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September 2002Diamanten und Feuersteine
Erzählung
by José María Arguedas, Elke Wehr, Mario Vargas Llosa
Mariano ist anders von Kindheit an, sein wunderliches Wesen macht ihn zum Außenseiter. Die Familie schickt ihn in die ferne Stadt, wo bereits seine Kleidung Spott erregt. Aber wenn Mariano seinem Instrument, der Arpa, sanfte und kraftvolle Töne entlockt, betrachten ihn die Frauen voll Bewunderung und Mitleid, die Männer tanzen dazu, ohne sich um den Spieler zu kümmern. Im Ort herrscht Don Aparicio, der weiße Rinderzüchter. Er holt den Musiker in seine Nähe, nennt den Indio gar Don Mariano. Aber in Don Aparicios Umkreis zu leben bedeutet Schutz und Gefährdung zugleich. Als eine junge Fremde in den Ort zieht, gerät die prekäre Ordnung ins Wanken. Das Verhängnis beginnt damit, daß Mariano einer dem Herrn lästig gewordenen Geliebten mit der Musik seiner Arpa beistehen will. Diese gewalttätige, zeremonielle, musikalische, verzauberte Welt aus Bergen, aus empfindsamen Pflanzen und Tieren, aus Wolfsmenschen mit steinernen Herzen ... Mario Vargas Llosa
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Film scripts & screenplaysJuly 2013The cinema of Álex de la Iglesia
by Peter Buse, Núria Triana-Toribio, Andrew Willis
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Family & home stories (Children's/YA)October 2020Casas
by María José Ferrada, Pep Carrió
The authors of this book take us on a journey through the different ways of inhabiting a house. Based on illustrations by Pep Carrió made with acrylic markers, the writer María José Ferrada uses poetic language and humor to propose a set of micro stories that invite readers to observe their own ways of inhabiting the world.
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Literature & Literary StudiesAugust 2003'Other' Spanish theatres
Erasure and inscription on the twentieth-century Spanish stage
by Maria M. Delgado
'Other' Spanish theatres challenges established opinions on modern Iberian theatre by considering the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages. In questioning the primacy of the dramatist, this pioneering study offers a new interpretation of a nation's theatrical culture that has been viewed primarily through the prisms of a select number of playwrights. Accordingly many of the conclusions reached are new ones, and the case, for acknowledging the wide influence of Spanish practitioners on theatre in Europe and the Americas is made in persuasive terms. Through a bold documentation and interrogation of key productions and their reception both at home and abroad, 'Other' Spanish theatres focuses on the doing of performance, asking provocative questions around how performances are tested against the texts that remain. In a broad and detailed study Delgado selects six case studies which map out alternative readings of a nation's theatrical innovation through the twentieth century: muse and mentor to Federico Garcia Lorca, Margarita Xirgu; theatrical innovator and influence on Orson Welles, Enrique Rambal; tragedienne Maria Casares feted by George Craig Camus, Genet and Cocteau; actress, producer and director Nuria Espert; international director Lluis Pasqual and Catalan performance company La Cubana. ;
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The ArtsJune 2012Alejandro Amenábar
by Barry Jordan, Nuria Triana-Toribio, Andy Willis
Since the release of his first feature (Tesis) in 1996, Alejandro Amenábar has become the 'golden boy' of Spanish filmmaking, its 'King Midas', - a bankable star director - whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the biggest grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim (including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004). With Alejandro Amenábar, Jordan provides the first full-length study in English of Amenábar's shorts and feature films. Known for his spectacular imagery, sophisticated editing, memorable sound-tracks and challenging subject matter, Jordan shows how Amenábar makes a serious and socially aware, exportable 'middlebrow' cinema, designed for global audiences. There is also a detailed analysis of his engagement with popular film genres as the basis for an auteur cinema, and Jordan incorporates a reappraisal of Amenábar's auteurism as fundamentally decentred and shared. The book will be an essential resource for teachers, students, scholars and fans of Amenábar. It will also appeal to a wider readership, such as those who work in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and World cinema. ;
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The ArtsSeptember 2012Julio Medem
by Robert Stone, Nuria Triana-Toribio, Andy Willis
This thorough account of the life and films of the Spanish-Basque filmmaker Julio Medem is the first book in English on the internationally renowned writer-director of Vacas, La ardilla roja (Red Squirrel), Tierra, Los amantes del Círculo Polar (Lovers of the Arctic Circle), Lucía y el sexo (Sex and Lucía), La pelota vasca: la piel contra la piedra (Basque Ball) and Caótica Ana (Chaotic Ana), Initial chapters explore Medem's childhood, adolescence and education and examine his earliest short films and critical writings against a background of a dramatically changing Spain. Later chapters provide accounts of the genesis, production and release of Medem's challenging and sensual films, which feed into complex but lucid analyses of their meanings, both political and personal, in which Stone draws on traditions and innovations in Basque art, Spanish cinema and European philosophy to create a complete and provocative portrait of Medem and his work. ;
