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      • Trusted Partner
        Minorities in China
        The Arts
        December 2018

        Minorities in China

        an American University President's Photographic Journey

        by Sidney A. Mcphee

        This book is a compilation of more than two hundred pictures reflecting the traditional costumes, characteristic buildings, traditional activities, and traditional medicine of Chinese ethnic minorities. Each picture has the story behind it and the testimony of the author. From the perspective of foreigners, the book vividly reproduces the diversity of the Chinese nation, the unique regional culture, and the natural and social environment in the form of pictures and text.

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        Flowers and Children
        The Arts
        January 2018

        Flowers and Children

        by LIN Xi

        Lin Xi’s paintings distinguish themselves with innocence and delicacy expressed, which often pay attention to blossoms, children and small items. Lin’s paintings reveal her distinctive thoughts and reflections on nature, art and life. In this book, Lin focuses on themes related to "flowers" and "children", and leads readers to a wonderful journey for discovering the subtle, beautiful, and moving moments in everyday life. Through these lovely paintings, we may find possessions that really matters in our life. 林曦的画作朴拙天真、细腻灵动，尤其喜画花朵、孩童、案头玩意等美好小景。画集是林曦对自然、艺术、生活等的一份内心独白，以“花”和“童”为主题来反观日常生活中细微的美好、感动的瞬间、烂漫的时刻。在花间寻天真，重拾宁静美好的天然本性；于童心得热忱，找回生命中珍贵的持有。

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        Glimpses of Gardens in Eastern China
        The Arts
        October 2018

        Glimpses of Gardens in Eastern China

        by TUNG Jun, TUNG Ming (translator)

        The architect Chuin Tung introduced the classic beauty of Chinese gardens to the world through this book The interest of garden appreciation: profound interpretation of the spirit and connotation of Chinese gardens  The method of gardening: comprehensive analysis of the details and techniques of garden construction (including architectural and planning, ornament and furniture, rockery, planting)  The history of gardens: detailing the difference between garden history and Eastern and Western gardens   建筑学界一代宗师童寯向世界介绍中国园林之美的经典著作 赏园之趣：深刻解读中国园林的精神与内涵 造园之法：全面分析园林营造的细节与技法（建筑与布局，装修与家具，叠石，植物配置） 园林之史：细述园林历史及东西方园林的区别

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        A writer's guide to Ancient Rome
        Teaching, Language & Reference
        January 2020

        A writer's guide to Ancient Rome

        by Carey Fleiner

        A writer's guide to Ancient Rome serves as a guide and inspiration to the Roman population, economy, laws, leisure, and religion for that author, student, general reader who seeking an introduction to what made the Romans tick. The Guide considers trends and themes from roughly 200 B.C. to A.D. 200 with the occasional foray into the antecedents and legacy on either side of the period. Each chapter explicates its main themes with examples from the original sources. Throughout are suggestions for resources to mine for the subject at hand and particular topics affected by scholarly debate and changing interpretation based on new discoveries or re-interpretation of written and material remains.

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      • Trusted Partner
        Representative Works of Chinese Woodblock New Year Paintings
        The Arts

        Representative Works of Chinese Woodblock New Year Paintings

        by Feng Jicai

        Woodblock new year painting is an old handicraft of China, going back thousands of years. People celebrate the Spring Festival by posting up woodblock new year paintings, praying for their good wishes. Chief edited by the contemporary Chinese author, artist, and cultural scholar Feng Jicai, the Representative Works of Chinese Woodblock New Year Paintings is a collection of the masterpieces selected out of over ten thousand woodblock new year paintings. It has two volumes, the Northern and the Southern, from which one can see the differences in the custom of the two regions. The book has received support from scholars and institutions worldwide, among which the Japanese museums' collections of Gusu woodblock new year paintings in the early Qing Dynasty and the Russian museums' collections of late Qing and early Republic China are disclosed to the world for the first time. So the book is not only a historical art collection, but also of high cultural heritage significance.

