NEW HISTORY OF BRAZILIAN CINEMA II
by Fernão Pessoa Ramos and Sheila Schvarzman (editors)
Description
This second volume of New History of Brazilian Cinema covers Brazilian cinema from the postwar period up to the present, discussing the Cinema Novo and Cinema Marginal movements, the state-owned producer Embrafilme, pornochanchada (soft-core sex comedies) and the crisis and revival of Brazilian film production from the late 1980s to the mid-1990s, ending with an overview of experimental filmmaking, documentary film and contemporary film fiction up to 2016.
Ebook version brings additional texts: “Brazilian New Cinema (1960-1972)”, by Bertrand Ficamos, and the extensive filmography “Brazilian films released from 1969 to 2016”, by Luiz Felipe Miranda
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Author Biography
Fernão Pessoa Ramos is a professor at the State University of Campinas (Unicamp) and coordinator of the Centre for Research in Documentary Cinema at the same university (Cepecidoc). He was the president of the Brazilian Society of Cinema and Audiovisual Studies (Socine) and worked as a guest professor at the University Sorbonne Nouvelle, New York University, University of California (Los Angeles), University of Montreal and University of Chicago. In the 1980s he published Marginal Cinema (1968-1973): Representation at its Limit and the first edition of the History of Brazilian Cinema. In the 2000s he organized the Encyclopedia of Brazilian Cinema and Contemporary Theory of Cinema I and II. More recently, he wrote What’s a documentary, anyway? (2008) and The Camera Image (2012).
Sheila Schvarzman PhD in social history from the State University of Campinas (Unicamp) and post-doctorate at the same university with a research on Octávio Gabus Mendes and the cinema in São Paulo in the 1920s-1930s. She was a guest professor at the Institute of Arts of Unicamp, a professor at the Audiovisual course of the Senac University Centre, and a historian at Condephaat, in São Paulo. She is currently a full professor at the University Anhembi Morumbi and dedicates herself to the study of the relation between cinema and history, as well as the history of Brazilian cinema. She is the author of Humberto Mauro and the Images of Brazil (2004).
Edições Sesc São Paulo
Educate, provoke, communicate and expand debates proposed by Sesc in its cultural centers. These are the ideals that define the work developed by Edições Sesc São Paulo. Exploring Sesc's socio-cultural programming - aimed at non-formal education - as one of its main references, the publisher has been expanding the themes of its books to diverse areas of knowledge. The titles comprise a wide thematic variety in culture: visual arts; anthropology; architecture and urbanism; biographies; mind and behavioral sciences; cinema; communication and journalism; design; education; sports and body practices; philosophy and politics; photography; cultural management; history; ageing, books and reading; environment and sustainability; music; sociology; theater and dance. Seeking to stimulate access to knowledge and reading, Edições Sesc São Paulo has added to its catalog an increasing number of e-books. This initiative includes books published exclusively in digital format, distributed worldwide.
View all titlesBibliographic Information
- Publisher Editions Sesc Sao Paulo
- Publication Date April 2018
- Orginal LanguagePortuguese
- ISBN/Identifier 9788594930842
- Publication Country or regionBrazil
- FormatPaperback
- Primary Price 92 BRL
- Pages600
- ReadershipGeneral
- Publish StatusPublished
- Original Language TitleNova história do cinema brasileiro vol. 2
- EditionFirst
- Copyright Year2018
- Page size25 x 19 cm (25 x 19) cm
- Series Part2
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