Jump! publishes children’s nonfiction with a focus on curriculum-aligned subjects for emergent through early-fluent readers. Our books combine vibrant colors with captivating photography and corresponding text to draw readers into the subject and encourage reading success.
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Bastei Lübbe AG, based in Cologne, Germany, is a large, both traditional and modern company in the German publishing industry, specializing in the publication of books, audio books and eBooks with fiction and popular science content. The company's core business also includes periodically published novel books. The product range of the twelve imprints of the media company currently comprises a total of around 3,600 titles from the fiction, non-fiction, children's and youth book sectors. International and national bestselling authors such as Ken Follett, Dan Brown, Jeff Kinney, Rebecca Gablé, Petra Hülsmann, Andreas Eschbach, Timur Vermes and many more have published their books at the Cologne publishing house, some of them for decades. Die in Köln ansässige Bastei Lübbe AG ist ein großes, sowohl traditionsreiches wie auch modernes Unternehmen im deutschen Verlagswesen, das auf die Herausgabe von Büchern, Hörbüchern und eBooks mit belletristischen und populärwissenschaftlichen Inhalten spezialisiert ist. Zum Kerngeschäft des Unternehmens gehören auch die periodisch erscheinenden Romanhefte. Das Angebot der zwölf Verlage und Imprints des vor mehr als 60 Jahren gegründeten Medienhauses umfasst derzeit insgesamt rund 3.600 Titel aus den Bereichen Belletristik, Sach-, Kinder- und Jugendbuch. Internationale und nationale Bestsellerautoren wie Ken Follett, Dan Brown, Jeff Kinney, Rebecca Gablé, Petra Hülsmann, Andreas Eschbach, Timur Vermes und viele mehr veröffentlichen ihre Bücher zum Teil seit Jahrzehnten im Kölner Verlagshaus.
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In his novel, The Autumn of Innocence, prominent Lebanese poet and novelist Abbas Beydoun artfully weaves a tragic story of a father-son relationship that ends disastrously with the son's violent death. This story unfolds along with the Arab Spring movement and explores the motivations behind religious extremism and questions cultural constructs of masculinity. The novel opens with a letter from Ghassan to his cousin, describing how his father Massoud strangled his mother to death when Ghassan was just three years old. Afterward, Massoud flees the village in southern Lebanon. For 18 years, no one hears from him, and Ghassan grows up stigmatized by his father's violent crime. In time, Ghassan's aunt Bushra-Massoud's sister-makes a confession: She encouraged Massoud to kill his wife, believing that his wife's low socioeconomic status would bring embarrassment to their wealthy family. Bushra also reveals that Massoud was driven to kill his wife because he feared that she would tell someone that he was impotent, undermining his sense of manhood and social status. Meanwhile, Massoud has moved to southern Syria, where he remarried and had two more sons. During the Arab Spring, the militant groups fighting the Syrian regime transform him into a religious extremist. In the second half of the novel, Massoud return to the village in southern Lebanon. He brings with him a group of men. Together they seize control of the village and terrorize its inhabitants. After killing the dogs, they begin murdering the villagers in the name of religion. One of Ghassan's friends is among the victims, and Massoud also threatens his family. Ghassan decides that he must kill his father, avenging the death of his friend and the deaths of the other villagers. In the end, he fails and is beheaded by Bushra's son, his cousin, who is has joined Massoud's thugs. Beydoun captures the shifting points of view in a family shattered by the tyranny of normative masculinity and the resulting violence. The victims are women, of course, but also the men like Ghassan who reject these social and cultural expectations. The novel also portrays the rise of religious extremism and the terrorism it can inspire, which wreaks havoc on the lives of ordinary people. Beydoun's engaging language imbues the characters and the places they inhabit with a vibrancy and vitality that transcends the difficult subject matter.
An uplifting tale about the power of friendship, finding your place in the world, and realising your dreams while remaining true to who you are. Tumbledown is a little demolition truck growing up in a loving family. His parents go to work every day demolishing buildings with their big wrecking balls. But soft-hearted Tumbledown doesn’t like to destroy. He’d rather build things. He dreams of being a cement mixer. When Tumbledown cries, his wrecking ball swings out and destroys everything it touches. When Tumbledown laughs, his wrecking ball swings out and destroys everything it touches. His soft heart can’t skip a beat without leaving a trail of destruction. At school other students laugh at him, but still he won’t let go of his dream. When Tumbledown makes friends with a feisty troop of metal springs, they hatch a plan to save him from himself. They fan out over his wrecking ball and every time it swings they do their best to absorb the shock. The day comes when the worn-out springs turn to the Wise Old Crane for help. Tumbledown can never be a cement mixer, but maybe there are other ways, better suited to his nature. After some search, the Wise Old Crane finds a new job for Tumbledown at a construction site using his wrecking ball to smooth out the cement on the ground. It’s hard work but Tumbledown is finally happy, and he grows stronger and more skillful with every passing day.
