Clever Fox, at the edge of the ever-changing publishing industry, offers a wide range of different Book Publishing Packages, from simple e-books to full global distribution of paperbacks or hardbacks. Possessing the experience and integrity that a great publisher requires, we have been successfully publishing high quality books for over 5 years.
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We are an independent UK-based company that handles trade sales, distribution, marketing, rights and co-editions for Fox Chapel Publishing Inc. and Old Pond Publishing in the UK and worldwide, excluding North America. Our publishing categories include crafts, art & coloring, home & garden, sustainable living, food & drink, health & fitness, woodworking, children’s books, travel, pets, farm animals, trucking and farm machinery and journals. Our website is: www.foxchapelpublishing.co.uk
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Begleite Familie Knister auf ein aufregendes neues Abenteuer in „Kleine Feuerwehr. Drunter und drüber“, dem zweiten Band der beliebten Kinderbuchreihe, inspiriert von der erfolgreichen Kinder-App von Fox & Sheep. Dieses Mal erwartet die Familie Knister hochspannende Gäste aus China: eine Feuerwehrmannschaft! Doch die Überraschung ist groß, als die Besucher aus Fernost ganz anders aussehen, als man es erwartet hätte. Sind das wirklich Feuerwehrleute? Ohne gemeinsame Sprache entsteht ein buntes Durcheinander, das Familie Knister und ihre Gäste von einem verrückten Abenteuer ins nächste führt. Witzige Missverständnisse und spannende Herausforderungen warten auf die ungewöhnliche Truppe, die trotz aller Unterschiede zeigt, wie Freundschaft und Zusammenarbeit Barrieren überwinden können. Thematisiert die Begegnung zwischen unterschiedlichen Kulturen auf humorvolle Weise und hebt die Bedeutung von Offenheit und Verständnis hervor. Abenteuerliche Reise voller unerwarteter Wendungen, die Jung und Alt gleichermaßen begeistert. Integrierte Bastelbögen laden zum kreativen Spielen ein. Kinder können ihr eigenes Feuerwehrauto bauen und eine Feuerwache gestalten, um die Geschichte lebendig werden zu lassen. So lassen sich Sprachbarrieren überwinden: Charaktere finden trotz fehlender gemeinsamer Sprache Wege, miteinander zu kommunizieren und zu kooperieren. Reich illustrierte Seiten und ausklappbare Elemente fördern die Vorstellungskraft und Kreativität junger Leser. Eine Geschichte, die zeigt, wie wichtig es ist, einander zu helfen, zusammenzustehen und gemeinsam Lösungen zu finden.
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Dive in to the magical world of childhood. A little girl with hair as red as those of a fox is growing up in an atmosphere of love under the care of her grandparents. In the book she tells about her daily witty adventures, her most cherished dreams, and the unbelievable miracles that happen to her. The book is about building bridges between children and adults and about the rapid changes in life. The fox represents the love of life, the belief that every day is a true miracle. When I Was A Fox is an important book about the perception of the world that could be read and discussed by all family members. From 6 to 9 years, 5414 words Rightsholders: n.miroshnyk@vivat.factor.ua
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Yang Peng's Award-winning Novels are a collection of the award-winning works of Yang Peng's many outstanding stories. Not only are the selected articles humorous, but also rich in imagination. They are also rich in profound educational philosophy that can enlighten the mind and help readers to reflect on themselves. Dididi received a package. However, the package did not contain figs as his uncle said he had sent, but a dirty cat. Even more amazing is that this cat actually has magic power: it can become as big as the house, or as small as a mouse. He was even able to transfer to be a giant whale. This magic cat can always make a different scene for Dididi to swim, or a sceney that they could go to the beach, the virgin forest, and even the universe. Not only does this cat like to help others, but also is with justice, and has done a lot of earth-shattering good things with his friend Dididi.
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John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
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Mother Fox always warned little Shustryk: "Never, never leave the home alone, because in the forest, and especially beyond the forest, where the two-legged live, it is full of dangers..." But can a little fox, who was called Shustryk, sit at home when there is such beauty around? Inquisitive Shustrik, trying to give his mother a pleasant surprise, gets into a big trouble.
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Das Wilde Gelage findet endlich wieder statt! Es ist der größte magische Wettbewerb in ganz Europa und Faye Fox und ihre Freunde fahren nach London, um das aufregende Spektakel anzuschauen. Als jedoch der reisende Teeladen samt seiner Besitzerin, der Teehexe Miss Butterling, geschrumpft und vom Meisterspion des Hofs der Lichtfeen gestohlen wird, muss Faye an dem gefährlichen Wettkampf teilnehmen, um Dwimmerly End zurückzugewinnen. Die böse Feenkönigin handelt allerdings alles andere als ehrlich. Wird es Faye Fox und ihren Freuden dennoch gelingen Miss Butterling rechtzeitig zu befreien? Die fantastischen Abenteuer des Mädchens mit den Fuchsohren gehen weiter. Hochspannung garantiert!
