting illustrated stories, Mexican author, Amparo Dávila, and Argentinian illustrator, Santiago Caruso, create a fascinating reading spectrum for young audiences. This set combines classic tales of the author: “Petrified trees” and “Concrete music”, alongside with fantastic stories as “The guest”, the story of an ordinary woman hunted by an unknown creature; “High kitchen”, a short story where miniature beings confront their inevitable fate, among others.
This book is a special academic contribution of its kind. It shows a meticulous analysis of national culinary techniques (Colombian), which make it a permanent reference text for students, teachers, professionals, and for anyone who wants to immerse themselves and understand our gastronomy in a clear and orderly way.
Book with amazing recipes to surprise your guests accompanied by gastronomic curiosities
"Comerse a Venezuela, en 14 platos nacionales", es una selección de 14 biografías culinarias incluidas en la obra original: "Geografía Gastronómica Venezolana", publicada en 1954. La nueva edición: "Geografía de Venezuela: Una experiencia culinaria - Siglo XXI- Limitada Edition", desde su publicación en marzo de 2019, ha sido distinguida en siete categorías por los Gourmand World Cookbook Awards, durante los años 2019, 2020, 2021, 2022, y 2023.
This trip through Italy is not intended to arrive as soon as possible. The guide is Toni Padilla, who, accompanied by a ball, and based on themes such as death, music, cheese or stickers, is impregnated with the country's double soul. Here are the majestic Italy and the Italy massacred by prejudices, lying on this journey from north to south and from east to west. The raw material of the stories, which are only on the author's radar, are the walks through the homeland of Benito Mussolini, Rafaella Carrà or Francesco Totti. Its pages are a map where memories are celebrated and goals are savored. Written with detailed prose and a leisurely gaze, they seem from another era, now that we don't have time for everything. But calcium is in no rush to get off this train.
Sweet, salty or with a neutral flavor, arepas, an essential food in the diet of Colombians, are the protagonists in this book, which compiles the preparation techniques of 60 different types of arepas. From a dough that is assembled in different ways, either freehand, with a cutter, stuffed with double dough, stuffed with double arepa, cooked on the grill, slabs, pots, ovens or fried, the arepas that are prepared in the different areas of the country are arracacha, rice, corn, fermented corn, peeled and threshed corn; yam, potato, banana, wheat and cassava. Round in shape and variable in size, arepas, too, vary according to the secondary ingredients that are added, such as milk, butter, cheese, pork fat, egg, meat or pea. Easy to prepare, hot or cold, arepas are delicious at any time of the day; with coffee or chocolate, they always go well.
Yumi is ten years old. She wants to be a drummer in a rock band to be rich and famous. Now I play drums in a band with my friends. We're not famous yet, and I don't understand why, because we're so cool. Apart from my band, I have Alimaña, who's my best friend, although he's pretty dumb. Besides, my parents spend their lives scolding me, my older sister has a disease called adolescence, and my little brother is a criminal mind locked up in the body of a two-year-old. A children's book similar to Diary of a Wimpy Kid. This book won the November 2021 Spanish National Pop Eye Award in the category of children's and young adult literature.This title is one of the 9 children's titles selected by the panel of German experts for the "Buchtipps unserer Experten" section as being the most suitable for translation and marketing in German-speaking countries on the www.newspanishbooks.de portal in 2021. New Spanish Books ist ein Projekt des spanischen Außenhandelsinstituts ICEX in Kooperation mit dem spanischen Verlegerverband FGEE. Es soll Verlagen aus dem deutschen Sprachraum den Zugang zu neuen Büchern aus Spanien erleichtern und ihnen eine Entscheidungshilfe bei der Auswahl übersetzungswerter Titel geben. New Spanish Books is a project of the Spanish Foreign Trade Institute ICEX in cooperation with the Spanish publishers' association FGEE. It is intended to make it easier for publishers from the German-speaking world to gain access to new books from Spain and to help them decide which titles are worth translating. A second volume entitled "Yumi and her Band. Vermin Superstar" has also been published (ISBN: 978-84-121692-7-0).
“In a world of winners, defeat is a kind of dissidence. Losing is not a romantic exercise, it hurts like a stepfather, but you learn. All victories are alike, but each defeat is similar in its own way; There are many ways to cry, but everyone drinks champagne the same way. This is not a football book. Not only. Because in football there is room for a life”. Julián Bellón, at the age of 40, returns to Córdoba due to the death of his father. That loss will drag him to his childhood, to his neighborhood, to the bars and to the people who saw him grow up, the last place of armored happiness before his life twisted and fell into a spiral of self-destruction. The boy who became a goalkeeper still dreaming of scoring a goal, the young man who later became a professional goalkeeper, today is a broken man cornered by memories of him. Is there time for redemption before the final whistle?
