The Arctic in the British imagination 1818–1914
by Andrew Thompson, John M. MacKenzie, Rob David
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Albania, Algeria, Angola, Argentina, Armenia, Australia, Austria, Bahrain, Belgium, Belize, Benin, Bolivia, Bosnia and Herzegovina, Botswana, Brazil, Bulgaria, Burkina Faso, Burundi, Cameroon, Canada, Cape Verde, Central African Republic, Chad, Chile, China, Colombia, Comoros, Congo [DRC], Congo, Republic of the, Costa Rica, Ivory Coast, Croatia, Czech Republic, Denmark, Djibouti, Ecuador, Egypt, El Salvador, Equatorial Guinea, Eritrea, Estonia, Ethiopia, Faroe Islands, Finland, France, French Guiana, Gabon, Gambia, Georgia, Germany, Ghana, Greece, Guatemala, Guinea, Guinea-Bissau, Guyana, Honduras, Hongkong, Hungary, Iceland, India, Indonesia, Iran, Iraq, Ireland, Israel, Italy, Japan, Jordan, Kazakhstan, Kenya, Kuwait, Latvia, Lebanon, Lesotho, Liberia, Libya, Lithuania, Luxembourg, Macau, China, Macedonia [FYROM], Madagascar, Malawi, Malaysia, Mali, Malta, Mauritania, Mauritius, Mayotte, Mexico, Mongolia, Montenegro, Morocco, Mozambique, Namibia, Netherlands, New Zealand, Nicaragua, Niger, Nigeria, Norway, Oman, Pakistan, Panama, Paraguay, Peru, Philippines, Poland, Portugal, Puerto Rico, Qatar, Reunion, Romania, Russia, Rwanda, Saint Helena, Sao Tome and Principe, Saudi Arabia, Senegal, Serbia, Seychelles, Sierra Leone, Singapore, Slovakia, Slovenia, Somalia, South Africa, South Korea, Spain, Sri Lanka, Sudan, Suriname, Swaziland, Sweden, Switzerland, Syria, Taiwan, Tanzania, Thailand, Timor-Leste, Togo, Tokelau, Tunisia, Turkey, Uganda, Ukraine, United Arab Emirates, United Kingdom, United States, Uruguay, Venezuela, Vietnam, Western Sahara, Yemen, Zambia, Zimbabwe, South Sudan, Cyprus, Palestine, Bangladesh, Cambodia, Liechtenstein, Azerbaijan
Endorsements
The Arctic and the accounts of its exploration and heroes fascinated people in Victorian Britain. But how was this distant region represented to them? Which stories had lasting appeal and which were soon forgotten? How were the indigenous people represented, and what difficulties confronted the artist, photographer and engraver in depicting the Arctic? How and why did the images and forms of representation change during the nineteenth century? As Robert David tells is in this fascinating book, Britain's imagined Arctic was created through a staggering variety of representations: from travel narratives to works of art and panoramas, from museum, displays, tableaux vivants, and international exhibitions, to engravings in the illustrated press, as well as lectures organised by the geographical societies, school text books and adventure stories for children. There were also numerous cartoons, advertisements and board games, all of which fed the obsession. In this epic study of so many forms of representation over an extended time span, David has been able to reassess the whole nature of Arctic representation and how it changed in importance over time. Using this rich material in illuminating new ways, he argues that Arctic representations followed a different dynamic from those associated with more familiar locations of Empire, and so opens up a whole new area of study and discussion. The Arctic in the British imagination is illustrated with engravings, photographs and paintings drawn from a number of sources and in many cases not previously published. The book will be of essential interest to academics, students and enthusiasts interested in the Arctic, as well as historians of representations.
Reviews
The Arctic and the accounts of its exploration and heroes fascinated people in Victorian Britain. But how was this distant region represented to them? Which stories had lasting appeal and which were soon forgotten? How were the indigenous people represented, and what difficulties confronted the artist, photographer and engraver in depicting the Arctic? How and why did the images and forms of representation change during the nineteenth century? As Robert David tells is in this fascinating book, Britain's imagined Arctic was created through a staggering variety of representations: from travel narratives to works of art and panoramas, from museum, displays, tableaux vivants, and international exhibitions, to engravings in the illustrated press, as well as lectures organised by the geographical societies, school text books and adventure stories for children. There were also numerous cartoons, advertisements and board games, all of which fed the obsession. In this epic study of so many forms of representation over an extended time span, David has been able to reassess the whole nature of Arctic representation and how it changed in importance over time. Using this rich material in illuminating new ways, he argues that Arctic representations followed a different dynamic from those associated with more familiar locations of Empire, and so opens up a whole new area of study and discussion. The Arctic in the British imagination is illustrated with engravings, photographs and paintings drawn from a number of sources and in many cases not previously published. The book will be of essential interest to academics, students and enthusiasts interested in the Arctic, as well as historians of representations.
Author Biography
John MacKenzie is Emeritus Professor of Imperial History, Lancaster University and holds Honorary Professorships at Aberdeen, St Andrews and Stirling, as well as an Honorary Fellowship at Edinburgh.;
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date March 2017
- Orginal LanguageEnglish
- ISBN/Identifier 9781526121509 / 1526121506
- Publication Country or regionUnited Kingdom
- FormatWeb PDF
- ReadershipGeneral/trade; College/higher education; Professional and scholarly
- Publish StatusPublished
- Dimensions234 X 156 mm
- Biblio NotesDerived from Proprietary 1694
- SeriesStudies in Imperialism
- Reference Code9975
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