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The ArtsJanuary 2019Carol Reed
by Peter William Evans
Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.
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The ArtsJune 2005Carol Reed
by Peter William Evans, Brian McFarlane, Neil Sinyard
Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!. ;
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December 2018The Complete Collection of Modern Chinese Prints by Lu Xun
by Editorial Board of the Complete Works of Modern Chinese Prints Collected by Lu Xun
This series contains about 1,800 modern prints collected by Lu Xun at that time, which authored by nearly 200 domestic printmakers and currently in the Lu Xun Memorial Hall in Shanghai and the Lu Xun Museum in Beijing. It is showcasing the glorious history of modern Chinese woodcut art: In the 1920s and 1930s, in order to guide the artistic direction of Chinese literary youth, smashed the KMT’s counter-revolutionary cultural " encirclement and suppression", Mr. Lu Xun held a "woodcut workshop" in Shanghai, and cultivated a group of emerging woodcut backbone. These backbones led young artists in various regions of the country to create a large number of realistic works reflecting the suffering and tragic fate of the people at the bottom of the society at that time. They cruelly lashed the dark reality of society and called for national salvation and survival. These young woodcutters sent their woodcut works to Lu Xun, who not only guided their creation personally, but also spared no effort to collect, publicize and promote them to the public. With the active advocacy and support of Mr. Lu Xun, the emerging woodcut movement in China has developed vigorously, driving the modernization of Chinese art and leaving an indelible glorious footprint in the history of Chinese modern culture and art. This complete collection is a companion to the The Complete Collection of Foreign Prints by Lu Xun published in 2014.
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Humanities & Social SciencesMarch 2017The Arctic in the British imagination 1818–1914
by Andrew Thompson, John M. MacKenzie, Rob David
The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
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Literature & Literary StudiesSeptember 2011
Literature and Agency in English Fiction Reading
by Adam Reed, Alexander Smith
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Humanities & Social SciencesNovember 2024Instruments of international order
Internationalism and diplomacy, 1900-50
by Thomas W. Bottelier, Jan Stöckmann
During the first half of the twentieth century, world politics was reshaped in pursuit of a new international order. The ideological foundations of the 'new diplomacy' (and its fate during the interwar period) are well known. This book instead examines the practices of internationalism and diplomacy from the First Hague Conference of 1899 to the aftermath of the Second World War. By focusing on these practices, such as disarmament regimes or public diplomacy, and their use as instruments to build international order(s), it emphasises the constructed, contested, and experimental character of what subsequently became a standard repertoire of international politics. Essays from a range of interdisciplinary scholars address well-established principles such as self-determination, and also less prominent practices such as small arms control or parliamentary inquiry. The book makes a major contribution to the growing historiography on twentieth-century internationalism.
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The ArtsThe Complete Collection of Calligraphic Works by Su Dongpo
by Wang Lianqi
The Complete Collection of Calligraphic Works by Su Dongpo was edited by Mr. Wang Lianqi of the Palace Museum in China and jointly published by the Palace Museum Press and Qingdao Publishing House. It is the first comprehensive collection of Su Dongpo's surviving calligraphic works of handwritings, copybooks and inscriptions collected by the Palace Museums on both sides of the Taiwan Straits and museums at home and abroad, and the first comprehensive collection of Su Dongpo's surviving calligraphic works in the cultural and artistic circles, with unprecedented quantity and quality rarely seen in previous publications. The Complete Collection is a set of 6 volumes, including 2 volumes of handwritings, 3 volumes of copybooks and 1 volume of inscriptions. The book consists of 43 handwritings, 15 copybooks and 8 inscriptions of Sudongpo scattered in major museums, collection units and libraries in China and abroad. The inscription of ChenKui pavilion tablet rubbing of Song Dynasty (Song Ta Chen Kui Ge Bei) collected in the Book Mausoleum Department (Shoryobu) of the Imperial Household Agency of Japan was published publicly for the first time in China; The inscription of Mr. Zhao Qingxian’s tombstone rubbing of Ming Dynasty of China (Ming Ta Zhao Qing Xian Gong Bei) collected in Shanghai Library in China has not been published in recent years and this is the first publication since the Republic of China; The copybook of Sudongpo's tablets published by Wanxiangtang in Ming Dynasty of China (Ming Ta Wan Xiang Tang Su Tie) collected in the Palace Museum in China is the largest work of in this book and this is also the first time that this masterpiece has been published publicly in China.
