Teacher Created Materials
Teacher Created Materials publishes innovative, imaginative, and award-winning resources for teachers, parents, and students in all subjects for ages 4-18 worldwide.
View Rights PortalTeacher Created Materials publishes innovative, imaginative, and award-winning resources for teachers, parents, and students in all subjects for ages 4-18 worldwide.
View Rights PortalFor over 40 years, Teacher Created Materials (TCM) has published innovative and imaginative resources for teachers and students, bringing exceptional curriculum content to classrooms worldwide. Our award-winning resources are sold and licensed in 89 countries. Everything we publish is created and approved by teachers. All our leveled reading books and curriculum kits are designed to engage students, improve literacy and reading comprehension, build content knowledge, and develop critical-thinking skills.
View Rights PortalKrav Magá: Cómo defenderse contra ataques físicos por el Gran maestro Imi Sde-Or y el Instructor principal Eyal Yanilov En 2009 se publicarán dos volúmenes de próxima aparición en esta serie de superventas, titulados Krav Magá, basada en el famoso método israelí de combate sin armas, que se centra ahora en cómo defenderse contra un ataque sin armas, como por ejemplo, todo tipo de golpes y puntapiés, calces, cogeduras, etc. Krav Magá, desarrollado desde la década de 1930 por el Gran maestro Imi Sde-Or (Lichtenfeld), era antes un método de combate cuerpo a cuerpo estrictamente limitado a agentes de seguridad y a miembros del Mossad y de unidades de comando del ejército israelí. El método ha sido adaptado para civiles, de modo que cualquier persona de cualquier edad, sexo o capacidad física pueda utilizarlo. Esta disciplina, basada en reacciones naturales del cuerpo humano, es fácil de aprender y de ejecutar y es de uso práctico. Krav Magá goza actualmente de una popularidad creciente y de una cada vez mayor aceptación por parte de expertos de todo el mundo. En Estados Unidos y en varios países de Europa, este singular método de autodefensa ya se enseña y se utiliza tanto por parte de diversos organismos de seguridad como del ciudadano de a pie. Krav Magá: Cómo defenderse contra ataques físicos escrito por Imi Sde-Or y su principal discípulo Eyal Yanilov como parte de la serie del fundador, es el primero de dos volúmenes que presentan los principios clave y los métodos de entrenamiento para el combate sin armas. El libro, diseñado en un formato accesible y escalonado, cubre los fundamentos, desde seguridad en el entrenamiento, calentamiento, estiramiento y flexibilidad, hasta principios de ataques, posturas y posiciones iniciales. Los autores ofrecen estrategias para todo marco hipotético imaginable: puñetazos y puntapiés como medio de defensa, liberarse de calces, llaves de cabeza y llave nelson, agarres, puñetazos, derribamientos, etc. El libro, que también hace hincapié en los fundamentos psicológicos de la disciplina, amplía su utilidad con secciones sobre entrenamiento mental, puntos vulnerables, atacantes múltiples y autodefensa para mujeres.Acerca de los autoresEyal Yanilov comenzó a los 15 años a entrenarse en Krav Magá con el Gran maestro Imi Sde-Or. Yanilov fue la primera persona que comenzó a entrenar a instructores de Krav Magá fuera de Israel y ha enseñado a unidades especiales, a militares y a civiles en más de 18 países. El Gran maestro Imi Sde-Or, fundador de Krav Magá, falleció en 1998 a los 88 años. Se prevé la publicación de una versión en inglés americano en el verano de 2010. Cada volumen contiene 240 páginas, y en ambos más de 800 fotos e ilustraciones en blanco y negro; 16,5 x 24 cm.
