NEW HISTORY OF BRAZILIAN CINEMA I
by Fernão Pessoa Ramos and Sheila Schvarzman (editors)
Description
In this series, a compilation of texts by researchers and specialists seeks to sketch an updated and detailed panorama of Brazilian cinema. In this first volume, Brazilian cinema is analyzed from the 1910s onwards, addressing silent movies, the beginning of sound film, the chanchada (musical comedies) and the independent cinema of Rio de Janeiro in the 1930s-1950s, and the educational role of cinema in Getúlio Vargas’s government. The book concludes with an essay on Companhia Cinematográfica Vera Cruz, an important Brazilian film studio of the 1950s.
Ebook version brings aditional texts: “Cinema in Rio Grande do Sul (1918-1934), by Glenio Povoas, and “Massaini, producer and distributor (1935-1992): a lesser known aspect of Brazilian cinema”, by Luciano Ramos.
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Author Biography
Fernão Pessoa Ramos is a professor at the State University of Campinas (Unicamp) and coordinator of the Centre for Research in Documentary Cinema at the same university (Cepecidoc). He was the president of the Brazilian Society of Cinema and Audiovisual Studies (Socine) and worked as a guest professor at the University Sorbonne Nouvelle, New York University, University of California (Los Angeles), University of Montreal and University of Chicago. In the 1980s he published Marginal Cinema (1968-1973): Representation at its Limit and the first edition of the History of Brazilian Cinema. In the 2000s he organized the Encyclopedia of Brazilian Cinema and Contemporary Theory of Cinema I and II. More recently, he wrote What’s a documentary, anyway? (2008) and The Camera Image (2012).
Sheila Schvarzman PhD in social history from the State University of Campinas (Unicamp) and post-doctorate at the same university with a research on Octávio Gabus Mendes and the cinema in São Paulo in the 1920s-1930s. She was a guest professor at the Institute of Arts of Unicamp, a professor at the Audiovisual course of the Senac University Centre, and a historian at Condephaat, in São Paulo. She is currently a full professor at the University Anhembi Morumbi and dedicates herself to the study of the relation between cinema and history, as well as the history of Brazilian cinema. She is the author of Humberto Mauro and the Images of Brazil (2004).
Edições Sesc São Paulo
Educate, provoke, communicate and expand debates proposed by Sesc in its cultural centers. These are the ideals that define the work developed by Edições Sesc São Paulo. Exploring Sesc's socio-cultural programming - aimed at non-formal education - as one of its main references, the publisher has been expanding the themes of its books to diverse areas of knowledge. The titles comprise a wide thematic variety in culture: visual arts; anthropology; architecture and urbanism; biographies; mind and behavioral sciences; cinema; communication and journalism; design; education; sports and body practices; philosophy and politics; photography; cultural management; history; ageing, books and reading; environment and sustainability; music; sociology; theater and dance. Seeking to stimulate access to knowledge and reading, Edições Sesc São Paulo has added to its catalog an increasing number of e-books. This initiative includes books published exclusively in digital format, distributed worldwide.
View all titlesBibliographic Information
- Publisher Editions Sesc Sao Paulo
- Publication Date April 2018
- Orginal LanguagePortuguese
- ISBN/Identifier 9788594930835
- Publication Country or regionBrazil
- FormatPaperback
- Primary Price 92 BRL
- Pages528
- ReadershipGeneral
- Publish StatusPublished
- Original Language TitleNova história do cinema brasileiro vol. 1
- EditionFirst
- Copyright Year2018
- Page size25 x 19 cm (25 x 19) cm
- Series Part1
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