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Base in Yangon. A girl met with a puppet and sharing the experience each other. A heart warm charming stories with beautiful collage illustrations.
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The Guys of Manday ,1950s is based in the years just after independence . After Myanmar became independent from English , there were several armed conflicts in Ethnic Areas all over the world. Sein Da Myone ( Golden Dagger) was a leader of a robber gang base in Mandalay ,upper Myanmar . Nobody knows the real life of Mr Golden Dagger and he lived under the face of a gentleman . This book is related to The Guys of Rangoon 1930 as well and they have some links in stories.
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The Guys of Rangoon , 1930 is a record breaking bestseller book from Myanmar . It sold 16000 copies within one day during the pre order period. More than one hundred thousand copies have been sold so far. Film rights, several merchandise rights, comic rights already sold.It was based in Yangon , Myanmar during the colonial period. The main character is Pho Thoke who was a gangster and managed a lot of business by himself and his gang. He is very close with politicians as well and he is involved in several dirty political movements in Myanmar . This story is based on real characters and events.
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Basics of Interesting Paper-cut: Basics of Interesting Paper-cut is a book for guiding children to have fun origami. The strength of DIY ability directly reflects the flexibility of the brain, so improving children's DIY ability is an important way to promote intellectual development, while hand craft is a good way to fully develop children's intelligence.
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Using music as a thread that connects the past to the present, this novel explores what happens when traditional and cultural heritage clash with modernity. The characters face the impact of modernization on heritage and arts versus the need to protect and preserve their traditional culture and must choose between the pursuit of materialism versus spiritual balance. Al Qarmalawi writes about a wide range of music from Sufism to the present era of electronic musical arts, and Summer Rains addresses the current Arab youth crisis, in which young people find themselves torn between fundamentalism and modernity. (An extended English-language report on this book will be available soon.)
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Far more than a straightforward autobiography, celebrated Moroccan writer and former minister of culture Bensalem Himmich diffuses life with literary and intellectual dimensions. Himmich opens his book with a discussion on autobiographical writing, followed by chapters on the author’s early life, starting with his childhood in Meknes. In Paris, he completes a doctorate degree and there marries a Greek woman, Paneyota. The heroic figures of his “rebellious youth” are Marx and Sartre, and the challenges of these and other radical thinkers, in both Arabic and European languages, find their way into his doctoral thesis, Ideological Patterns in Islam: Ijtihad and History (in Arabic, 1990). Subsequent chapters move into the domain of creation, with four categories reflecting the author’s literary, intellectual, linguistic, and cultural interests. Starting with an epigraph of Italo Calvino, the “literary” chapter focuses on the novel, its history, and its complexities. The chapter on the “intellectual” dimension turns on the author’s lifelong interest in the two pillars of philosophy and history. For Himmich, philosophical thought is “the creative and innovative force through which truths and meanings are sought.” The two-part “linguistic” chapter opens with a discussion of identity as “a constantly developing entity”. In the second part he expresses disapproval of the worldwide prevalence of “Anglo-American English” and the weakening effects that a lack of language authority has on the sense of national identity. The “cultural” chapter includes Himmich’s observations from his career, including the poor state of public education and a decline in reading in Morocco. He also considers his time as the Moroccan Minister of Culture and the inevitable complexities of the political system within which he had to operate. The penultimate chapter entitled “My Polemics” offers four of his own polemical stands: on fundamentalist trends—specifically Islam and “Islamism”; on the prevalence in Moroccan publications of the Latin alphabet; and specific issues with the well-known littérateurs Adonis and Youssef Ziedan. The work closes with the author’s reflection on the emergence of a new and negative kind of cultural “hegemony”, the awareness of which he attributes with gratitude to Edward Said and the latter’s interpretation of the work of Franz Fanon.
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One of Egypt’s leading literary voices offers a first-hand look at political, social, cultural events of the last 40 years and how they influenced his writing. Ibrahim Abdelmeguid, called “the quintessential writer about Alexandria” by The National newspaper, looks back over his decades-long writing career this book, which what he calls a “literary autobiography.” In it, he reflects on the social, political, and cultural influences in Egypt and elsewhere that have shaped him as a writer. He shares his views on major political events, such as the 1967 defeat after the Six-Day War, and explanations of their profound impact on his personal life and works of fiction. Abdelmeguid devotes a portion of his work to discussing the development of his views on Egypt’s second president, Gamal Abdel Nasser, over the course of his turbulent tenure in office. The book is divided into a brief introduction and four chapters. Abdelmeguid guides the reader through his literary career, moving masterfully between the factual and the meditative. He explores how each of his novels and many of his short stories was conceived. He also describes cultural, political, and social contexts in which his writing evolved and was received by literary critics and casual readers. He spends considerable time describing the creative process behind his Alexandria trilogy— No One Sleeps in Alexandria, Birds of Amber, and Clouds Over Alexandria. The first book, No One Sleeps in Alexandria, is set during World War II. Abdelmeguid visited numerous key sites in Alexandria and surrounding areas and read every newspaper he could get his hands on. The result of his devotion to research is a vibrant portrayal of Alexandria that shines throughout the epic novel. Of particular note is his successful communication of the cultural and religious diversity of the city and the impact of that on the promotion of a culture of tolerance. Beyond Writing is a rare and important addition to the modern Arabic literary map. Few Arab authors are willing to so transparently share their writing process, preferring to highlight the polished final product while concealing the hard work that brought it into existence. Readers are lucky that it is a writer as prominent, thoughtful, and engaging as Abdelmeguid is willing to draw back the curtain.
