All Things Women
Find your focus and strengths in times of crisis.
View Rights PortalWe are a Japanese publisher of Light Novels, Comics, Literary Fiction, and Picture Books for children. Our titles are translated and distributed by our licensee in 8 countries in Asia, China, Europe and the US.Our publication consist of two companies: 1) MICRO MAGAZINE(MM), and 2) Kill Time Communication (KTC).
View Rights PortalThis anthology makes available to students and general readers the rich variety of Victorian magazines for women. The extracts range from fashion magazines to feminist journals, from serious works for Christian mothers to tales of romance and passion for 'sweethearts'. Focusing on the historical development of the British women's magazine, this extensively illustrated work gives access to texts which few readers ever see. The first main section describes and illustrates eight kinds of magazine for women. Though they have common features, the differences between the drawing room journal of the 1830s and 1840s and the cheap domestic magazines of the 1890s are clearly demonstrated. The second section focuses on those elements which made up the magazine's typical mix of ingredients, including fiction, the fashion plate, poetry, political journalism, advice columns and reader's letters. The last section is the most comprehensive listing of British Victorian women's magazines which currently exists. This is a work of scholarship but one which will appeal to students of Cultural, Historical, Literary and Women's Studies, as well as to the general interested reader. Like the magazines it represents, it offers its readers both entertainment and instruction. ;
An anthology of writings in the Indian Ladies Magazine, the first-ever English periodical edited and written by women in India
Design and the Modern Magazine provides a thematically arranged set of essays that examine the changing character of the magazine as an important aspect of cultural life from the late nineteenth century until today. In doing so it offers some of the first detailed case-studies of individual titles and analyses how design decisions are made alongside editorial, commercial and technical considerations. The book suggests ways to understand the magazine as a designed object. Among the more significant titles considered are Woman's Home Companion, Design, Woman and Vogue. While largely drawing from British and American sources, the book also covers the impact of modern design ideas from Europe on such publications. The essays present new and original scholarship on the subject and will be of use to students and teachers working on a wide range of art and design history, and literature studies courses. ;
The traditional narrative of the mid-century (1930s-60s) is that of a wave of expansion and constriction, with the swelling of economic and political freedoms for women in the 1930s, the cresting of women in the public sphere during the Second World War, and the resulting break as employment and political opportunities for women dwindled in the 1950s when men returned home from the front. But as the burgeoning field of interwar and mid-century women's writing has demonstrated, this narrative is in desperate need of re-examination. Mid-century women's writing: Disrupting the public/private divide aims to revivify studies of female writers, journalists, broadcasters, and public intellectuals living or working in Britain, or under British rule, during the mid-century while also complicating extant narratives about the divisions between domesticity and politics.
What am I doing in New York City? fragt der jüngste und vielversprechendste Songwriter New Yorks, ein Aufnahmegerät in der Hand, ein Notizbuch griffbereit in der Hosentasche. Und was ihm einfällt, landet entweder als Song im Recorder und später auf CD oder im Heft und wird zum pulsierenden Text: Eine Zeitlang sammelte Adam Green seine Textproduktion jenseits der Musik in Fanzines, den sogenannten magazines. Jetzt sind diese, zusammen mit dem Langgedicht "Flowers of Capitalism" und anderen zwischen 2001 und 2004 entstandenen Texten, erstmals in Buchform erhältlich.
This book mainly studies the development and evolution of the structure and craftsmanship of the Phoenix Songtao style Miao women's clothing. Taking the origin and evolution of the Phoenix Songtao style Miao women's clothing as a breakthrough point, it studies the geographical environment and structural characteristics of its location, and analyzes its cultural and artistic characteristics and its development and evolution. Take the Phoenix Songtao style Miao women's clothing structure tailoring evolution as The starting point is to elaborate on the evolution of the structural design of the top, bellyband and trousers from three aspects: traditional structural tailoring, improved structural tailoring and modern industrial tailoring; taking the inheritance of Phoenix Songtao style Miao women’s clothing craftsmanship as the starting point, starting from traditional handmade The development and evolution of the production process of the coat, bellyband and trousers are discussed in three development stages: modern single-quantity single-cutting production and modern industrial production; finally, through the decoration of Phoenix Songtao style Miao women's clothing, the interaction of its decorative features and skills is analyzed. It also analyzes the current development status of Phoenix Songtao style Miao women's clothing, and proposes corresponding development strategies.
Feminism is a living phenomenon, but its history can and should be recorded. A number of serious works on the history of the women's movement and feminism have been published in Ukraine, but it is only recently that the history of Ukrainian feminism appeared in the form of a graphic novel. This book is our humble attempt to try and cover the vast history of Ukrainian feminism on a moderate number of pages. We have mentioned many outstanding personalities, but we have not mentioned even more names, for which we immediately apologise - after all, a lot has happened in 150 years and it’s hard to fit all into a relatively small graphic novel. This book may be of interest to those who have only recently become interested in feminism, as it is a brief introduction to the history of Ukrainian feminism. More experienced readers will be delighted to notice some additional details and stories to what they already know.
What are the things you cannot miss in coffee shops in Tokyo? Why can master baristas make the most memorable tastes? You will find the answers from Tokyo Coffee Time through coffee experts’ professional and harsh eyes. Including 140 coffee shops, 26 master comments and so on.
