Flamingo Publishing House
We specialize in books for the mass market and publish educational and activity books, books with stickers, coloring books, fairy tales and easy-to-read books. We always aim to create long-sellers.
View Rights PortalWe specialize in books for the mass market and publish educational and activity books, books with stickers, coloring books, fairy tales and easy-to-read books. We always aim to create long-sellers.
View Rights PortalFlame Tree Publising publishes a wide range of illustrated books as well as fiction titles. Subject areas are: art, music, lifestyle, mind, body, spirit, cooking, hobbies & craft, travel, computing & apps. Fiction: Timeless Literature Classics and Crime Classics, Horror & Suspense, Science fiction& Fantasy, Crime & Mystery.
View Rights PortalIt is the year 2053 and El Alto celebrates its tenth anniversary as the capital of the New Kollasuyo. Metropolis of the Andes, continental scrap metal market, second-hand industrial engine, robotic garbage supply, recipient of Chinese colonies, host of technosophical cyber-religions, world headquarters of the cholet and the highest popular fair on the planet, the city of the future is the mirror of our dreams. Don't let them talk you out of it: the future is now!
Responsible for the death of hundreds of Jews and members of the resistance, including Jean Moulin, SS Klaus Barbie escaped justice and a double death sentence at the end of World War II. He exchanged his native Germany for South America, where he applied the same methods and even organized the coup d'état of the dictator Hugo Banzer. A true mercenary, nicknamed the Butcher of Lyon, he was finally identified and hunted down until 1987, the fateful year of his trial and conviction, unprecedented in France: life imprisonment for crimes against humanity.
Can anyone deceive the loved one in order to protect him or her from the cruel truth of love? Like broken magnets that first repel and then attract each other, the characters of this comical tragedy of entanglements swing between love and lovelessness, between fantasy and reality, between dream and wakefulness. In the confusion of these parallel lives, they stray into a diffuse reality that becomes clear when they all accept that they have deceived and been deceived. In his extensive and brilliant literary career, Ariel Magnus usually approaches from a marginal sector the crucial issues that are being debated in society. As if he had an antenna capable of capturing the sign of the times, but with a certain lag that makes him decode reality from the eccentric -in the sense of being out of the center- and, therefore, paradoxically, in a sharper, more forceful and notably more uncomfortable way. His style is recognizable in the marks of humor, absurdity, polysemy, logical contradictions.
Zhangjiajie• is a book organized and edited by the Propaganda Department of the Zhangjiajie Municipal Committee of the Communist Party of China. At the beginning of 2019, the Propaganda Department of the Zhangjiajie Municipal Party Committee learned about the news of Zhangjiajie, the birthplace of "My Motherland and Me", and then began a long period of time. Argumentation and planning, the book is composed of 4 chapters: "Birth", "Anthem", "Story" and "The Square". The work uses a large number of little-known song creation details, interesting stories and praises to the landscape and humanities of Zhangjiajie. It restores the creation process of the song "Me and My Motherland" for readers. At the same time, through a large number of incisive essays, multi-dimensional and multi-perspective presented Zhangjiajie people's praise of the motherland in all aspects.
Spark your little adventurers' love for reading with an exciting journey through Japan! This book invites young explorers to discover vibrant scenes, from ancient temples and delicious sushi to the latest technology and video games. They’ll embark on a thrilling forest adventure with Radia, Django, and Ismael, where they’ll encounter a surprising character along the way. Explore iconic sights like Tokyo Tower, cherry blossoms, and koinobori, and learn about Hachiko, tanuki, and manga. Packed with stickers, games, and coloring pages, this book is a treasure trove designed to ignite their curiosity and imagination. Get ready for an unforgettable adventure through the wonders of Japan!
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
A story within one day – from 5 a. m. to 5 p. m. A vivid picture of secular life in Beijing. Winner of Mao Dun Literature Prize. Everything begins in an archaic quadrangle dwelling in Beijing, where Xue Jiyue’s mother gets up early to prepare for the son’s wedding banquet.Other characters show up one after another. After narrating their behaviors during the day, the author goes back and tells about their past, with a special concern about the influences from vicissitudes of time, especially how the Cultural Revolution changed those individuals’ courses of life.The Bell Tower and Drum Tower stand there still, witnessing all of those earthshaking changes.
