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In 2020, amidst the whirlwind of the COVID-19 pandemic, the ideas from books about the science of becoming a millionaire returned to Luis Miguel Estrada whom, since he left a financial job, has dedicated himself fully to literature. In this book, he thinks some of the key questions raised by bestsellers from Napoleon Hill to Kiyosaki. Do we stop seeking money just because we pursue art? More importantly: regardless of what we do, how do we seek money? Why have narratives like positive thinking and the law of attraction become a universal language that gains strength during each economic crisis? Is there a link between bestsellers about the science of getting rich and great universal literature? This book attempts to answer these questions, beginning with the origins of books on becoming a millionaire, which delve into the agile 19th-century United States, transition through the fast-paced turn of the century, and explode in the years after the Great Depression. The journey continues with examples of wild successes (real-life fraudsters like Elizabeth Holmes or fictional criminals like Walter White from Breaking Bad) that prompt us to question the influence of success-at-any-cost ideas on popular culture, as well as their ethical limits. How can one reconcile readings, cultural products, and experiences that seem so distant? The broader reading audience responds more to "Think and Grow Rich" by Napoleon Hill than to "The Grapes of Wrath" by John Steinbeck. Is there a way to read them alongside each other and emerge renewed from the experience? This book invites you on that adventure.
This book first came out in 1954 and it’s considered one of the pioneers in trying to paint a picture of our cuisine. The second volume boasts the other 63, and 49 remaining recipes, prepared by several Venezuelan chefs that are in exile. It wasn’t possible to write down the recipes for all biographies, since some include entries about the tabaco del guácharo, coffee, white rum, and pollo cañero (a type of toad eaten in the Orinoco Delta), among others. The new edition of Geografía gastronómica venezolana also includes a photographic journey with panoramic images from emblematic Venezuelan locations.
New edition of the history classic and culinary book, which was written by Ramón David León in 1954, whose original title is: “Gastronomic Geography of Venezuela”, by adapting it to the twenty-first century. The third volume, which gathers the original work of the 93 biographies with their 79 illustrated recipes, is still under development and is expected to be published in July 2020. This volume will also include five Venezuelan songs on MP3 format, from several Venezuelan musicians, and 60 panoramic 360º photographs.
Through a selection of thrilling and exciting illustrated stories, Mexican author, Amparo Dávila, and Argentinian illustrator, Santiago Caruso, create a fascinating reading spectrum for young audiences. This set combines classic tales of the author: “Petrified trees” and “Concrete music”, alongside with fantastic stories as “The guest”, the story of an ordinary woman hunted by an unknown creature; “High kitchen”, a short story where miniature beings confront their inevitable fate, among others.
This book is a special academic contribution of its kind. It shows a meticulous analysis of national culinary techniques (Colombian), which make it a permanent reference text for students, teachers, professionals, and for anyone who wants to immerse themselves and understand our gastronomy in a clear and orderly way.
"Comerse a Venezuela, en 14 platos nacionales", es una selección de 14 biografías culinarias incluidas en la obra original: "Geografía Gastronómica Venezolana", publicada en 1954. La nueva edición: "Geografía de Venezuela: Una experiencia culinaria - Siglo XXI- Limitada Edition", desde su publicación en marzo de 2019, ha sido distinguida en siete categorías por los Gourmand World Cookbook Awards, durante los años 2019, 2020, 2021, 2022, y 2023.
This trip through Italy is not intended to arrive as soon as possible. The guide is Toni Padilla, who, accompanied by a ball, and based on themes such as death, music, cheese or stickers, is impregnated with the country's double soul. Here are the majestic Italy and the Italy massacred by prejudices, lying on this journey from north to south and from east to west. The raw material of the stories, which are only on the author's radar, are the walks through the homeland of Benito Mussolini, Rafaella Carrà or Francesco Totti. Its pages are a map where memories are celebrated and goals are savored. Written with detailed prose and a leisurely gaze, they seem from another era, now that we don't have time for everything. But calcium is in no rush to get off this train.
Sweet, salty or with a neutral flavor, arepas, an essential food in the diet of Colombians, are the protagonists in this book, which compiles the preparation techniques of 60 different types of arepas. From a dough that is assembled in different ways, either freehand, with a cutter, stuffed with double dough, stuffed with double arepa, cooked on the grill, slabs, pots, ovens or fried, the arepas that are prepared in the different areas of the country are arracacha, rice, corn, fermented corn, peeled and threshed corn; yam, potato, banana, wheat and cassava. Round in shape and variable in size, arepas, too, vary according to the secondary ingredients that are added, such as milk, butter, cheese, pork fat, egg, meat or pea. Easy to prepare, hot or cold, arepas are delicious at any time of the day; with coffee or chocolate, they always go well.
Forced out of the DEA after twenty years, Hardin Steel , Stainless to his close friends, has managed to get himself elected Sheriff of Cameron County, Texas. Twice divorced, with a bit of a drinking problem, he’s now dating Rory Roughton, a fiery sixth-generation Texan who’s as rich as she is beautiful—and hell-bent on keeping Steel on the straight and narrow. But then his best friend, Wes Stoddard, is nearly shot down flying in a load of pot, Rory is kidnapped by a Russian mercenary working for the most dangerous cartel in Mexico, and the Cuban Mafia decides they’d like the former DEA agent—dead. Steel is forced to take unsanctioned, unconventional—and mostly illegal—action in order to save himself and those closest to him . . .