This is the first book-length account of the women's liberation movement in Scotland, which, using documentary evidence and oral testimony, charts the origins and development of this important social movement of the post-1945 period. In doing so, it reveals the inventiveness and fearlessness of feminist activism, while also pointing towards the importance of considering the movement from the local and grassroots perspectives, presenting a more optimistic account of the enduring legacy of women's liberation. Not only does this book uncover the reach of the WLM but it also considers what case studies of women's liberation can tell us about the ways in which the development of the movement has been portrayed. Previous accounts have tended to equate the fragmentation of the movement with weakness and decline. This book challenges this conclusion, arguing that fragmentation led to a diffusion of feminist ideas into wider society. In the Scottish context, it led to a lively and flourishing feminist culture where activists highlighted important issues such as abortion and violence against women. ;
Since the second half of the 20th Century, our agricultural bee pollinators have faced mounting threats from ecological disturbance and pan-global movement of pathogens and parasites. At the same time, the area of pollinator-dependent crops is increasing globally with no end in sight. Never before has so much been asked of our finite pool of bee pollinators. This book not only explores the evolutionary and ecologic bases of these dynamics, it translates this knowledge into practical research-based guidance for using bees to pollinate crops. It emphasizes conserving wild bee populations as well as culturing honey bees, bumble bees, and managed solitary bees. To cover such a range of biology, theory, and practice from the perspectives of both the pollinator and the crop, the book is divided into two volumes. Volume 1 focuses on bees, their biology, coevolution with flowering plants, foraging ecology and management, and gives practical ways to increase bee abundance and pollinating performance on the farm. Volume 2 (this volume) focuses on crops, with chapters addressing crop-specific requirements and bee pollination management recommendations. Both volumes are essential reading for farmers, horticulturists and gardeners, researchers and professionals working in insect ecology and conservation, and students of entomology and crop protection.
The first volume of memoirs of the outstanding Ukrainian scholar Yuriy Shevelyov (Sherekh) is an invaluable source for understanding Ukrainian history of the first half of the twentieth century. The publication is first illustrated and contains 248 photographs; part of them - from the Shevelyov family album - is published for the first time. The text is complemented by 1626 notes and a name index. The preface is written by the compiler of the publication, Mr. Serhiy Vakulenko.
In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women's engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women's writing. The result is groundbreaking: the author explores nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women's writing - the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women's writing, or the relationship between literature and science.
"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
She is Hua Yaya, a little apprentice who wants to learn paper-cutting. But the master she wants to learn from is a bit strange. As an apprentice for three years, Hua Yaya spends a year in watering flowers, another year in sharpening a pair of scissors and a third year in visiting the market. Finally, her strange master flies into her paper-cut by riding a golden bird. Can she cut out lifelike patterns such as flowers, birds, leaves and characters?
'Early modern women's manuscript poetry' is an anthology of texts by fourteen women poets writing between 1589 and 1706. It is the only currently available anthology of early modern women's writing which focuses exclusively on manuscript material. Authors include Mary Sidney, Lucy Hutchinson and Katherine Philips; central figures in the emerging canon of early modern women writers, but whose work appears in a fresh and very different light in the manuscript context emphasised by this anthology. The volume also includes substantial excerpts from a recently discovered verse paraphrase of Genesis, thought to be by the previously unknown seventeenth-century writer Mary Roper, as well as selections from the unjustly neglected poet, Hester Pulter. The mix of canonical and non-canonical writers makes this book ideal for use on undergraduate and early postgraduate courses, while specialists will be particularly interested in the sophisticated and varied material taken from less familiar sources. ;
This book offers the first authoritative guide to assumptions about time in theories of contemporary world politics. It demonstrates how predominant theories of the international or global 'present' are affected by temporal assumptions, grounded in western political thought, that fundamentally shape what we can and cannot know about world politics today. The first part of the book traces the philosophical roots of assumptions about time in contemporary political theory. The second part examines contemporary theories of world politics, including liberal and realist International Relations theories and the work of Habermas, Hardt and Negri, Virilio and Agamben. In each case, it is argued, assumptions about political time ensure the identification of the particular temporality of western experience with the political temporality of the world as such and put the theorist in the unsustainable position of holding the key to the direction of world history. In the final chapter, the book draws on postcolonial and feminist thinking, and the philosophical accounts of political time in the work of Derrida and Deleuze, to develop a new 'untimely' way of thinking about time in world politics. ;
Accessible, introductory student guide which identifies key feminist approaches to popular culture from the 1960s to the present.. The only introduction to both feminist cultural studies and feminism and popular culture published in the UK.. Presents its information in a reader friendly series of case studies on: women's film romantic fiction soap opera consumption and material culture fashion and beauty proactices youth culture and popular music. Will appeal to students across a wide range of disciplines as a variety of popular cultural forms are discussed. ;
Despite reliance on ingredients like horse dung, Old English remedies for women's medicine speak to contemporary reproductive concerns. Previous translators reduced the remedies to a general category of women's medicine, but sustained examination of language reveals important distinctions: remedies for menstruation indicate social concerns about fertility, where remedies for 'cleansing' do not provide a clear path to conception, but rather foreclose it. Rarest of all are the remedies for childbirth, but their rarity is compounded by the practices of translators who conflate the language for women's reproduction into an amorphous singularity. Through an original method of hysteric philology-the combining of traditional philology with contemporary feminist and medical epistemologies-this book situates itself in the historical treatment of reproductive people as both objects and subjects of medical practice, and gestures forward in time to the contemporary struggle for bodily autonomy.
Looking at the newspaper clipping from 1870 to 1930 in art and science, this study examines knowledge production and its visual and material background, combining the perspectives of media history with art history and the history of science. It traces the biography of a newspaper clipping in different fields, ranging from highly sophisticated ordering systems in the sciences, to bureaucratic archives, to their appearance in the collages of the Dadaists. Te Heesen emphasises the materiality of paper and analyses the practices connected with it, placing them and their instruments and tools within a theoretical framework. This history also sheds light on the handling of information, information overload and the generation of knowledge, drawing parallels with the internet. Te Heesen offers a counterpoint to existing works on the iconographic meaning of materials by opening up an interdisciplinary framework through the use of different case studies. ;