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        Literature: history & criticism
        March 2010

        Reading, writing and the influence of Harold Bloom

        by Alan Rawes and Jonathon Shears

        Reading, writing and the influence of Harold Bloom takes the work of the world's best-known living literary critic and discovers what it is like to read 'with', 'against' and 'beyond' his ideas. The editors, Alan Rawes and Jonathon Shears, introduce the collection by assessing the impact of Bloom's brand of agonistic criticism on literary critics and its ongoing relevance to a discipline attempting to redefine and settle on its collective goals. Firmly grounded in, though not confined to, Bloom's first specialism of Romantic Studies, the volume contains essays that examine Bloom's debts to high Romanticism, his quarrels with feminism, his resistance to historicism, the tensions with the 'Yale School' and his recent work on Shakespeare and genius. Crucially, chapters are also devoted to putting Bloom's anxiety-themed ratios into practice on the poetry of Wordsworth, Shelley, Keats and D. H. Lawrence, amongst others. The Harold Bloom that emerges from this collection is by turns divisive and unifying, marginalised and central, radical and conservative.

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        June 2024

        Bloom

        Eine herzerwärmende Graphic Novel über die erste große Liebe

        by Kevin Panetta

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        Humanities & Social Sciences
        December 2022

        Fashioning Italian youth

        by Cecilia Brioni

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        Business, Economics & Law
        April 2022

        Youth and the Rural Economy in Africa

        Hard Work and Hazard

        by James Sumberg, Jordan Chamberlin, Barbara Crossouard, Máiréad Dunne, Justin Flynn, Marjoke Oosterom, Carolina Szyp, Dorte Thorsen, Felix Kwame Yeboah, Thomas Yeboah

        This book brings together recent findings from quantitative and qualitative research from across Africa to illuminate how young men and women engage with the rural economy, imagine their futures and how development policies and interventions find traction (or not) with these realities. Through framing, overview and evidence-based chapters, it provides a critical perspective on current discourse, research and development interventions around youth and rural development. It is organised around commonly-made foundational claims: that large numbers of young people are leaving rural areas; have no interest in agriculture; cannot access land; are stuck in permanent waithood; that the rural economy provides (or can provide) a wealth of opportunity; and that they can be the engine of rural transformation. It draws from existing literature and new analysis arising from several multi-country and multi-disciplinary studies, focusing on gender and other aspects of social difference. It is a major contribution to current debates and development policy about youth, agriculture and employment in rural Africa.

