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Calligraphy and painting art, as an important component of Chinese national culture, its development can be said to have a long history; South noodles vegetable is located in the Chaoguo to the south, the mountains are beautiful. The scenery Xuan people, there is a long history of brain, humanistic foundation. Deep cultural heritageCalligraphy and painting art, as an important component of Chinese national culture, its development can be said to have a long history; South noodles vegetable is located in the Chaoguo to the south, the mountains are beautiful. The scenery Xuan people, there is a long history of brain, humanistic foundation. Deep cultural heritage
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Traveling Notes of the Western Regions in Great Tang Dynasty is not only a historical and geographical work about the western regions, but also an important historical work of Buddhism. The author is Xuan Zang, a famous monk, Buddhist theorist and translator in the Tang Dynasty.According to Xuan Zang's travel route, the twelve volumes of the book give a detailed description of the geographical situation, land and water transportation, climate, products, ethnic groups, language, history, politics, economy, religion, culture, customs and habits of the city-state, region and country along the way, especially the situation of local religious temples and Buddhist stories and legends. The content is very rich, which is a rare work for the Chinese people at that time to understand the external world. This book is also a precious historical material for studying the ancient history of India and the history of Indian Buddhism. It is an indispensable and important document for Archaeology in Central and South Asia and has great historical value.
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“Ten Scenes in West Lake” is the work of Wang Xufeng, the famous writer and Mao Dun Literature Award winner, in the background of Hangzhou West Lake. It is a collection of novellas with the historical " Ten Scenes in West Lake " as the starting point. The ten novellas are independent stories ,and are also connected to each other, forming a series of books that are saturated with the charm of Jiangnan. The book Broken Bridge，Remnant Snow is one of the novellas. The author uses the broken bridge scenic spots in the West Lake to tell the readers stories among the old man Xu Xuan and Xiao Bai, Xiao Qing and Master Hai. In the misty and rainy West Lake, a piece of past events begins.
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Festivals of Chinese Ethnic Groups was co-authored by China's well-beloved authors of children's literature including Fang Suzhen, Tang Sulan, Wang Yimei, and was illustrated by celebrated Chinese illustrators such as Cai Gao, Chen Yadan and Zhu Xunde. This series covers intriguing, outstanding and poetic folk tales on festivals and customs from China's ten most representative ethnic groups. Showcasing their courage, gentleness and indomitable will, these delightful stories allow readers to learn more about the distinct and charming characteristics of these ethnic groups. Recommended as parent-child reading by CCTV during the Dragon Boat Festival, this series has won the Most Beautiful Picture Book 2016 prize given by China Library Journal. It was also nominated for the top picture books prize in China for the Chinese Government Award.
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This book mainly describes the origin of the Ewenki ethnic group's god of fire sacrificial custom. According to legend, a poor hunter went hunting a long time ago, but he ran for a whole day without catching any prey. When he was tired and hungry, a cave appeared in front of his eyes. He walked into the cave in a daze and fell asleep. When he woke up, he found two completely different houses, one was owned by the rich and the other was by the poor. The hunter went to the rich's house for help, but was expelled by the rich with disgust. The hunter then went to the poor's house and was warmly welcomed. At this time, the hunter heard someone talking on the roof: "Let me punish the greedy rich!" Then the hunter realized that the man on the roof was the god of fire, whom everyone feared. The Ewenki people regard the 23rd of December every year as the God of Fire Festival.
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This book mainly describes the origin of the Dong ethnic group's King Lin Festival to commemorate the Dong's hero Lin Kuan. According to the legend, Lin Kuan was born with supernatural power. In order to resist the tyranny at that time, Lin Kuan called the poor and young people in the Dong village to revolt, but eventually died when he tried to protect his people. Lin Kuan became a hero of the Dong people. His story has been handed down by generations of the Dong people. Every year on the first day of June of the lunar calendar, the Dong people gather together to spend the “King Lin Festival”. This book also describes the various activities of the Dong’s King Lin Festival and introduces an overview of the Dong people in China.
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This book presents over 40 cases of bamboo development across 22 major bamboo-industry countries and explores the knowledge gained from their successes and failures. It synthesises experiences and exchanges with country experts from international training courses and consultations, study tours, and seminars. Each case includes observations and summaries of discussions related to the development of bamboo-based industries in a healthy, sustainable way, and the facilitation of strategic and balanced development of bamboo in different global regions. Industrial and artisanal bamboo growing and processing is expanding worldwide and this book brings together key experiences to help inform future developments. This book provides an analysis of bamboo plant features, including strong renewability, fast-growing, and high biomass production. It also reviews important ecological functions of bamboos, such as water and soil conservation, carbon sink and storage, and adaptation to climate change, as well as addressing the diversified culture of bamboo and key issues affecting the sector. Sustainable Bamboo Development: - Is authored by an internationally recognised leading expert in the growth and use of bamboo - Takes a holistic view, covering technical, socio-economic, policy, cultural and business development - Provides practical knowledge to guide the development of bamboo sectors - Gives a clear idea and rich examples of what has been attempted in many countries - Acts as a roadmap for using bamboo as a poverty reduction and environmental security tool Highly illustrated and in full colour throughout, this book is an essential resource for all those interested in bamboo, from private sector investors to governmental and development agencies, academic researchers and students.