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The ArtsFebruary 2009Daniel Calparsoro
by Ann Davies, Nuria Triana-Toribio, Andy Willis
Daniel Calparsoro, a director who has provided a crucial contribution to the contemporary scene in Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a purveyor of crude violence by those critics lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro's films reveal in fact a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director's work, from his early social realist films set in the Basque Country to his later forays into the genres of the war and horror film. It offers an in-depth film-by-film analysis, while simultaneously exploring the function of the director in the contemporary Spanish context, the tension between directors and critics, and the question of national cinema in an area - the Basque Country - of heightened national and regional sensitivities. ;
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The ArtsJune 2012The cinema of Iciar Bollaín
by Isabel Santaolalla, Nuria Triana-Toribio, Andy Willis
Director, actress, scriptwriter and producer, Iciar Bollaín is one of the liveliest of contemporary young Spanish filmmakers and the first female director to have had a film (También la lluvia, 2010) shortlisted by the American Film Academy. Through detailed analysis of film form, socio-cultural contexts and conditions of production and consumption, the book opens up key issues on gender, production, film authorship, the mediation of socio-historical realities and the whole question of 'women's cinema'. Covering all aspects of her career, this book begins by taking in her work in front of the camera, beginning with her emergence as a teenage star in Victor Erice's El Sur (1983), and following on with discussions of her mature roles, such as Un paraguas para tres and Leo . Discussion of her work as a producer and director focus on production and form, as well as on the socio-historical contexts to which they belong. Film scholars and students interested in the increasingly prominent place of modern Spanish cinema will find this highly readable book an indispensable guide to an outstanding film-maker who in her directed films addresses some of the more vibrant of contemporary themes: female friendship in Hola, ¿estás sola?, immigration in Flores de otro mundo, domestic violence in Te doy mis ojos, tensions between public and private commitments in Mataharis, and socio-economic exploitation in También la lluvia. ;
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The ArtsSeptember 2017The cinema of Iciar Bollaín
by Nuria Triana-Toribio, Isabel Santaolalla, Andy Willis
Director, actress, scriptwriter and producer, Iciar Bollaín is one of the liveliest of contemporary young Spanish filmmakers and the first female director to have had a film (También la lluvia, 2010) shortlisted by the American Film Academy. Through detailed analysis of film form, socio-cultural contexts and conditions of production and consumption, the book opens up key issues on gender, production, film authorship, the mediation of socio-historical realities and the whole question of 'women's cinema'. Covering all aspects of her career, this book begins by taking in her work in front of the camera, beginning with her emergence as a teenage star in Victor Erice's El Sur (1983), and following on with discussions of her mature roles, such as Un paraguas para tres and Leo . Discussion of her work as a producer and director focus on production and form, as well as on the socio-historical contexts to which they belong. Film scholars and students interested in the increasingly prominent place of modern Spanish cinema will find this highly readable book an indispensable guide to an outstanding film-maker who in her directed films addresses some of the more vibrant of contemporary themes: female friendship in Hola, ¿estás sola?, immigration in Flores de otro mundo, domestic violence in Te doy mis ojos, tensions between public and private commitments in Mataharis, and socio-economic exploitation in También la lluvia.
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The ArtsApril 2019The cinema of Lucrecia Martel
by Nuria Triana-Toribio, Andy Willis, Deborah Martin
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The ArtsApril 2019Alejandro Amenábar
by Nuria Triana-Toribio, Barry Jordan, Andy Willis
Since the release of his first feature in 1996, Alejandro Amenábar has become the 'golden boy' of Spanish filmmaking, a bankable star director whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the highest-grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim, including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004. This book is the first full-length study in English of Amenábar's shorts and feature films. It provides detailed analysis of his engagement with popular film genres as the basis for an auteur cinema and incorporates a reappraisal of his auteurism as fundamentally decentred and shared. An essential resource for students, scholars and fans of Amenábar, the book will also appeal to a wider readership, including professionals in the film, media and culture industries as well as those who have a general interest in cinema.
