GCE - Gabriele Capelli Editore
The Gabriele Capelli Editore (GCE) is a small Swiss publishing house, primarily focused on fiction but occasionally expanding into essays and poetry.
View Rights PortalThe Gabriele Capelli Editore (GCE) is a small Swiss publishing house, primarily focused on fiction but occasionally expanding into essays and poetry.
View Rights PortalThis novel by Can Xue presents a whole range of characters with strong personality, such as Joe, Maria, Vincent, Lisa, Reagan and Ida. They are full of vitality and are accordingly unsatisfied with their present status. They actively explore unknown field of life and firmly embark on the journey of spiritual exploration. The novel focuses the complicated and intertwining relationship between husbands, wives and lovers to uncover the hidden inner desire of each character. Boiling wild nature and advanced civilization collide with each other before they finally become one unity. For the readers, entering the world of these characters is like entering their own inner world.
Anti-hero, and a would-be lover whose longing turns him into a buffoon: Prokopiev’s book is, surprisingly, a very English type. Heir to Shakespeare’s Bottom, Henry Fielding’s trickster Tom Jones, and even Kingsley Amis’s Lucky Jim, he could also share a pint or two with the deprecating genii loci of today’s British poetry: Alan Brownjohn’s Ludbrooke, Christopher Reid’s Mr Mouth or one of Hugo Williams’s frank self-portraits. But Peeper also belongs to the wider family of “the little man”, struggling under a weight of circumstance he has no notion how to negotiate. Living among, without managing to live by, conventions, the Peeper is a descendent of that wry Everyman who has suffered and been compromised since mediaeval times. He is a Good Soldier Svejk, a Charlie Chaplin, more than he is a Humbert Humbert or an Alexander Portnoy.
A sweeping historical saga about a city that defies the eroding power of time In one of the first Arabic novels about the COVID-19 pandemic, relationships begin and end much like the pandemic itself. From his balcony in Beirut, Ezzat notices a solitary light on a lone balcony in the building opposite. From that moment, a connection begins to form across the empty space between the buildings, communicated through the air and signals. The events unfold after the owner of the shadow steps out onto her balcony, confronting the voyeur. They share time, confusion... and desire. Ezzat and Tamer successively both fall in love with the same woman, and a cautious friendship develops between the two men. It soon evolves into more dangerous forms. The story also portrays the experiences of other building residents during the pandemic, who imposed strict isolation on themselves. The protagonists, particularly the two elderly lovers, live on the edge of catastrophic expectations, as when they imagine that a woman pressing the intercom downstairs to ask for food could be a sign of an impending widespread famine. The story does not conclude in a stalemate but rather with losers.
Sun Li, the protagonist of the novel, is a bestseller writer and his wife Xizi is the head of a university library. Their son Sun Yichi has been rebellious and unruly since childhood, remaining distant from his mother. Afraid of the exhaustion of his creativity, the middle-aged Sun Li begins to question the meaning of his writings. He thus suffers from serious insomnia and anxiety. Just at this time, his wife Xizi begins to have her own amorous secrets. Sun Li also finds himself unable to leave Li Qiao, director of New Evening Paper. These affairs have pushed their seemingly peaceful family life to the verge of collapse. The love calendar refers to the calendar that belongs only to Sun Li and his wife Xizi for their love. But such turbulent life experience has caused them to temporarily betray their love calendar … They eventually begin again the first year of their love calendar. Through the depiction of the love, marriage, and family life of Sun Li and Xizi, the novel becomes a retrospection of the spiritual tendency, emotional development and love pattern of the Chinese over the past 20 to 30 years. It also vividly outlines the changes of social mores in China over the past years in a figurative way. Even amorous entanglements are not devoid of elements of the officialdom, with honest and corrupt officials still on the scene. According to Wang Yuewen, this is an element of reality rather than of officialdom – “after all nobody can live in a vacuum space”.
Many children wet the bed. This comic storybook takes us on the journey of Kizere trying to overcome it. Gladly, with the help from parents and friends, she overcame it.
