Hookline Books is our fiction imprint - all authors have attended writing classes to post-graduate university level. All manuscripts are approved by book groups before being accepted for publication. Non-fiction publisher specialising in self-help, travel and social history.
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Design Thinking: Solve problems together, user-centered and iterative, develop innovations and have fun doing so! - Practical cards for innovation project work with change of perspective- Consistently customer-oriented and iterative- Targeted use of the maps in project planning and implementation with Design Thinking- Pragmatic, compact and wonderfully descriptive- Suitable for the most diverse questions or problems- With folding poster for targeted use of maps in project planning and decorative at the workplace- From the authors "Design Thinking Quick Start
It is quite significant for the souvenirs for travellers to mould fine figures of tourism and make brands for tourism and promote the development of tourism. The souvenirs for travellers which adopt the people's ideas in particular regions, give expressions to the history of the regions, prolong the folk contradition and make the regional culture be rich and bring forth new ideas. No matter who they are, Whatever they are, famous specialized working men or new hands, they have the same wish to activate the regionous culture, then, improve people's income and raise their consumption. The author of the book collects many concrete examples showing the design of the unique keepsakes by outstanding designers from all over the world into the book. Following the publishment of this book, more and more readers will suely become better and better designers of tourist souvenirs.
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Interior Design in Ukraine / Interior Solutions in Residential Premises" is the first full-fledged publication on interior design in residential premises in Ukraine. The book highlights more than 50 of the brightest and most professional interiors created by Ukrainian designers and architects in recent years. The book is a combination of unique ideas and a variety of styles. Projects inspired by Ukrainian history, culture, nature and craft traditions deserve special attention, in most of which designers use materials and furniture from Ukrainian manufacturers.
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Ob Möbel, Plakate, Webseiten, Kleidung, Piktogramme, Autos oder städtische Räume: Design ist omnipräsent. Nur in der Philosophie hat es bislang (so gut wie) keine Beachtung gefunden. Daniel Martin Feige schließt diese Lücke, indem er eine Explikation von Grundbegriffen präsentiert, die mit dem Design verbunden sind, und Design als eine ästhetische Praxis eigenen Rechts ausweist. In der Praxis des Designs, so seine These, wird das Funktionieren selbst ästhetisch. Das Buch ist sowohl ein Beitrag zu einer Philosophie des Designs als auch eine Einführung in das philosophische Denken für Designerinnen sowie Designinteressierte.
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This third edition of Experimental Design and Analysis for Tree Improvement provides a set of practical procedures to follow when planning, designing and analysing tree improvement trials. Using many fully worked examples, it outlines how to: design field, glasshouse and laboratory trials; efficiently collect and construct electronic data files; pre-process data, screening for data quality and outliers; analyse data from single and across-site trials; and interpret the results from statistical analyses. The authors address the many practical issues often faced in forest tree improvement trials and describe techniques that will efficiently give conclusive results. The techniques provided are applicable to the improvement of not only trees, but to crops in general. Building on the success of the second edition, this new edition has been fully revised to include the construction of p-rep and spatial designs using the commercially available software package for design generation (CycDesigN). For analysis of the examples, it provides online Genstat and SAS programs and a link to R programs.
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Design and the Modern Magazine provides a thematically arranged set of essays that examine the changing character of the magazine as an important aspect of cultural life from the late nineteenth century until today. In doing so it offers some of the first detailed case-studies of individual titles and analyses how design decisions are made alongside editorial, commercial and technical considerations. The book suggests ways to understand the magazine as a designed object. Among the more significant titles considered are Woman's Home Companion, Design, Woman and Vogue. While largely drawing from British and American sources, the book also covers the impact of modern design ideas from Europe on such publications. The essays present new and original scholarship on the subject and will be of use to students and teachers working on a wide range of art and design history, and literature studies courses. ;
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Most discussion of visitor experiences uses a behavioural or managerial approach where the way the visitor thinks is ignored - it's a black box. Visitor Experience Design is the first book of its kind to examine best practice in creating and delivering exciting and memorable travel and visitation experiences from a cognitive psychological perspective - it opens the black box. The chapters draw on recent findings from cognitive psychology, cognitive science and neuroscience to provide a basis for a better understanding of the antecedents of a memorable experience, including: · The psychological process of the formation or creation of a visitor's experiences · Psychological aspects of tourism experiences such as attention, emotion, memory and mindfulness · Pre-stage experience: customer inputs such as knowledge, myths, values and memories from previous travel · On-site experience: co-creation processes · Post-stage experience: immediate and long term outcomes including happiness and well-being · Experience design cases Tourism, hospitality and event managers seek to provide WOW experiences to their visitors through better design and management.This book encourages the discussion of different facets of experience design such as emotions, attentions, sensations, learning, the process of co-creation and experiential stimuli design. It will be of interest to tourism researchers and postgraduate students studying tourism management, marketing and product design.