DASHIELL HAMMETT PRIZE 2020 (Best Spanish crime fiction) Can death be a form of art? A literary tribute to Goya’s black paintings. Commissioner Ruiz returns to Madrid to prepare her defence. She has been suspended from the force. The city’s local holiday is in full swing and the banks of the Manzanares River are thronged with people. But the appearance of a series of animal corpses following a fixed pattern is the first sign of a problem that will soon leave another lethal mark: what appears to be the ritual murder of a young art student at one of the dams that controls the flow of the river. And it won’t be the only one. The police investigate a range of hypotheses, but events begin to point towards a series of scenarios that will lead Commissioner Ruiz to the legacy of Goya, connecting a plot that is extremely disturbing – and difficult to unravel. Can death imitate art? Can madness become a form of creativity? Which is more important: life, transcendence or freedom? Without her team, her uniform, her pistol, María Ruiz is forced to confront a highly intelligent adversary, one who is driven by obsession and will stop at nothing to manipulate those around him. A chilling journey through a territory where mental disorder becomes obsession, to a point where death is considered a form of art.
In this new book, Guridi off ers us his creative vision of the picture book. He delves into the relationship between images and text, between space (physical and mental) and characters, and especially the intervals—the interstitial spaces that give rise to deep meaning of works of this kind, inviting the active participation of readers. His practical advice sets us on the path to our own truth and shows us how to capture it through the empty spaces of images.
For a croquette thief it’s never enough! “I’ll never forget the day we found out there was a croquette thief among us. The thing with croquette thiefs is that they’re not as easy to spot as, say, vampires or mummies. And by the time you find who they are, it’s too late. Your croquettes are doomed! For a croquette thief it’s never enough to just steal your croquettes. They’ll even eat them right in front of you, much to your dismay!”
Nothing is known beforehand of these blind, halftruths distributed in “Kovacic,” nor of the apparent lack of turbulence that imprints “Founding a sex” with a kind of backdrop scenery, or of the speck of flour or talcum powder that confines “Buy cream” to a whiteness that plays on two points, from the hinting glimpse to the concluding sentence with experimentation and innocence. Quiero ser artista changes from a yearning and methodical aspiration into a tautological confession: Literature is the best possible means for such things to happen.
What does being a twin mean? What does being a twin mean to others and to yourself? Suburbian SMEs, old communist militants, cell-phone sales strategies, beer-flavored kisses, Tinder dates, phobias, millennial entrepreneurship, and the motherhood question: the characters in these stories inhabit these unstable and difficult territories where the challenge is not only to find their way in the world but to differentiate themselves with precision–in the chiaroscuro of contemporary times–where do one’s own story and desires begin and end?With flashes of humor that don’t shy away from irony or tenderness, a sharp and precise eye for emotion, and a disarming profoundness, these stories by Leticia Rivas impress with their extraordinary skill and move you from the first to the last page. Federico Falco
Ivan, a banker and frustrated musician, suddenly finds himself in the middle of a horde of angry zombies. Now his only goal is to meet his wife, but communicating with her is impossible and getting where she is is very difficult when thousands of people want to kill him and turn him into their breakfast. Virus is an urban history that deals bluntly with human nature and whose vertiginous rhythm doesn't allow the reader to take their eyes off its pages.
What we now know as classic tales are oral stories that have been passed down from generation to generation. It is not known exactly when they appeared, what we do know is that in 1600 Charles Perrault gave them a literary form, tempering, in many cases, the harshness of the oral versions to adapt them to the times. 200 years later, Hans Christian Andersen and the Grimm brothers (among others), would do the same by creating new stories and transforming those of Perrault to their time. Now, 200 years later, they are revised and updated again. This time, without princes or princesses, without stepmothers or witches. This time, they are the heroines and they don't need anyone to save them.
Let’s Cook with Nora provides documentation of Philippine cooking for 1965 when it made its appearance. In its new, 21st-century, classic version—lovingly restyled by her daughter Nina Daza Puyat—Nora Daza’s legacy is ready for today’s cooks, brides to be, and food lovers. –Felice Prudente Sta. Maria (Food historian and author of The Governor-General’s Kitchen)
Horizontes culturales de la historia del arte. Aportes para una acción compartida en Colombia da cuenta de reflexiones que van desde los silencios u omisiones en la historia del arte, pasando por las conexiones complejas entre estética e historia del arte, hasta las vicisitudes de su práctica en el museo o lugares alternativos. También examina la memoria del arte como nuevo modo de representación, relectura y construcción de subjetividad.