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        Complete Works of Yungang Grottoes
        The Arts

        Complete Works of Yungang Grottoes

        by Zhang Zhuo

        The Complete Works of Yungang Grottoes is a collection of photographic materials reflecting different periods, different caves, different artistic styles and artistic characteristics of Yungang Grottoes. It contains 20 volumes, each presenting a single Yungang cave with more than 400 pictures and several professional academic papers on the cultural and artistic characteristics of caves.   As a royal art project symbolizing the imperial power of Tuoba in the Northern Wei Dynasty, the Yungang Grottoes are large in scale, rich in content, exquisite in carving, and vivid in appearance. They absorb and integrate the diverse cultures of ancient nationalities, and represent the highest level of carving in the world in the 5th century. In 2001, the Yungang Grottoes were listed on the World Heritage List.   The Complete Works of Yungang Grottoes displays the treasures of the Yungang Grottoes in an unprecedented scale, high-definition, and panoramic view, which is regarded as a recording and preserving archive of great values. For more than 1500 years, the statues of the Yungang Grottoes have been weathered and ruined by wind and rain. In the past, most of the photography focused on the contemporarily perfect Buddha statues, but the remaining statues, even the best-preserved ones, are disappearing year by year from people's sight. The Complete Works of Yungang Grottoes collects image data of them, makes the documentary files, and has them published to the public, in this way retaining the perfect art in changes.

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      • Trusted Partner
        The Archive of Thangka Culture in China: Chamdo Volume
        The Arts

        The Archive of Thangka Culture in China: Chamdo Volume

        by Feng Jicai

        The Archive of Thangka Culture in China: Chamdo Volume is the full records of the history and current situation of Thangka culture in the Chamdo region. It systematically introduces the origin and characteristics of Chamdo Thangka and gives a comprehensive and authoritative interpretation on its iconographical symbolic significance and cultural function. With detailed records of distinctive characteristics of Chamdo Tangka, including its materials, tools, painting technologies, multiple contemporary forms, schools of inheritance, painters' profile, exchange and circulation, as well as relevant theories of painting, the book is considered of great significance for recording and inheriting profound traditional Chinese cultures.

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      • Trusted Partner
        The Archive of Thangka Culture in China: Gannan Volume
        The Arts

        The Archive of Thangka Culture in China: Gannan Volume

        by Feng Jicai

        The Archive of Thangka Culture in China: Gannan Volume is the full records of the history and current situation of Thangka culture in the Lapaleng Temple-centered Gannan region. It systematically introduces the origin and characteristics of Gannan Thangka and gives a comprehensive and authoritative interpretation on its iconographical symbolic significance and cultural function. With detailed records of distinctive characteristics of Gannan Tangka, including its materials, tools, painting technologies, multiple contemporary forms, schools of inheritance, painters' profile, exchange and circulation, as well as relevant theories of painting, the book is considered of great significance for recording and inheriting profound traditional Chinese cultures.

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      • Trusted Partner
        Ukrainian Artistic Avant-Garde: Manifestos, Essays, Talks, Memoirs, Letters
        The Arts
        2021

        Ukrainian Artistic Avant-Garde: Manifestos, Essays, Talks, Memoirs, Letters

        by Dmytro Horbachov (editor)

        The publication is an anthology of rear and previously unpublished texts written by thirty-four representatives of the Ukrainian avant-garde: artists who act as critics and scientists; art critics acting as analysts and conceptualists; poets and writers who act as creators and analysts of contemporary artistic forms. The reader receives a thematic, personal, and philosophical variety of views on the creative "systematisation" of the artistic form in Ukrainian visual art of the 1910s-1930s. The reader is put amidst the creative disputes, the struggle of ambitions and the agreements on methodologies, a kaleidoscope of multidirectional search for artistic truth and seclusion in the social inevitability of historical events The genre of the texts vary. From a didactic nature of journalistic essays to the sharpness of manifestos and sometimes angry desperation of discussions — forms a stereoscopic sketch of trends and groups of that time in all the complexity, inconsistency, and therefore poignancy of the proclaimed positions.

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      • Trusted Partner
        The Hope Chest. Ukrainian Treasures
        Decorative arts
        2016

        The Hope Chest. Ukrainian Treasures

        by Yaryna Vynnytska, Yulia Tabenska

        Exclusive deluxe edition on the traditional heritage of Ukraine with special features - die cutting, foil stamping, blind embossing, textured varnish. We went across all the regions of Ukraine in quest of folk treasures and came up with a list of Ukrainian must-haves – the things that should belong in hearts and homes of every Ukrainian. We carefully packed them in our Hope Chest as if it were a cultural Ark preserving its treasures from the outpour of globalizing floods — so that they may be returned to where they belong. These are not simple belongings but powerful totems. In having them in your home, goodness is instilled — for in stillness, you find yourself.