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The Campus Environment and Design series consists of 8 volumes, which are elaborately created by national recognized preschool education experts and senior professionals. Each volume has a theme with more than 2,000 design schemes to teach children and teachers to handle the spaces of doors and windows from festival layout, four seasons layout, classroom layout, hanging ornament layout, window decoration layout,class theme layout, layout of corners and walls. The works can be used as toy classrooms, and can also be used for campus environment layout, which are convenient and practical for teaching through enjoyable activities.
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Design and Popular Entertainment offers a selection of nine essays that examine the range of design for popular entertainment, from theatre and film, to television and radio. Investigating entertainment design from the late nineteenth century to the 1960s, the book is divided into two sections. The first addresses the 'hardware' of popular entertainment, in other words the objects through which images, sound and performance are transmitted. The second explores the construction of cinematic and televisual imagery and the design of objects for the screen, the 'software' of entertainment. In so doing it offers important insights into this little explored aspect of design. Topics covered by the collection include the design of theatrical lighting and stage sets, cinema and radio design, the representation of designers within film, and the relationship between design and television. The book's concentration on the 1950s and 1960s reflects the profound changes in modes of entertainment that took place during that period, in particular the spread of television, which not only attracted a huge popular audience but also stimulated experimental designing approaches and thinking. With particular focus on the way that both the objects and the construction of entertainment have altered audience's experience, the essays present a novel approach to the subject. This book will be of particular interest to students and teachers working in design and cultural history as well as film and theatre studies. ;
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What does it mean to be called an industrial designer? This book traces the remarkable rise of this professional identity in historical perspective from a position of anonymity in the early twentieth century, to mid-century professionalisation, to decline and disintegration by 1980. Drawing on new, extensive, original archival research, it uncovers the history of a profession in a state of re-invention, 1930-1980 in Britain and the United States. The book tests assumptions about the relationship between the professions in the two countries, bringing them into comparative historical perspective for the first time. The gendered dynamics of professionalisation and their interaction with the representation of the heroic male designer are interrogated and critically examined. Building on new gender perspectives to the history of the industrial design profession, the book calls for a re-examination of the limits and boundaries of what constitutes professional identity and work.
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The transformation of a mental Ukraine into a real Ukraine, people - into a nation, a territory – into a state is a semantic axis of this trilogy. Book 1. Ukraine and Ukrainians in 1917-1939 The first book is devoted to the interwar period – a key stage of ethnic modernization and mobilization of Ukrainians, the culmination of the Ukrainian Revolution, and the battle for Ukraine in the context of the First World War. Book 2. Between World War II and the Cold War: Wars in the Destiny of Ukraine The second book tells about Ukrainians in the Second World War, after which the Ukrainian lands were united within one state, and in the Cold War, which made possible the sovereignty of Ukraine. Book 3. 30 Years of Independence: Challenges, Trials, Answers The third book is dedicated to the period of Ukrainian Independence and summarizes the thirty years of Ukrainian post-totalitarian transit. Contradictions of internal development, geopolitical challenges, three modern Ukrainian revolutions, and the Russian-Ukrainian war are the focus of understanding the path of Ukraine and Ukrainians in the global world.
