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Sarah McKenzie Literary Agency
Sarah McKenzie Literary Management provides advice, advocacy and representation to Australian authors. As well as representing best-selling authors with a proven track record, we love to identify and champion talented new and emerging writers of children's fiction, commercial fiction, literary and narrative nonfiction.
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Promoted Content
Humanities & Social SciencesOctober 2006Blair’s community
Communitarian thought and New Labour
by Sarah Hale, Chantal Hamill
Blair's community is an exciting and timely book which challenges the accepted wisdom about the role of communitarian thought in the development of New Labour under Tony Blair. From the mid-1990s there has been a widespread view that Labour policies have reflected, or even been influenced by, the work of communitarian writers like Amitai Etzioni and John Macmurray, and philosophers such as Alasdair MacIntyre and Michael Sandel. The book begins by establishing that such a view was widely, and frequently unquestioningly, held, in both popular and academic forums. It then identifies reasons for the persistence of this impression, the evidence on which it was based, and the understandings of communitarianism used by commentators. The book argues that existing accounts of 'New Labour's communitarianism' fail to present an accurate picture because they are - in some cases explicitly - working with a generic or composite conception of communitarianism which bears little relation to the work of the communitarian writers whose names have been associated with the party. ;
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Humanities & Social SciencesJuly 2018The Third Way and beyond
by Sarah Hale, Will Leggett, Luke Martell
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Socialism & left-of-centre democratic ideologiesJuly 2013The Third Way and beyond
by Edited by Sarah Hale, Will Leggett and Luke Martell
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September 2016Mit dem Schlitten auf Wolke sieben
Roman
by Hale, Jenny / Übersetzt von Schilasky, Sabine
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January 2018Three steps to reduce blood pressure
by Hong Zhu
The World Health Organization predicts that chronic lifestyle diseases such as hypertension will become the number one killer of human health by about 2020. Zhu Hongzhu's "Three Steps to Reduce Blood Pressure" combines the experience and cases of professional doctors in treating hypertension for many years, focusing on the problem of lowering blood pressure and stabilizing pressure that hypertension patients are most concerned about, using easy-to-understand language, to provide you with practical and effective methods, so that you can understand and use them easily.
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The ArtsJanuary 2024Transmodern
An art history of contact, 1920–60
by Christian Kravagna,
How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.
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The ArtsJune 2022Transmodern
An art history of contact, 1920–60
by Christian Kravagna, Marsha Meskimmon, Amelia Jones,
How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.
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Trusted Partner
The ArtsJune 2022Transmodern
An art history of contact, 1920–60
by Christian Kravagna, Marsha Meskimmon, Amelia Jones,
How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.
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Trusted Partner
The ArtsJune 2022Transmodern
An art history of contact, 1920–60
by Christian Kravagna, Marsha Meskimmon, Amelia Jones,
How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.