Krav Maga, developed by Grandmaster Imi Sde-Or (Lichtenfeld) since the 1930s, was once a method of hand-to-hand combat strictly confined to security agents and members of the MOSSAD and elite IDF units. The method has been adapted for civilians so that anyone, of any age, sex, or physical ability, can utilize it. Based on natural reactions of the human body, the discipline is easy to learn and perform, and practical to use. Krav Maga has rapidly gained in popularity and earned recognition by experts the world over. In the US, South America, Europe, Australia, and the Far East, this unique self-defense method has already been taught to and used by official law enforcement agencies, as well as many ordinary citizens. Written by Imi Sde-Or and his senior disciple Eyal Yanilov as part of the Founder’s Series, Krav Maga: How to Defend Yourself Against Physical Attack is the first of two volumes presenting the key principles and training methods for unarmed combat. Laid out an accessible, step-by-step format, the book covers the basics, from safety in training, warm-up, stretching, and flexibility to principles of attacks, stances, and starting positions. The authors offer strategies for every imaginable scenario: defending punches and kicks, releases from chokes, headlock and nelson, grabs, punches, throws, and more. Also emphasizing the psychological underpinnings of the discipline, the book expands its usefulness with sections on mental training, vulnerable points, multiple attackers, and women’s self-defense. About the Authors Eyal Yanilov began training in Krav Maga with Grandmaster Imi Sde-Or when he was 15. Yanilov was the first person to begin training Krav Maga instructors outside of Israel, and he has taught special units, the military, and civilians in over 18 countries. Grandmaster Imi Sde-Or, Founder of Krav Maga, passed away in 1998 at age 88. An English-language North-American edition has been scheduled for publication in Fall 2024. Each volume contains 240 pages, altogether 800-plus b/w photos & illustrations; 16.5 x 24 cm
This is the collection of stories of Liu Xinglong, includingCountry Teachers, The Village Secretary, Recitation at Dusk, Going to Beijing with Tea-Leaf on a Shoulder Pole, Cabbage and Turnip, The Fake City and so forth. In these stories, Liu Xinglong mainly seeks human merits from ordinary people, speaks highly of nobleness of common people and portrays the ordinary-but-not-mediocre images. Due to these works, Liu Xinglong has been regarded as the representative writer of “new realistic novel”.
When is the use of force for humanitarian purposes legitimate? The book examines this question through one of the most controversial examples of humanitarian intervention in the post Cold War period: the 1999 NATO intervention in Kosovo. Justifying Violence applies a critical theoretical approach to an interrogation of the communicative practices which underpin claims to legitimacy for the use of force by actors in international politics. Drawing on the theory of communicative ethics, the book develops an innovative conceptual framework which contributes a critical communicative dimension to the question of legitimacy that extends beyond the moral and legal approaches so often applied to the intervention in Kosovo. The empirical application of communicative ethics offers a provocative and nuanced account which contests conventional interpretations of the legitimacy of NATO's intervention. ;
This child tells us that he is not happy with the head that he has. He thinks it is a wrong head. The parents, after listening to him, take him to a specialist, who agrees with the little one. A mysterious man dressed in black supplies him with heads in exchange for his own. The child tries several, until he finds the one he was looking for. A reindeer head, a crocodile head, a whisk head: the narrator child and protagonist of this story tells us about his disagreement with the head he has and the vicissitudes that he has to go through to find the head with which he will finally agree: the head of a grown man, of a mathematician. This is a story of search for identity and growth, developed with fine fantasy and humor, with the wisdom of someone he has sought and perhaps already found.
This book tells the story of WW1 in a clear and interesting way with historical facts. This book is totally different from any history book you have read. Readers can take a lot of joy and also understand the history of WW2 at the same time.
This book tells the story of WW2 in a clear and interesting way with historical facts. This book is totally different from any history book you have read. Readers can take a lot of joy and also understand the history of WW2 at the same time.
This book tells the story of WW2 in a clear and interesting way with historical facts. This book is totally different from any history book you have read. Readers can take a lot of joy and also understand the history of WW2 at the same time.
Head in the game brings together international scholars from multiple humanities, social science, and scientific disciplines to critically examine one of the most vexing issues in global sport: concussion. It argues that science and medicine alone cannot solve the concussion crisis: sociocultural factors must also be considered. This edited collection draws attention to the ways that social, cultural, historical, political, literary, philosophical, and legal factors have shaped the concussion crisis in sport. Head in the game is essential reading for those who want to understand how the concussion crisis came to be, and provides guidance for developing ethical and evidence-based solutions in the future.
From the head to toe. Play with me explores the games with the body draw from the verses created and recreated by Pilar Posada. These verses are inspired in the Latin American oral tradition and only an author and expert of the oral tradition such as Pilar Posada can write these verses with the tone of those that have passed by word of mouth for several generations. She manages to integrate verses from her own oral tradition (creates from what has already been created) and offer the reader something totally new. The illustrations by Juliana Salcedo, great Colombian illustrator, based in Spain, accompany the texts with delicacy and wisdom also favoring the play among and between children, and between children and adults.
This book carefully sorts out the latest correspondence between Teacher Qin and young readers and some essay collections from hundreds of thousands of words. In this book, Mrs. Qin as a friend answers the doubts encountered by young readers during their growth, showing Mrs. Qin’s class book with the same theme. This "A Music Box" is different from other volumes in style. The script presents the delicate sincerity of a female writer, about friendship, about happiness, about time, about how to deal with life... They all exemplify the life reflection of the writer from self-experience and the concern for the growth of young people. The sincere words, like the beautiful music, are rippling in the hearts of young readers; they also are like little orange lights, illuminating the path of the little reader.
This book is an education theory book which looks backtwo thousand and five hundred years ago to learn from thewisdom of Confucius.