Manuel Giron
Literature, photography and Music
View Rights PortalGirassol Brasil has been in existence for 20 years. Despite still being a young company,it has attained prominence in the children’s book scene thanks to the quality and interactivity of its books. They offer educational books; children’s literature, especiallyfrom renowned Brazilian authors; tales and fables; world literary classics; gamesand puzzles; and several reference books. The catalogue is also filled with pop-uptitles, bath books, wipe and clean books, flap books and many different interactiveelements that provide a pleasant reading experience and make learning fun for youngchildren and early readers. A series we would like to recommend you especially is Heartwarming stories,written by educational psychologist Paula Furtado in order to help young children todeal with difficult situations and life circumstances.
View Rights PortalWhile growing up, girls are more likely than boys to receive contradictory expectations from different aspects of their lives: parents, teachers, peers, society, and themselves. They could be rebellious but at the same time remain "good girls". They could express anger against bullies at school while simultaneously meeting teachers' expectations of nonaggressive behavior. They could be powerful and competitive at the same time that they worry about being considered "unfeminine". Girls struggle with these conflicting messages in their everyday lives, trying to please all these other people and losing track of themselves. Writer Le Fan, who has experienced the same contradictions as growing up, hopes that girls could love themselves, put themselves first a little more. So here comes the Picture Books about Emotion Management for Girls. The series contains five stories of five courageous little girls who were experiencing confusion in their lives. Little Le Fan in I am not Just a Good Girl tried to find the balance between two sides of herself—a cool girl and a good girl. Xiaoxiao in I love myself learned to be more confident and accepted her new look after her baby teeth fell out. Jiang in I'm so Jealous learned to deal with jealousy towards her best friend. A timid girl Xiao in I can Say No strived to express herself and stop the little boy's bullies. Feng in I Really Want to Win embraced her inner "tomboy" with daddy's encouragement. All the five little girls, though struggling, broke out of cultural and societal stereotypes swirling around them and became their true selves.
Tumi Letsatsi is a 13-year old melanin kween living in Rondebosch, Cape Town. Her favourite colour is yellow, she's still trying to figure out how not to dent her afro on the bus, and how one goes about (ahem!) “french kissing”. She’s a little awkward and a lot uncertain about her future, friendships and how to put together a cool outfit! But then she stumbles across the magic of coding and creates an app called “Project Prep” that goes viral and rockets her and her friends to fame. Then everything starts to fall apart, as she deals with a catfish who befriends her and steals her code, nasty rumours at school and the newfound attention of a crush. The New Girl Code (by Niki Smit, locally edited by Buhle Ngaba) is about the wonders of working in tech, aimed at girls and young women aged 9-15. The project is an initiative of Inspiring Fifty and based on an idea by Janneke Niessen.
Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat. The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac. As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.
Sam Kornberg liebt Trash-Filme, Hochliteratur und seine Frau Lala. Als die ihn verlässt, bricht für Sam eine Welt zusammen. Um sie wiederzugewinnen, ist er zum Äußersten bereit – er sucht sich einen Job. Den erstbesten, den er kriegen kann: Assistent eines Privatdetektivs. Sein Chef ist Solar Lonsky, ein kränkliches, fettleibiges Genie, das sein Haus nicht verlassen kann. Sams erster Auftrag ist die Beschattung einer mysteriösen Frau. Eigentlich muss er nichts weiter tun, als ihr durch Los Angeles zu folgen, doch schon bald verfällt er ihr hoffnungslos und wird in einen Mordfall verwickelt, in dem Satanisten, Succubi, Untergrundfilmer, Hollywoodstars und mexikanische Gangster eine nicht unbedeutende Rolle spielen. Mystery Girl ist ein Thriller über die Gefahren von Kunst und Liebe, ein Schnellkurs in »Verfall der westlichen Zivilisation« und ein durchgeknallter Trip durch L.A. Und, ach ja, es ist eine irre spannende, wahnsinnig gewiefte und brutal komische Geschichte.