      • Trusted Partner
        June 1984

        The Jewishness of Mr. Bloom

        Englisch/Deutsch

        by Wolfgang Hildesheimer

        Wolfgang Hildesheimer wurde am 9. Dezember 1916 als Sohn jüdischer Eltern in Hamburg geboren und starb am 21. August 1991 in Poschiavo in der Schweiz. 1933 emigrierte er über England nach Palästina, wo er eine Schreinerlehre absolvierte. 1937 begann er an der Central School of Arts and Crafts (London) Malerei, Textilentwurf und Bühnenbildnerei zu studieren und nahm von London aus am Sommerkurs für Bühnenbild bei Emil Pirchan in Salzburg teil. Anfang 1939 gestaltete er in London am Tavistock Little Theatre sein erstes Bühnenbild. Nach dem Ausbruch des Zweiten Weltkriegs kehrte er nach Palästina zurück, arbeitete als Information Officer, war Englisch-Lehrer am British Institute und leitete zusammen mit einem Freund einige Zeit die Werbeagentur »HW«. Er beteiligte sich an Kunstausstellungen und veröffentlichte einige Gedichte, Essays und Kritiken. 1946 kehrte er nach London zurück, um Bühnenbildner zu werden, wurde aber für die Nürnberger Prozesse engagiert. Im Januar 1947 reiste er nach Nürnberg, dolmetschte für die amerikanische Besatzungsmacht und beteiligte sich wieder an Kunstausstellungen. 1949 zog er nach Ambach am Starnberger See, um als freier Maler und Grafiker zu arbeiten, schrieb im Januar 1950 aber eine Geschichte für Kinder – der Beginn seiner literarischen Karriere. Bereits 1951 wurde er zur Gruppe 47 eingeladen, 1955 erhielt er den Hörspielpreis der Kriegsblinden und im selben Jahr wurde zudem sein erstes Theaterstück von Gustav Gründgens uraufgeführt; ebenfalls in diesem Jahr begann er auch wieder zu malen. Nachdem er 1953 nach München gezogen war, übersiedelte er 1957 nach Poschiavo und widmete sich einer neuen Art von Theaterstücken, deren Besonderheiten er 1960 mit der Rede Über das absurde Theater fundierte. Anlässlich der Internationalen Theaterwoche der Studentenbühnen in Erlangen gehalten, sorgte diese für Aufsehen. Sein Prosabuch Tynset wurde 1966 mit dem Georg-Büchner-Preis und dem Bremer Literaturpreis ausgezeichnet. Sein Bestseller Mozart (1977) beeinflusste das Theaterstück und den Film Amadeus. Seit 1961 beteiligte er sich wieder an Ausstellungen, seit 1965 wurde sein bildkünstlerisches Werk in rund fünfzig Einzelausstellungen gezeigt. 1980 hielt Hildesheimer die Eröffnungsrede der Salzburger Festspiele Was sagt Musik aus. Neben seinen literarischen Werken verfertigte Hildesheimer auch Collagen, die er in mehreren Bänden sammelte. Spektakulär war 1984 seine Ankündigung, angesichts der drohenden Umweltkatastrophe nicht mehr zu schreiben, sondern zur bildenden Kunst zurückzukehren.

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        March 2023

        Toxic Positivity

        Wie wir uns von dem Druck befreien, immer glücklich sein zu müssen

        by Goodman, Whitney

        Aus dem amerikanischen Englisch von Franka Reinhart

      • Trusted Partner
        August 2015

        Miao Ethnic Group:Hundreds of Thousands Flowers Bloom on the Eighth day of the Fourth Month

        by Wang Yimei, Liao Zhenghua

        Festivals of Chinese Ethnic Groups was co-authored by China's well-beloved authors of children's literature including Fang Suzhen, Tang Sulan, Wang Yimei, and was illustrated by celebrated Chinese illustrators such as Cai Gao, Chen Yadan and Zhu Xunde. This series covers intriguing, outstanding and poetic folk tales on festivals and customs from China's ten most representative ethnic groups. Showcasing their courage, gentleness and indomitable will, these delightful stories allow readers to learn more about the distinct and charming characteristics of these ethnic groups. Recommended as parent-child reading by CCTV during the Dragon Boat Festival, this series has won the Most Beautiful Picture Book 2024 prize given by China Library Journal. It was also nominated for the top picture books prize in China for the Chinese Government Award.

      • 2019

        Startup Stories of China's Young Dreamers

        by the Economic Daily

        It is the wave of entrepreneurship and business innovations that underpins the Chinese dream. Entrepreneurship and business innovations are keys to economic growth as well as the access to the enhanced well-being and a better society where everyone’s talent is brought into full play. China Entrepreneurship List of Economic Daily features the stories of 32 Chinese entrepreneurs and innovators. Despite numerous insurmountable challenges, they still cherished chances to fight for themselves. "If you want to change the world, change yourself first."; Though after endless mountains and rivers that leave doubt whether there is a path out, they still stay true to their original aspirations and hold the belief that "suddenly one will encounter the shade of a willow, bright flowers and a lovely village" They are the "fools" who never complain on the road to success. Moreover, they are warriors who go all out to cope with risks and challenges. Their stories stood witness to the history of entrepreneurship in the great era, kindled passion of countless ordinary people and demonstrated China's vigorous entrepreneurship and innovation environment. The cause they created has not only ignited the passion of countless young people in China, but also delivered benefits to people abroad. They represent the new force in China's economy as well as the role model for hundreds of millions of young people to follow.

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