Corregidor is an independent Argentine publisher with more than five decades, dedicated to publishing and distributing a catalog focused in Latin American and Argentine literature.
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This book investigates the pronounced enthusiasm that many traditions display for codes of ethics characterised by a multitude of rules. Recent anthropological interest in ethics and historical explorations of 'self-fashioning' have led to extensive study of the virtuous self, but existing scholarship tends to pass over the kind of morality that involves legalistic reasoning. Rules and ethics corrects that omission by demonstrating the importance of rules in everyday moral life in a variety of contexts. In a nutshell, it argues that legalistic moral rules are not necessarily an obstruction to a rounded ethical self, but can be an integral part of it. An extended introduction first sets out the theoretical basis for studies of ethical systems that are characterised by detailed rules. This is followed by a series of empirical studies of rule-oriented moral traditions in a comparative perspective.
Veterinary Ethics in Practice gives non-specialist veterinary professionals an introduction to ethics. It helps readers to think about, and discuss, ethical dilemmas and viewpoints faced by practitioners in their daily practice. The book: · Is an important primer and introduction to basic ethical dilemmas. · Helps improve ethical reasoning, through the use of numerous worked examples, leading to increased confidence in decisions and actions. · Explains key ethical concepts and terminology making the subject easier to understand. · Contains case studies which help bring real dilemmas to life. With carefully crafted themes and problem cases in farm animal, companion animal, equine, wildlife, zoo and laboratory settings, the book provides an important yet concise and accessible introduction to moral decision-making in veterinary practice.
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Why did an egg provided for emperors in Qing Dynasty cost 10 liang (equal to 1,000 U.S. dollars)? How could a commoner be promoted to senior ofcial in two years merely because of a folding fan? Could Chong Zhen, the last emperor in Ming Dynasty, avoid fleeing away in despair and ending up hanging himself? Answers all lie in this impressive book. As a Chinese saying goes, "Guided by history, one can see through reasons behind a nation's rise and fall." Narrated by a senior cadre of Central Commission for Discipline Inspection, the book consists of 24 referential stories about anti-corruption in Chinese history. Through continuously reflecting on past lessons, the author sums up valuable experience for combating corruption and building a trustworthy government. In concise and vivid language, this book reveals vast unheard anecdotes and historical truths of Chinese officialdom before establishment of PRC, which are significant for readers inside and outside China to understand historical roots of current anti-corruption policies in China.
The object of this paper is to discuss money-making; to examine its prevalence as an aim among people generally and the moral standards which obtain among those who consciously seek to make money.
Examining the nature of law and grace, the novel elaborates upon the history of France, the architecture and urban design of Paris, politics, moral philosophy, antimonarchism, justice, religion, and the types and nature of romantic and familial love. Les Misérables has been popularized through numerous adaptations for the stage, television, and film, including a musical and a film adaptation of that musical.
This 1926 survey, written by a distinguished social and economic historian, examines the role of religion in the rise of capitalism. Arguing that material acquisitiveness is morally wrong and a corrupting social influence, the author draws upon his profound knowledge of labor and politics to show how concentrated wealth distorts economic policies. Colorful but credible, this study offers a timeless vision of alternative means toward a just economic, social, and intellectual order.
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"Lao Tzu", also known as "moral classics," Taoist classics, according to legend, is the late Spring and Autumn Chu people Lao Ji, all received a total of 81 chapters. Lao Tzu is a speech collection of Lao Tzu's philosophical thoughts, systematically expounding Lao Tzu's outlook on the universe, politics and epistemology. "Tao" is the basic category in which Lao Zi-Zhe does not think. Lao-tzu believes that "Tao" is the origin of the universe. It is independent of anything else and changes constantly and continuously. And "virtue" Is the concrete application of "Tao" in life, social and political life. The English translation of this book is one of the more influential English versions, with some revisions made in the book. The book is accompanied by the silk book Laozi unearthed in the Mawangdui Han Tomb of Changsha in 1972.
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This book is a powerful addition to a developing literature informed by arts and humanities research carried out during the COVID-19 pandemic. Investigating the impacts of crisis governance and decision-making on people and populations, the book brings together microbial organisms and humans, children and data, decision-making and infection prevention, publics and process, global vaccine distribution and citizens' juries. Through its eight chapters, the book stimulates broadly-drawn discussions about exceptional executive powers in an emergency, the role of trust, and the importance of the principles of good governance - such as selflessness, ethics, integrity, accountability and honesty in leadership. The lessons drawn out in this book will support future decision-makers in both ordinary times and extra-ordinary emergencies.
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"Die Beiträge zu diesem Band haben ihren Ausgangspunkt in der Frage, ob eine moralfreie Theorie der Moral möglich und ob sie wissenschaftlich boten ist. Angesichts einer langen, ergebnislosen Diskussion der Wertfreiheit der Wissenschaft wird dieses Thema hier nicht wissenschaftstheoretisch weiterbehandelt. Statt dessen versuchen die Autoren vorzuführen, wie verschiedene Auffassungen zu diesem Thema durchführbar sind. Die vier Zugangsweisen, die sie wählen, sind: funktionale Analyse; ein Herauspräparieren der Grenzen, die der wissenschaftlichen Begriffsbildung durch die Besonderheit des Gegenstandes der Moral gezogen sind; eine Fallanalyse; Typenbildung. Das Ziel ist, mit der theorietechnischen Ausarbeitung möglicher Optionen Klarheit über die Möglichkeit einer moralfreien Theorie der Moral und über Moral se zu gewinnen."
