Tradewind Books
Livres Canada Books
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View Rights PortalThis book is a compilation of more than two hundred pictures reflecting the traditional costumes, characteristic buildings, traditional activities, and traditional medicine of Chinese ethnic minorities. Each picture has the story behind it and the testimony of the author. From the perspective of foreigners, the book vividly reproduces the diversity of the Chinese nation, the unique regional culture, and the natural and social environment in the form of pictures and text.
The Chinese Traditional Culture Game Book series is designed for 4-8 year-old children, and integrates Chinese traditional culture into fun and interesting games. The themes of the series cover ancient costumes, classical architecture, traditional crafts, folk festivals, and games including maze, matching, coloring, and identifying variations. The items are carefully arranged and the games are smartly designed to allow children to deepen their understanding of Chinese traditional cultural knowledge in the game.
The Chinese Traditional Culture Game Book series is designed for 4-8 year-old children, and integrates Chinese traditional culture into fun and interesting games. The themes of the series cover ancient costumes, classical architecture, traditional crafts, folk festivals, and games including maze, matching, coloring, and identifying variations. The items are carefully arranged and the games are smartly designed to allow children to deepen their understanding of Chinese traditional cultural knowledge in the game.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the first volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the second volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the seventh volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the ninth volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the tenth volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the third volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the fourth volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the fifth volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the sixth volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the eighth volume of the series.
The Chinese Traditional Culture Game Book series is designed for 4-8 year-old children, and integrates Chinese traditional culture into fun and interesting games. The themes of the series cover ancient costumes, classical architecture, traditional crafts, folk festivals, and games including maze, matching, coloring, and identifying variations. The items are carefully arranged and the games are smartly designed to allow children to deepen their understanding of Chinese traditional cultural knowledge in the game.
This book collects Changsha traditional family rules, family values, and family mottos, and contains a lot of folk proverbs and sayings. It uses pictures, footnotes, and content reviews to help readers have a better understanding. The author hopes to keep this good tradition and promote the building of family values and rules.
The Chinese Traditional Culture Game Book series is designed for 4-8 year-old children, and integrates Chinese traditional culture into fun and interesting games. The themes of the series cover ancient costumes, classical architecture, traditional crafts, folk festivals, and games including maze, matching, coloring, and identifying variations. The items are carefully arranged and the games are smartly designed to allow children to deepen their understanding of Chinese traditional cultural knowledge in the game.
"The Classic of Mountains and Seas (Picture Version)" is a children's traditional cultural enlightenment book with a fresh perspective. Selected representative and interesting chapters in "The Classic of Mountains and Seas" were drawn into the book, which depicts a series of images in "The Classic of Mountains and Seas" such as water systems, mountains, vegetations, trees, mountain gods, sacred beasts, water monsters, etc. In this imaginative picture book, images are vivid and the story theme is ups and downs. The author extracts nourishment from the profound ancient myths, and then creates new stories that children can understand. The whole book takes a retro and creative form with concise and simple text and simple and freehand ink painting through the mountain and sea scriptures, depicting a mythical world where the heavens and the earth are prevalent and the gods and monsters are in chaos.
Festivals of Chinese Ethnic Groups was co-authored by China's well-beloved authors of children's literature including Fang Suzhen, Tang Sulan, Wang Yimei, and was illustrated by celebrated Chinese illustrators such as Cai Gao, Chen Yadan and Zhu Xunde. This series covers intriguing, outstanding and poetic folk tales on festivals and customs from China's ten most representative ethnic groups. Showcasing their courage, gentleness and indomitable will, these delightful stories allow readers to learn more about the distinct and charming characteristics of these ethnic groups. Recommended as parent-child reading by CCTV during the Dragon Boat Festival, this series has won the Most Beautiful Picture Book 2025 prize given by China Library Journal. It was also nominated for the top picture books prize in China for the Chinese Government Award.
In 1814, carefully selecting 50 Chinese engravings that were supplemented by wonderful text descriptions, William Alexander published the book The Costume of China in London. As the pioneering work introducing Chinese dresses overseas, this book is a true and complete restoration of the customs of China in the Emperor Qianlong era. It is now available in both Chinese and English as a hardcover book set. 50 precious hand-colored engravings depict the images of emperors, officials, soldiers, court ladies, booksellers, actors, and hawkers. They show us, in the eyes of Europeans, the Qianlong Heyday, a colorful era that dates back far.
David Harrison has contributed to the academic study of tourism over the last thirty years. This book brings together a collection of his published material that reflects the role played by tourism in 'development,' both in societies emerging from Western colonialism and in societies previously part of the Soviet system. The overarching theme looks at how promoted as a tool for development, tourism can lead to conflict between competing elites, but can also empower groups previously subject to constraint by traditional authorities. Tradition is intensely manipulatable and always reflects power relations. Such pressure on tradition is but one aspect of tourism's wider social impacts, which include changes in economic and social structure which, for many, constitute social problems which need to be addressed. At the same time, 'sustainability,' though apparently a worthy aim, can be a problematic concept, especially when applied to 'traditional' cultures, and may conflict with such ideals as egalitarianism.