History of Art / Art & Design Styles

Hot metal

Material culture and tangible labour

Jesse Stein. Series edited by Bill Sherman, Christopher Breward

Description

The world of work is tightly entwined with the world of things. Hot metal illuminates connections between design, material culture and labour between the 1960s and the 1980s, when the traditional crafts of hot-metal typesetting and letterpress were finally made obsolete with the introduction of computerised technologies. This multidisciplinary history provides an evocative rendering of design culture by exploring an intriguing case: a doggedly traditional Government Printing Office in Australia. It explores the struggles experienced by printers as they engaged in technological retraining, shortly before facing factory closure. Topics explored include spatial memory within oral history, gender-labour tensions, the rise of neoliberalism and the secret making of objects 'on the side'. This book will appeal to researchers in design and social history, labour history, material culture and gender studies. It is an accessible, richly argued text that will benefit students seeking to learn about the nature and erosion of blue-collar work and the history of printing as a craft.

More Information

Author Biography

Jesse Adams Stein is Chancellor's Research Fellow in the School of Design at the University of Technology, Sydney

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Manchester University Press

Manchester University Press

Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.

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Series Part

Bibliographic Information

  • Publisher Manchester University Press
  • Publication Date October 2016
  • Orginal LanguageEnglish
  • ISBN/Identifier 9781784994341 / 1784994340
  • Publication Country or regionUnited Kingdom
  • FormatHardback
  • Primary Price 75 GBP
  • Pages232
  • ReadershipGeneral
  • Publish StatusPublished
  • Dimensions240 x 170 mm
  • Illustration45 black & white illustrations
  • Biblio NotesIntroduction: labour, design and culture Part I: Image, space, voice 1. The visual at work: oral history and institutional photographs 2. Spatial and architectural memory in oral histories of working life Part II: Technological transitions 3. The continuity of craft masculinities: from letterpress to offset-lithography 4. 'Going with the technology': the final generation of hot-metal compositors Part III: Challenges and creative resilience 5. (Re)making spaces and 'working out ways': women in the printing industry 6. Making things on the side: creativity at a time of institutional decline 7. Conclusion: factory closures, material culture and loss Index
  • SeriesStudies in Design and Material Culture

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