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      • Smith-Obolensky Media

        Smith-Obolensky Media is an international media boutique featuring the work by award-winning author Ivan Obolensky. His gothic mystery, Eye of the Moon, sold over ten thousand copies and the sequel is well underway for release next year. The Latin American Spanish literary translation has been accepted into the Librería Nacional chain, the largest in Colombia, for a thousand paperbacks to be sold in their stores (including those in three international airports).   We are magicmakers. How many of us have changed from a simple line we once read, or a film we saw at a crossroads moment? The art of storytelling, in all its facets, is something we celebrate.   In this spirit, we accept projects on a limited basis and focus on one author at a time, so we can fully present their works.

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      • Elain Publishing House

        Dr. Fatima Al-Boudi in brief Nationality: Egyptian. - She holds a Bachelor of Science, Department of Biochemistry, Alexandria University, in 1977. - Master of Biochemistry, Ain Shams University, 1985. - PhD in Biochemistry, Ain Shams University, 1990. - Holder of a diploma in criticism and art appreciation from the Academy of Arts in Cairo 1996. - Consultant medical analysis at the Faculty of Medicine, Ain Shams University. - Owner and director of “Dar Al-Ain Publishing” since 2000, and she founded one of the bookshops of the house in 2011 in Alexandria. - Director of the "Al Ain Cultural" salon. - She holds the 65th position out of 200 influential businesswomen in the Arab world. Al Ain Publishing House participated in many international book fairs. Al Ain Publishing House won many awards, including the Sheikh Zayed Prize, and reached the short list for the Booker Prize five times. - Dr. Fatima Al-Boudi in many cultural seminars at Arab International Exhibitions. - Member of the Egyptian Publishers Union. - Member of the Arab Publishers Union.

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      • Biography & True Stories
        March 1905

        Alaska Days with John Muir

        by Samuel Hall Young

        Samuel Hall Young, a Presbyterian clergyman, met John Muir when the great naturalist's steamboat docked at Fort Wrangell, in southeastern Alaska, where Young was a missionary to the Stickeen Indians. In "Alaska Days With John Muir" he describes this 1879 meeting: "A hearty grip of the hand and we seemed to coalesce in a friendship which, to me at least, has been one of the very best things in a life full of blessings." This book, first published in 1915, describes two journeys of discovery taken in company with Muir in 1879 and 1880. Despite the pleas of his missionary colleagues that he not risk life and limb with "that wild Muir," Young accompanied Muir in the exploration of Glacier Bay. Upon Muir's return to Alaska in 1880, they traveled together and mapped the inside route to Sitka. Young describes Muir's ability to "slide" up glaciers, the broad Scotch he used when he was enjoying himself, and his natural affinity for Indian wisdom and theistic religion. From the gripping account of their near-disastrous ascent of Glenora Peak to Young's perspective on Muir's famous dog story "Stickeen," Alaska Days is an engaging record of a friendship grounded in the shared wonders of Alaska's wild landscapes.

      • Trusted Partner
        August 1983

        Wieland-Lesebuch

        by Christoph Martin Wieland, Heinrich Bock, Hildegard Bock

        Christoph Martin Wieland wurde am 5. September 1733 in Oberholzheim geboren. Nach dem Besuch des pietistischen Internats Kloster Berge bei Magdeburg begann er 1749 ein Philosophie-Studium in Erfurt. Ein Jahr später wechselte er zu einem Jura-Studium nach Tübingen. Ab 1752 arbeitete er als Hauslehrer in der Schweiz. Während seiner Professur an der Universität Erfurt von 1769 bis 1772 gründete er die Zeitschrift »Der Teutsche Merkur«, die eine herausragende Stellung im Geistesleben der Zeit einnahm und so zu Weimars Rolle als literarisches Zentrum beitrug. Er veröffentlichte im Merkur eine Vielzahl eigener Essays und Aufsätze, beschäftigte sich mit philosophischen, politischen, gesellschaftlichen und ästhetischen Fragen. Daneben schrieb er Romane, Satiren und Dramen und übersetzte Shakespeare ins Deutsche. Christoph Martin Wieland starb am 20. Januar 1813 in Weimar.

