Folklore Publishing
Livres Canada Books
View Rights PortalThe Chronicon of Thietmar of Merseburg has long been recognised as one of the most important sources for the history of the tenth and early eleventh centuries, especially for the history of the Ottonian Empire. Thietmar's testimony also has special value because of his geographical location, in eastern Saxony, on the boundary between German and Slavic cultures. He is arguably the single most important witness to the early history of Poland, and his detailed descriptions of Slavic folklore are the earliest on record. This is a very important source in the medieval period, translated here in its entirety for the first time. It relates to an area of medieval studies generally dominated by German scholars, in which Anglo-phone scholars are beginning to make a substantial contribution.
Nordic Gothic traces Gothic fiction in the Nordic region from its beginnings in the nineteenth century, with a main focus on the development of Gothic from the 1990s onwards in literature, film, TV and new media. The volume gives an overview of Nordic Gothic fiction in relation to transnational developments and provides a number of case studies and in-depth analyses of individual narratives. It creates an understanding of this under-researched cultural phenomenon by showing how the narratives make visible cultural anxieties haunting the Nordic countries, their welfare systems, identities and ideologies. Nordic Gothic examines how figures from Nordic folklore function as metaphorical expressions of Gothic themes and Nordic settings are explored from perspectives such as ecocriticism and postcolonialism. The book will be of interest to researchers and post- and- undergraduate students in various fields within the Humanities.
The Chronicon of Thietmar of Merseburg has long been recognised as one of the most important sources for the history of the tenth and early eleventh centuries, especially for the history of the Ottonian Empire. Thietmar's testimony also has special value because of his geographical location, in eastern Saxony, on the boundary between German and Slavic cultures. He is arguably the single most important witness to the early history of Poland, and his detailed descriptions of Slavic folklore are the earliest on record. This is a very important source in the medieval period, translated here in its entirety for the first time. It relates to an area of medieval studies generally dominated by German scholars, in which Anglo-phone scholars are beginning to make a substantial contribution. ;
The book contains articles and essays describing the life of the outstanding German-speaking poet of the 20th century, a native of Chernivtsi, Paul Celan. The book explores his Bukovinian roots (Bukovyna is a historical region located both in Ukraine and Romania), little-known pages of his biography, connections with the Slavic and Jewish groups, personal and creative contacts with such authors as Alfred Margul-Sperber, Ingeborg Bachmann, Bertolt Brecht. The reader will also take a note on the role and significance of music in Celan’s works. The book is published to commemorate the 100th anniversary of the poet's birth and 50th anniversary of his death. The publication is intended for literary critics, philosophers, cultural experts and anyone interested in the history of development of the 20th century German lyrics.
The macabre tale of an eighteenth-century woman immortalised in folklore as the 'Manchester Mummy'. In 1835, the Manchester Natural History Society opened the doors of its museum. Taking pride of place in its collection were three mummies: one was Egyptian, one was Peruvian and one was a woman from Cheetham Hill. This is the first time the true story of Hannah Beswick, the so-called 'Manchester Mummy', has been told. Over the years, explanations for the Manchester Mummy have ranged from the chilling - Hannah's fear of being buried alive - to the downright bizarre - the legend of her buried gold - but the truth is more complex. Exploring this fascinating episode from museum history, Unburied sheds light on the Victorian turn to the macabre and changing attitudes to the display of human remains. It debunks the legends and asks what Hannah Beswick can tell us about death and dying, mummies and museums.
The book by Prof. Ihor Shevchenko, a noble intellectual, one of the most prominent specialists in the fields of Byzantine and Slavic history and culture, presents the medieval and early modern history of Ukraine in a broad cultural perspective in the context of the country’s relations with the East (Byzantium, Muscovite/Russian state, the Ottoman Empire) and the West (Poland and Austria-Hungary). The twelve essays that make up the book cover the period from the introduction of Christianity in Kievan Rus to the early 18th Century.
John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
This book collects 180 stories about immortals in ancient China, translated into English, and accompanied by relevant pictures. It can help Chinese and foreign readers to understand the general situation of Chinese native immortals, especially Taoist immortals, and show the evolution of Chinese ancient folklore and cultural thoughts from one side.The copyright has been exported to Malaysia .
Earth’s Epic: How Far is 4.6 Billion Years is a new book from Professor Miao Desui, an internationally renowned paleontologist and science writer. He has written many popular science works with good sales and reputation, and has won dozens of honors. In Earth’s Epic, he explains earth science to teenagers for the first time. In Earth’s Epic: How Far is 4.6 Billion Years, the author tells about the history of earth’s evolution, secrets in rocks, crustal movement, life evolution history recorded by fossils, earth minerals using popular and poetic language, showing readers the epic scene of earth’s evolution. As a popular science book, the Earth’s Epic is characterized by the concept of general education. In the book, Professor Miao Desui uses straightforward language, builds a scientific and rigorous knowledge system with multiple humane philosophies interwoven within the text, eliminates the barriers between science and liberal arts, and integrates geography, biology, history, physics, chemistry, literature, and other multiple disciplines. The book transmits the spirit of science, inspires interdisciplinary thinking, and enables readers of all ages to read and obtain knowledge from it. Since published, Earth’s Epic has repeatedly appeared on the authoritative lists of the industry and won the Best China Books of 2021. It has been recommended by multiple media, such as China Book Review, China Publishing Today, China Reading Weekly, China Science Daily, China Press Publication Radio Film and Television Journal, and We Love Science. Besides, Shen Shuzhong, academician of the Chinese Academy of Sciences; Chen Qifan, vice chairman of the China Science Writers Association; and Zhou Shangyi, professor of the Faculty of Geographical Science of Beijing Normal University, and many other experts have also given it high praise.
