UNAM is the largest publishing house in the Spanish-speaking world. Its production averages 1200 printed titles and 500 electronic titles per year. It publishes literature, and state-of-the-art research in Spanish for all sciences and humanities. It translates the most within Mexican publishing industry, and it has been the publishing house of the most outstanding academic writers in Modern Mexico.
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Eagle, grasshopper, jaguar, butterfly, dog, monkey, feathered serpent, all these animals, real or mythological, tiny or majestic, carry a message. Forty works drawn with pen or brush have a dialogue with the texts of Elisabeth Foch, By taking us to a journey through the museums of Anthropology, the Templo Mayor in Mexico and the collections of the musée du quai Branly in Paris, this book takes us into the world of an ancient Mexico.
How to play Mexican Bingo and other random entertainments gives an account of the text. It portrays the Mexican everyday universe: landscapes, people, customs ... The Mexican Photographic Lottery is a lesson in ethnography and art.
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As the foods and recipes of Mexico have blended over the years into New Mexico's own distinctive cuisine, the chile pepper has become its defining element and single most important ingredient. Though many types were initially cultivated there, the long green variety that turned red in the fall adapted so well to the local soil and climate that it has now become the official state vegetable.To help chefs and diners get the most from this unique chile's great taste–without an overpowering pungency–Dave DeWitt, the noted Pope of Peppers, has compiled a complete guide to growing, harvesting, preserving and much more–topped off with dozens of delicious recipes for dishes, courses, and meals of every kind.
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This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality. Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press? Building on extensive archival research, the book examines how African and Mexican American men have been constructed as 'racial problems', investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.
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David Alfaro Siqueiros was perhaps the most important communist painter of the twentieth century. This book, the first sustained engagement with Siqueiros's work in the English language, focuses on the artist's late murals, which are both aesthetically innovative and politically provocative. It places Siqueiros in an international context, revealing that the dogmatism he has been charged with was in reality a complex phenomenon. It provided a foundation for - rather than an obstacle to - his efforts to create an art embedded in the day-to-day concerns and theoretical debates of the world-wide mass movement he saw himself as a part of.
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Six stories to make young and old travel through history, the imaginations of Africa. The myth of Shango, the legend of the buffalo woman, the legend of the mother of the Tuaregs, the story of King Agokoli, then that of the Amazons of Dahomey and finally that of the Ablafo
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Photography and memory in Mexico traces the 'life stories' of some of the famous photographic images made during the 1910 revolution, which have been repeatedly reproduced across a range of media in its aftermath. Which photographs have become icons of the revolution and why these particular images and not others? What is the relationship between photography and memory of the conflict? How do we construct a critical framework for addressing the issues raised by iconic photographs? Placing an emphasis on the life, afterlife and also the pre-life of those iconic photographs that haunt the post-revolutionary landscape, Andrea Noble approaches them as dynamic objects, where their rhetorical power is derived from a combination of their visual eloquence and their ability to coordinate patterns of identification with the memory of the revolution as a foundational event in Mexican history. Richly-illustrated, this book will be of interest to all those interested in photography, memory studies, and Mexican cultural history. ;
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This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
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Aoife Lennon-Ritchie, literary agent and author, brings out the first title in her humorous Viking-fantasy teen series, A Viking Legend: The Violaceous Amethyst. This winter, siblings Ruairi and Dani Miller visit their grandmother in the legendary Viking island of Yondersaay. In less than twenty-four hours of their arrival, Ruairi is mistaken for the lost Boy King of Denmark, kidnapped by Vikings, and scheduled to be sacrificed at sundown. Granny isn’t very pleased. But when they are the only ones in town who fail to go “Viking,” the three turn to Granny’s extremely epic tales of the legends of Yondersaay, The Gifts of Odin, and King Dudo the Mightily Impressive for clues. But not all stories end happily, and Ruari, Dani, and Granny will have to write their own happy ending if things are to return to normal. The Princess Bride meets Vikings in this enchanted tale of high adventure, buried treasure, villainous treachery, violent ends, and true love.