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      • Trusted Partner
        ZNAK. Ukrainian Trademarks 1960—1980
        The Arts
        2019

        ZNAK. Ukrainian Trademarks 1960—1980

        by U, N, A collective

        Znak. Ukrainian Trademarks 1960—1980 is research by U, N, A collective (Uliana Bychenkova, Nika Kudinova, Aliona Solomadina) on the history of Ukrainian graphic design, in particular, on the area of corporate identity during the period of Thaw, Stagnation, and Perestroyka. Visual and textual narratives coexist in the book, as this type of material needs not only visual but also textual support. They address the given subject in the wider chronological order: from the 20th century avant-garde to the present. Most importantly, the publication focuses on the Kharkiv school of industrial graphics and the accomplishments of Volodymyr Pobiedin. The publication displays archive materials, identifies the names, describes the processes and highlights the influences in Ukrainian graphic design in the local and global contexts.

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      • Trusted Partner
        Ukraine from above (in English)
        The Arts
        2022

        Ukraine from above (in English)

        by Bogdan Logvynenko (idea), Volodymyr Gavrysh (design)

        Over several years of expeditions, the Ukraїner team took thousands of photos of Ukraine from a drone. Many different screens have already seen our footage: from Ukrzaliznytsia (Ukrainian Railways) to city buses in Warsaw. With the help of these images, we aim to share the beauty of Ukraine with the world. This photo book shows Ukraine from a bird's eye view. Fields, forests, coasts, snow-capped mountains, patterns of city streets – all these shots show amazing diversity and cause aesthetic awe. Despite the fact that enemy shells are still flying in the Ukrainian sky, we are already trying to make the whole world fall in love with it. The book is published only in English and is called “Ukraine from above”.

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      • Trusted Partner
        The art of darkness
        The Arts
        March 2023

        The art of darkness

        The history of goth

        by John Robb

        This is the first comprehensive history of goth music and culture. Across more than 500 pages, John Robb explores the origins and legacy of this enduring scene, which has its roots in the post-punk era. Drawing on his own experience as a musician and journalist, Robb covers the style, the music and the clubs that spawned the culture, alongside political and social conditions. He also reaches back further to key historic events and movements that frame the ideas of goth, from the fall of Rome to Lord Byron and the romantic poets, European folk tales, Gothic art and the occult. Finally, he considers the current mainstream goth of Instagram influencers, film, literature and music. The Art of Darkness features interviews with Siouxsie and the Banshees, The Cure, The Damned, Nick Cave, Southern Death Cult, Einstürzende Neubauten, Bauhaus, Killing Joke, Throbbing Gristle, Danielle Dax, Lydia Lunch and many more. It offers a first-hand account of being there at the gigs and clubs that made the scene happen.

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      • Trusted Partner
        A history of the New Zealand fiction feature film
        The Arts
        November 2007

        A history of the New Zealand fiction feature film

        Staunch as?

        by Bruce Babington

        A history of the New Zealand fiction feature film is the only comprehensive account of the New Zealand feature film from its beginnings to the present. Countering tendencies to think of New Zealand film as beginning in the 1970s, Bruce Babington discloses a longer saga showing how the present, for all its difference, can only be understood through the past: Gaston Méliès' New Zealand films of 1912, Tarr's Hinemoa, the first feature made by a New Zealander, early Australian film makers' use of New Zealand for an Australasian audience, the English and American made 'Maoriland' films of the late 1920s and early 1930s, and the crucial works of New Zealand film's two great father figures, Rudall Hayward and John O'Shea. Such cornerstones of the national cinema as The Te Kooti Trail, My Lady of the Cave, Rewi's Last Stand (1940), Broken Barrier, Runaway and Don't Let It Get You are analysed in detail. Babington surveys the internationally popular films of recent years, from Murphy's and Donaldson's, through to those of Reid, Preston, Campion, Ward, Jackson, Caro, Jeffs, Sinclair, Barclay and others, along with recent low-cost digitals, and Maori feature film making, allowing the book to become a reference map of the cinema, its genres, and its preoccupations, while at the same time giving fascinating detailed analysis of important texts. A history of the New Zealand fiction feature film is essential reading for all students and followers of New Zealand cinema as well as those interested in the local post-colonial culture and its products. ;

