Furaha Publishers founded in 2014 is an independent children’s book publishing house based in Kigali Rwanda. It publishes 30 to 40 titles a year in both Kinyarwanda and English. Two titles were among the top 10 favorite children’s books in 2017.
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Furaha Publishers founded in 2014 is an independent children’s book publishing house based in Kigali Rwanda. It publishes 30 to 40 titles a year in both Kinyarwanda and English. Two titles were among the top 10 favorite children’s books in 2017.
View Rights Portal
Gender-based violence (GBV) in travel and tourism is embedded within wider social structures of gender inequalities and discrimination. Even though it is pertinent to study GBV in all its forms, this book focuses on the multiple and interconnected manifestations of violence that women/girls encounter in tourism consumption and production (physical, sexual, emotional or socio-economic), while seeking to open the debate on violence against sexual minorities (LGBT) and discussing men/boys as victims and perpetrators of GBV. By engaging in a critical exploration of the theoretical landscape of GBV and case studies on GBV and sexual harassment, the book adopts a multidisciplinary perspective drawing on feminist, intersectional and post-colonial frameworks, bringing together contributions from academics and practitioners across the globe.
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This book aims to examine the nature of and resistance to gendered urban violence among Brazilian women in London and in the favelas of Maré, Rio de Janeiro. Drawing on the conceptualisation of translocational gendered urban violence framework, it highlights the importance of examining direct forms of gender-based violence across private, public and transnational spheres as interlinked with structural, symbolic and infrastructural violence. The book also explores the embodied and spatialised nature of gendered urban violence, explored through artistic engagements and arts-based methods. In developing a translocational feminist tracing methodological and epistemological approach across the social sciences and the arts, the book argues for the importance of a collaborative approach among academic, civil society organisations, artists and creative researchers with a view to engendering empathetic transformation to address gendered urban violence in the long-term.
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The documentary "Hexi Corridor China's Wild West", with its rich humanistic materials and unique aesthetic perspective, has become a classic of domestic documentary. Hexi Corridor, a documentary book of the same name published by Gansu Education Press, reproduces the film on paper in the form of pictures and illustrations, bringing readers a new reading experience and aesthetic enjoyment. The book's chapters are arranged in the same chronological order as the documentary, with each chapter focusing on a different theme -- from the equestrians of the empire to the quiet Buddhist faces of the grottoes; From the reading of Confucian scriptures to the ringing of merchants' camel bells. In different dimensions, he wrote an epic of the Hexi Corridor, a meeting place of civilizations.
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The book offers a novel lens to situate Europeanisation as violence - through institutions and technologies of development, cultural heritage, and borders, among others - by bringing South and East within a relational frame. Through four inter-related sections, it foregrounds Europeanisation as infrastructural violence and colonial asymmetries, slow violence and the construction of stratified subalternities, epistemic dispossession, and border epistemologies.
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Women and madness in the early Romantic novel returns madness to a central role in feminist literary criticism through an updated exploration of hysteria, melancholia, and love-madness in novels by Mary Wollstonecraft, Eliza Fenwick, Mary Hays, Maria Edgeworth, and Amelia Opie. This book argues that these early Romantic-period novelists revised medical and popular sentimental models for female madness that made inherent female weakness and the aberrant female body responsible for women's mental afflictions. The book explores how the more radical authors-Wollstonecraft, Fenwick and Hays-blamed men and patriarchal structures of control for their characters' hysteria and melancholia, while the more mainstream writers-Edgeworth and Opie-located causality in less gendered and less victimized accounts. Taken as a whole, the book makes a powerful case for focusing on women's mental health in eighteenth- and nineteenth- century literary criticism.
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This book uses the notion of the public sphere to produce a new view of the history of England in the post reformation period, tracing its themes from the 1530s to the early eighteenth century. The contributors, who are all leaders in their own fields, bring a diverse range of approaches to bear on the central theme. The book aims to put the results of some of the most innovative and exciting work in the field before the reader in accessible form. Each chapter stands alone in representing an important contribution to its own area of study and sub-period as well as to the overall argument of the book. Politics, culture and religion all feature prominently in the resulting analysis, which should be of interest to students and academics of early modern English history and literature. ;
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»Bosheit ist ein Mythos, den gute Menschen erfunden haben, um die seltsame Anziehungskraft der anderen zu erklären.« Oscar Wilde
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»Bosheit ist ein Mythos, den gute Menschen erfunden haben, um die seltsame Anziehungskraft der anderen zu erklären.« Oscar Wilde
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Air policing was used in many colonial possessions, but its most effective incidence occurred in the crescent of territory from north-eastern Africa, through South-West Arabia, to North West Frontier of India. This book talks about air policing and its role in offering a cheaper means of 'pacification' in the inter-war years. It illuminates the potentialities and limitations of the new aerial technology, and makes important contributions to the history of colonial resistance and its suppression. Air policing was employed in the campaign against Mohammed bin Abdulla Hassan and his Dervish following in Somaliland in early 1920. The book discusses the relationships between air control and the survival of Royal Air Force in Iraq and between air power and indirect imperialism in the Hashemite kingdoms. It discusses Hugh Trenchard's plans to substitute air for naval or coastal forces, and assesses the extent to which barriers of climate and geography continued to limit the exercise of air power. Indigenous responses include being terrified at the mere sight of aircraft to the successful adaptation to air power, which was hardly foreseen by either the opponents or the supporters of air policing. The book examines the ethical debates which were a continuous undercurrent to the stream of argument about repressive air power methods from a political and operational perspective. It compares air policing as practised by other European powers by highlighting the Rif war in Morocco, the Druze revolt in Syria, and Italy's war of reconquest in Libya.