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24 LEGENDS. 14 STORYTELLERS. 10 COUNTRIES. 1 MASTERPIECE. Dragons, or 'Naga' as they are known in Southeast Asia, continue to exist in our legends long after we have embraced modern ideas and technology. They are beings that are both mystical and all-knowing. Until today, dragons still take on our emotions; our deepest joy and darkest fears, true love, and fleeting desires. DRAGONLORE, conceptualised by Ninot in 2012, features stories from many regions of the world of Southeast Asia, Australia, the Far East, Europe, ancient worlds, and mythology. Edited by Ninot and Johnny Gillett, award-winning writers Samuel Peralta (Canada), Cora Wang (China), Helmut Kunkel (Germany), Anna Kordzaia-Samadashvili (Georgia) Imam Qalyubi (Indonesia), Renato Ghezzi (Italy), Rita Angelelli (Italy), Arian Tejano (Philippines), Minah Sintian (Malaysian) Teoh Choon Ean (Malaysia), Can Yigit Tuncmann (Turkiye), Ruby Yusuf ( Malaysia) , The Journey Man (UK) join Ninot Aziz in this amazing journey chasing dragons around the globe. With Malaysian and Southeast Asian legends, the gorgeous retelling of the Inuit legend of Palraijug to the delightful folktale of the Filipino, Bakunawa enchant readers. The twist in the tale of the Lyminster Knucker to the mystical dragon painter from China. We join Ajetis as he battles evil hidden in the Bosphorus Sea. Twenty-four in all, each story is unique, bringing us to a different part of the world, and meeting wonderful characters along the way. The significance of legends and folklore in imparting important lessons is more evident than ever. The lessons conveyed through these stories often resonate deeply with the present era, offering invaluable insights into our challenges. From the Malay Archipelago to the Far East, the Arctic Circle to Down-under Australia, Europe, and beyond, legends and folklore possess a remarkable ability to capture the essence of our collective consciousness. By delving into these ancient narratives, we gain a broader perspective on the challenges that have plagued humanity throughout history. In the context of today's world, which grapples with urgent environmental concerns, stories from the past offer unyielding wisdom on sustainable living and the consequences of neglecting our planet. These narratives serve as a bridge between the past and the present, weaving together timeless wisdom and modern challenges into a cohesive narrative that resonates with a wide audience and ensures the continuity and survival of such legends.
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This work created from drawings of volcanoes by the artist, with the collaboration of the poems of Pacheco, Bracho, Blanco, Jacobs and Millán give us clues about how to build a volcano, ink and letters. Vicente Rojo's Volcanoes are descriptive forms, which contain a deep love for the artistic profession, and reveal an external structure that speaks of the infinite complexity of the universe. They are a creative effort to unravel the mystery of volcanoes. The use of descriptive and functional forms, characteristic of Vicente Rojo's work, allows establishing an interpretive parameter, which in poetry has been reflected in mysterious and evocative ways.
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Do you hear the wolves howling underneath the ground? They are buried waiting to be invoked by mother wolf, grandmother wolf and sister wolf. Only then, from the deepest side of the earth, they will rise. From a great explosion they will then be acknowledged as what they are: wolves, corn, wolf opossum, human wolves.
The Moon Created by Ancient Humans Ancient myths and legends have become the real historicalevents.The story of “God make human beings” is not a myth but atruth in our history.The fact about that made “moon” let all scientists feelsurprised.All readers will start to find historical truths after reading thisbook.
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Legend of Nancun is the latest long fairy tale created by Tang Sulan, a famous children literature writer. Stories in the book all happen in a place called “Nancun”. (The place is similar to Never Land in Peter Pan. Different from Never Land, a place inhabited by children only, Nancun is a paradise on the Earth, where humans, animals, spirits and immortals can live together.) Some animals in forests of Nancun are very special. They like dressing themselves in the way humans do. Some of them can even cultivate their vital energy to become immortal. Stories of these animals are intertwined with those of humans in Nancun to form the Legend of Nancun. The book consists of four separate but interconnected beautiful and imaginary stories, including Sheshen Stone, Teenager and Boa, Fox Son-in-Law, and Grandma Ding.
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"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
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Miracle Cure is a collection of poems that echo popular traditions. Riddled with humor, they play with language, with its twists and turns, its sounds, and with different ways of putting syllables in place. The authors created a lyrical recipe book for saving ogres, lost souls, skeletons and other creatures in danger of disappearing from the contemporary imagination..
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This book is a collection of essays on the most important figures associated with the Bakhtin Circle. It offers new biographical material, valuable translations of important Russian texts, a timeline and extensive bibliographical references. ;
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The hardworking and studious Reed is a well-known "wild child" in the fishing village. Influenced by the legend, he and his sister, He Ju, had the whimsical idea of learning the outstanding swimming skills from the porpoise, and thus became interested in the endangered species of porpoise. The porpoise, which had been repeatedly disturbed, always avoided them... By chance, the siblings, with their excellent swimming skills, rescued a baby porpoise that had been trapped by garbage. This cute porpoise has since become an exotic friend who plays the game with them ...
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This story is a recreation of a fable originally written in “Kalila and Demna”, an ancient book with Indian roots. In the original story, an old egret tricks the fish into thinking that they are being taken to a safe lake, but they are in fact becoming the egret’s food. Until one day, the crab also asks the egret to take him to the lake and sees the remaining fish bones while riding on his back. He then returns and informs the others. “Believe Me, I’m not an Egret!” is a parody of the original fable, encouraging the children to think about and question what they hear.
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"Die Fragestellung dieser Schrift betrifft die Haltung der Umwelt zum Künstler. Nicht der Lebenslauf des Künstlers, sondern das Urteil von Mit- und Nachwelt wird uns als Quelle dienen, die Künstlerbiographik im weitesten Sinn; in ihrem Mittelpunkt steht die Legende vom Künstler. Wir meinen aufzeigen zu können, daß in aller Biographik gewisse Grundvorstellungen vom bildenden Künstler nachzuweisen sind, die, ihrem Wesen nach aus einheitlicher Wurzel verständlich, sich bis in die Anfänge der Geschichtsschreibung zurückverfolgen lassen. Bei aller Abwandlung und Umgestaltung scheinen sie bis in die jüngste Vergangenheit ihre Bedeutung nie ganz eingebüßt zu haben."
