Notes Edizioni publishes books for children and young people: picture books, tales, fiction, non-fiction, novels, with a focus on the contemporary word. Books by greats and awarded Italian and foreign authors and artists. We print all our books printed on environmentally friendly paper from certified companies.
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Crotchet Quaver noteworthy publications produces beautiful books to get people talking and thinking.
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The manuscript has been lost several years ago. Perhaps then it was not the time to read it. But 15 years later, in the age of the developed Internet and social networks, the writer's son receives back a notebook with a puppy on the cover. And it was that very notebook in which the old sick writer wrote his last novel, 'The Last Wish'. Is it necessary and possible to solve all the secrets of the past? At least it is worth striving for. Only conscious knowledge gives that freedom, without which the birth of a conscious person of the future, who would become the master of his or her own destiny under any conditions, is impossible.
“Between the sea and the mountain -and more precisely: between the force of the tide and the imminence of earthquakes- the transits of Cuaderno de California occur. The vulnerable -poetic and political- observation of the exterior landscape provokes incessant movements in the interior landscape of a couple, “two very old souls”, who travel: sometimes they are tiny movements, sometimes close to earthquakes. A chronicle of travel, memory and love, Santiago Espinosa's is a work wise in its beauty and beautiful in its beautiful in its beauty and beautiful in the depth of its reflection: it is not easy to think so sharply when we are so moved, in pause, by the beauty that captures us. Giuseppe Caputo[...]No one knows the origin of the word California.Someone told us: “I come from California”.Which in my language means “no place”.[...]”
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Today the sun shines. The woman is sitting on a bench in the square, under the shade of a large tree. She writes in her notebook.
So there they are, the aquatic dinosaurs. And of course, getting to know them is not without consequences.Because the river dwellers have a lot to tell the Echsheimers. Not only do they know every secret of the “land dwellers”. No, they also have a very special mission for Dino: to find out the true story behind the legend of Dinoseos.It all begins in a spooky cave. There, Dino meets Plyntschia, the giant, mysterious water oracle. She sends the boys on a search for a legendary notebook. And the two friends set off on a crazy journey, very, VERY far back in time to a time before our time.There they make a spectacular discovery. They know immediately: when THIS becomes known, nothing will ever be the same again.
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Poet and civil rights activist Vasyl Stus (1938-1985) could not attend any of his book presentations. He published his literary works only abroad. Participation in the movement of protesters to the Russification and anti-Ukrainian politics and an active people’s rights protection stance led Stus to the court bench to times and both for the anti-Soviet agitation and propaganda. This book contains documents from a six-volume criminal case, which is stored on the shelves of the former Committee for State Security archive of the Ukrainian Soviet Socialist Republic in Kyiv. The book contains archival documents of the case of Vasyl Stus (records of searches, interrogations, letters, articles, etc.), photographs, articles wrote by Vakhtang Kipiani. The last lifetime notes of Stus are also added - "From the camp notebook", secretly passed to his friends from the soviet camp. Preface to the book is written by Vakhtang Kipiani.
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“Chronicles of one hunger strike” is a diary of Oleh Sentsov, the Kremlin prisoner, who had been keeping it since May 2018, the third day after he announced indefinite hunger strike with the demand to free Ukrainian political prisoners. Day by day, throughout 145 days, despite moral pressure and physical exhaustion, Oleh had been frankly and honestly writing in his notebook in small, illegible letters, extremely accurately recording his everyday life in Russian prison, his observations and thoughts. After his release the author miraculously managed to take his notes out of Russia. “4 and a half steps” is a collection of small prose by Oleh Sentsov, written in a Russian prison. What does a man feel, having gotten to prison for the first time? How do prisoners live in tight and dirty cells, behind thick walls and muddy windows with double grid? What rules and laws one should obey, having gotten there? The author tells as objectively and critically as he can about prisoners’ life and circumstances that led them to captivity—he does not justify, nor criticise, but only witnesses. Striking, sometimes horrifying facts with verified accurate details create a convincing background, where events of numerous lives unfold. The author usually does not make any conclusions—he leaves this right to the reader.