China Story Picture Books is the first set of children's picture books launched by the Bingxin Award Committee. This set of books covers the works of seven Bingxin Award-winning writers of different ages including children's literature masters and promising young writers. The illustrations are full of traditional Chinese cultural elements such as dragon lantern dance, paper cutting, oil paper umbrella, and bamboo. Powerful painters at home and abroad are invited to do illustrations, which brings interesting fusion and collision of Chinese and foreign cultures to the books. In addition to the original illustrations, the stories are more touching. Every child can harvest the courage and wisdom for growing up from these stories. The series consists of 7 picture books: The Dragon Lantern, The Path of Golden Flowers, The Child in Three-Story Attic, The School Day Gifts, The Secret of Crossing, The Slope of Sisters. The Path of Golden Flowers tells a traditional Chinese folk tale about persistence and inheritance. Once upon a time, a skillful carpenter surnamed Tong walked along a dangerous mountain road. He casually scattered some wood shavings, and these shavings took root and then bloomed with golden flowers, formed a path of golden flowers.
This book introduces the origin, inheritance, and development of Feng's family spine tuina therapy, its treatment methods for common pediatric diseases, and the spine tuina and its manipulation techniques. It is equipped with high definition pictures and rich operation videos, which enable readers to conveniently learn and practice the methods.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
The long reportage "Looking back at Yinshan" tells the story of the passionate story of the old artist Mr. Wu Guowei leading his team to create the "China Yinshan". The author closely blends the ingenuity dream of a people’s artist with the 5,000-year splendid historical civilization and modern civilization spirit of the Chinese nation at the tip of the pen, thus, a panoramic view of the "China Seal" from creativity, planning, demonstration to project implementation. The bumpy journey of more than 10 years shows a magnificent and magnificent picture. The protagonist of this book, Wu Guowei, cleverly used a local mountainous area with many pinnacles to carve various seals of various Chinese styles on the stone walls, and permanently collect the bright red seals containing Chinese culture, Chinese history and Chinese style. , Displayed on the land of their hometown, adding a wonderful cultural landscape to their hometown.
Back to School, the sequel to Trinity High; Students-in-Crime, is equally full of adventure, mischief and fun as its prequel. It captures the last two terms of the Form One experience of Naa Atswei and her friends. Together, the girls figure out how to beat the system and survive the jungle.Whether they willingly chase some adventures or are drawn in unintentionally, the girls do what they alone do best: they keep readers at the edge of their seats!
It has been four years since the author’s mother passed away in the special year of 2020. In writing this book, she intends to refresh her memory about her mother. The book vividly tells how the author’s mother strives for growing up in the context of a bad family background, from her childhood to fighting for a job to make a living after growing up, from her romantic love story with her husband to her deep affection for her three children amid the vagrant life. Readers are also able to witness mother’s passion for her career as a teacher and her care for her students, as well as learn how the author forbears sadness when taking record of her mother’s tenacious combat against disease on the sickbed. The whole story is permeated with pure and gentle love and a pleasant atmosphere, but in some chapters, it still gives out solemn, tragic, and powerful emotional strength. Telling the whole life of the author’s mother, the book also depicts that of her grandparents’ and maternal grandparents’ families, three generations in total, in the era back then.
With the little silver fish in Dongting Lake as the narrator and time as the clue, this book uses a childlike approach to tell readers the short stories and the famous pieces they written in the past of Qu Yuan, Li Bai, Du Fu, Teng Zijing and other celebrities of all generations that took place in Yueyang Tower. This book explains the importance and symbolic significance of Yueyang Tower in Chinese culture, and shows how the spirit of “care for the fate of nation” has been passed down from generation to generation. The tears of Ehuang and Nvying fell on a little silver fish in the Dongting Lake, giving it an ageless body. The little silver fish swims freely in the Dongting Lake, and it witnessed the construction and rebirth of Yueyang Tower in history, witnessed the scene of celebrities climbing up the tower and looking far away in the past generations.