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Mia, Leo und ihr Hund Fox gehen spazieren. Plötzlich wird Leo von einem Mann umgerannt. Der treue Fox zerreißt dem Grobian die Hose. Das gibt bestimmt Ärger! Aber der Mann rennt einfach weiter. Wie seltsam. Als die Kinder dann noch ein hübsches Glitzerding am Straßenrand finden und erfahren, woher es stammt, wissen sie, was zu tun ist. Gemeinsam mit der Polizei suchen sie den Juwelendieb. Was für ein Abenteuer!
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Die fantastischen Abenteuer des Mädchens mit den Fuchsohren. Die zwölfjährige Faye Fox wurde mit Fuchsohren geboren und ihr Leben lang als Hauptattraktion im Zirkus ausgestellt. Doch sie träumt von einem besseren Leben bis eines Tages ein kleines Wunder geschieht: Die freundliche Hexe Miss Butterling nimmt Faye in ihrem magischen Teeladen als Lehrling auf. Ein Traum scheint wahr zu werden. Täglich ist Faye nun umgeben von zuckrig-leckerem Gebäck, verrückt-zauberhaften Zutaten und skurril-lebendigem Geschirr. Bei Miss Butterling findet sie neue Freunde, zum Beispiel einen vorlauten weißen Raben namens Madrigal. Alles wäre gut, wäre da nicht der fiese Mr Gram, König der Toten. Einst versprach er Faye, sie von ihren ungeliebten Fuchsohren zu befreien – unter einer Bedingung: Sie soll ihm ins Reich der Toten folgen. Werden Faye und ihre Freunde den bösen Fluch des Mr Gram abwenden können? Fantasy für starke Mädchen – Spannung garantiert. - Start der magischen Trilogie um Faye Fox und ihre Freunde - Du hast Nevermoor und Ein Mädchen namens Willow geliebt, hast Fuchsland verschlungen? Dann freu dich darauf Faye Fox kennenzulernen. - Kinderhörbuch ab 10 Jahren für alle großen und kleinen Fans fantasievoller, magischer Hexen-Geschichten.
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Die fantastischen Abenteuer des Mädchens mit den Fuchsohren. Die zwölfjährige Faye Fox wurde mit Fuchsohren geboren und ihr Leben lang als Hauptattraktion im Zirkus ausgestellt. Doch sie träumt von einem besseren Leben bis eines Tages ein kleines Wunder geschieht: Die freundliche Hexe Miss Butterling nimmt Faye in ihrem magischen Teeladen als Lehrling auf. Ein Traum scheint wahr zu werden. Täglich ist Faye nun umgeben von zuckrig-leckerem Gebäck, verrückt-zauberhaften Zutaten und skurril-lebendigem Geschirr. Bei Miss Butterling findet sie neue Freunde, zum Beispiel einen vorlauten weißen Raben namens Madrigal. Alles wäre gut, wäre da nicht der fiese Mr Gram, König der Toten. Einst versprach er Faye, sie von ihren ungeliebten Fuchsohren zu befreien – unter einer Bedingung: Sie soll ihm ins Reich der Toten folgen. Werden Faye und ihre Freunde den bösen Fluch des Mr Gram abwenden können? Fantasy für starke Mädchen – Spannung garantiert. Start der magischen Trilogie um Faye Fox und ihre Freunde: Band 2 und 3 folgen 2023 und 2024. Du hast Nevermoor und Ein Mädchen namens Willow geliebt, hast Fuchsland verschlungen? Dann freu dich darauf Faye Fox kennenzulernen. Kinderbuch ab 10 Jahren für alle großen und kleinen Fans fantasievoller, magischer Hexen-Geschichten.
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Das zweite Abenteuer um Faye Fox und den reisenden Teeladen: auf nach London! Das Wilde Gelage findet endlich wieder statt! Es ist der größte magische Wettbewerb in ganz Europa und Faye Fox und ihre Freunde fahren nach London, um das aufregende Spektakel anzuschauen. Als jedoch der reisende Teeladen samt seiner Besitzerin, der Teehexe Miss Butterling, geschrumpft und vom Meisterspion des Hofs der Lichtfeen gestohlen wird, nimmt Faye an dem gefährlichen Wettkampf teil, um Dwimmerly End zurückzugewinnen. Doch die Teilnehmenden schrecken vor nichts zuru¨ck, um am Ende den großen Preis in Händen zu halten. Und die böse Feenkönigin handelt alles andere als fair. Wird es Faye Fox und ihren Freuden dennoch gelingen, Miss Butterling zu befreien? Die fantastischen Abenteuer des Mädchens mit den Fuchsohren gehen weiter. Fantasy für starke Mädchen: Hochspannung garantiert in Teil 2 der magischen Trilogie. Fantastische Hexengeschichte, in der es vor verwunschenen Orten und spleenigen Charakteren nur so wimmelt. Atmosphärisch dicht und aufregend: Endlich geht das Abenteuer des Mädchens mit den Fuchsohren und seiner Freunde weiter – für Kinder ab 10 Jahren. Dich fesseln die Romane von Katja Brandis und Anna Ruhe? Du konntest „Nevermoor“ und „Fuchsland“ nicht aus der Hand legen? Dann bist du in Miss Butterlings Dwimmerly End goldrichtig! Von Andy Sagar, der Jura studiert hat und dessen Doktorarbeit zur Rolle des Gesetzes bei der Hexenverfolgung ihn zu diesem Fantasy-Abenteuer inspirierte.