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March 2021Collector's Edition of Can Xue's Works: Huangni Street
by Can Xue
"Huang Ni Street" is Can Xue's debut novel. The work describes people on a street and many things on Huangni Street. Huangni Street is always dirty, even the rain is gray. Can Xue made a detailed description of this street, but this description is different from the description of ordinary writers, with a big jump in thinking and no consistent storyline. There are simple characters and simple stories. Can Xue's first novel constructed Can Xue's very significant writing characteristics later, and these rich images give readers a very special reading experience. Can Xue breaks the usual thinking and framework of traditional novels, and has the typical characteristics of Can Xue from the beginning.
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Humanities & Social SciencesNovember 2023Understanding baby loss
by Kate Reed, Julie Ellis, Elspeth Whitby
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Humanities & Social SciencesFebruary 2016Royal tourists, colonial subjects and the making of a British world, 1860–1911
by Charles Reed, Andrew Thompson, John Mackenzie
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Humanities & Social SciencesFebruary 2017Royal tourists, colonial subjects and the making of a British world, 1860–1911
by Charles Reed, Andrew Thompson, John M. MacKenzie
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Business, Economics & LawSeptember 2004Trade unions and democracy
Strategies and perspectives
by Mark Harcourt, Geoffrey Wood
This book explores the changing role of trade unions as products of, and agents for, democracy. Despite conventionally being portrayed as politically marginalised and in terminal decline, trade unions continue to represent a significant component of society within most industrialised countries and have demonstrated a capacity for revival and renewal in the face of difficult corcumstances. It brings together a distinguished panel of leading and emerging scholars in the field, and provides a critical assessment of the current role of trade unions in society, their capacity to impact on state policies in such a manner as to ensure greater accountability and fairness, and the nature and extent of internal representative democracy within the labour movement. This volume will be of interest to students and academics in industrial relations, critical management studies, political studies and sociology. ;
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Humanities & Social SciencesSeptember 2016Royal tourists, colonial subjects and the making of a British world, 1860–1911
by Charles Reed, Andrew Thompson, John Mackenzie, Rebecca Mortimer
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Business, Economics & LawFebruary 2020Events as a Strategic Marketing Tool
by Dorothé Gerritsen, Ronald van Olderen
Events have come to play an ever-growing role in marketing; by connecting products and services with experiences and vice versa, producers can create important added value. Events as a Strategic Marketing Tool, 2nd edition describes how events can be used as a strategic tool in marketing practices. Fully updated throughout, this new edition reviews the way organizations utilize events to connect with their visitors. It covers the development of the experience economy, the step from strategy to concept, event design and touchpoints. Written in an accessible style, it also considers the areas of marketing within which experiences play a role, such as branding, relationship marketing and city marketing. Concluding with a chapter on effect measurement and evaluation. Including a wealth of internationally relevant examples, it gives a thorough insight into the way events can help reach strategic marketing goals. It will provide an engaging resource for both students and professionals interested in Leisure, tourism and events.
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The ArtsFebruary 2025Passage works
Ruth Beckermann’s art
by Patricia Allmer, John Sears
Passage Works is the first book-length English language critical analysis of the transdisciplinary work of the Austrian film-maker, writer, and artist Ruth Beckermann (b. 1952, Vienna). Beckermann's works interrogate identity and geography as formations of the intersections between the past and the contemporary. Taking as her central topics Austria and its history and politics, her own identity as a Jewish woman, and the contemporary global geopolitics of migration and displacement, Beckermann develops wider meditations in film, art, and writing on the persistence of European memory, and the meanings of Europe itself; on borders, migrations, and identities; on memories, traumas, and traditions; on the image as marker of presence and absence, repository of the traces of historical violence; and on the passage as metaphor for a range of physical, psychological, and ideological movements defining the complexities of contemporary cosmopolitan identities.
