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        Literature & Literary Studies
        June 2022

        Medieval literary voices

        by Louise D’Arcens, Sif Ríkharðsdóttir

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        Humanities & Social Sciences
        March 2017

        Study on Literary Anthropology in Shen Congwen's Works

        by He Xiaoping

        This book takes the homogeneous, isomorphic, and mutual relationship of Shen Congwen's aesthetic thoughts, artistic thoughts and cultural anthropological thoughts as the starting point, and then explores the anthropological characteristics of Shen Congwen's works from the perspective of anthropological ontology, methodology and axiology. The following analyses focusing on the expression form, ideological root, and value and significance to literary creation and cultural construction are an extended study of Shen Congwen's cultural thought, aesthetic thought, artistic creation thought and value.

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        November 2010

        Lebenslust mit Christian Morgenstern

        by Christian Morgenstern, Thomas Kluge

        Christian Morgenstern wurde am 6. Mai 1871 in München geboren. 1892/93 begann er ein Studium der Rechtswissenschaften an der Universität Breslau, das er bald abbrach. Er zog nach Berlin und war dort als Journalist, Kultur- und Literaturkritiker und Redakteur tätig und veröffentlichte zahlreiche Beiträge und Glossen in Zeitschriften. Sein erster von seinen insgesamt vierzehn Lyrik-Bänden In Phantas Schloß erschien 1895. In der Folgezeit beschäftigte er sich mit der Übersetzung und Herausgabe der Werke von August Strindberg und Henrik Ibsen und schrieb für Max Reinhardts Berliner Kabarett »Schall und Rauch«. Von 1903 bis 1905 war er Redakteur der Zeitschrift »Das Theater« im Verlag von Bruno Cassirer, für den er auch als freier Lektor arbeitete. 1909 schloß sich Morgenstern dem Kreis der antroposophischen Gesellschaft um Rudolf Steiner an. Am 31. März 1914 starb er in Meran / Italien an den Folgen einer Tuberkulose-Erkrankung.

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        Literature & Literary Studies
        May 2023

        Counterfactual Romanticism

        by Damian Walford Davies

        Innovatively extending counterfactual thought experiments from history and the social sciences to literary historiography, criticism and theory, Counterfactual Romanticism reveals the ways in which the shapes of Romanticism are conditioned by that which did not come to pass. Exploring various modalities of counterfactual speculation and inquiry across a range of Romantic-period authors, genres and concerns, this collection offers a radical new purchase on literary history, on the relationship between history and fiction, and on our historicist methods to date - and thus on the Romanticisms we (think we) have inherited. Counterfactual Romanticism provides a ground-breaking method of re-reading literary pasts and our own reading presents; in the process, literary production, texts and reading practices are unfossilised and defamiliarised.

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        Literature & Literary Studies
        February 2015

        Biblical women in early modern literary culture, 1550–1700

        1550–1700

        by Edited by Victoria Brownlee and Laura Gallagher

        At once pervasive and marginal, appealing and repellent, exemplary and atypical, the women of the Bible provoke an assortment of readings across early modern literature. Biblical women in early modern literary culture, 1550-1700 draws attention to the complex ways in which biblical women's narratives could be reimagined for a variety of rhetorical and religious purposes. Considering a confessionally diverse range of writers, working across a variety of genres, this volume reveals how women from the Old and New Testaments exhibit an ideological power that frequently exceeds, both in scope and substance, their associated scriptural records. The essays explore how the Bible's women are fluidly negotiated and diversely redeployed to offer (conflicting) comment on issues including female authority, speech and sexuality, and in discussions of doctrine, confessional politics, exploration and grief. As it explores the rich ideological currency of the Bible's women in early modern culture, this volume demonstrates that the Bible's women are persistently difficult to evade. ;

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        Humanities & Social Sciences
        January 2013

        Christian Dualist Heresies in the Byzantine World, c. 650-c. 1450

        by Janet Hamilton, Bernard Hamilton

        Christian dualism originated in the reign of Constans II (641-68). It was a popular religion, which shared with orthodoxy an acceptance of scriptual authority and apostolic tradition and held a sacramental doctrine of salvation, but understood all these in a radically different way to the Orthodox Church. One of the differences was the strong part demonology played in the belief system. This text traces, through original sources, the origins of dualist Christianity throughout the Byzantine Empire, focusing on the Paulician movement in Armenia and Bogomilism in Bulgaria. It presents not only the theological texts, but puts the movements into their social and political context.

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        Literature & Literary Studies
        July 2024

        Thomas Nashe and literary performance

        by Chloe Kathleen Preedy, Rachel Willie

        As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Thomas Nashe have elicited, and continue to provoke, a range of contradictory reactions. Nashe's often incongruous authorial characteristics suggest that, as a 'King of Pages', he not only courted controversy but also deliberately cultivated a variety of public personae, acquiring a reputation more slippery than the herrings he celebrated in print. Collectively, the essays in this book illustrate how Nashe excelled at textual performance but his personae became a contested site as readers actively participated and engaged in the reception of Nashe's public image and his works.

