Edizioni Mediterranee founded in 1953, together with Hermes, Arkeios and Studio Tesi is a publishing group. Amongst Italian and foreign authors the catalogue includes more than 2.500 titles. Main subjects are: yoga, body-mind-spirit, alternative healing, alchemy, astrology, magic, sport, martial arts.
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Anti-hero, and a would-be lover whose longing turns him into a buffoon: Prokopiev’s book is, surprisingly, a very English type. Heir to Shakespeare’s Bottom, Henry Fielding’s trickster Tom Jones, and even Kingsley Amis’s Lucky Jim, he could also share a pint or two with the deprecating genii loci of today’s British poetry: Alan Brownjohn’s Ludbrooke, Christopher Reid’s Mr Mouth or one of Hugo Williams’s frank self-portraits. But Peeper also belongs to the wider family of “the little man”, struggling under a weight of circumstance he has no notion how to negotiate. Living among, without managing to live by, conventions, the Peeper is a descendent of that wry Everyman who has suffered and been compromised since mediaeval times. He is a Good Soldier Svejk, a Charlie Chaplin, more than he is a Humbert Humbert or an Alexander Portnoy.
This is a psychologically strong, but unpretentious, contemporary and straightforward, a book featuring several present day/contemporary characters, written according to life events as direct, lively scores.Story about a life, as it happens around us, to us, or to people we know, that tries to "justify" all those problematic character traits with the back-story, just as it is in life.
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Bestselling poetry book by one of the most famous singers in North Macedonia.
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The collection of short stories "Pickled pumpkins" by Sasha Stanisic is an extremely compact, mature and skillful literary achievement in Macedonian literature. An achievement that, fortunately, will succeed in placing one of its neighborhoods, one of its suburbs, on the literary map of Skopje, which so far has not aroused special interest among any Macedonian writer. But that is only one of the other arguments for the value of this book.
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— Who is behind the big platforms, what are their alternatives and why do algorithms contribute to polarisation? — A contribution to the discussion on current media policy in the EU It's a paradox: thanks to the countless platforms and channels that are around today, it has never been so easy to express your opinion. And yet never before have so few people decided on the rules of these platforms. Never before has the free formation of opinion, which is essential for our democracies, been in so much danger. And never before have the signs of recognising this been so obvious. So what needs to be done? In a controversial discourse on the effects of TikTok, Facebook, Instagram, Twitter and the rest, Björn Staschen reveals how we are slowly losing our freedom – and how we can get it back again.
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Digital ccologies draws together leading social science and humanities scholars to examine how digital media are reshaping the futures of conservation, environmentalism, and ecological politics. The book offers an overview of the emerging field of interdisciplinary digital ecologies research by mapping key debates and issues in the field, with original empirical chapters exploring how livestreams, sensors, mobile technologies, social media platforms, and software are reconfiguring life in profound ways. The collection traverses contexts ranging from animal exercise apps, to surveillance systems on the high seas, and is organised around the themes of encounters, governance, and assemblages. Digital ecologies also includes an agenda-setting intervention by the book's editors, and three closing chapter-length provocations by leading scholars in digital geographies, the environmental humanities, and media theory that set out trajectories for future research.
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The nexus of human mobility and communication is intricate, and this volume uncovers the deep-rooted significance of tourism and media . From antiquity to modern day, Western communication systems have artfully crafted the allure of destinations, making places irresistible to the travellers. At its core, this book proposes that the impetus for travel is a primal human necessity, rooted in our inherent need for movement, consciousness expansion, and cultural development. Featuring Greek civilization as a case study, the book reveals how the rich cultural capital of modern Greece, long admired and assimilated by many global cultures, has immensely contributed to Greece's contemporary tourism "imaginary". Readers are challenged to look beyond prevailing practices where tourism management and marketing are the driving force for commercial exchange, but to encompass its broader essence as a vital human function, leading to richer experiences. Drawing on theory from communication studies, social psychology, social anthropology, cultural and tourism studies the book is: · an historical panorama, exploring how communication has continually influenced the allure of tourist destinations · an overview of philosophical essence of tourism as a basic human need intertwined with consciousness expansion. · written in an engaging style to stimulate thought in current issues around the tourism industry It will be of interest to academics within areas related to tourism studies, mobility studies, mass media, communication and cultural studies.
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The book describes the research of the Holodomor and other issues related to genocidal studies. Demographic and sociocultural aspects of the Holodomor-genocide, methods and narratives of denial of the Holodomor, other issues related to the history of the biggest crime committed against Ukrainians in the 20th century are considered. The second thematic block of the collection concerns the discussions surrounding the qualification of the Ukrainian-Polish conflict in Volyn during the Second World War. Most of the scientific articles included in the book were written during 2016–2021. Some of the research works are published for the first time. The publication is for historians, journalists, political scientists, and anyone interested in the problems of studying the history of the Holodomor and genocides of the 20th century.
