EDGE Science Fiction and Fantasy Publishing
Livres Canada Books
View Rights PortalThis book looks at London's provision of financial and military support for parliament's war against King Charles I. It explores for the first time a series of episodic, circumstantial and unique mobilisations that spanned from late 1641 to early 1645 and which ultimately led to the establishment of the New Model Army. Based on research from two-dozen archives, Civil war London charts the successes and failures of efforts to move London's vast resources and in the process poses a number of challenges to longstanding notions about the capital's 'parliamentarian' makeup. It reveals interactions between London's Corporation, parochial communities and livery companies, between preachers and parishioners and between agitators, propagandists and common people. Within these tangled webs of political engagement reside the untold stories of the movement of money and men, but also of parliament's eventual success in the English Civil War.
The war that won't die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers - from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró - rallied to support the country's democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book's focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century - including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco's censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic.
The war that won't die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers - from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró - rallied to support the country's democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book's focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century - including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco's censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic.
The First World War was mainly occurs in Europe but affects to the world world war.At that time in the world the majority country has all been involvedin this war.
This study is the first to critically survey the changing and highly controversial historical literature surrounding the American Civil War era, from contemporary interpretations up to the present.. The book analyses both historians attitudes and assumptions and suggests that each writer's perspective was partly determined by the dictates of time and place.. The author engages with all aspects of the Civil War era; social, cultural and economic as well as its political dimensions.. Aimed at sixth form colleges and university students. ;
This book looks at the reception of the Spanish Civil War in British popular culture, and how supporters of both sides in Britain used the rhetoric and imagery of the conflict to bolster support for their respective causes in the arena of British public opinion. Brian Shelmerdine finds that traditional notions of Spain as a country of bullfighting, bandits and flamenco were pervasive and were significant in shaping wider UK government policy towards Spain. He carefully assesses the different political perceptions of the 1930s Spanish scene, the role of the Catholic Church, the depiction of the two sides in terms of class, race and ethnicity, humanitarian appeals, and the plight of the Basques. The book is fluently written, and should make fascinating and entertaining reading for scholars of British society and culture in the twentieth century, as well as those investigating international impact of the Spanish Civil War. ;
The outbreak of the Spanish Civil War threw Irish politics, north and south of the border, into turmoil. Tragic events in Spain aroused emotive responses across the spectrum of Irish society. In contrast to most other communities of the British Isles, citizens of the Irish Free State were mainly pro-Franco. But many on the left felt a strong identification with the plight of the Republic. Ireland sent large organized bodies of men to fight on opposite sides in the Spanish Civil War. The International Brigade volunteers were led by the IRA warrior, Frank Ryan. Their rivals, who became a battalion of Franco's Foreign Legion were mostly members of the semi-facist Blueshirts, and were commanded by the ex-leader of that movement, General Eoin O'Duffy. In late 1936, two enemy crusades - Communist and Catholic - left Ireland to fight it out in Spain. This book, illuminated by personal histories, tells the story of what happened to those two sides. Starting with their eventful journey to Spain, it follows their footsteps across the battlefields of Spain. ;
Danko, Zirka and Fabian live peacefully in the small town of Rondo. They have their work and hobbies that always keep them busy... until War comes. The three friends have never experienced War before, and they don’t know how to act. In hopes of stopping War, they talk to it and fight it, but all in vain. Eventually, they discover an effective defense against the darkness of War — the power of Light. With the help of all the residents of Rondo, Danko, Zirka and Fabian build a huge light machine that disperses the darkness and stops War. The War that Changed Rondo reflects the ambiguities of war and it is a touching tribute to peace. From 4 to 7 years, 1585 words. Rightsholders: ivan.fedechko@starlev.com.ua
In the format of a spelling book, We Don't Need War tells children about universal values that now help Ukrainians to survive, stay together and defeat the enemy. Thus, children can not only learn letters and new words but also understand what kind of human qualities and actions can save the world. Readers will learn more about Ukraine and the actions of real heroes from the frontline to the cities near them. From 6 to 9 years, 1337 words, Rightsholders: Maria Pankratova, maria.pankratova@ranok.com.ua
The War and Little Veera tells of the monster War, who brazenly interferes in the lives of children and feeds on their toys and laughter. Nonetheless, little Veera still manages to defeat the horror. The monster War representes the events of Russia's military aggression in the eastern regions of Ukraine in 2014, and the book is full of optimism and confidence that light will always come after the darkness. To further celebrate young readers the book is full of interesting games and tasks. It is an ideal reading for children of preschool and primary school age. From 5 to 8 years , 4841 words. Rightsholders: info@bukrek.net
The author has a profound knowledge of history. In this book, he uses his rich historical knowledge and the theory of modern management to make a new interpretation of Sun Tzu's Art of War, an immortal masterpiece in the history of Military Science in China. The book has been copyrighted and exported to Taiwan, China and Vietnam.