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This is the most thoroughly investigated edition of Volpone to date, based on a wider collation of the 1607 quarto and 1616 folio versions than was previously possible. It calls into question several accepted textual conclusions. The introduction sets Volpone in the context of Jonson's career at the time of writing and introduces new material on its relation to the Reynard beast epic and the commedia dell' arte. Ambiguities in the play are discussed with reference to two Renaissance perversions of the myth of the Golden Age. Particular attention is paid to the rhythmic effects of the play in performance, especially interweavings of the main plot and subplot. Fresh suggestions are made about the play's opening and its controversial conclusion in the light of experiments that have been made in performance since Volpone 's stage revival in 1921. The modernized text is accompanied by full commentary, notes and illustrations. The appendices include a discussion by John Cutts of the original music, passages translated from the original sources and analogues, and a full record of the play's modern stage history, its many adaptations, and its transformations into opera, musical comedy, film and television. ;
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An ancient scholar surnamed Geng fell in love with a girl named Qing Feng, but he was blocked by Qing Feng’s father. Several months later, he met Qing Feng again by an occasional chance and learned that she was a fox spirit. But this man didn’t mind, he not only married Qing Feng but also saved her father. At last they lived happily together.
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The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections.
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Flora is very excited: together with her magic owl Goldwing, she is to be part of a new team. The owl rulers of the Magical Kingdom have summoned them to Featherland, a hidden place in a mysterious monastery. There they meet the snowy owl Nordis, the spectacled owl Claro and, of course, Jona, who always tries to compete with Flora. How will they ever manage to make a team? It’s not long before they are given their first job: during the night of the next full moon they must help one another to awaken the magic of Featherland – and this proves to be more difficult than expected. Because suddenly Claro disappears from the face of the earth. And without him, no magic can ever succeed…
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Lea sometimes is afraid to talk to other children and adults or speak in front of the class. She prefers to run to her toy kangaroo Pocci rather than face frightening situations. If Lea avoids her fears, she turns into a fox, which makes everything worse. She is not the courageous and cheerful girl she would like to be. But luckily Pocci can help her, and together they thoroughly straighten up Lea’s thoughts and free her from her fears. The aim of this book is to make it easier for affected children to understand their fears. They are taught that they are not alone and how to overcome their fears. The book provides parents, siblings, and therapists with important information about emotional isorders as well as practical tasks and exercises. For: • children of primary school age (between 6 and 12 years) who suffer from social anxiety • parents, relatives• therapists
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The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
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This is the first single volume edition of A Trick to Catch the Old One for many decades. This edition presents a thoroughly reconsidered text based on collation of all known copies of the 1608 quarto (including material unnoticed by earlier editors). Textual analysis draws on detailed internal investigation and the printer's wider practice to propose that relatively improvisational procedures and a paper quota governed A Trick's printing operations. Discovery of an overlooked record revises the date of court performance to 1 January 1607, with implications for the play's early history. Critical discussion freshly examines the play's multi-layered ironic texture in relation to such issues as the status of women, marriage's relation to prostitution and vice versa, and the contemporary marriage market. And the Courtesan receives special attention in the context of this overarching ironic scheme. An extensive stage history explores original staging and documents revivals to 2011. The commentary is the most wide-ranging and comprehensive of all modern editions. ;
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The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. The editors invite the submission of articles in these fields and welcome discussion of in-progress projects.
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The most magical adventure since the discovery of chocolate! Do you believe in magic and miracles? Everyone in the little town of Belony takes magic and miracles for granted – everyone except Elina, who thinks it’s all a load of nonsense. That is, until her nervous neighbour Charlie happens to get hold of a bar of chocolate that has a very strange effect on her. Suddenly Elina is convinced that Charlie has fallen under a spell. Of all people, it’s shy Robin who comes to the girl’s rescue. He is a member of a Candy Guild family – people who have the ability to create magic sweets that will help others. This is how he knows that only the mysterious Candy Guild can lift the curse on Charlie. With a suitcase full of magic sweets, the three of them set out on a dangerous quest. Because not everyone keeps to the pact that magic sweets should only be used to do good… The Candy Guild. The Magic Pact is the first in a new series of magic-fantasy books for children of 9+ - as enchanting as chocolate and as wild as a Christmas cracker!