This book focuses on Wang Xuan’s life experience, inspirational stories, scientific and technological contributions and social influence.
The book takes the growth and life of the academician WANG Xuan, the founder of the Chinese character laser phototypes system, and tells about his childhood, his work and success.
Shanghai People’s Fine Arts Publishing House has spent five years to publish one hundred kinds of “Masterpieces of Classical Chinese Calligraphy”. In order to allow readers to fully follow the same origin of Chinese painting and calligraphy, we are determined to publish “Masterpieces of Classical Chinese Painting” to show the brilliant achievements of Chinese painting (mainly scrolls from the third century). We introduce into the multidisciplinary achievements to explain the technique, explore historical and cultural information, track the provenance and inheritance of the over one hundred masterpieces of Classical Chinese Paintings.
This series would subvert the canonized Chinese fiction Journey to the West and become new classic. Penned by an A-level contract writer of Qidian.com, this popular series has also been adapted a TV series.The first half of the series include 5 titles: the Road to Supremacy, the Fight Against the Heavenly Amy, Crashing Down on Demonic Empires, the Nirvana, and the Uproar of the Three Divisions of the Universe. With full passion, the author constructs the 3 realms of universe composed of gods, monsters and mortals. This is a clearly defined world with a complete and mature world view as well as a complete lineage of characters, which involves all the important gods of ancient Chinese legends. Whether by the relationship between the three realms or the battles between the gods and monsters, it really reflects the cruelty of real history and the reality.
This is a magical girl’s story about hoping a miracle to achieve her wish of being a real human. Xuan-Ying and other people confront each other for their own reasons. Maybe there are all about to strive for the soul to maintain their bodies’ energy or to protect the city, or maybe for living in peace. However, they also inadvertently destroy the city many times. Once they hunting the soul, these three people battle with each other as usual, there is an unknown power shows up. It turns out that these three people who exist in the darkness of the world expose in front of the people. While they are astonished, they have to face the citizens’ criticizations and compensations they asking for the destructive city.
A lynx came into human world and became Daomadan (a famous female warrior role in Chinese opera) because of his love for the opera. Nevertheless, one day, people found that he was not human being and misunderstood him, even expelled him.....
This series is aimed at children aged from 3 to 8 years old, and contains 45 fables in 10 volumes, which are selected from excellent ancient Chinese fables. There are stories implying metaphorical philosophy of life, such as Be There Just to Make Up the Number and Pulling up the Seedlings to Help Them Grow. There are stories of historical figures such as The Story of Qin Xiba Who Released the Deer and The Story of Zengzi Who Never Told a Lie. There are also stories that enlighten wisdom, such as Three at Dawn and Four at Dusk and Cutting the Pole into Lengths to Go Through the Gate. The whole series is mainly presented in the form of Chinese paintings, with tasteful binding art of modern picture books. The stories in each book are illustrated by famous contemporary Chinese painters, including He Youzhi, Han Shuo, Su Taixi, Cai Gao, Chu Chengliang, Zhou Xiang, Zhang Peicheng, Miao Wei, Ye Luying and Fu Wenzheng. Through reading such a set of books, children can know about the excellent traditional Chinese culture, feel the charm of Chinese culture after thousands of years of inheritance, thus inspiring their love for the country.