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        September 2019

        Conga Line on the Amazon

        by David Myles Robinson

        David Myles Robinson was eight years old when he first got hooked on travel. Since then, he’s seen most of the world—all its continents plus, he laments, “far too many places where travel is now off-limits.”After a lifetime of visiting near and far, in heat and in cold, in comfort and in danger, Robinson has put it all together now in this unique collection of the varied travel adventures he’s found—and the lessons he’s learned from them. A Fellini-esque view of the Amazon, a Mercedes caravan to Istanbul, Jane Goodall's amazing chimps—just part of a travel trunk full of experiences guaranteed to keep you seesawing from “Boy, I'd love to do that" to “Sure glad it was him, not me.”In Conga Line on the Amazon, Robinson brings to his first travel book the same gift for intriguing narrative and sharp characterization that has won praise for his six highly successful novels. Some of his tales may be for the strong of heart, but they’re all for the reader with a yen to be entertained by one intrepid man’s adventures and misadventures exploring the strange and wonderful world we live in.

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        August 1997

        Von der Freiheit der Literatur

        Kritische Schriften und ausgewählte Publizistik

        by Christoph Martin Wieland, Wolfgang Albrecht

        Christoph Martin Wieland wurde am 5. September 1733 in Oberholzheim geboren. Nach dem Besuch des pietistischen Internats Kloster Berge bei Magdeburg begann er 1749 ein Philosophie-Studium in Erfurt. Ein Jahr später wechselte er zu einem Jura-Studium nach Tübingen. Ab 1752 arbeitete er als Hauslehrer in der Schweiz. Während seiner Professur an der Universität Erfurt von 1769 bis 1772 gründete er die Zeitschrift »Der Teutsche Merkur«, die eine herausragende Stellung im Geistesleben der Zeit einnahm und so zu Weimars Rolle als literarisches Zentrum beitrug. Er veröffentlichte im Merkur eine Vielzahl eigener Essays und Aufsätze, beschäftigte sich mit philosophischen, politischen, gesellschaftlichen und ästhetischen Fragen. Daneben schrieb er Romane, Satiren und Dramen und übersetzte Shakespeare ins Deutsche. Christoph Martin Wieland starb am 20. Januar 1813 in Weimar.

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        Literature & Literary Studies
        January 2020

        John Hall, Master of Physicke

        by Paul Edmondson, Greg Wells

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        Literature & Literary Studies
        February 2021

        Spectral Dickens

        by Alexander Bove, Anna Barton, Andrew Smith

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        Literature & Literary Studies
        June 2017

        Victorian demons

        Medicine, masculinity, and the Gothic at the fin-de-siècle

        by Andrew Smith

        Victorian demons provides the first extensive exploration of largely middle-class masculinities in crisis at the fin de siècle. It analyses how ostensibly controlling models of masculinity became demonised in a variety of literary and medical contexts, revealing the period to be much more ideologically complex than has hitherto been understood, and makes a significant contribution to Gothic scholarship. Andrew Smith demonstrates how a Gothic language of monstrosity, drawn from narratives such as 'The Strange Case of Dr Jekyll and Mr Hyde' and 'Dracula', increasingly influenced a range of medical and cultural contexts, destabilising these apparently dominant masculine scripts. He provides a coherent analysis of a range of examples relating to masculinity drawn from literary, medical, legal and sociological contexts, including Joseph Merrick ('The Elephant Man'), the Whitechapel murders of 1888, Sherlock Holmes's London, the writings and trials of Oscar Wilde, theories of degeneration and medical textbooks on syphilis.

