Polperro Heritage Press
Polperro Heritage Press is an independent British publisher, established in 1995. Recent titles from Polperro Press have included biographies, guides and a growing list of Cornish local history titles.
View Rights PortalPolperro Heritage Press is an independent British publisher, established in 1995. Recent titles from Polperro Press have included biographies, guides and a growing list of Cornish local history titles.
View Rights PortalLa Pollera's catalog includes narrative, essay, and chronicle of contemporary and classic authors.
View Rights PortalHeritage is a growing area of both tourism and study, with World Heritage Site designations increasing year-on-year. This book reviews the important interrelations between the industry, local communities and conservation work, bringing together the various opportunities and challenges for different destinations. World Heritage status is a strong marketing brand, and proper heritage management and effective conservation are vital, but this tourism must also be developed and managed appropriately if it is to benefit a site. As many sites are located in residential areas, their interaction with the local community must also be carefully considered. This book: - Reviews new areas of development such as Historic Urban Landscapes, Intangible Cultural Heritage, Memory of the World and Global Geoparks. - Includes global case studies to relate theory to practice. - Covers a worldwide industry of over 1,000 cultural and natural heritage sites. An important read for academics, researchers and students of heritage studies, cultural studies and tourism, this book is also a useful resource for professionals working in conservation, cultural and natural heritage management.
Heritage is a social construction rooted in modern and contemporary societies. It is commonly a positive assessment of many elements of the physical and human environment (e.g. ecosystems and landscapes, monuments, customs, gender norms, religious practices, gastronomy, and livelihoods). Heritage and tourism are strongly related to each other in that heritage gives rise to tourist attractions and activities, and tourism enhances the designation of heritage sites. Non-human animals (hereafter 'animals') are present as implicit or explicit heritage elements through multiple tourist environments: animals may be themselves the heritage focus of tourist interest (visual arts, gastronomy, as charismatic and distinguished beings, as part of festivities or rituals), or it may be that animals are agents involved in heritage tourist environments such as working animals or in recreational activities. A post-humanist perspective the moral valuation of equality between humans and other animals demands that both are sentient beings and self-aware of their pain and pleasure. Thus, the involvement of animals as heritage elements by themselves or as an element of tourist consumption in heritage sites implies their commodification and lack of agency. As such, these practices are usually unethical, since they threaten the animals' primary interests: not to suffer, not to feel pain and to be able to live their freedom. This book contains chapters that reveal both the unethical interactions between humans and animals within heritage tourism, and those that show experiences in which efforts are made to minimize damage within the commercialization of animals involved as heritage themselves. It will be of interest to postgraduate students, academics, NGOs and tourism planners.
Heritage tourism is tied to myth making and stories; creative content that can be shared, stored, combined and manipulated, but that depends on a unique cultural or natural history. A significant section of the wider phenomenon that is cultural tourism, heritage tourism is a demand-driven industry that continues to be a subject of heated debate in academic circles. Beginning with an overview of the subject, this book considers the conservation and revitalization of heritage destinations, as well as the role local communities have in supporting an attraction. It then discusses product development and communication around the world, using new techniques such as social media and examples from food tourism and sporting events, before a final section reviews the planning and institutionalisation of heritage spaces. A timely conclusion subsequently considers the implications of developments such as globalisation, technological improvement and climate change upon these unique destinations. A valuable addition to the literature, this book is the first to bridge the gap between theory and practice, including the latest research and international case studies for researchers and practitioners in tourism and destination management.
The history of Ukraine is turbulent and rich, and the nature is truly unique, so it is not surprising that there are many attractive and interesting tourist sites. But which ones are worth seeing first? According to a number of definitive criteria, UNESCO has identified 7 main natural and cultural sites of Ukraine and included them in the World Heritage List. Moreover, there is also a list of sites considered for nomination in the World Heritage Sites List,which is called the UNESCO Tentative List; in Ukraine there are 17 more such sites. The guidebook by Roman Malenkov, a traveller and founder of the local history website "Ukraine Incognita", will tell about them all.