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Guidance for psychologists on ethical dilemmas that mattertoday• New updated edition• Based on the Meta-code of Ethics of the EuropeanFederation of Psychologists’ Associations (EFPA)• Full of practical examplesThe understanding of and adherence to professional ethicsis fundamental in navigating the moral encounters and dilemmasthat all psychologists face in their daily work, whetherin research or professional practice. Core values and principlesremain stable. However, as more complex andconflicting societal contexts come into play, the individualpsychologist and the professional community need supportin upholding a solid moral integrity. The volume is a welcomeresource for any psychologist or student wanting to foresee,prevent, and professionally manage, in an ethically responsibleway, the moral challenges that arise.
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This book is an original work of the author’s 20-year academic quintessence with unique perspectives and logical arguments. There are both philosophical analyses and exploration of practical applications in this book. Guided by Marxist historical materialism, the author shows the function and effect of morality by analyzing and defining moral domain. He also explains the fact that economic development requires moral support by analyzing the inseparable logical connection between economics and morality. Moreover, the author researches moral capital and its route to achieving value multiplication in economic activities, and structures an application and evaluation index system for moral capital in enterprises. He also discusses the basic strategy for enterprises to accumulate and manage their moral capital.
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Early in the twentieth century, Russia was experiencing a decadent period of cultural degeneration just as science was developing ways to identify medical conditions which supposedly reflected the health of the entire nation. Leonid Andreev, the leading literary figure of his time, stepped into the breach of this scientific discourse with literary works about degenerates. The spirited social debates on mental illness, morality and sexual deviance which resulted from these works became part of the ongoing battle over the definition and depiction of the irrational, complicated by Andreev's own publicised bouts with neurasthenia. This book examines the concept of pathology in Russia, the influence of European medical discourse, the development of Russian psychiatry, and the role that it had in popular culture, by investigating the life and works of Andreev. It engages the emergence of psychiatry and the role that art played in the development of this objective science.
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Little Women "has been read as a romance or as a quest, or both. It has been read as a family drama that validates virtue over wealth", but also "as a means of escaping that life by women who knew its gender constraints only too well".[6]:34 According to Sarah Elbert, Alcott created a new form of literature, one that took elements from Romantic children's fiction and combined it with others from sentimental novels, resulting in a totally new format. Elbert argued that within Little Women can be found the first vision of the "All-American girl" and that her multiple aspects are embodied in the differing March sisters.
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Risk, anxiety and moral panic are endemic to contemporary societies and media forms. How do these phenomena manifest in a place like South Africa, which features heightened insecurity, deep inequality and accelerated social change? What happens when cultures of fear intersect with pervasive systems of gender, race and class? Worrier state investigates four case studies in which fear and anxiety appear in radically different ways: the far right myth of 'white genocide'; so-called 'Satanist' murders of young women; an urban legend about township crime; and social theories about safety and goodness in the suburbs. Falkof foregrounds the significance of emotion as a socio-political force, emphasising South Africa's imbrication within globalised conditions of anxiety and thus its fundamental and often-ignored hypermodernity. The book offers a bold and creative perspective on the social roles of fear and emotion in South Africa and thus on everyday life in this complex place.
Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton. The first version, published in 1667, consisted of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout and a note on the versification. The poem concerns the biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton's purpose, stated in Book I, is to "justify the ways of God to men".
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While there is a story of "Three Little Pigs" in the western world, there is another story "A Little Pig and Ten Wolves" in China. An evil old wolf wanted to eat a piglet living alone but he was taught a lesson. The angry wolf found another nine wolves to take a revenge. The piggy was brave and scheming, and he repelled those wolves again.
Can drawing — sound, honest representation of the world as the eye sees it, not tricks with the pencil or a few "effects" — be learned from a book? One of the most gifted draftsmen, who is also one of the greatest art critics and theorists of all time, answers that question with a decided "Yes." He is John Ruskin, the author of this book, a classic in art education as well as a highly effective text for the student and amateur today. The work is in three parts, cast in the form of letters to a student, successively covering "First Practice," "Sketching from Nature," and "Colour and Composition." Starting with the bare fundamentals (what kind of drawing pen to buy; shading a square evenly), and using the extremely practical method of exercises which the student performs from the very first, Ruskin instructs, advises, guides, counsels, and anticipates problems with sensitivity. The exercises become more difficult, developing greater and greater skills until Ruskin feels his reader is ready for watercolors and finally composition, which he treats in detail as to the laws of principality, repetition, continuity, curvature, radiation, contrast, interchange, consistency, and harmony. All along the way, Ruskin explains, in plain, clear language, the artistic and craftsmanlike reasons behind his practical advice — underlying which, of course, is Ruskin's brilliant philosophy of honest, naturally observed art which has so much affected our aesthetic. Three full-page plates and 48 woodcuts and diagrams (the latter from drawings by the author) show the student what the text describes. An appendix devotes many pages to the art works which may be studied with profit.