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        Comic strip fiction / graphic novels (Children's/YA)
        August 2018

        The Straw Giant and the Crow

        by Bosworth-Smith, Jessica

        The Straw Giant and The Crow by Jessica Bosworth Smith is a heartfelt and off-the-wall story about a mysterious relationship between a straw giant and a crow. There is a field afar that holds an incredible secret... a giant lives there who is made of straw. One winter, grumpy and miserable with his cold surroundings, the Straw Giant chases away all the other animals in his field. That is, until the Crow arrives and begins to leave him little gifts each morning. A sweet and subtle friendship emerges — but will the Crow be able to last the Winter Solstice? Will their friendship defy the cold clutches of winter and last out?

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        The Arts
        September 2013

        Dickens and the dream of cinema

        by Grahame Smith

        An original blending of literary and film studies which seeks to dissolve barriers between the two disciplines. Offers a new reading of Dickens from the perspective of film, technology and visuality. Proposes a new reading of the emergence of film in the light of social and industrial transformations. Suggests that Dickens was one of the forces which contributed to the appearance of film towards the end of the nineteenth century. ;

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        January 2022

        Forty Years of Stage Life -- Mei Lanfang's Statement

        by Mei Lanfang ,Mei Lanfang Memorial Hall

        Mei Lanfang's surviving literature amounts to more than 6 million words. Forty Years of Stage Life is the core of his works. It is a self-description of Mr. Mei Lanfang's life. It is the most convenient and reliable way to approach the master and understand his artistic life. The previous editions of the book were arranged according to the published versions under certain historical conditions. This is the first time for Mei Lanfang Memorial Hall to arrange the book according to the original manuscript, which is an original publication returning to the master's original intention based on the accumulation of long-term academic research and the revision of new materials. A large number of pictures of Mei Lanfang's stage performances, artistic creations and reports will be added to the book, as well as some hand-drawn illustrations restoring historical situations, in an effort to show and reproduce the radiance and splendor of the master artist and his unparalleled artistic life in a more comprehensive, full, real and beautiful way.

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        The Arts
        January 2019

        French cinema in the 1970s

        The echoes of May

        by Alison Smith

        This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.

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        Literature & Literary Studies
        June 2016

        The World and other unpublished works by Radclyffe Hall

        by Jana Funke

        This book presents a wide range of previously unpublished works by Radclyffe Hall. These new materials significantly broaden and complicate critical views of Hall's writings. They demonstrate the stylistic and thematic range of her work and cover diverse topics, including 'outsiderism', gender, sexuality, race, class, religion, the supernatural and the First World War. Together, these texts shed a new light on unrecognised or misunderstood aspects of Hall's intellectual world. The volume also contains a substantial introduction, which situates Hall's unpublished writings in the broader context of her life and work. Overall, the book invites a critical reassessment of Hall's place in early twentieth-century literature and culture and offers rich possibilities for teaching and future research. It will be of interest to scholars and undergraduate and postgraduate students in the fields of English literature, modernism, women's writing, and gender and sexuality studies, and to general readers. ;

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        June 1977

        Wert- und Verteilungstheorien seit Adam Smith

        Eine nationalökonomische Dogmengeschichte. Aus dem Englischen übersetzt von Cora Stephan

        by Maurice Dobb, Cora Stephan

        Der kürzlich verstorbene britische Wirtschaftswissenschaftler Maurice Dobb, (»vgl. es 166: Organisierter Kapitalismus«) zählt zu den wenigen international hochangesehenen Vertretern seines Fachs; er hat als Methodologe und als Theoretiker gleichermaßen nachhaltig die neuere Nationalökonomie beeinflußt. Sein jüngstes Buch bestätigt den Ruf, der ihm vorausgeht: einer der führenden Interpreten wirtschaftlicher Entwicklungen und nationalökonomischer Theoriebildung zu sein. In systematischer Weise entfaltet Dobb an zwei herausragenden Problemstellungen – Einkommensverteilung und Wertlehre – die Entstehungs- und Klärungsprozesse der ökonomischen Theorie seit Smith (über Ricardo, Marx bis zu Keynes und Sraffa). Dies freilich – die Darstellung der ökonomischen Dogmengeschichte – ist nur die eine Seite der Dobbschen Argumentation; die andere bildet die ideologiekritische Auseinandersetzung mit der geschichtlichen Bedingtheit der ökonomischen Deutungssysteme und der mehr oder weniger »apologetischen« Funktion der aus ihnen abgeleiteten wirtschaftspolitischen Lösungsvorschläge. Es ist das große Verdienst der Arbeit von Dobb, den Erklärungsanspruch ökonomischer Theorien nicht nur logisch-immanent zu analysieren, sondern auch im Hinblick auf ihr Verhältnis zu der von ihnen beschriebenen Wirklichkeit.

