Griots Lounge Publishing Nigeria
Griots Lounge and its imprints offers traditional publishing and sundry services to creative talents across Africa, as well as children friendly literature.
View Rights PortalGriots Lounge and its imprints offers traditional publishing and sundry services to creative talents across Africa, as well as children friendly literature.
View Rights PortalThe United Nations is one of the largest providers of assistance in post-conflict situations in the world. This book considers the human rights standards applicable to the United Nations and applied by the United Nations in post-conflict situations, including East Timor, Kosovo and Afghanistan. It looks at legal principles, peace agreements, support of democracy, human rights protection, development and other forms of reconstruction with which the UN has become involved, including the grandly-named task of "state-building". It deals both with the obligation upon the UN to respect human rights in post-conflict situations, and the obligation upon the UN to ensure that human rights are respected by those in positions of power in post-conflict situations. Written by an internationally renowned list of contributors, this book will be of vital use to anyone studying conflict analysis, international relations, international law and the role of the United Nations on the world stage. ;
This new edition considers the unifying legal attributes that span vastly differing inter-governmental organisations, from the UN to the EU. A law of international organisations has become established in certain areas, such as legal personality, powers, membership, finance, and decision-making. In other, newer, areas - accountability, responsibility and democracy - politics is still much rawer, and has not yet been fully converted into legal concepts and principles. As with the first edition, there are plenty of examples of organisations given in the text. Individual organisations dealing with issues such as security, health, civil aviation, finance and trade are scrutinised by way of example, to illustrate how different they can be, but also to show how it is possible to debate a set of legal principles that transcend each institution. This new edition of an established text will appeal to students and academics as well as individuals seeking a legal and political insight into international organisations.
This book provides a concise account of the principles and norms of international law applicable to the main-type of international organisation - the inter-governmental organisation (IGO). That law consists of principles and rules found in the founding documents of IGOs along with applicable principles and rules of international law. The book also identifies and analyses the law produced by IGOs, applied by them and, occasionally, enforced by them. There is a concentration upon the United Nations, as the paradigmatic IGO, not only upon the UN organisation headquartered in New York, but on other IGOs in the UN system (the specialised agencies such as the World Health Organisation).
In recent years there has been a growth in both the practice and research of dark tourism; the phenomenon of visiting sites of tragedy or disaster. Expanding on this trend, this book examines dark tourism through the new lens of pilgrimage. It focuses on dark tourism sites as pilgrimage destinations, dark tourists as pilgrims, and pilgrimage as a form of dark tourism. Taking a broad definition of pilgrimage so as to consider aspects of both religious and non-religious travel that might be considered pilgrimage-like, it covers theories and histories of dark tourism and pilgrimage, pilgrimage to dark tourism sites, and experience design. A key resource for researchers and students of heritage, tourism and pilgrimage, this book will also be of great interest to those studying anthropology, religious studies and related social science subjects.
This book offers the first comprehensive history of white workers from the end of the First World War to Zimbabwean independence in 1980. It reveals how white worker identity was constituted, examines the white labouring class as an ethnically and nationally heterogeneous formation comprised of both men and women, and emphasises the active participation of white workers in the ongoing and contested production of race. White wage labourers' experiences, both as exploited workers and as part of the privileged white minority, offer insight into how race and class co-produced one another and how boundaries fundamental to settler colonialism were regulated and policed. Based on original research conducted in Zimbabwe, South Africa and the UK, this book offers a unique theoretical synthesis of work on gender, whiteness studies, labour histories, settler colonialism, Marxism, emotions and the New African Economic History.
This volume foregrounds racial difference as a key to an alternative history of the Central and Eastern European region, which revolves around the role of whiteness as the unacknowledged foundation of semi-peripheral nation-states and national identities, and of the region's current status as a global stronghold of unapologetic white, Christian nationalisms. Contributions address the pivotal role of whiteness in international diplomacy, geographical exploration, media cultures, music, intellectual discourses, academic theories, everyday language and banal nationalism's many avenues of expressions. The book offers new paradigms for understanding the relationships among racial capitalism, populism, economic peripherality and race.
Marguerite Duras wurde am 4. April 1914 in der ehemaligen französischen Kolonie Gia Dinh, dem heutigen Vietnam als Marguerite Donnadieu geboren und starb am 3. März 1996 in Paris. Sie besuchte das Lycée Français in Saigon und machte 1931 Abitur. Ein Jahr später siedelte die Familie nach Paris um, wo sie an der Rechtswissenschaftlichen Fakultät der Universität Paris und an der École des Sciences Politiques studierte. Von 1935 bis 1941 arbeitete sie als Sekretärin im Ministère des Colonies. 1939 heiratete sie Robert Antelme. Beide waren ab 1940 in der Résistance aktiv. Antelme wurde später ins Konzentrationslager Dachau deportiert. 1943 erschien ihr Debütroman Les Impudents (Die Schamlosen) unter dem Pseudonym Marguerite Duras, welchem keine besondere Aufmerksamkeit in der Öffentlichkeit zuteil kam. Mit Un Barrage contre le Pacifique (Heiße Küste), das 1950 erschien, hatte Duras größeren Erfolg. Sie schrieb nicht nur Romane, sondern verfasste auch Theaterstücke und trat als Filmregisseurin in Erscheinung.