On May of 1937, during the Spanish Civil War, 456 sons and daughters of republican fighters took the transatlantic boat Mexique, that set sail in Bordeau to arrive in Mexico. Previsions were that they would stay there three or four months, but the Republican defeat and the beginning of the Second World War changed that brief exile into a definitive one. This books tells the story not only of those children, but also about the ship, being aware that we do not know how many boats try to cross our oceans every day, moving human beings that have full rights to a proper way of living and not to stand over a land that tears apart below their feet.
Sexual politics in revolutionary England recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture.
As a child, she could not understand why people in films about the blockade of Leningrad were always lying down. And when Mariupol was besieged by the Russians, and she and her husband lived for many days without water, food and heat under constant shelling, she realized that when you lie down, you save strength and energy. "77 Days of February" included reports written by journalists of the Reporters media in the period between February 23 and May 9 — two symbolic dates for Russian military ideology. The invasion of Russian troops into Ukraine stopped the number of days and pushed Ukrainians back to the intervening time, where February — the month of the beginning of the great war — still lasts. In the meantime and in these candid stories, there is pain, fear, hatred, and sometimes despair. But the main thing is hope. This is a bare nerve and an honest voice of the new Ukrainian reality.
After the End argues that the cultural imaginaries and practices of the Cold War continue to deeply shape the present in profound but largely unnoticed ways across the global North and in the global South. The argument draws examples from literature and literary criticism, film, music, the historical and social scientific record and past and present physical sites to consider the bunker as a material form, an image and as a fantasy that took shape in the global North in the 1960s and that spread globally into the twenty-first century. After the End reminds us not only that most of the world's peoples have lived with or died from apocalyptic conditions for centuries, but that the Cold War imaginaries that grew from and fed those conditions, continue to survive as well.
Ukraine’s Maidan, Russia’s War: A Chronicle and Analysis of the Revolution of Dignity is a book by Mykhailo Wynnytskyj, which covers in detail and consistently the events in Ukraine in 2013-2018. This historical work combines the point of view of a scientist and a participating observer who took an active part in the protests. During the Revolution of Dignity, Mykhailo Wynnytskyj was a regular commentator in the English-language media, analyzing current events in his blog "Thoughts from Kyiv". Later he wrote this book, which was first published in 2019 in English and became the author's contribution to defending Ukraine's position in the many years of information war.
A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.
This is the first major study of Britain's pioneering graphic satirist, Sir Francis Carruthers Gould (1844-1925), the first staff political cartoonist on a daily newspaper in Britain, and the first of his kind to be knighted. Written by the distinguished media historian, Colin Seymour-Ure, it is essential reading for anyone interested in cartoons, caricature and illustration and will also be welcomed by students of history, politics and the media. It examines Gould's career in Fleet Street until his retirement after the First World War. It also discusses his illustrations for magazines and books and there is an analysis of his use of symbolism and literary allusion to lampoon such eminent politicians as Gladstone and Joseph Chamberlain. As Lord Baker says in his Foreword, this book is 'a major contribution to our knowledge of British cartooning.'