Eid is the day that all moslem are waiting for throughout the year. Alika also cannot wait anymore to celebrate this special moment with her family. But, there is so many things to be prepared of. What are those?
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This novel by Can Xue presents a whole range of characters with strong personality, such as Joe, Maria, Vincent, Lisa, Reagan and Ida. They are full of vitality and are accordingly unsatisfied with their present status. They actively explore unknown field of life and firmly embark on the journey of spiritual exploration. The novel focuses the complicated and intertwining relationship between husbands, wives and lovers to uncover the hidden inner desire of each character. Boiling wild nature and advanced civilization collide with each other before they finally become one unity. For the readers, entering the world of these characters is like entering their own inner world.
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The Giant’s Fire is according to the folklore of the Philippines. Once upon a time, people didn't have fire. The fire was owned by a giant, but the giant kept eyes on the fire all the time. Neither could people cook, nor got heating in the cold weather. People needed fire indeed. However, no one dared to fight with the giant for the fire. A man named Lin An and his friends came up with a way to obtain the fire.
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This is a autobiography-style prose collection. Applying the unique writing technique, Can Xue has revealed the perceivable childhood inward world and all aspects of her childhood. Unlike her obscure novels, this collection attempts to grasp memory fragments through critical thinking and recall the childhood days. As a child, Can Xue is imaginative and obstinate, which has influence on her literary creation later. This spiritual autobiography serves as the key to the artistic world of Can Xue.
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The novel narrates the “possible” amour of Lady X, which arouses the discussion of local people. Every character has his own view towards this event which even acquires a more vital status than the event itself. The characteristic narration style of Can Xue has imbued the ordinary event with distinct aesthetic connotation.
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"Huang Ni Street" is Can Xue's debut novel. The work describes people on a street and many things on Huangni Street. Huangni Street is always dirty, even the rain is gray. Can Xue made a detailed description of this street, but this description is different from the description of ordinary writers, with a big jump in thinking and no consistent storyline. There are simple characters and simple stories. Can Xue's first novel constructed Can Xue's very significant writing characteristics later, and these rich images give readers a very special reading experience. Can Xue breaks the usual thinking and framework of traditional novels, and has the typical characteristics of Can Xue from the beginning.
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This book mainly describes the origin of the Ewenki ethnic group's god of fire sacrificial custom. According to legend, a poor hunter went hunting a long time ago, but he ran for a whole day without catching any prey. When he was tired and hungry, a cave appeared in front of his eyes. He walked into the cave in a daze and fell asleep. When he woke up, he found two completely different houses, one was owned by the rich and the other was by the poor. The hunter went to the rich's house for help, but was expelled by the rich with disgust. The hunter then went to the poor's house and was warmly welcomed. At this time, the hunter heard someone talking on the roof: "Let me punish the greedy rich!" Then the hunter realized that the man on the roof was the god of fire, whom everyone feared. The Ewenki people regard the 23rd of December every year as the God of Fire Festival.
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Yang Peng's Award-winning Novels are a collection of the award-winning works of Yang Peng's many outstanding stories. Not only are the selected articles humorous, but also rich in imagination. They are also rich in profound educational philosophy that can enlighten the mind and help readers to reflect on themselves. There have been a lot of strange things happening in the classroom recently. Sometimes students' homeworks were lost. Other times some pencil sharpener or rubber may be missing. Is this because of someone who want to escape from writing homework or is there a thief in the classroom? When everyone talked about it, some people found out that there was actually a black hole in the classroom. The black hole sucked away all these things. Further, the more amazing thing is that not only can the black hole absorb substances, but also colors, viruses, selfish distractions and many other things. As a result, students would like to make a wish, asking the black hole to suck away what they didn't want ...
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This book is a study of statelessness in the period of the Second World War. It breaks new ground by focusing not on Europe, but on the Asian and Pacific theatres of the conflict. This perspective enables us to go beyond Hannah Arendt's classic account of statelessness in her Origins of Totalitarianism. To her, statelessness was the product of a failed European nation-state system. We find a very different story when we examine the history of stateless people, many of them Jews, fleeing to Asia from Europe. In Asia, we see that being stateless was not a uniform experience, but a variety of possibilities reflecting the political structure of the states and cities in which refugees found shelter. We find too that stateless people managed to enter the political realm long before they reached the threshold of citizenship.