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The world of work is tightly entwined with the world of things. Hot metal illuminates connections between design, material culture and labour between the 1960s and the 1980s, when the traditional crafts of hot-metal typesetting and letterpress were finally made obsolete with the introduction of computerised technologies. This multidisciplinary history provides an evocative rendering of design culture by exploring an intriguing case: a doggedly traditional Government Printing Office in Australia. It explores the struggles experienced by printers as they engaged in technological retraining, shortly before facing factory closure. Topics explored include spatial memory within oral history, gender-labour tensions, the rise of neoliberalism and the secret making of objects 'on the side'. This book will appeal to researchers in design and social history, labour history, material culture and gender studies. It is an accessible, richly argued text that will benefit students seeking to learn about the nature and erosion of blue-collar work and the history of printing as a craft.
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The book selects 300 works (groups) of painting, sculpture, grottoes, architecture, craft and other art works from the "13th Five-Year Plan" national key publications publishing planning project and the National Publishing Fund funded project "World Buddhist Art Atlas", closely related to auspicious themes in different periods and traditional Chinese cultural elements. Highlighting the development history of Chinese civilization and the radiation spread to neighboring countries and regions. Through appreciating the works of art, the manuscript analyzes their cultural connotation, expresses the auspicious vision of the ancient working people in health, reunion, peace, harvest, wealth and other aspects, reveals the far-reaching influence of Chinese culture, and has the function of art appreciation and cultural popularization.
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DEKEL PUBLISHING GROUP: A BRIEF PROFILE Dekel Publishing House was established in 1975, initially as an academic publisher for university students, but it quickly expanded to include more popular genres under its imprint Tamar Books. Within a few years, Dekel became one of Israel’s leading publishing houses with both fiction, such as novels and thrillers, and nonfiction titles, mainly related to hobbies, cooking, and various sports and leisure activities. In the nineties, Dekel first entered the international publishing scene, taking part in most of the Frankfurt Book Fairs and the London Book Fairs, as well as many Book Expo America, the Salon du Livre in Paris, and also the Beijing Book Fair. Dekel maintains friendly collaboration with many overseas publishers in various languages to whom it licenses their own language rights or co-publishing agreements. It also publishes both digital and print titles via its American imprint in Monterey, California, and its German imprint in Frankfurt. Dekel’s bestselling Krav Maga series, which focuses on the original Israeli renowned self-defense system, has been translated and published in many languages, most with successive reprints, including Japanese, Korean, and Chinese. Recently, Dekel has developed titles in the high-tech and start-up domain, including fiction & nonfiction. Despite its dynamic activity, Dekel is a family-owned company managed by father and son Zvi and Dory Morik. Their company often proves itself to be a pioneer in the international publishing industry in promoting new and intriguing themes. CONTACT: Imprints: Samuel Wachtman’s Sons, Lindenfels von Pressel Verlag Post: P.O. Box 16109, Tel Aviv 6116002, Israel Tel/Fax: 972-3-6044627 E-mail: zvimor@dekelpublishing.com Managing Director: Mr. Zvi Morik Export Manager: Mr. Dory Morik
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This book mainly describes the origin of the Lisu Knife-Pole Festival. February 8th of the lunar calendar is an important day for the Lisu people to celebrate the Knife-Pole Festival. Regarding the origin of the Knife-Pole Festival, there is a legendary story of a hero Wang Ji circulating in the Lisu tribe. According to legend, Wang Ji was a rare talent at the time who was proficient in the art of war, was courageous and strategic, and cared about the people. At that time, other ethnic groups often invaded the border of Yunnan, and the Lisu people living there were unable to resist. Wang Ji led the defence and defeated intruders with the assistance of the Lisu people. In order to commemorate the hero Wang Ji, the Lisu people named the day when Wang Ji was dead — February 8th as the “Knife-Pole Festival”.
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Although an effective rabies vaccine has existed since 1885, rabies continues to kill an estimated 59,000 people, and uncalculated animals, every year. Sixty per cent of these human deaths occur in Asia. To work towards the global target of eliminating dog-mediated rabies by 2030, the rabies community is applying the One Health approach. Written by a multidisciplinary group of scholars and rabies control programme specialists, this book is a collection of experiences and observations on the challenges and successes along the path to rabies control and prevention in Asia. It: - Grounds chapters in solid scientific theory, but retains a direct, practice-focused and inspirational approach; - Provides numerous examples of lessons learned and experience-based knowledge gained across countries at different levels of rabies control and elimination; - Brings together and highlights the practices of a strong, international rabies network that works according to the One Health concept. Covering perspectives from almost a dozen Asian countries and a wide range of sectors and disciplines, such as healthcare facilities, veterinary services, laboratories, academia, public health institutes and wildlife research centres, this book is an invaluable resource for rabies scholars and practitioners, but also those working in the wider fields of disease control and cross-sectoral One Health.