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        Literature & Literary Studies
        January 2013

        The world of El Cid

        Chronicles of the Spanish Reconquest

        by Simon Barton, Richard Fletcher

        Makes available, for the first time in English translation, four of the principal narrative sources for the history of the Spanish kingdom of León-Castile during the eleventh and twelfth centuries. Three chronicles focus primarily upon the activities of the kings of León-Castile as leaders of the Reconquest of Spain from the forces of Islam, and especially upon Fernando I (1037-65), his son Alfonso VI (1065-1109) and the latter's grandson Alfonso VII (1126-57). The fourth chronicle is a biography of the hero Rodrigo Díaz, better remembered as El Cid, and is the main source of information about his extraordinary career as a mercenary soldier who fought for Christian and Muslim alike. Covers the fascinating interaction of the Muslim and Christian worlds, each at the height of their power. Each text is prefaced by its own introduction and accompanied by explanatory notes.

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        The Arts
        June 2021

        Lukácsian film theory and cinema

        A study of Georg Lukács' writing on film 1913–1971

        by Ian Aitken

        Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).

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        Literature & Literary Studies
        March 2025

        The Catholicism of literature in the age of the Book of Common Prayer

        Poetry, plays, works, 1558-1689

        by Thomas Rist

        Offering a complete reading of English Literature throughout 1558-1689, this book demonstrates the continuity of Roman Catholicism in English Literature from the accession of Elizabeth I to the deposing of James II. Rist shows that poetry and plays promoted Roman Catholic ideas in a Biblicist age which established the Church of England through the Book of Common Prayer. From the very idea of literary works to chapters on the Eucharist, Purgatory, Christian worship and the Virgin Mary, Rist joins together major and minor authors of the era to present English Literature afresh. Important literary figures include William Shakespeare, Ben Jonson, Thomas Middleton, Queen Henrietta Maria, John Donne, John Dryden, Robert Herrick, Margaret Cavendish and Aphra Behn.

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        Biography & True Stories
        January 2014

        Beyond Writing

        by Ibrahim Abdelmeguid

        One of Egypt’s leading literary voices offers a first-hand look at political, social, cultural events of the last 40 years and how they influenced his writing.   Ibrahim Abdelmeguid, called “the quintessential writer about Alexandria” by The National newspaper, looks back over his decades-long writing career this book, which what he calls a “literary autobiography.” In it, he reflects on the social, political, and cultural influences in Egypt and elsewhere that have shaped him as a writer.   He shares his views on major political events, such as the 1967 defeat after the Six-Day War, and explanations of their profound impact on his personal life and works of fiction. Abdelmeguid devotes a portion of his work to discussing the development of his views on Egypt’s second president, Gamal Abdel Nasser, over the course of his turbulent tenure in office.   The book is divided into a brief introduction and four chapters. Abdelmeguid guides the reader through his literary career, moving masterfully between the factual and the meditative. He explores how each of his novels and many of his short stories was conceived. He also describes cultural, political, and social contexts in which his writing evolved and was received by literary critics and casual readers.   He spends considerable time describing the creative process behind his Alexandria trilogy— No One Sleeps in Alexandria, Birds of Amber, and Clouds Over Alexandria. The first book, No One Sleeps in Alexandria, is set during World War II. Abdelmeguid visited numerous key sites in Alexandria and surrounding areas and read every newspaper he could get his hands on. The result of his devotion to research is a vibrant portrayal of Alexandria that shines throughout the epic novel. Of particular note is his successful communication of the cultural and religious diversity of the city and the impact of that on the promotion of a culture of tolerance.   Beyond Writing is a rare and important addition to the modern Arabic literary map. Few Arab authors are willing to so transparently share their writing process, preferring to highlight the polished final product while concealing the hard work that brought it into existence. Readers are lucky that it is a writer as prominent, thoughtful, and engaging as Abdelmeguid is willing to draw back the curtain.

      • Trusted Partner
        The Arts
        January 2019

        Contemporary Spanish cinema and genre

        by Jay Beck, Vicente Rodríguez Ortega

        This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.

      • Trusted Partner
        The Arts
        June 2021

        Contemporary Spanish cinema and genre

        by Jay Beck, Vicente Rodríguez Ortega

        This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.

      • Trusted Partner
        June 2023

        Dust between Earth and Heaven

        by Pan Feng has published many essays, stories, and mini-stories in national literary journals, including "Love to the Western Hunan", "Sunshine Journey", "The Cattle", "The Fake Buddha", "The Chess Game", etc.

        The novel, Dust between Earth and Heaven, is a literary work created by Pan Feng, an author born in Hunan, based on his family history, which spans a century.

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