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Trusted Partner
The ArtsApril 2019Daniel Calparsoro
by Nuria Triana-Toribio, Ann Davies, Andy Willis
Daniel Calparsoro, a director who has made a crucial contribution to contemporary Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a works of crude violence by those lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro's films in fact reveal a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director's work, from his early social-realist films set in the Basque Country to his later forays into the genres of the war and horror. It offers an in-depth film-by-film analysis while simultaneously exploring the director's position in the contemporary Spanish context, the tension between directors and critics and the question of national cinema in an area - the Basque Country - of heightened national and regional sensitivities.
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Science & MathematicsApril 2018Invasion Biology
Hypotheses and Evidence
by Jonathan M. Jeschke, Tina Heger, Sabrina Amador-Vargas, Tim M. Blackburn, Raul Rennó Braga, Phillip Cassey, Simon Debille, Martin Enders, Felix Erhard, Alejandro G. Farji-Brener, Gordon A. Fox, Pablo García-Díaz, Lorena Gómez Aparicio, James Griesemer, Julie L. Lockwood, Christopher J. Lortie, Caroline Müller, Regina Nordheimer, Petr Pysek, Samuel M. Scheiner, Julian Starzer, Olena Torchyk, Jean Ricardo Simões Vitule
There are many hypotheses describing the interactions involved in biological invasions, but it is largely unknown whether they are backed up by empirical evidence. This book fills that gap by developing a tool for assessing research hypotheses and applying it to twelve invasion hypotheses, using the hierarchy-of-hypotheses (HoH) approach, and mapping the connections between theory and evidence. In Part 1, an overview chapter of invasion biology is followed by an introduction to the HoH approach and short chapters by science theorists and philosophers who comment on the approach. Part 2 outlines the invasion hypotheses and their interrelationships. These include biotic resistance and island susceptibility hypotheses, disturbance hypothesis, invasional meltdown hypothesis, enemy release hypothesis, evolution of increased competitive ability and shifting defence hypotheses, tens rule, phenotypic plasticity hypothesis, Darwin's naturalization and limiting similarity hypotheses and the propagule pressure hypothesis. Part 3 provides a synthesis and suggests future directions for invasion research
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The ArtsDecember 2020The cinema of Pedro Almodóvar
by Nuria Triana-Toribio, Ana María Sanchez-Arce, Andy Willis
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Technology, Engineering & AgricultureNovember 2019Biotechnology of Fruit and Nut Crops
by Richard E Litz, Fernando Pliego-Alfaro, Jose Ignacio Hormaza, Stephen W Adkins, Nuria Alburquerque, Maria Luisa Badenes, Luciana Baldoni, Araceli Barceló-Muñoz, Pedro M. Barros, A.T. Basford, Muhammad Ajmal Bashir, Diego Silva Batista, J. Biddle, Manuel Blasco, J. R. Botella, Patrick Brown, Lorenzo Burgos, John E. Carlson, Luis A. Cañas, Elisabeth Carmona, David Chagné, Rekha Chaudhury, Elisabeth Chevreau, V. E. Chhatre, Yelda Özden Çiftçi, C. Claflin, Yuval Cohen, Elena Corredoira, Valerio Cristofori, Niccolò Cultrera, Abhaya Dandekar, Maurecilne Lemes da Silva, Sadanand A. Dhekney, Leo D’Souza, Ofere Francis Emeriewen, Kate Evans, M. Faize, Fábio Gelape Faleiro, Ana Paula Farinha, Vicente Febres, Yolanda Ferradás, Antonio Figueira, Maureen M.M. Fitch, Henryk Flachowsky, M. Foale, Svetlana Y. Folimonova, María Victoria González, Isabel María González-Padilla, Julie Graham, Dennis J. Gray, Magda-Viola Hanke, Smitha Hegde, Jose Ignacio Hormaza, Uma Jaiswal, Nikki Jennings, Hülya Akdemir
This book covers the biotechnology of all the major fruit and nut species, with persimmon, pomegranate and loquat included for the first time and colour illustrations illustrating the crop species and their wild relatives. Family by family, it details well-established techniques such as protoplast culture, in vitro mutagenesis and ploidy manipulation, but also newer approaches such as genomics, genetic transformation and marker-assisted selection.
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Comic strip fiction / graphic novels (Children's/YA)September 2022Nuc and the Magic Box
by Núria Aparicio
Nuc receives a mysterious box and soon discovers that it contains all the magical items used by witches. But becoming a witch isn't as easy as it seems... Discover the adventures of Nuc, the apprentice witch! A series of comics full of magic, tenderness and humor by Núria Aparicio (a.k.a LaPendeja), an illustrator from Barcelona. After a long experience as an animator and having worked for advertising, she was commissioned to illustrate a book and fell in love with the publishing world forever, although she is still looking for new challenges and different ways to express her creativity wherever she needs to.. See book trailer: https://youtu.be/JAC6q1HcQw4