“In a world of winners, defeat is a kind of dissidence. Losing is not a romantic exercise, it hurts like a stepfather, but you learn. All victories are alike, but each defeat is similar in its own way; There are many ways to cry, but everyone drinks champagne the same way. This is not a football book. Not only. Because in football there is room for a life”. Julián Bellón, at the age of 40, returns to Córdoba due to the death of his father. That loss will drag him to his childhood, to his neighborhood, to the bars and to the people who saw him grow up, the last place of armored happiness before his life twisted and fell into a spiral of self-destruction. The boy who became a goalkeeper still dreaming of scoring a goal, the young man who later became a professional goalkeeper, today is a broken man cornered by memories of him. Is there time for redemption before the final whistle?
In this new book, Guridi off ers us his creative vision of the picture book. He delves into the relationship between images and text, between space (physical and mental) and characters, and especially the intervals—the interstitial spaces that give rise to deep meaning of works of this kind, inviting the active participation of readers. His practical advice sets us on the path to our own truth and shows us how to capture it through the empty spaces of images.
Nothing is known beforehand of these blind, halftruths distributed in “Kovacic,” nor of the apparent lack of turbulence that imprints “Founding a sex” with a kind of backdrop scenery, or of the speck of flour or talcum powder that confines “Buy cream” to a whiteness that plays on two points, from the hinting glimpse to the concluding sentence with experimentation and innocence. Quiero ser artista changes from a yearning and methodical aspiration into a tautological confession: Literature is the best possible means for such things to happen.
What does being a twin mean? What does being a twin mean to others and to yourself? Suburbian SMEs, old communist militants, cell-phone sales strategies, beer-flavored kisses, Tinder dates, phobias, millennial entrepreneurship, and the motherhood question: the characters in these stories inhabit these unstable and difficult territories where the challenge is not only to find their way in the world but to differentiate themselves with precision–in the chiaroscuro of contemporary times–where do one’s own story and desires begin and end?With flashes of humor that don’t shy away from irony or tenderness, a sharp and precise eye for emotion, and a disarming profoundness, these stories by Leticia Rivas impress with their extraordinary skill and move you from the first to the last page. Federico Falco
Ivan, a banker and frustrated musician, suddenly finds himself in the middle of a horde of angry zombies. Now his only goal is to meet his wife, but communicating with her is impossible and getting where she is is very difficult when thousands of people want to kill him and turn him into their breakfast. Virus is an urban history that deals bluntly with human nature and whose vertiginous rhythm doesn't allow the reader to take their eyes off its pages.
Let’s Cook with Nora provides documentation of Philippine cooking for 1965 when it made its appearance. In its new, 21st-century, classic version—lovingly restyled by her daughter Nina Daza Puyat—Nora Daza’s legacy is ready for today’s cooks, brides to be, and food lovers. –Felice Prudente Sta. Maria (Food historian and author of The Governor-General’s Kitchen)
Horizontes culturales de la historia del arte. Aportes para una acción compartida en Colombia da cuenta de reflexiones que van desde los silencios u omisiones en la historia del arte, pasando por las conexiones complejas entre estética e historia del arte, hasta las vicisitudes de su práctica en el museo o lugares alternativos. También examina la memoria del arte como nuevo modo de representación, relectura y construcción de subjetividad.
Kurzinformation ISBN 978-3-9525331-3-0 Titel “Cara o Sello”. Mario Salazar Montero. Cuentos Cualquiera que sea la forma permitida, obligada o seleccionada por hombres y mujeres como el recurso personal válido disponible para dejar atrás el estigma de una pobreza, heredada o impuesta, esta implica una interacción con una realidad en tiempo presente. En esa realidad suramericana, con sus circunstancias inherentes, existe sin embargo una gama bien diversa, tanto de víctimas como de abusadores. El afán de algunos por equilibrar un déficit de bienestar económico recurriendo al crimen no siempre encuentra la mansedumbre de los abusados. Existe la ley tácita del desquite, a falta de una justicia que merezca su nombre. Estos cuentos intentan desentrañar la esencia de algunos desquites y despojos, sin ánimo de definir estereotipos. De eso ya hay bastante, es difícil quitarselos de encima y no sirven más. Mario Salazar Montero. Geboren in Kolumbien, Südamerika. Lebt seit vielen Jahren in der Schweiz. Schriftsteller und Ingenieur. Hat mehrere Romane und Kurzgeschichten veröffentlicht. Spanisch und Deutsch. Mehr zum Autor und seinem literarischen Werk unter www.mariosalazar.ch
Agustina has a strong character and a great weakness: her sister Renata, whom she has noticed is weird. Even though Agus secretly listens to conversations, she still doesn’t know what’s happening. What she does know is that she loves her dog Hakuna (who she shares with her best friend Maxi), that her father is sad, that her grandfather needs more care and that her sister’s boyfriend Lalo is fed up. When the truth comes into the light she’ll want to solve things in her own way. In Agustina’s way!
Julia is going through a bad time: her mom and her dad are going to go away for three months to finish their diplomas outside of the country and they have left her aunt Sofía in charge of her, meaning, apart from changing house, she will also have to change school. There Julia will meet every kind of specimens: a protective elephant miss, and an understanding giraffe, some obedient zebras, and a dangerous tigress with whom she will fight against more than once. Julia will have to overcome many obstacles alone, and still, in the middle of it, she will have to find time to visit his very peculiar friend: Panther leo.
