Your Search Results

      • Trusted Partner
        Poetry (Children's/YA)
        2015

        Antes no había nada, después comencé a imaginar mi propio jardín (There was nothing before. Then I began to imagine my own garden)

        by Chiara Carrer

        Collection of beloved things, of techniques, and various artistic instruments ( from naturalist and abstract illustration) with which Carrer brings various plants and trees to life. An open garden to every reader curious about shapes and colors, those who like to ponder, who want to know more about the.

      • Trusted Partner
        Picture storybooks
        2010

        Un día… (One day…)

        by Chiara Carrer

        It could happen that one day, one word describes us, one image reflects an emotion, and one name tells us its story. That each thing, made up of different parts, wanders in a space of fragments, only to find us. One day, Isabel, Omar, Lola, and the others arrive, all eager to tell you their story.

      • Trusted Partner
        Fantasy & magical realism (Children's/YA)
        2014

        El rapto de Eloisa (The abduction of Eloisa)

        by Jorge Esquinca, Chiara Carrer

        A girl and her mother, three crows, spikes on a field, and clouds draw the first scene. But the girl, like all children, expect her great adventure of being lost. The mistery kidnaps her. It leads her to an underground dream where the dream is reality and darkness is clear as a diamond light. Oneiric, musical story, opened to “what is heard inside”, this book invites us to discover that beyond the veil that is spread between the world and the things, “each sleeping seed, each root, each stem, every flower that rises,” and us, entirely.

      • Trusted Partner
        Educational: Art & design
        2018

        Pensar el espacio. Reflejos, superficies y colores (Thinking the space. Reflections, sufaces and colors)

        by Chiara Carrer

        The line is the protagonist of this book. She explores the pages and forms figures, colors herself, creates landscapes, characters and, with them, stories that narrate the reflections and joys that creation brings. This book, the third in a growing collection, is a catalog of the possibilities that lie at the base of all art. In the blank pages of this book, lines, figures, shadows, textures, colors, unpublished worlds were born that, in their capricious forms, hide beings that reflect on everything visible, on everything that surrounds them and is the framework for their adventures, which are the adventures of creative thinking in all its simple splendor: space: line, movement, rhythm: seeing, looking, reading: imagining, thinking, doing. Here everything is created and everything is arranged for the creation of the reader, the artist.

      • Trusted Partner
        January 2018

        Luis und Lotte. Beste Freunde für immer

        Vorlesegeschichten für starke Kindergartenkinder:

        by Seltmann, Christian

        Ein Vorlesebuch voller origineller Geschichten aus dem Kindergartenalltag! Luis ist neu in der Gruppe. Zum Glück zeigt Lotte ihm alles und die beiden werden ziemlich beste Freunde. Zusammen mit Pia, Flora, Eddie und Moritz sind sie mal mutig, trotzig, ängstlich oder richtig stark. Sie kümmern sich um die Kleinen, setzen sich füreinander ein, streiten und versöhnen sich. So wird jeder Kita-Tag zu einem kleinen, besonderen Abenteuer!

      • Trusted Partner
      • Trusted Partner
        December 1983

        Morels Erfindung

        Roman. Mit einem Nachwort von Jorge Luis Borges. Aus dem Spanischen übersetzt von Karl August Horst

        by Adolfo Bioy Casares, Karl August Horst, Jorge Luis Borges

        Adolfo Bioy Casares wurde am 15. September 1914 in Buenos Aires (Argentinien) geboren. 1932 lernte er im Haus der Essayistin und Literaturkritikerin Victoria Ocampo Jorge Luis Borges kennen und zwei Jahre darauf seine spätere Frau Silvina Ocampo, die ihn gemeinsam mit Borges überzeugte, sein Studium der Rechtswissenschaften und der Philosophie aufzugeben und sich ganz der Literatur zu widmen. 1940 veröffentlichte er La invención de Morel (dt. Morels Erfindung, Neuübersetzung von 2003), sein wohl bekanntester Roman und inzwischen ein Klassiker der phantastischen Literatur. 1954, das Jahr in dem seine einzige Tochter, Marta, geboren wurde, veröffentlichte er El sueño de los héroes (dt. Der Traum der Helden), einen seiner durch Thematik, Sprach- und Lokalkolorit »argentinischen« Romane. Unter den gemeinsamen Pseudonymen H. Bustos Domecq und B. Suárez Lynch verfaßte er mit Borges zusammen zahlreiche Erzählungen, unter anderem die Kriminalgeschichten Seis problemas para don Isidro Parodi (dt. Sechs Aufgaben für Don Isidro Parodi). 1990 erhielt Bioy Casares den bedeutendsten Literaturpreis der spanischsprachigen Welt: den Premio Cervantes. Er starb 1999 in Buenos Aires.

      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
        November 1985

        Gongora

        Zwanzig Sonette von Luis de Góngora y Argote. Übertragen von Fritz Vogelgsang. Vorwort von John Russell

        by Pablo Picasso, Luis Góngora y Argote, Pablo Picasso, Fritz Vogelgsang, John Russell

      • Trusted Partner
      • Trusted Partner
        October 2011

        Der urheberrechtliche Schutz digitaler Werke.

        Eine vergleichende Untersuchung der Schutz- und Sanktionsmaßnahmen im deutschen, italienischen und englischen Recht.

        by Santangelo, Chiara

      • Trusted Partner
        The Arts
        July 2024

        Italian graphic design

        Culture and practice in Milan, 1930s-60s

        by Chiara Barbieri

        Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.

      • Trusted Partner
      • Trusted Partner

      Subscribe to our

      newsletter