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      • Trusted Partner
        A history of the New Zealand fiction feature film
        The Arts
        November 2007

        A history of the New Zealand fiction feature film

        Staunch as?

        by Bruce Babington

        A history of the New Zealand fiction feature film is the only comprehensive account of the New Zealand feature film from its beginnings to the present. Countering tendencies to think of New Zealand film as beginning in the 1970s, Bruce Babington discloses a longer saga showing how the present, for all its difference, can only be understood through the past: Gaston Méliès' New Zealand films of 1912, Tarr's Hinemoa, the first feature made by a New Zealander, early Australian film makers' use of New Zealand for an Australasian audience, the English and American made 'Maoriland' films of the late 1920s and early 1930s, and the crucial works of New Zealand film's two great father figures, Rudall Hayward and John O'Shea. Such cornerstones of the national cinema as The Te Kooti Trail, My Lady of the Cave, Rewi's Last Stand (1940), Broken Barrier, Runaway and Don't Let It Get You are analysed in detail. Babington surveys the internationally popular films of recent years, from Murphy's and Donaldson's, through to those of Reid, Preston, Campion, Ward, Jackson, Caro, Jeffs, Sinclair, Barclay and others, along with recent low-cost digitals, and Maori feature film making, allowing the book to become a reference map of the cinema, its genres, and its preoccupations, while at the same time giving fascinating detailed analysis of important texts. A history of the New Zealand fiction feature film is essential reading for all students and followers of New Zealand cinema as well as those interested in the local post-colonial culture and its products. ;

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      • Trusted Partner
        A loss of innocence?
        The Arts
        May 2010

        A loss of innocence?

        Television and Irish society, 1960–72

        by Robert Savage

        This book explores the evolution of Ireland's national television service during its first tumultuous decade, addressing how the medium helped undermine the conservative political, cultural and social consensus that dominated Ireland into the 1960s. It also traces the development of the BBC and ITA in Northern Ireland, considering how television helped undermine a state that had long governed without consensus. Using a wide array of new archival sources and extensive interviews Savage illustrates how an increasingly confident television service upset political, religious and cultural elites who were profoundly uncomfortable with the changes taking place around them. Savage argues that during this period television was not a passive actor, but an active agent often times aggressively testing the limits of the medium and the patience of governments. Television helped facilitate a process of modernisation that slowly transformed Irish society during the 1960s. This book will be essential for those interested in contemporary Irish political and cultural history and readers interested in media history, and cultural studies. ;

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      • Trusted Partner
        A sense of place
        The Arts
        December 2012

        A sense of place

        Regional British television drama, 1956–82

        by Lez Cooke

        This pioneering study examines regional British television drama from its beginnings on the BBC and ITV in the 1950s to the arrival of Channel Four in 1982. It discusses the ways in which regionalism, regional culture and regional identity have been defined, outlines the history of regional broadcasting in the UK, and includes two detailed case studies - of Granada Television and BBC English Regions Drama - representing contrasting examples of regional television drama during what is often described as the 'golden age' of British television. The conclusion brings the study up to date by discussing recent developments in regional drama production, and by considering future possibilities. Written in a scholarly but accessible style, the book uncovers a forgotten history of British television drama that will be of interest to lecturers and students of media and cultural studies, as well as the general reader with an interest in the history of British television. ;

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        Adaptation revisited
        Television
        August 2002

        Adaptation revisited

        Television and the classic novel

        by Sarah Cardwell

        Offers a critical reappraisal of a prolific and popular genre, as well as bringing new material into the broader field of Television Studies. Surveys the traditional discourses about adaptation, unearthing the unspoken assumptions and common misconceptions that underlie them and explores the problems inherent in previous approaches, developing an original perspective that considers the particularly televisual nature of this genre. Examines four major British serials: 'Brideshead Revisited', 'Pride and Prejudice', 'Moll Flanders', and 'The Tenant of Wildfell Hall' revealing the genre's importance in constituting and moderating our understanding of the past and of television itself. The first sustained and coherent book on the subject in almost a decade.

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