POPLAR Publishing Co., Ltd., a leading independent publisher of children's books in Japan, has been in business for more than 70 years. As it started as a children's books publisher, it has always tried to provide children with enjoyable and exciting books. Today, the company's goals remain unchanged: everything it publishes should be enjoyable and enrich people's lives.
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A captivating non-fiction series for children aged 3 to 6, that awakens their interest in wonders of the physical, natural and human world. Transparent overlay pages reveal hidden surprises and facilitate understanding.
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Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements.
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The most complete study of Blier's work to date, Harris traces the director's career from the early 1960s until the present. Outlines the forms, themes and style which dominate in Blier's work, and challenges the many labels that have been used to describe both the corpus of films and the man himself. Provides an original and controversial discussion of Blier's alleged 'misogyny', and invites the reader to understand the scatological and corporeal aspects of Blier's filmmaking in terms of long-established traditions of popular dramatic culture. Brings to light the comic mechanisms underpinning Blier's films and identifies strategies which navigate through one of the most entertaining and disconcerting bodies of work of recent years. The first book on Blier published in English.
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Two sisters living in two different cities, one in Port Harcourt, Nigeria and the other in Saskatoon, Canada have big announcements to make to their parents about marriage and finding love. While the older sister, Mondi appeared unsure of where she stood between convention and what she desired, her younger sister Yola was all set for an extreme adventure that threatened to tear their family apart.
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‘‘The means of dominating a people and assimilating it is to take possession of childhood and youth: this cannot be done by coercion, but the moral means are numerous and effective... The object of our efforts must be the extension of Arabic-French teaching: it is through this that we will take possession of the new generations almost from the cradle.’’ (Leroy-Beaulieu, 1887). (Leroy-Beaulieu, 1887). What is the record of French education in Algeria during the period of colonisation? After 132 years of French presence in Algeria (annexed to France in 1838), how many Algerians (French Muslims, indigenous French subjects) had a sufficient knowledge of the French language, and how many of them had learned to read and write in French? Was compulsory schooling for children aged 6 to 13, in accordance with the J. Ferry law of 1882, applied in Algeria? How many Algerian children attended state schools? How many went to lycée and university? What was the number of students at the time of the country's independence? How many doctors, engineers, primary and secondary school teachers did Algeria have at the time of its independence? What was the status of local languages (Arabic, dialectal Arabic, Berber) in the Algerian education system? As well as answering the questions listed above, this book attempts to analyse the objectives assigned to French schools in Algeria and to study the attitudes of the various populations to the objectives pursued. What role did education play in the various forms of colonial ‘confrontation’? What was the role of the elites produced by the colonial education system? And what role and place did they occupy in the struggle for Algerian independence? Were they the driving force behind the independence movement, as the Europeans in Algeria feared? Or did they mediate between colonisation and the mass of the colonised, as the enlightened ideologists of the colonial system hoped?
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A woman chops off her finger to demonstrate her fidelity to her lover. A mother loses her mind upon discovering that her husband has left her and their only child. An artist seeks to unravel why his neighbour's face enchants him. A passenger on a bus acts as an emissary of death. Meet some of the characters in Double Wahala Double Trouble, a collection of eleven stories by the award-winning poet, short story writer, children's novelist, and literary scholar. In this stunning collection, Umezurike lures the reader into a journey of the absurd and the grisly to show us men and women struggling to live, desire, love, and thrive against the eddy of troubles in their world.
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Two young boys seeking to be initiated into the order of warriors, find their lives upturned when an accident wakes a vengeful goddess. This story, weaved from the oral lore and magic of the Igbo takes the reader on a journey through the lake where mermaids and crocodiles contend for power. And through enchanted kingdoms ruled by mythical spirits. A curse has been unleashed that would cause the destruction of the world. An army of both humans and mythical creatures must be raised to defend the world. Only a white heart can lead this great army.