This series contains about 1,800 modern prints collected by Lu Xun at that time, which authored by nearly 200 domestic printmakers and currently in the Lu Xun Memorial Hall in Shanghai and the Lu Xun Museum in Beijing. It is showcasing the glorious history of modern Chinese woodcut art: In the 1920s and 1930s, in order to guide the artistic direction of Chinese literary youth, smashed the KMT’s counter-revolutionary cultural " encirclement and suppression", Mr. Lu Xun held a "woodcut workshop" in Shanghai, and cultivated a group of emerging woodcut backbone. These backbones led young artists in various regions of the country to create a large number of realistic works reflecting the suffering and tragic fate of the people at the bottom of the society at that time. They cruelly lashed the dark reality of society and called for national salvation and survival. These young woodcutters sent their woodcut works to Lu Xun, who not only guided their creation personally, but also spared no effort to collect, publicize and promote them to the public. With the active advocacy and support of Mr. Lu Xun, the emerging woodcut movement in China has developed vigorously, driving the modernization of Chinese art and leaving an indelible glorious footprint in the history of Chinese modern culture and art. This complete collection is a companion to the The Complete Collection of Foreign Prints by Lu Xun published in 2014.
The Irish tower house examines the social role of castles in late-medieval and early modern Ireland. It uses a multidisciplinary methodology to uncover the lived experience of this historic culture, demonstrating the interconnectedness of society, economics and the environment. Of particular interest is the revelation of how concerned pre-modern people were with participation in the economy and the exploitation of the natural environment for economic gain. Material culture can shed light on how individuals shaped spaces around themselves, and tower houses, thanks to their pervasiveness in medieval and modern landscapes, represent a unique resource. Castles are the definitive building of the European Middle Ages, meaning that this book will be of great interest to scholars of both history and archaeology.
Nona and Catalina, grandmother and granddaughter, have to flee to Mexico because of the Argentine dictatorship. The two land in a new place where they will have to reconfigure themselves in many ways. To begin with, as happens in exile, families are reorganized in unique sizes and structures. Catalina is just a child, she understands it at her own pace. Her seemingly innocent gaze observes a Chilean city that opens into a country with a life of its own. La Nona, who wields a singular wisdom, is an identity star. Questions about history and the present, arrive in time. Mexico and Argentina are distant countries on the map, but space-time merges them in a notion made of pain but also a lot of love, the argenmex, which throbs and has taken root in the south and north of the continent. This book does not stop there, but develops, reaching other geographies as well. As if it were a spider's web, it is carefully woven, captures and, above all, crosses threads of multiple meanings, from the historical, political and national, to those of childhood, the family and the individual.
In the face of uncertainty, we have lost the right to mourn; in the face of this, perhaps all that remains is to search, to ask, to name. This is a book that puts memory in the foreground, a recognition of the collective mourning that runs through us. Nombres propios is an approach to the legitimate and loving resistance that sustains the living victims of violence in Mexico. As Natalia Mendoza notes in the prologue: Alvarado's verses point to the concrete mechanism that could inaugurate a new time.
"Prueba olímpica" test demystifies what is in front of him. Here prose poems are explored, there are verses that become epigraphs of a following poem, obsessions that open a process that can be endless, wounds that discover, themselves, that it makes sense to mock their existence. Lorena has a natural force that disturbs those who read her, like that bird that murmurs near our ear. This book is inserted in the tradition to modify it.
She is Hua Yaya, a little apprentice who wants to learn paper-cutting. But the master she wants to learn from is a bit strange. As an apprentice for three years, Hua Yaya spends a year in watering flowers, another year in sharpening a pair of scissors and a third year in visiting the market. Finally, her strange master flies into her paper-cut by riding a golden bird. Can she cut out lifelike patterns such as flowers, birds, leaves and characters?