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Con esta selección fotográfica registrada entre 2016 y 2019, Pablo Albarenga nos adentra en la vida y la lucha de los pueblos indígenas de Brasil por recuperar sus territorios.Muchos son los pueblos originarios que viven en América Latina. Los que se identifican hoy como guaraníes vivieron y transitaron en la región comprendida por Argentina, Bolivia, Brasil, Paraguay y Uruguay. Se dice que si caminamos de Uruguay a Brasil y luego a Bolivia, podríamos dormir cada noche en una tekoá distinta. Las tekoás son aldeas donde preservan su legado ancestral; tekoá significa, en lengua guaraní, la tierra sin mal, el lugar donde se lleva a cabo la forma de ser guaraní.Estos pueblos de tierras bajas han hecho evidente una impactante capacidad para oponerse a eso que llamamos progreso. Son los que han enfrentado con mayor firmeza a las grandes obras y megaproyectos, desde la represa de Belo Monte (Brasil) hasta la carretera que atraviesa el Territorio Indígena y Parque Nacional Isiboro-Sécure (Bolivia).Las retomadas —reocupaciones de tierras indígenas— son un retorno a lo esencial, un acto de rebeldía de los pueblos indígenas de Brasil para volver a unirse con el territorio ancestral. Estos pueblos nos interpelan sobre si somos capaces de reconocer la diferencia, de aceptar la libertad del otro, su derecho a ser y a elegir cómo vivir. Pues en su libertad se evidencian nuevos rumbos posibles que nos obligan a mirarnos en su espejo para repensarnos.
This second volume of New History of Brazilian Cinema covers Brazilian cinema from the postwar period up to the present, discussing the Cinema Novo and Cinema Marginal movements, the state-owned producer Embrafilme, pornochanchada (soft-core sex comedies) and the crisis and revival of Brazilian film production from the late 1980s to the mid-1990s, ending with an overview of experimental filmmaking, documentary film and contemporary film fiction up to 2016. Ebook version brings additional texts: “Brazilian New Cinema (1960-1972)”, by Bertrand Ficamos, and the extensive filmography “Brazilian films released from 1969 to 2016”, by Luiz Felipe Miranda
This book presents an overview of Amazonian history and analyzes the novel Cycle of the Far North, by Dalcidio Jurandir, a work that represents the social inequality and exclusion inherent to Amazonian society. Willi Bolle rescues the work of this important, albeit unknown, author, emphasizing Dalcidio Jurandir’s contribution to our understanding of Amazonian culture. In his work, Jurandir describes the quotidian of those living in the periphery of society, and advocates, quite emphatically, quality education for the poor. He also registers the social dialect of the inhabitants of the Amazon, in a document of the cultural memory of the region.
“Between reality and Dreaming, a third force emerged... capable of destroying both!” Allow yourself to embark on an epic journey through a universe hidden in the dreams of human consciousness. Endowed with incredible worlds and beings, heroes unlikely and powerful forces in the midst of the outbreak of war, this combination explosive promises to give the reader a unique experience to be lived in one breath! Together with Aziz Mandral, a frustrated and bankrupt young journalist, unveil dreamlike secrets of a reality that can only be seen with closed eyes. Travel with him through ‘lucid dreams’ showered with a lot of rock n ’roll, confusions and selfdiscoveries, all mixed with a dose of frank humor that will captivate from start to finish. Live a world where time is nothing more than a piece to be shaped by skillful hands, like Kazuo's - The Cartographer of Dreams. And if you still with your eyes closed, get drunk on Seiji's confused adventures Miura: a mercenary and warrior monk from the forests of Mt. Ōmine will drive through trails, at least, mindblowing! But don't be fooled by the charms of the dream world and don't whistle so loudly carefree songs, my dear Onironaut... for here you never know what that lurks behind the blackness of the night. Know that where the grass scorching sands are on the rise - and the term ‘nightmare’ gets new Meanings... Yes, a lifetime in one night ... this is the proposal, no less. But you're not a coward, are you? So sleep now: you are challenged to be won over!
A narrative full of time, memories on the shoulders, rusty bodies smelling of sea air, a testimony of uncertain memories of stories. The novel 'My old guerrilla' tells the story of a exiled writer abroad who returns to hometown (Olinda), mother's request, to try to dissuade the father of the idea of killing the president, who took power after a coup. Alvaro Filho teaches us that we must "silence to hear the wind," time to understand the affection of places and things, calmly swallowing discomfort, and wisdom to understand our ancestry. 'My old guerrilla' is like a reef solid melts into air, and the wind sweeping "flesh, bone, blood, paper and ink."
In this series, a compilation of texts by researchers and specialists seeks to sketch an updated and detailed panorama of Brazilian cinema. In this first volume, Brazilian cinema is analyzed from the 1910s onwards, addressing silent movies, the beginning of sound film, the chanchada (musical comedies) and the independent cinema of Rio de Janeiro in the 1930s-1950s, and the educational role of cinema in Getúlio Vargas’s government. The book concludes with an essay on Companhia Cinematográfica Vera Cruz, an important Brazilian film studio of the 1950s. Ebook version brings aditional texts: “Cinema in Rio Grande do Sul (1918-1934), by Glenio Povoas, and “Massaini, producer and distributor (1935-1992): a lesser known aspect of Brazilian cinema”, by Luciano Ramos.
The eleventh book in the series Mutations, Dissonances of progress discusses how the progress of technology brought undeniable benefits to humanity – such as advances in medicine and communication –, improving our daily life. On the other hand, it brought speed and superficiality to the relations of the human being with its surroundings, and degraded several aspects of current life with the exacerbation of individualism, the substitution of moral values, the overestimation of religious beliefs, the economy as the utmost referential of life in common, the knowledge of specialists to the detriment of thinkers. The essays in this volume analyze this situation and indicate paths for reflection.
Geraldo de Barros (1923-1998) was one of the most important representatives of Brazilian’s Modernism. He learned the principles of the Ulm Superior School of Design (Germany), brought them to South America and encouraged many of his colleagues to join the movement of concrete art. He cultivated contacts with the European artistic avant-garde and, in Brazil, was a pioneer in developing and experiencing new trends such as pop art and happening. This book presents an overview of his life and work, chrono-logically arranged and covering all aspects of his production with an emphasis in photography.
Organized by Fernanda Arêas Peixoto, professor at the Department of Anthropology of the University of São Paulo, and Adrián Gorelik, professor at the University of Quilmes, this book is the result of a collective research project about the cultural urban history in South America, which was developed by a group of South American researchers. Using as a compass the notion of “cultural arena”, this work performs a reflection on the city as a place of cultural germination, experimentation and resistance. Some cities – Buenos Aires, Santiago, Lima, Recife, Rio de Janeiro, São Paulo, Salvador, Montevideo, among others – are studied in order to capture the intimate and inextricable relations between city and culture.