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"Academician Takes You to Explore" is a set of popular science picture books for children aged 6-12. The Shanghai Science and Technology Museum and the Beauty Science Team jointly planned this series of books. Relying on the content, through vivid stories and exquisite paintings, the scientists’ live lectures are adapted into interesting science picture books, so that young readers can appreciate the progress of cutting-edge scientific research in novel stories and pictures. This book mainly describes the development of primates and cloning technology. The story is introduced from the protagonist Mia and introduces various primates, including their relationship with us. In addition, the somatic cell clone monkey project led by Chinese scientists was also introduced, which was the first breakthrough in this biological frontier problem in the world.
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Hey Child, I am excited to simplify the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP) for you. You are special and you deserve to know that the Indigenous People around you have rights. You should, at all times, respect and acknowledge their rights.
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A Place Beyond the Heart is a collection of short stories exploring issues at the intersection of war and love, terror and (dis)order, as well as identity, gender, and sexuality. The stories capture the lives of people facing personal, societal and transcultural challenges that define, transform, and ultimately create shifts in the way they see and experience the world.
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The issues of colonialism and imperialism have recently come to the forefront of thinking in the humanities. Disciplines such as history, literature and anthropology are taking stock of their extensive and usually unacknowledged legacy of Empire. At the same time, contemporary cultural theory has had to respond to post-colonial pressure, with its different registers and agendas. This volume ranges, geographically, from Brazil to India and South Africa, from the Andes to the Caribbean and the USA. This range is matched by a breadth of historical perspectives. Central to the whole volume is a critique of the very idea of the "postcolonial" itself. Contributors include Annie Coombes, Simon During, Peter Hulme, Neil Lazarus, David Lloyd, Anne McClintock, Zita Nunes, Benita Parry, Graham Pechey, Mary Louise Pratt, Renato Rosaldo and Gayatri Chakravorty Spivak. ;
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Earth’s Epic: How Far is 4.6 Billion Years is a new book from Professor Miao Desui, an internationally renowned paleontologist and science writer. He has written many popular science works with good sales and reputation, and has won dozens of honors. In Earth’s Epic, he explains earth science to teenagers for the first time. In Earth’s Epic: How Far is 4.6 Billion Years, the author tells about the history of earth’s evolution, secrets in rocks, crustal movement, life evolution history recorded by fossils, earth minerals using popular and poetic language, showing readers the epic scene of earth’s evolution. As a popular science book, the Earth’s Epic is characterized by the concept of general education. In the book, Professor Miao Desui uses straightforward language, builds a scientific and rigorous knowledge system with multiple humane philosophies interwoven within the text, eliminates the barriers between science and liberal arts, and integrates geography, biology, history, physics, chemistry, literature, and other multiple disciplines. The book transmits the spirit of science, inspires interdisciplinary thinking, and enables readers of all ages to read and obtain knowledge from it. Since published, Earth’s Epic has repeatedly appeared on the authoritative lists of the industry and won the Best China Books of 2021. It has been recommended by multiple media, such as China Book Review, China Publishing Today, China Reading Weekly, China Science Daily, China Press Publication Radio Film and Television Journal, and We Love Science. Besides, Shen Shuzhong, academician of the Chinese Academy of Sciences; Chen Qifan, vice chairman of the China Science Writers Association; and Zhou Shangyi, professor of the Faculty of Geographical Science of Beijing Normal University, and many other experts have also given it high praise.
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“A wise malice radiated from his features, and one always had the impression that he knew more than he was willing to say, that a shrewd reflection lurked behind his smiles. His quick wit and good humor were the delight of La Mauresque and its surroundings; a reminder through his quiet charm that the world could still harbor delicacy.” Mohamed Abdallah Oran, autumn 1954. At La Mauresque, a space symbolizing a whole country in turmoil, in the heart of the indigenous city of Oran, the doubts of its occupants multiply and questions abound. Journalists, politicians, novelists, poets and artists grapple with a pivotal moment in their countries' history. The old world is dying, while the new one is slow to emerge for them. Hesitations and initiatives abound. They are trying to navigate by sight in an ocean so vast that it merges with the horizon; a horizon they sometimes seem to forget, but which the author has tried to give readers a constant view of through his novel: Le Vent a dit son Nom (The Wind Has Said Its Name). Multiplying references to emblematic figures in the awakening of consciences to freedom, Mohamed Abdallah attempts to offer a fresh look at the role that men of letters, intellectuals and, more generally, people of culture can play, at a time when a Nation is preparing to face new trials. These are themes that still resonate today.