This book explores what to do with heritage that has been destroyed in conflict. It charts a path through the colonial histories and traumatic wars of Syria and Iraq to examine the projects and responses currently on offer and assess their flaws and limitations, including issues of digital colonialism, technological solutionism, geopolitical manoeuvring, media bias and community exclusion. Drawing on current research into the psychology and neuroscience of trauma and trauma recovery, and taking inspiration from artists and creative thinkers who challenge the status quo, this book envisages gentler, creative and ethically-driven ways to respond to heritage damaged in conflict that recentre people and their hopes, dreams and needs at the heart of these debates.
Performing Heritage is the first book to bring together the range of voices, debates and practices that constitute the fields of museum theatre and live interpretation. Inspiring and challenging in its scope and level of debate, Performing Heritage crosses the disciplines of performance and museum/heritage studies and offers remarkable and timely insights into the processes, outcomes and potential of this rich and rapidly developing practice - and in a variety of international contexts. The book productively brings together academic research and professional practice, and will be essential reading for all those interested in, and concerned with the future of, 'heritage' and its interpretation. ;
The manuscript is composed of 20 papers. It mainly discusses the time when the book of Confucian Classics was written and the variation of the text in the process of inheritance. It was first proposed in the history of the Book of Confucius that the book was written in the late Eastern Han Dynasty or the early Western Jin Dynasty. Wang Suzhu of "Classic Interpretations" and "Yaodian" proposed that Wang Zhu had been artificially modified by the Tang and Song people, which eventually led to Wang Su's ancient script "Shangshu" being completely unrecognizable; the demonstration of Chinese culture from Han and Tang to Ming and Qing has been maintained Strong positive output situation, wide radiation area, great influence; emphasized the current value and modern significance of studying the literature of the Book of Learning, advocated the national strategy of serving the spread of Chinese culture outside the domain, and must use the literature of the Book of Learning outside the domain Ancient Chinese literature established the right to speak Chinese culture and found the correct way and effective method for the spread of Chinese culture outside the region. The manuscript also analyzes the types of foreign texts in Dunhuang's Shangshu and its characteristics.
According to the deployment of the Cultural Reform and Development Plan of the Ministry of Culture during the Twelfth Five-Year Plan, the Ministry of Culture launched the “Rescue Record Project for Representative Inheritors of National Intangible Cultural Heritage” in 2015. The purpose is to strengthen the construction of intangible cultural heritage inheritors and effectively protect and inherit national intangible cultural heritage projects. The Hunan Provincial Department of Culture has actively carried out the recommendation, application and review of the fifth batch of representative inheritors of national intangible cultural heritage projects. A total of 54 representative inheritors of national intangible cultural heritage projects have been sorted out and their oral materials have been sorted out. .
This book analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities. The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.
Written by an interdisciplinary team of scholars, this authoritative text presents an engaging narrative of the way politics features in heritage conservation and management. New international case studies illustrate how notions of identity, social class and nationhood may be woven into the provision of official heritage, and how heritage may be seen to be less about upholding truth or authenticity and more about delivering political objectives. Aimed primarily at students in heritage studies and professionals in heritage industries, this book is one of three in the Understanding Global Heritage series.
Written by an interdisciplinary team of scholars, this authoritative text explores how heritage is delivered and consumed in a global world, and the ever-increasing ways in which heritage is actively valued. New international case studies see heritage as social action, as performance, and as a vehicle for innovations in tourism, challenging the notion that only official heritage practices can successfully select and interpret our links with the past. Aimed primarily at students in heritage studies and professionals in heritage industries, this book is one of three in the Understanding Global Heritage series.
Roots Living Heritage presents a collection of 17 writers and 18 narratives about Malaysia and its sons and daughters who, in their own unique way, have achieved much in their lives and contributed in no small way to the nation’s heritage. Their stories are told from the perspective chosen by the writers, thus displaying an array of personal insights which are captivatingly rich and interesting. Of considerable historical value are the episodes and events arising out of the diverse socio-cultural and political life of the nation.