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        January 2013

        My Life with Lifers

        by Elaine Leeder

        My Life With Lifers Lessons For A Teacher: Humanity Has No Bars "I have always been drawn to darkness," Elaine Leeder writes. "I know I always championed the underdog." As a sociology professor at Ithaca College in the 1990s, she began teaching at Elmira Correctional Facility in upstate New York. When she moved to California, that same desire to help led her to the prison education program at San Quentin. Then, inspired by her lessons, a group of Leeder's students approached her about working with a program the prisoners had established to aid in their long and difficult process of redemption and transformation. She accepted. These members of New Leaf on Life-the San Quentin "lifers"-have been sentenced to terms ranging from fifteen years to life in prison. Unlike Death Row inmates, who will either die in prison or be executed, many of the lifers are eligible for parole after having spent twenty to thirty years behind bars. But too often, they never see that opportunity because of the popular view that they are all "hardened criminals," killers incapable of rehabilitation and unfit to be free. What Leeder has learned, however, is that incarceration does not dictate character. Her students, although they are convicts, are committed to making their time in jail a life sentence in the best sense, not a death sentence. They have gone the extra mile to come to terms with their crimes, and have often managed to redeem their lives. My Life With Lifers shares the journey of a woman "on the outside" as she discovered the true nature of life in prison, and the roadblocks-so many of them unneeded-on the inmates' path to freedom. What Leeder's experiences add up to is both a fascinating human story and a reasoned and impassioned case for prison reform.

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        Literature & Literary Studies
        April 2023

        Charles Dickens and Georgina Hogarth

        A curious and enduring relationship

        by Christine Skelton

        Charles Dickens called his sister-in-law Georgina Hogarth his 'best and truest friend'. Georgina saw Dickens as much more than a friend. They lived together for twenty-eight years, during which time their relationship constantly changed. The sister of his wife Catherine, the sharp and witty Georgina moved into the Dickens home aged fifteen. What began as a father-daughter relationship blossomed into a genuine rapport, but their easy relations were fractured when Dickens had a mid-life crisis and determined to rid himself of Catherine. Georgina's refusal to leave Dickens and his desire for her to remain in his household led to rumours of an affair and even illegitimate children. He left her the equivalent of almost £1 million and all his personal papers in his will. Georgina's commitment to Dickens was unwavering but it is far from clear what he did to deserve such loyalty. There were several occasions when he misused her in order to protect his public reputation. Why did Georgina betray her once much-loved sister? Why did she fall out with her family and risk her reputation in order to stay with Dickens? And why did the Dickenses' daughter Katey say it was 'the greatest mistake ever' to invite a sister-in-law to live with a family?

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        September 1980

        Robinson Crusoe

        Oder kleine, für die Jugend äußerst anziehende und nützliche Auszüge aus dessen merkwürdigen Reisen mit 24 kolorierten Bildern

        by Friedrich C. Heller

        »Defoe hat mit seinem Robinson eines der schönsten Bücher der Welt geschrieben.« Hermann Hesse Illustrierte Ausgabe mit gekürzten Auszügen aus Daniel Defoes weltberühmtem Roman über einen Schiffbrüchigen, der sich auf einer Insel gegen die Natur behaupten muss.

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        The Arts
        March 2005

        French cinema in the 1970s

        The echoes of May

        by Alison Smith

        This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema. ;

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