This is an anthology of 25 short stories written by talented young authors (between 12 and 18 years old) from all over Asia. They are members of the Storymakers League. The stories in this book: 1. "Red" by Alyssa Ng (Malaysia) 2. "Out of Place" by Angelina Ng Xiu Qi (Singapore) 3. "A Trip to Galle" by Balsam Ahmed Shimau (Sri Lanka) 4. "My Heart Will Go On" by Banan Ahmed Shimau (Sri Lanka) 5. "He Was Perfect" by Binya Ahmed Shimau (Sri Lanka) 6. "The Mysterious Library" by Chin Chun Yuan (Malaysia) 7. "Girl" by Christine Choo Jia Ying (Singapore) 8. "Nimali’s Dream" by D M Yenuli Santhusi Dissanayake (Sri Lanka) 9. "Happy to Be Home" by Daniea Elisha (Malaysia) 10. "Memories of Days Gone By" by De Jia Xuan (Malaysia) 11. "Rift" by Elisabeth Mahilini Hoole (Sri Lanka) 12. "The Demon Huntsmen" by Esmarelda Jynthia (Malaysia) 13. "The Magic Bamboo" by Fayanna Ailisha Davianny (Indonesia) 14. "Parallel Universe" by Gian Si Tian Candice (Singapore) 15. "Sing Her Way Home" by Goh Sze Ann (Singapore) 16. "Tears in a Time Capsule" by Hannah Mastura (Malaysia) 17. "Death on the Perak River" by Harshini Rheya Naidu (Malaysia) 18. "The Year Was 2045" by Hew Zi Jin (Malaysia) 19. "The Glass Bottle" by Hind Iyad Nihad Yaseen Al-Mousa (Jordan) 20. "Oblivion" by Inddoo Manimaran (Malaysia) 21. "Female Samurai Makoto Goes to America" by Koto Katayama (Japan) 22. "The Game of His Life" by Maleeka Shahla Hassan (Sri Lanka) 23. "Lotus" by Malisha Paarami Weerasinghe (Sri Lanka) 24. "A Hero for the Country" by Navya Binoy Valiyakunnel (Brunei) 25. "As I Aim for the Stars" by Niranun Puapattanakajorn (Thailand)
This is an anthology of 25 short stories written by talented young authors (between 12 and 18 years old) from all over Asia. They are members of the Storymakers League. The stories in this book: 1. "All I Had Left" by Lim Jxin Ying (Malaysia) 2. "A Letter to You" by Lim Yi Shu (Singapore) 3. "Rainy Nights at the Local Mamak Stall" by Misaki Michiba (Malaysia) 4. "The All-Island Smile" by MJ Zindi Taara Asgari (Sri Lanka) 5. "Karma" by N.M. Isumi Methmanthi Narasinghe (Sri Lanka) 6. "A Twisted Adventure" by Nethan Mikil Kuruppu (Sri Lanka) 7. "Peninsular of War" by Ng Jing Xuan (Malaysia) 8. "Morph" by Nicole See Jiaying (Malaysia) 9. "A Whisper of Despair" by Ramida Wisuidumpawn (Thailand) 10. "A Cyber Independence" by Razzi Effendi Rahim (Malaysia) 11. "Change" by Rukshitha Yoganathan (Sri Lanka) 12. "A Run to End War" by Sachintha Senanayake (Sri Lanka) 13. "Breaking a Social Norm" by Shaheen Abdul Gani (Sri Lanka) 14. "Palliating the Divergence" by Shanelle Diandra Perera (Sri Lanka) 15. "Hibiscus Boy" by Sharmaine Saran Padan Mohd Shafiq (Malaysia) 16. "Some of Us Are Different" by Sonia Teo Xhyn (Singapore) 17. "Unworthy" by Suraksa Chea (Cambodia) 18. "Home" by Syaarveeni Ashok (Malaysia) 19. "A Broken Friendship" by Syahna Alifya Saffanah (Indonesia) 20. "The Best Place to Be" by Thomas Lee Kaa Hoe (Malaysia) 21. "Anna’s Wish" by Tuan Ayham Wajdi Tuan Mohd Yusoff (Malaysia) 22. "Arc of Stone" by Wesley Onn Wei Rong (Brunei) 23. "Shoah for Their Kind" by Wesley Pu Chern Hsiong (Malaysia) 24. "The Radiant Rarity" by Yashmini Ayodya Sirisena (Sri Lanka) 25. "The Move" by Zhang Jinxuan (Singapore)
What does it mean to be queer in a Confucian society in which kinship roles, ties, and ideologies are of such great importance? This book makes sense of queer cultures in China—a country with one of the largest queer populations in the world—and offers an alternative to Euro-American blueprints of queer individual identity. This book contends that kinship relations must be understood as central to any expression of queer selfhood and culture in contemporary cultural production in China. Using a critical approach—“queering Chinese kinship”—Lin Song scrutinizes the relationship between queerness and family relations, and questions Eurocentric queer culture’s frequent assumption of the separation of queerness from blood family. Offering five case studies of queer representations across a range of media genres, this book also challenges the tendency in current scholarship on Chinese and East Asian queerness to understand queer cultures as predominantly counter-mainstream, marginal, and underground. Shedding light on the representations of queerness and kinship in independent and subcultural as well as commercial and popular cultural products, the book presents a more comprehensive picture of queerness and kinship in flux and highlights queer politics as an integral part of contemporary Chinese public culture.