Conservatism, Christian Democracy, and the Dynamics of Transformation compares the centre-right political traditions of Britain, the Nordic countries, France, West Germany, and Austria and looks for evidence of political cooperation and influence across borders during the period 1945-90. The book explores howa variety of intellectuals, politicians, and political parties transformed their politics in response to major economic, social, and political challenges and seeks to explain why conservatives and Christian democrats came to feel that they belonged to a wider centre-right political family by the end of this period. It also examines why these political traditions found it difficult to cooperate with each other after the Second World War and why they decided to invest more political capital in inter-party relations and wider transnational projects from the 1960s. As the book shows, these developments resulted in two new centre-right internationals: the European Democrat Union and the International Democrat Union.
This book about the Thatcher government and the City of London tells the compelling human story of the people and processes that made Britain's 1980s financial revolution. Fusing insider testimony with new archival discoveries, it examines high stakes and networked solutions, and uncovers new objectives that drove reforms. In so doing it demystifies a major shift in capitalism. This has implications for our understandings of government and capitalism, from the way we think about the origins of subsequent financial crises to today's growing inequalities. Survival Capitalism offers new insights into the last major restructuring of the City, disrupts myths surrounding the logics of the market, and pays attention to people and processes at a time when the City of London again faces major change as Britain seeks to find its place outside the European Union in the wake of Brexit.
Drawing on a wide range of archival sources, Karen Garner documents international women's history through the lens of the long-established Western-led international organisations that defined and dominated women's involvement in global politics from the 1925 founding of the Joint Standing Committee of Women's International Organisations up through the UN Decade for Women (1976-85). Documenting specific global campaigns in episodes that span the twentieth century, Garner includes biographical information about lesser known international leaders as she discusses important historic debates regarding feminist goals and strategies among women from the East and West, North and South. This interdisciplinary study addresses questions of interest to historians, political scientists, international relations scholars, sociologists, and feminist scholars and activists whose work promotes women's and human rights. ;
The Family of Love charts a successful love intrigue between the cash-strapped Gerardine, and Maria, the sequestered niece of the mercenary Doctor Glister. Their romance unfolds against the dissection of two citizen marriages, the Glisters' and the Purges'. Mistress Purge attends Familist meetings independently, arousing her husband's suspicions about her marital fidelity. Two libertines, Lipsalve and Gudgeon, go in search of sex and solubility (freedom from constipation), receiving more than they bargain for in respect of the latter. This scholarly edition of Family of Love marks the first occasion on which the comedy is attributed to Lording Barry in print. It brings together literary and historical discussion with a thorough analysis of the play's disputed authorship. Tomlinson highlights Barry's rich vein of burlesque humour in a comedy that combines magic, a trunk, and a mock-court session with vigorous colloquial language.
The Family of Love charts a successful love intrigue between the cash-strapped Gerardine, and Maria, the sequestered niece of the mercenary Doctor Glister. Their romance unfolds against the dissection of two citizen marriages, the Glisters' and the Purges'. Mistress Purge attends Familist meetings independently, arousing her husband's suspicions about her marital fidelity. Two libertines, Lipsalve and Gudgeon, go in search of sex and solubility (freedom from constipation), receiving more than they bargain for in respect of the latter. This scholarly edition of Family of Love marks the first occasion on which the comedy is attributed to Lording Barry in print. It brings together literary and historical discussion with a thorough analysis of the play's disputed authorship. Tomlinson highlights Barry's rich vein of burlesque humour in a comedy that combines magic, a trunk, and a mock-court session with vigorous colloquial language.
Gabriele Munter zeichnet zu Beginn dieses Jahrhunderts für ihr Patenkind ein Bilderbuch, das hier zum ersten Mal veröffentlicht wird.
'Es geht so ein nachdenklicher, welker Duft umher wie von Blumen, die die Sonne getrocknet und die der Wind gepreßt hat, und es ist Herbst.' Der Herbst war für Rilke eine ganz besondere Jahreszeit. In Gedichten, Briefen und Texten beschwört er den kraftvollen Sturm ebenso wie die schillernden Farben und verewigt so seine Eindrücke von der Jahreszeit, die er liebt und feiert wie keine andere. Wer den Herbst liebt, wird sich bei Rilke festlesen.