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This important book provides new understandings of how the politics of memory impacts peace in societies transitioning from a violent past. It does so by developing a theoretical approach focusing on the intersection of sites, agency, narratives, and events in memory-making. Drawing on rich empirical studies of mnemonic formations in Cyprus, Bosnia and Herzegovina, Rwanda, South Africa and Cambodia, the book speaks to a broad audience. The in-depth, cross-case analysis shows that inclusivity, pluralism, and dignity in memory politics are key to the construction of a just peace. The book contributes crucial and timely knowledge about societies that grapple with the painful legacies of the past and advances the study of memory and peace.
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Are you going somewhere, Big Bear? Way Way Out There is where big things reside. They're so big - they cast shadows impossible to ignore. It's a long way away, but sometime big things come to shore on White Cliff to watch fascinating little things. Jules is an aspiring Big Bear born in White Cliff. He's been dreaming big from an early age, but has yet to figure it out. How does one grow Big? Where does one find directions? Who do you listen to? Can one so small really get There? To take one giant's advice--you'd have to see it for yourself. Way Way Out There.A wonderful fable told from the point of view of a small mind mapping out a path that would lead to something beautiful, good and true.
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Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.
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Tumi Letsatsi is a 13-year old melanin kween living in Rondebosch, Cape Town. Her favourite colour is yellow, she's still trying to figure out how not to dent her afro on the bus, and how one goes about (ahem!) “french kissing”. She’s a little awkward and a lot uncertain about her future, friendships and how to put together a cool outfit! But then she stumbles across the magic of coding and creates an app called “Project Prep” that goes viral and rockets her and her friends to fame. Then everything starts to fall apart, as she deals with a catfish who befriends her and steals her code, nasty rumours at school and the newfound attention of a crush. The New Girl Code (by Niki Smit, locally edited by Buhle Ngaba) is about the wonders of working in tech, aimed at girls and young women aged 9-15. The project is an initiative of Inspiring Fifty and based on an idea by Janneke Niessen.
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Feminism is a living phenomenon, but its history can and should be recorded. A number of serious works on the history of the women's movement and feminism have been published in Ukraine, but it is only recently that the history of Ukrainian feminism appeared in the form of a graphic novel. This book is our humble attempt to try and cover the vast history of Ukrainian feminism on a moderate number of pages. We have mentioned many outstanding personalities, but we have not mentioned even more names, for which we immediately apologise - after all, a lot has happened in 150 years and it’s hard to fit all into a relatively small graphic novel. This book may be of interest to those who have only recently become interested in feminism, as it is a brief introduction to the history of Ukrainian feminism. More experienced readers will be delighted to notice some additional details and stories to what they already know.
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This book analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities. The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.
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A lone bird hungry for magic pecks at alphabet shapes. It looks through glass windows of book stores and glances at the t-shirts of pedestrians with the hope of solving the mystery hidden behind those letters. Soon, the words become familiar and the bird determinedly starts collecting scraps of paper to build a nest, wanting to hatch its ideas with warmth and nurture them through potential and free imagination. The unusual combination of Ken Spillman’s simple yet eloquent prose and Malavika PC’s inspired images combine in perfect harmony to express the powerful story of The Magic Bird. The bird reminds the reader of the extraordinary components which create something as ordinary as language, and the value of spreading our wings to take stories to others.
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This book presents a selection of articles in the Civil Code that are relevant to teenagers, and it explains the Civil Code in a question-and-answer format through comic and specific cases. The combination of fun and knowledge in the format prevents readers from becoming intimidated by the legal language. Each case is closely related to social hot topics, and each issue is professionally explained by legal scholars to provide legal countermeasures, which not only facilitates teenagers' learning and understanding, but also makes it easy for them to apply their knowledge to solve legal problems in their lives. Through the youth-friendly ways to promote legal education, to help them better understand and use the law as a tool.