London, Mitte der Siebziger. Die Popkultur wird neu erfunden, in der revolutionären Ursuppe des Punk scheint alles möglich. Aber gilt das auch für Frauen? Gibt es außer Groupie, Elfe oder Rockröhre noch andere Rollen? Besteht vielleicht zum ersten Mal die Chance, mit allen Typical-Girl-Klischees aufzuräumen, statt selber eins zu werden? Viv Albertine wurde zum Riot Girl, lange bevor es diesen Ausdruck gab. Bei den legendären Flowers of Romance kreierte sie neben Sid Vicious (später Sex Pistols) und Keith Levene (später PIL) ihren individuellen Gitarrensound. Um dann mit den Slits, der ersten autonomen Frauenpunkband, die Türen aufzustoßen, durch die später Madonna oder Lady Gaga eigene Wege gehen konnten. Wie die Punkszene entstand, wie sie aus weiblicher Sicht erlebt und feministisch neu erfunden wurde und welche Rückschläge es dabei gab – all das wurde noch nie so plastisch und zugleich so reflektiert, so abgeklärt und zugleich so amüsant geschildert wie von Viv Albertine in ihrem umwerfenden Memoir. Shoes off!
This book contains two of the most famous works of V. Domontovych. One of them is an engaging and somewhat extravagant novel The Girl with a Teddy Bear that describes the love of a sagacious teacher and his rebellious student. The novel is also a brilliant example of intellectual prose about the changing cultural orientations and the tragic personal conflict of a person destined to live in the time of change. The second one is Doctor Seraficus. It is the story of a strange and infantile ascetic professor who preaches a peculiar sort of “Don Juanism in reverse”: the desire to love all women and denounce all of them simultaneously.
"The Clam Girl" tells a story that a young boy Bai Hai fishing in the East China Sea rescued a baby girl who turned into a clam. Later, the baby girl brought her sisters-- other clam girls to visit him. Around a string of pearls that the Clam girl gave to Bai Hai, the book presents a confrontation story between kind people like Bai Hai and the greedy and brutal emperor. It also tells the story how seaweed can help cure some disease. It is a typical legend story of "origins of creatures".
Robert Pendleton ist ein Chemiegenie; was er entwickelt, bedeutet nicht nur Fortschritt, es bedeutet vor allem Reichtum und Macht. Als er plötzlich verschwindet, sind alle in Aufruhr: die CIA, die chinesische Regierung und die »Bank«, die sehr viel Geld in Pendletons Forschung investiert hat. Neal Carey soll ihn wiederfinden – ein Routinejob, wie er glaubt, bis er auf die schöne und geheimnisvolle Li Lan trifft. Im dunklen Herzen Chinas soll Neal die Antwort auf alle Fragen finden – oder den Tod. Alle Titel der Neal-Carey-Serie: London Undercover (Neal Carey 1)China Girl (Neal Carey 2)Way Down on the High Lonely (Neal Carey 3 – angekündigt unter dem Titel Holy Nevada)A Long Walk Up the Water Slide (Neal Carey 4 – angekündigt unter dem Titel Lady Las Vegas)Palm Desert (Neal Carey 5)
Heavenly Girl (Tian Nü) is based on a legendary story in The Classic of Mountains and Seas·Da Huang Bei Jing as a starting point. It describes the difficult journey of the Nü Ba out of the desert to find her identity after having exhausted her powers in aid to her father Huang Di at the war with Chi You. She became the Drought Godness then as drought emerged wherever she went. With the first-person narrative, the main body of the story describes the loneliness and the curiosity of the life of the goddess with her destructive ability. At the same time, the narratives about the protagonist from different persons are presented, offering a different perspective. The work is immense, exquisite in structure, full of characters and strong in originality and artistry.
Richard Haass and Mitchell Reiss, as autonomous diplomats in the George W. Bush State Department, were able to alter US intervention in Northern Ireland and play critical roles in the post-1998 peace process. Their contributions have not been fully appreciated or understood. The restoration of Northern Ireland's power-sharing government in 2007 was made possible by State Department-led intervention in the peace process. There are few references to Northern Ireland in work examining the foreign policy legacy of the George W. Bush presidency. Moreover, the ability to control US foreign policy towards the region brought one of George W. Bush's Northern Ireland special envoys into direct diplomatic conflict with the most senior actors inside the British government. This book will uncover the extent of this fall-out and provide original accounts on how diplomatic relations between these old allies became so fraught.
This graphic novel tells the story of Nyiragitwa, a Rwandan woman who is believed to have lived in the seventeenth century. It is based on an oral tradition that was shared by a man named Ndamyumugabe with the Belgian historian Jan Vansina in 1958 and raises important questions about how Rwandan women might have lived and contributed to their communities in the past.