The story of The White Witch's Garden is about a white witch living in the sky wants to create into a garden, and she experimented three thousand years but has not been succeeded. Cannot see the sunlight and no air circulation, no warmth and love, only infinite expectations and a variety of radical experiments, so of course there not open a beautiful flower. The good is that the white witch finally figured it out. She opened the window, let the sun shine in, let the air flow, swept away the tension and anxiety, arrogance and greed in her heart, and the spring would come for the flowers. This picture book is full of children's philosophies and gives children good inspiration for their thoughts. The pictures are beautiful and enhance their aesthetic skills. It is lovely to be persistent, but sometimes it is possible to take a step back, let go of tension and anxiety, and open yourself up to more possibilities.
Shanka is the king's gardener. He lived in a small house with his wife. One night, unable to sleep, Shanka sat up and looked out of the window, and saw a white elephant was eating grass in the silvery moonlight! Shanka never saw a white elephant before, where was it from? Shanka jumped out of his bed and tiptoed into the garden, grabbed the elephant by the tail and flew up to heaven.
Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
The book discusses the biology and uses of White Clover.
*** Eure schöne neue Welt ist tödlich! *** Mit einem Schlag endet Vivians sorgenfreies Leben: Ihre Mutter Sofia wurde ermordet! Die erfolgreiche Game-Entwicklerin stand kurz vor dem Release eines bahnbrechenden Computerspiels. „White Maze“ wird mit neuartigen Lucent-Kontaktlinsen gespielt - dank ihnen erleben die Spieler virtuelle Game-Welten mit allen Sinnen. Aber warum zerstörte Vivians Mutter kurz vor ihrem Tod die Prototypen der Linsen? Zusammen mit dem schulbekannten Hacker Tom will Viv den Mord an Sofia aufklären. Dazu muss Viv selbst Lucent-Linsen einsetzen und tief in die virtuelle Welt eintauchen. Doch dort ist es für den Mörder ein Leichtes, die falsche Realität nach seinen Spielregeln zu manipulieren. Kann Vivian ihren eigenen Gefühlen vertrauen, wenn alles, was sie sieht, hört, riecht und schmeckt, bloße Lüge ist?
Two young boys seeking to be initiated into the order of warriors, find their lives upturned when an accident wakes a vengeful goddess. This story, weaved from the oral lore and magic of the Igbo takes the reader on a journey through the lake where mermaids and crocodiles contend for power. And through enchanted kingdoms ruled by mythical spirits. A curse has been unleashed that would cause the destruction of the world. An army of both humans and mythical creatures must be raised to defend the world. Only a white heart can lead this great army.
Born White Zulu Bred is the story of a white child and his brother raised in poverty in a Zulu community in rural South Africa during the apartheid era. His extraordinary parents, Creina and Neil Alcock, gave up lives of comfort and privilege to live and work among the destitute people of Msinga, whose material and social well-being became their mission. But more than that, this is a story about life in South Africa today which, through GG’s unique perspective, explores the huge diversity of the country’s people – from tribal Zulu warriors to sophisticated urban black township entrepreneurs. A journey from the arid wastes of Msinga into the thriving informal economies of urban townships. GG’s view is that we do not live in a black and white world but in a world of contrast and diversity, one which he wants South Africans, and a world audience, to see for what it is without descending into racial and historical clichés. He takes us through the mazes of township marketplaces, shacks and crowded streets to reveal the proud and dignified world of township entrepreneurs who are transforming South Africa’s economy. This is the world that he moves in today as a successful businessman, still walking those spaces and celebrating the vibrant informal economies that are taking part in the Kasinomic Revolution. GG’s story is about being truly African, even as a white person, and it draws on the adventures, the cultural challenges, the informal spaces and the future possibilities of South Africa.
Kenya's white settlers have been alternately celebrated and condemned, painted as romantic pioneers or hedonistic bed-hoppers or crude racists. The souls of white folk examines settlers not as caricatures, but as people inhabiting a unique historical moment. It takes seriously - though not uncritically - what settlers said, how they viewed themselves and their world. It argues that the settler soul was composed of a series of interlaced ideas: settlers equated civilisation with a (hard to define) whiteness; they were emotionally enriched through claims to paternalism and trusteeship over Africans; they felt themselves constantly threatened by Africans, by the state, and by the moral failures of other settlers; and they daily enacted their claims to supremacy through rituals of prestige, deference, humiliation and violence. The souls of white folk will appeal to those interested in the histories of Africa, colonialism, and race, and can be appreciated by scholars and students alike.