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Endorsements
David Alfaro Siqueiros was perhaps the most important communist painter of the twentieth century. This book offers the first sustained engagement with Siqueiros's work in the English language, focusing on the artist's late murals, which are both aesthetically innovative and politically provocative. Siqueiros's works were intended to foster analysis, articulate political strategy, and provoke emotions. They were attuned to the tactical needs of the working-class movement and to the international communist art of war time and the postwar period. That art, from Mexico to Britain to France to Italy to the Soviet Union, remained committed to the representation of the human figure, yet used abstraction to render the movements of history in a Marxist form and to heighten the emotional effect of scenes depicting the struggles of indigenous freedom fighters, the travails of striking workers, and the suffering of the global proletariat. Placing Siqueiros in an international context, Mexican muralist, international Marxist reveals that the dogmatism he has been charged with was in reality a complex phenomenon: it provided a foundation for - rather than an obstacle to - his efforts to create an art embedded in the day-to-day concerns and theoretical debates of the world-wide mass movement he saw himself as a part of.
Reviews
David Alfaro Siqueiros was perhaps the most important communist painter of the twentieth century. This book offers the first sustained engagement with Siqueiros's work in the English language, focusing on the artist's late murals, which are both aesthetically innovative and politically provocative. Siqueiros's works were intended to foster analysis, articulate political strategy, and provoke emotions. They were attuned to the tactical needs of the working-class movement and to the international communist art of war time and the postwar period. That art, from Mexico to Britain to France to Italy to the Soviet Union, remained committed to the representation of the human figure, yet used abstraction to render the movements of history in a Marxist form and to heighten the emotional effect of scenes depicting the struggles of indigenous freedom fighters, the travails of striking workers, and the suffering of the global proletariat. Placing Siqueiros in an international context, Mexican muralist, international Marxist reveals that the dogmatism he has been charged with was in reality a complex phenomenon: it provided a foundation for - rather than an obstacle to - his efforts to create an art embedded in the day-to-day concerns and theoretical debates of the world-wide mass movement he saw himself as a part of.
Author Biography
Curtis Swope is a Professor of German at Trinity University in San Antonio, Texas
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date October 2024
- Orginal LanguageEnglish
- ISBN/Identifier 9781526172655 / 1526172658
- Publication Country or regionUnited Kingdom
- FormatPrint PDF
- Pages360
- ReadershipGeneral/trade; College/higher education; Professional and scholarly
- Publish StatusPublished
- Dimensions240 X 170 mm
- Biblio NotesDerived from Proprietary 5908
- Reference Code15688
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