It is the story about county and city. The girl XiaoYue met a goat who was chasing the dandelion seed in the woods of the street garden. This is the only goat in the city, he had never left this woods, cause he couldn’t cross the road. He wanted XiaoYue to bring him to see the fields, so XiaoYue held his horns and made him left the woods, and also encouraged him to pass through the zebra crossings. They arrived at XiaYue’s grandma’s house and spent a very good day. In fact that this goat is very stubborn, he didn’t want to leave the original place where he lived, so he turned into a statue in this city. When they came back to the street garden this day, all the streetlights had been turned on, and the only goat dispeared in the streetlights.
Very few people had the courage and the chance to change the course of events in history. Ghandi was one of them. Rosa Parks was another. But for the first time, a teenager stood up. Greta Thunberg started with small steps, sitting in front of the Swedish Parliament and later skipping schools on every Friday in order to demand action on climate crisis. In time, she inspired millions of young people and adults around the world to take to the streets to demand the same. Greta’s Voice is the real story of the 16-year-old climate activist, a story that will give hope to people of all ages and prove to children that they don’t need to wait becoming a grown up to make a difference. Greta’s is a story of persistence and inspiration, a wake up call for us all. We hope we will stop the climate crisis altogether
This is the debut book of the nine-year-old dreamer and imaginative soul Bogdana Tytariova, a book that will captivate children and adults alike. Together with the heroes of Bogdana’s exciting stories, readers of these funny tales will travel the world and encounter fantastical creatures and magical animals, finding themselves in the land of uncultured books. The work is recommended for family readings, and these adventures are definitely going to brighten up every family gathering. After all, every once in a while, parents need a reminder that they were children too! From years 5 to 8, years, 8360 words. Rightsholders: svidoma@ukr.net
Aadya looks just like her mother (Aai)—same little nose, same delicate ears, same big eyes, and identical thick, long hair. But one day, Aai goes away to a big hospital with a promise to return before Aadya learns her next Math lesson. The long-awaited return shocks Aadya because now her mother looks completely unlike her. She wonders if Aai will ever greet her with her usual, cheery, ‘Hello! Mini-me.’ Or will Aadya have to take matters into her own hands just to hear that again?With lyrical prose and a tender touch, Aai and I is an empowering story of the bond between a mother and a daughter, and of the little one finding her own identity as she finds herself no longer 'looking' the same as her mother. Mamta Nainy captures with elan Aadya’s innocence, impatience, and dilemma, and Sanket Pethkar’s vibrant, gorgeous artwork brings to life a typical Indian household in the state of Maharashtra.
Once upon a time, there was a poor young man who lived alone. One day, he picked up a snail on the riverside and took it home. Since then, he could see a table of hot meal as long as he came back home. He was surprised to find that all these were cooked by a girl, who was changed out from the snail. It turned out that the girl was a goddess, who wanted to thank the young man for saving her life.
The history of Ukraine in the times of the Kyiv Rus' is full of mysteries. One of them is the figure of Anna of Kyiv, the daughter of Yaroslav the Wise. She was famous not only for her beauty, but also for her education. No woman in Europe could match her. And… She also became the Queen of France. However, this book is not about the queen. It is about the girl who passionately loved her homeland, was proud of her parents, her ancestry and was always reading books. It was from books that she drew the wisdom of life and pleasure for her soul. Turning the pages of the book, readers will meet historical figures like a beautiful Princess Lybid or Svyatoslav and Volodymyr, the kings of Kyiv Rus'. There will be some imaginary characters too, for instance, a funny merman who will tell the readers how the Styr River got its name. Olha Medynska, a fine arts teacher and a fabulous artist, illustrated the book. Olha Medynska, a native of Lutsk, has more than 30 illustrated books in her creative portfolio. Olha has loved painting as long as she can remember herself and she learned it from her mother. Olha greates memorable, fun and quirky characters that delight children. The book is suitable for primary school pupils and early teens.
In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
The memory of the forest tells two stories. One, that of a little girl and her mother, and the other story told by the mother to her daughter: a princess who has seen her village burn, a princess who has known fire and violence up close, a princess who hides, turns into a ball; but she is discovered by another - a cat - who makes her remember, questions her. It is a story that is permeated by the dialogues between mother and daughter around the story being told. Elizabeth Builes’ illustrations, with their gestural strokes, her impeccable handling of a palette of soft tones, her skill in the handling of nature and the creation of intimate scenes, give life to a story that goes beyond what is narrated in words.