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      • OCCUPIED AMAZONIA
        The Arts
        October 2015

        OCCUPIED AMAZONIA

        by João Farkas

        The more than two hundred photographs featured in the book Occupied Amazonia stem from the concise and keen eye of the photographer João Farkas, who traveled deep into the Amazon region between the 1980s and 1990s to expose the clichés about the Brazilian North rooted in popular imagination. A space of conflicts and convergences, the Amazon region is revealed in multiple facets, ranging from prospectors to natives, missionaries, land-grabbers and migrants. With texts by Paulo Herkenhoff, Ricardo Lessa, Lilia Moritz Schwarcz and Farkas himself, the book is a challenging invitation for those willing to rediscover and explore new old worlds.

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      • LINA BO BARDI COLLECTION
        Religious buildings
        July 2019

        LINA BO BARDI COLLECTION

        by Marcelo Carvalho Ferraz

        This collection presents six of the most remarkable architectural projects by Lina Bo Bardi: Glass House, São Paulo Art Museum (MASP), Sesc Pompeia Factory, Oficina Theater (all in São Paulo), Unhão Manor (Bahia) and Espírito Santo do Cerrado Church (Minas Gerais). Besides texts by the editor Marcelo Carvalho Ferraz, this work features contributions by researchers and professionals who worked with Lina. The six volumes also contain writings by Bardi and a rich iconographic material composed of drawings, building plans and photographs. São Paulo Art Museum | with texts by Lina Bo Bardi and Aldo van Eyck | 64 pages Sesc Pompeia Factory | with texts by Lina Bo Bardi, Marcelo Carvalho Ferraz and Cecília Rodrigues dos Santos | 64 pages Oficina Theater | with texts by Lina Bo Bardi, Edson Elito and José Celso Martinez Corrêa | 48 pages Glass House | with texts by Lina Bo Bardi and Marcelo Carvalho Ferraz | 48 pages Espírito Santo do Cerrado Church | with texts by Lina Bo Bardi and Edmar de Almeida | 48 pages Solar do Unhão | with texts by Lina Bo Bardi and André Vainer | 48 pages

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      • GERALDO DE BARROS: THAT’S IT
        Photography & photographs
        July 2013

        GERALDO DE BARROS: THAT’S IT

        by Fabiana de Barros (author)

        Geraldo de Barros (1923-1998) was one of the most important representatives of Brazilian’s Modernism. He learned the principles of the Ulm Superior School of Design (Germany), brought them to South America and encouraged many of his colleagues to join the movement of concrete art. He cultivated contacts with the European artistic avant-garde and, in Brazil, was a pioneer in developing and experiencing new trends such as pop art and happening. This book presents an overview of his life and work, chrono-logically arranged and covering all aspects of his production with an emphasis in photography.

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      • NEW HISTORY OF BRAZILIAN CINEMA I
        The Arts
        April 2018

        NEW HISTORY OF BRAZILIAN CINEMA I

        by Fernão Pessoa Ramos and Sheila Schvarzman (editors)

        In this series, a compilation of texts by researchers and specialists seeks to sketch an updated and detailed panorama of Brazilian cinema. In this first volume, Brazilian cinema is analyzed from the 1910s onwards, addressing silent movies, the beginning of sound film, the chanchada (musical comedies) and the independent cinema of Rio de Janeiro in the 1930s-1950s, and the educational role of cinema in Getúlio Vargas’s government. The book concludes with an essay on Companhia Cinematográfica Vera Cruz, an important Brazilian film studio of the 1950s. Ebook version brings aditional texts: “Cinema in Rio Grande do Sul (1918-1934), by Glenio Povoas, and “Massaini, producer and distributor (1935-1992): a lesser known aspect of Brazilian cinema”, by Luciano Ramos.

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      • NEW HISTORY OF BRAZILIAN CINEMA II
        The Arts
        April 2018

        NEW HISTORY OF BRAZILIAN CINEMA II

        by Fernão Pessoa Ramos and Sheila Schvarzman (editors)

        This second volume of New History of Brazilian Cinema covers Brazilian cinema from the postwar period up to the present, discussing the Cinema Novo and Cinema Marginal movements, the state-owned producer Embrafilme, pornochanchada (soft-core sex comedies) and the crisis and revival of Brazilian film production from the late 1980s to the mid-1990s, ending with an overview of experimental filmmaking, documentary film and contemporary film fiction up to 2016. Ebook version brings additional texts: “Brazilian New Cinema (1960-1972)”, by Bertrand Ficamos, and the extensive filmography “Brazilian films released from 1969 to 2016”, by Luiz Felipe Miranda

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      • LATIN AMERICAN COLONIAL HERITAGE
        Architecture
        July 2018

        LATIN AMERICAN COLONIAL HERITAGE

        Urbanism, architecture, sacred art

        by Percival Tirapeli (author)

        The fruit of an extensive research by Professor Percival Tirapeli, this richly illustrated work covers three centuries of Colonial and Baroque art, and is divided in three parts: “Colonial Urbanism”, “Ecclesiastical Architecture” and “Sacred Art – Furniture and Ornamentation”. “Colonial Urbanism” explains the differences and approximations of the layout and planned urbanism between Hispano-American and Portuguese-Brazilian cities. “Ecclesiastical Architecture” analyzes the cathedrals of the viceroyalties, the audiences and the Brazilian sees. The section “Sacred Art – Furniture and Ornamentation” completes the analysis of churches, examining their retable façades, the furniture of the altars and their ornamental complements, such as sculptures and paintings.

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      • SOUTH AMERICAN CITIES AS CULTURAL ARENAS
        The Arts
        August 2019

        SOUTH AMERICAN CITIES AS CULTURAL ARENAS

        by Fernanda Arêas Peixoto and Adrián Gorelik (editors)

        Organized by Fernanda Arêas Peixoto, professor at the Department of Anthropology of the University of São Paulo, and Adrián Gorelik, professor at the University of Quilmes, this book is the result of a collective research project about the cultural urban history in South America, which was developed by a group of South American researchers. Using as a compass the notion of “cultural arena”, this work performs a reflection on the city as a place of cultural germination, experimentation and resistance. Some cities – Buenos Aires, Santiago, Lima, Recife, Rio de Janeiro, São Paulo, Salvador, Montevideo, among others – are studied in order to capture the intimate and inextricable relations between city and culture.

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      • BRASIL ARQUITETURA - FRANCISCO FANUCCI AND MARCELO FERRAZ
        The Arts
        August 2020

        BRASIL ARQUITETURA - FRANCISCO FANUCCI AND MARCELO FERRAZ

        2005-2020 projects

        by Abilio Guerra (editor), Marcos Grinspum Ferraz (editor) & Silvana Romano Santos (editor)

        With critical essays and a large number of images and technical information, this book retrieves the expressive architectural production of the Brasil Arquitetura office, which greatly contributes to the appreciation and plurality of one of the most expressive Brazilian cultural manifestations – Architecture

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