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“Spring” is the second of the four-season series Charming Stories about the adventures of Alice and her charming friends Fairy La La and Martha the Cat, this time with Droplet, Ray, and Tomtit. Is the Flowers and Colors Party really happening? And what about a prophecy that our protagonists will hear in Fairyland magical history classes? Will Alice manage to have a present ready for her mum? The readers of these stories will find out about these, and many more amazing adventures, by immersing themselves in a world of fantasy and kind magic. From 3 to 8 years, 7502 words Rightsholders: author@zoilin.com
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A mysterious and adventure comic based in current time Myanmar and Ancient time Burma. Two parallel worlds with the same character. All started with a coin that belonged to a kid. That coin is very important for the human being and monsters try to get coins and some gods are protected.
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This series of books focuses on the status quo of frequent child safety accidents, and is compiled to enable children to correctly understand their surroundings and improve their self-protection ability for their healthy and happy growth. This series of books is compiled according to the Guidelines for Learning and Development of 3-6 Year Olds Children and the rules of physical and mental development of children. Consisting of 6 books with three volumes for bottom classes, middle classes and top classes respectively, these books are presented in forms of children's songs, stories, games; so that children can improve their self-protection ability in happy learning.
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The white paper felt sad for being left blank. But its feelings changed when it saw the writer’s hand waking the sleeping pen up, and drawing letters and words on its white page.
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How and why did the Nazis seize power in Germany? Nearly seventy years on, the question remains heated and important discoveries continue to challenge long standing assumptions. Beginmning with an overview of the historical context within which Nazism grew, looking at the foreign relations, politics and society of Weimar and in particular at the role of the elites in the rise of Nazism. The book questions the anatomy of Nazism itself: What lent Nazi ideology its coherence and credibility? What distinguished the Nazi's programme from their competitors' and how did they project it so effectively? How was Hitler able to put together and fund an organisation so quickly and effectively that it could launch a sustained assault on Weimar? Who supported the Nazis and what were their motives? Where, precisely, does Nazism belong in the history of Europe?. Since the publication of the first edition, important new works have appeared and this new scholarship has been incorporated into the text. ;
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The fall and rise of the English upper class explores the role traditionalist worldviews, articulated by members of the historic upper-class, have played in British society in the shadow of her imperial and economic decline in the twentieth century. Situating these traditionalist visions alongside Britain's post-Brexit fantasies of global economic resurgence and a socio-cultural return to a green and pleasant land, Smith examines Britain's Establishment institutions, the estates of her landed gentry and aristocracy, through to an appetite for nostalgic products represented with pastoral or pre-modern symbolism. It is demonstrated that these institutions and pursuits play a central role in situating social, cultural and political belonging. Crucially these institutions and pursuits rely upon a form of membership which is grounded in a kinship idiom centred upon inheritance and descent: who inherits the houses of privilege, inherits England.
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Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity. The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless. Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them. So Hatless removes her hat. As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats. Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air. By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens. Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.
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The Reading Journey is a journal for your literary adventures. Join a group of furry and feathered friends for an exploration of the extraordinary world of words, stories, reading and writing. Designed by library designers, linguists and childhood experts, you can now plot your course through the Map of Memories. Join us for a ride on the Book Boat, the Poetry Plane and the Story Sled, Visit the Mountains of Meaning, the Gorge of Gorgeous Words, the Forest of Feelings, and the Desert of Dreams. The Reading Journey is an interactive journal that encourages joyous curiosity about the literary realm, using the written word as a medium to expand children’s horizons, to promote self knowledge, and to cultivate a love for reading.
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All books have either writing, pictures or both in it, but the book that Ellen got as a gift has neither. It does, however, have extraordinary recording powers. Like in so many of Sandro’s stories, in The Strange Book it is completely natural for dreams to merge with reality. Through the matter-of-fact occurrence of unlikely events, The Strange Book tells a story of growing up without abandoning the inner child.