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Are there a lot of fancy ideas in your brain? In this regard, many people in the world are like you, even those intelligent and unique Nobel laureates are like you! With wisdom, knowledge and perseverance, those Laureates have put fantasy and imagination into practice again and again. Eventually, they made great discoveries and inventions in human history, from the insulin that brings the dawn to the century disease, to the nuclear fusion hidden in the sun; from the "human guardian" —our immune system, to the basic particle model; from the first Chinese Nobel Prize — the Parity violation, to the first scientific Nobel Prize in China... This book selects more than 30 subjects with high scientific and social values so that readers can experience the thrilling moments of discoveries and comprehensively learn the untold stories of Nobel laureates.
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The Picture Book of Philosophical Stories for Children inspired by four Chinese and foreign literary classics (Tales from a Carefree Studio, Moby Dick, Don Quixote, and A Midsummer Night's Dream), this book carefully retells the works of four famous writers - Pu Songling, Herman Melville, Cervantes, and Shakespeare - all set in the context of modern children's lives, containing profound philosophical ideas, and skillfully incorporating the true meaning of wisdom and discernment. The form of this book is children's favorite picture books style, so that children can talk to literary classics and understand the philosophy in the stories. According to Pu Songling's "Liao Zhai Zhiyi", the persona of Pu Songling is preserved and taken from the autobiography of "Liao Zhai Zhiyi" as well as part of the storyline. A lonely child with a world of his own. Showing a journey of waves, a history of retrospection and reflection, a future that should be even better. A lonely child, in need of friendship, a friend in trouble, in need of help. When the individual fights against power, the whole of nature comes to help, and the plant grows wildly, both in anger and in ecstasy.
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Lady Lv Fangshi is born in a family with many siblings. She was not a good-looking girl and no one in her family cared about her. All her family lived in two small and dark rooms with both warmness and horror. As a 21-year-old lady, Lv Fangshi had already met some guys. Zeng Laoliu, the carpet dealer, was quite mysterious to her though he was not the one that excited her most. Is the lifestyle of Lady Lv Fangshi ever possible? We could frequently be face with this kind of question in our daily life.
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Quest for Fire tells an interesting and enlightening story of Sui-Ren Shi having tried various ways and finally managing to make a fire by rubbing sticks.
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The Series of Clumsy-wolf include The Series of Clumsy-wolf, Clumsy-wolf and His Parents, Clumsy-wolf and Smart-bunny, Clumsy-wolf and Fatty-bear, The Campus Life of Clumsy-wolf, The Adventure of Clumsy-wolf. Being simple and honest, cute and always curious about the world, Clumsy-wolf has become a classic character in the Chinese original children’s literature. Being bestsellers for more than 20 years, this series is an excellent and outstanding children’s book that can be the most valuable memory for young readers.
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This innovative study engages critically with existing conceptualisations of diaspora, arguing that if diaspora is to have analytical purchase, it should illuminate a specific angle of migration or migrancy. To reveal the much-needed transformative potential of the concept, the book looks specifically at how diasporas undertake translation and decolonisation. It offers various conceptual tools for investigating diaspora, with a specific focus on diasporas in the Global North and a detailed empirical study of the Kurdish diaspora in Europe. The book also considers the backlash diasporas of colour have faced in the Global North.
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The Borderland has narrated the weird life of several strangers in Xiaoshi Town in the border area. Years ago, Liujin’s parents came to Xiaoshi Town in pursuit of love. They found that Xiaoshi Town was a place where everything was invisible rather than visible, and they had gradually discovered the way how the anomalies impacted people’s life. As an adult, Liujin decides to trace the road that her parents had taken in Xiaoshi Town. By virtue of contacts with various people in the borderland who possess unique sensory ability, she even gains some absurd and fantastic perspectives and imaginations towards things in the borderland such as snow mountains, snow leopards, geckos, birds and rocks.
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The book studys the translation of Panwang Dage, a great Yao epic, from Chinese to English. It initially illustrates the text from linguistic level and cultural level, providing the basis for the use of translation strategies and methods focusing on oral literature of the southern ethnic minorities in China. Further, the author conducts theoretical interpretation and derivations, and puts forward some new ideas, like "dynamic equivalence of domestication and foreignization", "progressive translation based on cultural memes", etc., which can work in the translation of Chinese folk classics, especially the epics of southern China.
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