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This is a story about Chinese Go chess.The protagonist Xiao Wang lives in the North Lane. Go chess connects his life with other chess players such as Jiang Chong, Liu Yun, Tao Song, Chen Xiaodong and Chang Shuo. Through this novel, we see the modern life, the modern psychology and the modern society of China.
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A masterful evocation of past wrongs through the lens of a seductively peaceful present. Amatoritsero Ede's meditative voice seduces us into a voyeuristic trance on a German river bank. Until we are suddenly awakened to the realisation that the "teardrops" are not for the Weser but for the burden of history carried all the way to Africa and beyond. A compelling read.
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The documents in this stimulating volume span from 1245 to 1424 but focus on the 'contagion of rebellion' from 1355 to 1382 that followed in the wake of the plague. They comprise a diversity of sources and cover a variety of forms of popular protest in different social, political and economic settings. Their authors range across a wide political and intellectual horizon and include revolutionaries, the artistocracy, merchants and representatives from the church. They tell gripping and often gruesome stories of personal and collective violence, anguish, anger, terror, bravery, and foolishness. Of over 200 documents presented here, most have been translated into English for the first time, providing students and scholars with a new opportunity to compare social movements across Europe over two centuries, allowing a re-evaluation of pre-industrial revolts, the Black Death and its consequences for political culture and action. This book will be essential reading for those seeking to better understand popular attitudes and protest in medieval Europe.
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One of the few books which systematically brings post-structuralist theory to bear on substantive political analysis. Offers accessible accounts of different strands of discourse theory such as deconstruction, psychoanalysis and genealogy, which are applied to the analysis of specific cases such as Northern Ireland and contemporary East European politics. Each chapter addresses a key theme and issue in contemporary politics. Draws on inspiration from Ernesto Laclau, Jacques Derrida, Michel Foucault and Jacques Lacan. Contains a clear introductory statement of the theoretical approach used and concludes with an assessment of the future directions of discourse theory in the social sciences. ;
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Our Inventions and Their Inventions is a set of popular science picture books introducing the encounter and exchange of ancient Chinese and Western civilizations. It traces the birth process of the great inventions in history and their influence on the civilization process, and uses the contrast between the East and the West to show the convergence and collision of human civilizations. While cultivating children's national self-confidence and pride, it also broadens their horizons and encourages them to look at the historical process and future development of human civilization with an open, humble and tolerant mind. The series consists of 5 volumes, the themes of which are "gunpowder", "compass", "silk", "iron" and "clock"."The Gunpowder" introduces the gunpowder as one of the four ancient inventions of China, which have affected the destiny of people all over the world.
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“In any case, when you decide to try harga, it's because you no longer expect anything from life. Or that you expect a lot!” (Akram El Kebir) The summer of 2018 was particularly deadly in Oran, as the discovery of harraga corpses being fished out of the Mediterranean was commonplace. That same summer saw the commissioning of a water cab, the Rossinante II, which made the daily shuttle between Oran and the small seaside town of Aïn El Turk. A cafe owner in a small estaminet in Sidi El Houari, Zaki, at the age of 24, led a dull, boring life, with no prospects for the future other than to cherish the hope of one day attempting the harga. It was only the fear of ending up eaten by fish that dissuaded him. That said, as soon as he heard about the water cab, an absurd idea occurred to him: what if he hijacked the boat and headed for the Iberian coast? He won't be alone in this crazy adventure, as his neighborhood friends Okacha and Anis, and other outcasts, are sure to follow him. But these modern-day Don Quixotes shouldn't claim victory too soon! They'll learn the hard way that hijacking an entire ship is no picnic. They'll have to face up to the Italian crew, as well as the rest of the passengers. Passionate debates ensue, in a sort of impromptu Citizens' Assembly, where all issues affecting society are discussed. On the eve of the February 22nd Revolution, Zaki has eyes only for one of his hostages, the impetuous Nafissa...