Written by an interdisciplinary team of scholars, this authoritative text explores the emotive issues surrounding the commemoration of war and atrocity, and the profound challenges for conservators posed by 'virtual', 'intangible' and 'multicultural' heritage. New international case studies demonstrate that while interest in the memorialisation of the great national upheavals of the last century has never been more acute, many of the problems of conserving the past in diverse and disparate societies remain to be resolved. Aimed primarily at students in heritage studies and professionals in heritage industries, this book is one of three in the Understanding Global Heritage series.
Destination branding and marketing form the backbone of tourism industry growth, but it is increasingly important that the strategies employed consider and promote sustainable solutions. This book provides a comprehensive set of tools and techniques for branding and marketing for sustainable tourism development. It blends tourism and marketing strategies with practical, innovative information technology solutions and a psychological perspective, providing illustrative case studies and examples to aid understanding. Addressing opportunities and challenges across the field, it also reviews how different types of tourism such as community based, accessible, film, agricultural and cultural-heritage tourism entail unique issues for development. Competition between destinations has led to a real need for different strategies in order to differentiate the tourism product. This book: - Uniquely covers both marketing and branding of a destination from a sustainability perspective; - Considers the role of emotions and experiences when advertising a destination; - Brings together a set of global authors to provide a varied and universally applicable approach to the subject. A thought-provoking read for anyone interested in questions of sustainability in destinations, this book provides an invaluable resource for researchers of tourism, marketing and international development studies as well as destination managers.
"Clang-clang-clang, clank-clank-clank." With a gong, an oil lamp, a curtain and a few shadow puppets, a brilliant performance is going on. Bao'er is not interested in this old trick at all, so he makes a total mess of his grandpa's shadow play. However, it is the "insignificant" shadow play that comes to Bao'er's rescue at a critical moment. Is it a dream? Will Bao'er change his attitude toward shadow play? Don't worry. Puppet play, an intangible cultural heritage, has just begun in the light and shadow...
The prediction of producing desirable traits in offspring such as increased growth rate, or superior meat, milk and wool production, is a vital economic tool to the animal scientist. Covering the fundamental principles of the application of linear models for the prediction of genetic merit in livestock, this new edition is fully updated to incorporate recent advances in methods of genomic prediction for pure and cross-bred animals. It provides models for the analysis of main production traits as well as functional traits, and includes numerous worked examples. The book covers: - models of survival analysis, social interaction and sire and dam models; - advancements in the use of SNPs in the computation of genomic breeding values; - single step approaches to genomics; - genomic non-additive models; - temporal and genomic analysis of genetic change. Suitable for postgraduate students, researchers and lecturers of animal breeding, genetics and genomics, this established textbook provides a thorough grounding in both the basics and new developments of linear models and animal genetics.
Consisting of three volumes, Crucial Ten Years mainly focuses on China urban design, China cultural heritage preservation and museums establishment. The preservation of our cultural heritage has never been this important due to the acceleration of the urbanization process. With his solid experience, Jixiang Shan, the author, has revealed the importance of heritage and museum establishment in a brand new way. This book was sponsored by Chinese government as a national publishing project.
In 1994 the Arts Council of Great Britain brought together a number of theatre directors as part of the City of Drama celebrations. This is a collection of interviews and discussions with directors who have helped shape the development of theatre in the last 20 years. They include Peter Brook, Peter Stein, Augusto Boal, Jorge Lavelli, Lluis Pasqual, Lev Dodin, Maria Irene Fornes, Jonathan Miller, Jatinder Verma, Peter Sellars, Declan Donnellan, Ariane Mnouchkine, Ion Caramitru, Yukio Ninagawa and Robert Wilson. In addition to the art and craft of directing, there are discussions on multiculturalism; the "classical" repertoire; theatre companies and institutions; working in a foreign language; opera; Shakespeare; new technologies; the art of acting; design; international festivals; politics and aesthetics; the audience; and theatre and society. Finally, there is an epilogue by Peter Brook, Jonathan Miller and Oliver Sacks. ;