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National broadcasting and press regulation is undergoing a process of convergence in Europe. This book, newly available in paperback, explains how this process has been shaped by the actions of the European Union (EU) institutions. Alison Harcourt observes that whilst communications is one of the EU's most successful policy areas, European decision-making is eroding the national capacity to regulate for the public interest. European-level efforts to protect public interest goals have been constrained by the European Treaties. The author argues that increased European coordination in public interest regulation could be more conducive to growth and competitiveness than the dismantling of existing national laws. This, however, would require changes to the political composition of the European Union. This book assesses the potential EU media regulation provides for market growth and the protection of media pluralism, the citizen and ultimately democracy itself. These opportunities are presented in the coming decade with the developing European Constitution, EU enlargement, and the implementation and revision of European regulation.
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In this book, John Corner explores how issues of power, form and subjectivity feature at the core of all serious thinking about the media, including appreciations of their creativity as well as anxiety about the risks they pose. Drawing widely on an interdisciplinary literature, he connects his exposition to examples from film, television, radio, photography, painting, web practice, music and writing in order to bring in topics as diverse as reporting the war in Afghanistan, the televising of football, documentary portrayals of 9/11, reality television, the diversity of taste in the arts and the construction of civic identity. Theorising media brings together concepts both from social studies and the arts and humanities, addressing a readership wider than the sub-specialisms of media research. It refreshes ideas about why the media matter and how understanding them better remains a key aim of cultural inquiry and a continuing requirement for public policy. ;
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Nordic Gothic traces Gothic fiction in the Nordic region from its beginnings in the nineteenth century, with a main focus on the development of Gothic from the 1990s onwards in literature, film, TV and new media. The volume gives an overview of Nordic Gothic fiction in relation to transnational developments and provides a number of case studies and in-depth analyses of individual narratives. It creates an understanding of this under-researched cultural phenomenon by showing how the narratives make visible cultural anxieties haunting the Nordic countries, their welfare systems, identities and ideologies. Nordic Gothic examines how figures from Nordic folklore function as metaphorical expressions of Gothic themes and Nordic settings are explored from perspectives such as ecocriticism and postcolonialism. The book will be of interest to researchers and post- and- undergraduate students in various fields within the Humanities.
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'Realist film theory and cinema' embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films. The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life. Aitken's work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.
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An archaeology of innovation is the first monograph-length investigation of innovation and the innovation process from an archaeological perspective. It interrogates the idea of innovation that permeates our popular media and our political and scientific discourse, setting this against the long-term perspective that only archaeology can offer. Case studies span the entire breadth of human history, from our earliest hominin ancestors to the contemporary world. The book argues that the present narrow focus on pushing the adoption of technical innovations ignores the complex interplay of social, technological and environmental systems that underlies truly innovative societies; the inherent connections between new technologies, technologists and social structure that give them meaning and make them valuable; and the significance and value of conservative social practices that lead to the frequent rejection of innovations.
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While the study of animal-human interactions within the context of tourism has been explored in a greater number and diversity of ways within the last decade, the discourse remains divided between traditional tourism academia and outside disciplines 'looking in'. Tourism academia has borrowed philosophical, ethical, gender studies, sociological, ecological conservation, and economic lenses to explore animals in tourism, however collaboration with authors external to tourism studies remains few. This edited volume strengthens the bridge between tourism academia and other disciplines by highlighting the fresh perspectives, emerging methodologies and innovative interdisciplinary conventions at the forefront of animals in tourism research, whilst critically working towards more ethical human-animal interactions within the tourism and leisure space. Split into four parts 'emerging motivations', 'emerging cultures', 'emerging narratives', and 'emerging reflections', this book offers readers a rich text grounded in progressive scholarly praxis including: * Research focussed on a wide range of animal taxa, geographic locations, and touristic contexts to help move the conversation toward multi-faceted solutions. * An eclectic selection of methodological approaches from multispecies ethnography to storytelling, literary and media analyses and participant survey that showcases the emerging interdisciplinary practices. * Representation of emerging voices from various fields and disciplines around the world. This unique text will be widely applicable to scholars working towards equitable human-animal interactions within tourism.
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Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).
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A city girl gets lost while visiting her grandparents. Accompanied by a young native, she must pass several trials to find her way back.
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Monfay can, thanks to his friends Béliké and Napo, travel in time.Today she explores an Africa which has freed itself from all foreign domination and which asserts itself to show humanity the way to sustainable development.
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Six stories to make young and old travel through history, the imaginations of Africa. The myth of Shango, the legend of the buffalo woman, the legend of the mother of the Tuaregs, the story of King Agokoli, then that of the Amazons of Dahomey and finally that of the Ablafo