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Forbes’s China's Most Influential Designer, Global Design Awards winner, Yang Mingjie is founder of YANG DESIGN and Yang She(羊舍). In this book, for the first time he openly presents his classical cases and design experiences in 25 years. He explored the origins of design in different countries in the East and the West, and finally returned to China, looking directly at the weakness in Chinese culture and design, thinking about design on this basis. He interprets the standards of good products from six levels: function, vision, spirit, form, aesthetics, and standardization. Explain each level with different classic cases. He shares his thinking on the relationship between design, human and society, and propose that good design should follow the principles of sustainable development and spread positive enlightenment to the public. How to design is a design and creative map that can inspire designers and the general public. 《福布斯》“中国最具影响力设计师”、 全球设计大奖“大满贯”得主、YANG DESIGN和羊舍创始人杨明洁，通过文字和作品两个维度，首次完整呈现25年来的经典案例和经验。在书中： 他探讨了东西方不同国家的设计起源，最终回到中国，直视中国存在文化与设计的断层，在此基础上思考 设计。 从功能、视觉、精神、形式、美学、标准化6个层面阐释优良产品的标准。以不同的经典案例阐述每一层面。 分享设计师面对人类、社会时的思考，提出优良的设计应遵循可持续发展的原则，向公众传播正面的启迪意义。 《做设计》是一张能够启发设计从业者、创意人、品牌人思考的设计地图和创意地图。
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This work explores the idea of the Celt and the definition of the so-called "Celtic Fringe" over the last 300 years. It is an in-depth study of the literary and cultural representation of Ireland, Scotland and Wales over this period, and is based on a wide-ranging grasp of issues of national identity and state formation. The idea of the Celt and Celticism is once again highly fashionable. Is there such a common Celtic heritage? What is the place of the "Celtic Fringe" in British identity? Pittock begins by assessing the term "Celtic" itself, by questioning its validity, going on to examine its historic uses and heroic notions of Scotland's past. The Celtic Revival of the late 19th century is examined in detail together with its impact on Irish nationalism. Pittock asks how far the "Celtic" experience in Britain can be described as a colonial one, and examines the importance of the Celtic languages in preserving a sense of identity. Contemporary issues such as the literary language of the Troubles in Northern Ireland and the growth of modern Scottish nationalism are also considered. ;
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![Narbut. Studies. Memoirs. Letters [A Supplemented Reproduction of the "Narbut Anthology", destroyed in 1933]](https://cdn-production.frankfurtrights.com/Content/Upload/BookJackets/Thumbnails/19049830ff3.jpg "Narbut. Studies. Memoirs. Letters [A Supplemented Reproduction of the \"Narbut Anthology\", destroyed in 1933]")
This story behind this biographical memoir of a great artist begins before Narbut’s death. The best-known experts were invited to participate and contribute articles, which they spent many years preparing. But the Soviet censors “trimmed” the texts to their liking. When it was finally published in 1933, nearly all the authors had been repressed or executed. The anthology went under the knife at the printing press. It was a shame, too, because the paper was beautiful, specially allotted by the state printing press, as was the print. Only two incomplete copies remain, both in private collections. Serhii Bilokin first proposed the idea of the Narbut Anthology to Rodovid Press ten years ago, and now it is finally came to fruition with the support of the Ukrainian Cultural Foundation. This is thanks to Bohdan Zavitii, Anastasia Bilousova, and entire project team including designers Sasha Bychenko, Oleksii Salnykov, and Alina Bielova. The Institute of Art History, Folklore, and Ethnology, the National Art Museum of Ukraine, the Kharkiv Art Museum, and others assisted with the illustrations and texts. Heorhii Narbut was a decisive figure in twentieth-century Ukrainian art, yet the Communist taboos of the Soviet period ensured he remained unknown to a broader audience. This unique project fleshes out a significant aspect of art history and puts certain things back where they belong. Content and introduction: Serhii Bilokin Editors: Anastasiia Bilousova and Bohdan Zavitii Design: Sasha Bychenko and Numo Team
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Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.
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People’s lives and careers are becoming ever more unpredictable. The “life-design paradigm” described in detail in this handbook helps counselors and others meet people’s increasing need to develop and manage their own lives and careers. Life-design interventions, suited to a wide variety of cultural settings, help individuals become actors in their own lives and careers by activating, stimulating, and developing their personal resources. This handbook first addresses life-design theory, then shows how to apply life designing to different age groups and with more at-risk people, and looks at how to train life-design counselors. Target Group: Counsellors, coaches, career and vocational advisors.
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An archaeology of innovation is the first monograph-length investigation of innovation and the innovation process from an archaeological perspective. It interrogates the idea of innovation that permeates our popular media and our political and scientific discourse, setting this against the long-term perspective that only archaeology can offer. Case studies span the entire breadth of human history, from our earliest hominin ancestors to the contemporary world. The book argues that the present narrow focus on pushing the adoption of technical innovations ignores the complex interplay of social, technological and environmental systems that underlies truly innovative societies; the inherent connections between new technologies, technologists and social structure that give them meaning and make them valuable; and the significance and value of conservative social practices that lead to the frequent rejection of innovations.