Heroic eposes are one of the genres of Kazakh nation’s folklore. The epic poem «Kozy Korpesh and Bayan sulu» is one of the most popular among them. It describes the pure love of the two young people as a symbol of love and faith. The story brings us back to that of Romeo and Juliette. There are several poetic versions of this epos, this version is adapted for children of middle and senior school age. This edition is published in two versions: in Kazakh and English, as well as in Russian and English.
This book is a fantasy novel which written by Yuanye, who places his gaze on the prairie where his life came from, gazing at the unique experience of exploring nature by Mongolian children. Through the perspectives of teenager Baiyin, Suolong and Uncle Tonglaga, their fantastic adventures show the beauty of the prairie's animals, plants, and folklore. This is a fantasy world in the depths of the prairie, which reads fantastically and purely. The naivete of children, the simplicity of herders, the reverence of nature, the exploration of the unknown world, and the cherishing of culture grow in this prairie, where there are adventures and growth, pure laughter and tears, making people yearn for childhood.
This volume gives an authentic introduction and brief explanation of Chinese folklore and customs from such aspects as mascots, zodiac, folk deities, birthday customs, traditional wedding and funeral ceremonies.
It introduces the political system, economic development, culture, education and folklore of Germany, and records about the author's participation in foreign affairs activities, diplomatic etiquette, diplomatic documents and other relevant diplomatic matters.
This series selects a total of nine comic strip books with colored illustrations, including the famous Chinese painting character painter Ren Shuaiying's Legend of theWhite Snake, The Peach Blossom Fan, The Butterfly Cup, The Autumn River, Lady Zhaojun Going Out of the Frontier, Yue Yun, Harmonized General & Premier Team, and the famous Chinese female painter Wang Shuhui’s Romance of the West Chamber and He Bo Marrying a Wife. This series is to re-edit Chinese outstanding classic art and culture works based on the current context and the reading habits of young people, to highlight nationality, knowledge, artistry and fun. Through Chinese and English texts and voice assistance, it allows young readers to feel the oriental aesthetics visually and audibly. In warm family reading, young readers have more understanding of Chinese stories, culture, folklore and language, thereby contributing to cultural exchanges.
"A Mouse Daughter's Wedding" originates from a folklore. After a little mouse girl came to a marriage age, she wanted to find the most powerful bridegroom from all kinds of creatures. However, she eventually found that the best is one of the mice. Each picture is lively and vivid, and the story becomes alive on paper.
The 12th revised and updated version of the History of the German language – long regarded as an indispensable standard work for German Studies, has just been published. From now on, this comprehensive textbook on the history of the language is divided into two volumes. In addition to introducing questions about historical linguistics, the first volume provides a detailed account of the prehistory and history of German right up to the present day. Based on extensive source analyses, the focus is on aspects of culture and social history; only the chapters on the Indo-Germanic and Germanic language include key information about structural history. The second part contains concise, but readily understandable accounts of Old, Middle and Early New High German in terms of phonology, graphemics, morphology and syntax. Not only are synchronous descriptions given of the particular language period, but also the development of German language construction at all structural levels is explained. The association of grammatical synchrony and structural diachrony is a particular characteristic of this second part of Schmidt’s work on the history of language.
The Giant’s Fire is according to the folklore of the Philippines. Once upon a time, people didn't have fire. The fire was owned by a giant, but the giant kept eyes on the fire all the time. Neither could people cook, nor got heating in the cold weather. People needed fire indeed. However, no one dared to fight with the giant for the fire. A man named Lin An and his friends came up with a way to obtain the fire.
The "West Chamber" of Wang Shih-fu in the Yuan Dynasty was a masterpiece of Chinese classical opera and a masterpiece of Chinese literature. The theme of the drama is the love story of the young scholar Zhang Huan and the late Ying-Ying, the daughter of the 19-year-old Cui Xianguo. The whole play is divided into five (screen) twenty (field). The first Zhang Ying and Ying Ying in the temple at first sight. The second to write Zaibing siege filled homes, Zhangsheng rescue, Mrs. Cui allow her daughter Yingying with Zhangsheng wife, then eat their own words. The third one to write a pair of lover Acacia sponge. The fourth the first Valentine's tryst Valentine's Day; the second letter of Mrs. Choi to Changsheng Beijing exam, the high school after the wedding; the third Valentine's leave, Zhang went to Beijing to attend the meeting; the fourth fold of the lover dream phase Will be done. The fifth to write a couple reunion. In short, "The Romance of the West Chamber" wrote the contradiction between love and family honor. The result was that Zhang Sheng would try high school, winning the honor and winning the love.
Sitting on his bed with his knees drawn up to his chest, Jaber found his thoughts inevitably drifting to Bou’ghtat. Each night, this shadowy demon with a vague outline would haunt him, immobilizing him with overwhelming fear. Even wrapped in warm blankets, he trembled at the prospect of closing his eyes, fearing to enter once again a realm where he felt utterly exposed and defenseless.